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Dicing with the Dangerous Lord
Dicing with the Dangerous Lord
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Dicing with the Dangerous Lord

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Dicing with the Dangerous Lord
Margaret McPhee

SLEEPING WITH THE ENEMYVenetia Fox is London’s most sought-after actress, darling of the demi-monde and every nobleman’s desire. But she’s about to face her toughest role yet – seducing a confession from the devilishly handsome and very dangerous Lord Linwood to bring her father’s murderer to justice!She might have the whole of London fooled, but Linwood can see through Venetia’s ardent attempts to persuade him to open up. His past is murky, but he’s no criminal. Her interest in him has Linwood intrigued – he might just have to play Miss Fox at her own seductive game…Gentlemen of Disrepute Rebellious rule-breakers, ready to wed!

‘You know all my secrets, Lord Linwood.’

‘Not all.’

‘No, not all,’ she said as she turned to look into his face.

He saw something flicker in her eyes—something that was not quite in keeping with the rest of her, something which he could not quite discern. But it was gone as quickly as it had appeared.

‘I am intrigued, Miss Fox.’ It was the truth. She was the most celebrated and coveted actress in all London. Bewitching. Beguiling. Yet cool. Her reputation preceded her. Linwood had never met a woman like her.

‘By my secrets or by me?’

‘Both. But I thought you desired flattery to be confined to the green room?’

She laughed, her eyes silver in the moonlight beneath the dark, elegant curve of her brows. ‘I will tell you one of mine if you tell me one of yours.’ Her voice was husky and as alluring as that of a siren. Her gaze held his boldly. The sensual tension tightened as the silence stretched between them.

All around them was darkness as dense and black as the secrets he carried in his heart—secrets that he would take to his grave rather than spill.

‘Would you really, Miss Fox? Tell me your darkest secret in exchange for mine?’

About the Author

MARGARET MCPHEE loves to use her imagination—an essential requirement for a trained scientist. However, when she realised that her imagination was inspired more by the historical romances she loves to read rather than by her experiments, she decided to put the ideas down on paper. She has since left her scientific life behind, retaining only the romance—her husband, whom she met in a laboratory. In summer, Margaret enjoys cycling along the coastline overlooking the Firth of Clyde in Scotland, where she lives. In winter, tea, cakes and a good book suffice.

Previous novels by the same author:

THE CAPTAIN’S LADY

MISTAKEN MISTRESS

THE WICKED EARL

UNTOUCHED MISTRESS

A SMUGGLER’S TALE

(part of Regency Christmas Weddings)

THE CAPTAIN’S FOBIDDEN MISS

UNLACING THE INNOCENT MISS

(part of Regency Silk & Scandal mini-series)

UNMASKING THE DUKE’S MISTRESS*

A DARK AND BROODING GENTLEMAN*

HIS MASK OF RETRIBUTION*

And in Mills & Boon HistoricalUndone!

HOW TO TEMPT A VISCOUNT*

*Gentlemen of Disrepute

Did you know that some of these novels

are also available as eBooks?

Visit www.millsandboon.co.uk

AUTHOR NOTE

This story picks up where HIS MASK OF RETRIBUTION left off. As the dark-eyed Lord Linwood was cast in a rather villainous light in my previous books, I thought it was time for him to be the hero. Finding the right heroine was a challenge—until the sexy demi-monde celebrity Miss Venetia Fox popped into my head. I knew at once she was going to be more than a match for Linwood in the very dangerous game they play together.

So here is the story of how Venetia and Linwood come to fall in love. I sincerely hope that you like it.

I love to hear from readers: www.margaretmcphee.co.uk

Dicing with the

Dangerous Lord

Margaret McPhee

www.millsandboon.co.uk (http://www.millsandboon.co.uk)

For my big Wee Sister, Andrea—

lots of spicy bits because I know you like them!

Chapter One

Theatre Royal, Covent Garden, London November 1810

The applause within the Theatre Royal at Covent Garden was deafening, even after the heavy red curtain had descended on Shakespeare’s As You Like It, to shield London’s most acclaimed darling of the theatre from the audience.

Miss Venetia Fox smiled and hugged her friend and fellow actress as they made their way from the stage. ‘They are still on their feet, Alice.’

‘I can’t believe it! It’s amazing! I’ve never seen a response like it.’ Alice Sweetly’s eyes were big as saucers. In her excitement her soft Irish lilt grew stronger.

Venetia laughed. ‘You will get used to it.’

‘You think this’ll happen again?’

Venetia smiled at her protégée and nodded.

‘You were right. Life doesn’t get much better than this.’ Alice’s face was lit with the same euphoria that was flowing through Venetia’s veins. Away from the glitz and glamour of the front of the house, the theatre’s corridors were mean and narrow and the décor shabby, but it could not suppress the women’s spirits.

Alice hesitated outside the door to the small dressing room that they shared and turned to look up into Venetia’s face. ‘Thank you, Venetia. For helping me. For persuading Mr Kemble to put me on stage with you tonight. For everything.’

‘I knew you would be a star.’ Venetia gave Alice another hug. ‘After the green room we will celebrate.’

‘Only after the green room,’ Alice agreed. ‘See, I’m learning to be professional, just like you taught me.’

Venetia laughed, and a joy welled up in her to see just how far Alice had come in the past year. Alice’s face showed confidence, self-respect and excitement. Venetia felt like she was walking on air as she opened the dressing-room door.

She was still smiling as she stepped across the threshold and saw the bunch of roses that lay upon the dressing table. The smile dropped from her face and the lightness of her mood evaporated in an instant.

Alice chattered on oblivious, her face lighting even brighter when she saw the roses. ‘Someone’s ahead of the game tonight. Got in early before the others.’ She touched a finger to the centre of the bouquet. ‘Nice little quirk from the usual arrangement, too. Which one of us is the lucky girl, do you think?’

Venetia knew the answer to that question without reading the small white card that had been tucked within the brown paper wrapping the stems. There were twelve roses, soft and velvety and of the deepest darkest red, and nestling in the centre of their arrangement, in such contrast, was a single creamy white rose, just as Robert had said. It was the message for which she had waited these weeks past. It had been so long in the coming that she had almost forgotten what she had agreed to. Almost.

Venetia picked up the card with its scrawl of black ink.

‘Looks like you’ve got yourself a new admirer. And one that hasn’t signed so much as his initial.’ Alice raised her eyebrows suggestively. ‘Very mysterious.’

Not mysterious at all. Venetia forced a smile, but it felt wooden upon her lips. Her eyes moved over the card and she read aloud the single word written upon it in handwriting that she could not fail to recognise—Tonight.

‘Sounds intriguing,’ said Alice. ‘Who is he?’

‘I have not the faintest idea,’ Venetia lied and threw the card down on the dressing table carelessly, as if it meant nothing.

‘That’ll put the cat amongst the pigeons with Hawick and Devlin,’ said Alice. ‘Hawick thinks he’s about to close the deal.’

‘Then Hawick is wrong.’ Venetia did not rise to the bait.

‘You’re leaning towards Devlin, then?’ There was a mischievous sparkle in her friend’s eye.

‘Alice!’

‘I’m teasing you!’ Alice grinned. ‘But if I had a duke and a viscount fighting to make me their mistress, believe you me, I wouldn’t be playing so hard to get.’

‘Better to earn your own money than put yourself in a rich man’s power,’ Venetia said, but the rich man she was not thinking of was not the Duke of Hawick or Viscount Devlin, and the woman enslaved, not herself.

She moved her mind away from the past to focus on the evening ahead… and just how she must snare a different rich man’s interest. According to Robert’s covert floral message the man would be waiting in the green room at this very moment. He was just another arrogant lust-ridden nobleman, like any other. Except he wasn’t. But she did not let herself dwell upon who he was and what he had done. Nor did she think about the danger. Instead, she focused herself with cool dispassion to the task that lay ahead.

‘Hurry yourself and turn around, Venetia. They’re waiting for us in the green room.’

‘A little waiting will serve to whet their appetites all the more.’ They were waiting. He was waiting. Venetia smiled a grim smile at the challenge ahead of her as she presented her back to Alice to unlace the bodice of her stage costume.

‘I should not have let you persuade me into coming here.’ Within the green room of the Theatre Royal, Covent Garden, Francis Winslow, or Viscount Linwood as he was known, moved his gaze over the mix of gentlemen and peers already flirting with those minor actresses who had come straight from the stage. The room was decorated in the rococo style, the green walls edged with elaborate gold-leafed plasterwork, and set with large ornate mirrors before which crystal-decked candles burned. From the centre of the ceiling a single chandelier had been suspended, studded with few enough candles to hide the shabbiness of the room’s gentility.

‘Why? Do you not want to see the celebrated Miss Fox, or Miss Sweetly?’ The Marquis of Razeby raised an arrogant eyebrow.

‘Some other time, perhaps.’

‘Hell, Linwood, it will do you good and I tell you they are worth the seeing. If you thought they looked good upon the stage, wait until you see them up close. Miss Fox is all cool silver moonlight, and Miss Sweetly, all warm golden sunshine. Both divine in their own ways.’ He moved his hands in the outline of the curves of a woman’s body. ‘If you know what I mean.’

‘So I saw.’

‘Which would you go for?’

‘I am not looking for a woman right now.’

‘Been a while since the last one.’ Razeby arched an eyebrow.

‘It has,’ agreed Linwood. ‘I have had other things on my mind. I still have.’

Razeby persisted. ‘Maybe. But I think what you need is an armful of something warm and curvaceous and soft to distract you…’

‘I do not wish to be distracted.’ There was only one thing on Linwood’s mind right now. And he would have given the world if it had been something as frivolous and meaningless and pleasurable as a light-skirt. But those days were long gone and, given the mess his life was in now, he knew they would never return.

‘I have been working on Miss Sweetly and she is ripe for the plucking, but Miss Fox, well, she is a different story altogether. Sweetness versus sophistication. Can you imagine having both of them together? At the same time?’ Razeby blew out a sigh.

He understood Razeby was only trying to help, but his friend knew nothing of the truth, of what had happened, of the things he had done. He pushed away the thoughts, the memory of that final scene with Rotherham. ‘I will leave you to your actresses and your imagining,’ Linwood said. ‘And wait for you on the balcony.’

‘Miserable sod!’ Razeby smiled in his good-natured way and shook his head.

Linwood’s lips curved in the ghost of a smile.

Venetia knew exactly how to identify the man for whom she was looking. He carries an ebony walking cane topped with a silver wolf’s-head in which the eyes are two set emeralds. Robert’s words rang in her head as she worked her way through the men around the green room, all the while scanning for the walking cane. There were canes aplenty, but not the one that she sought. Yet both it and its owner were here; Robert would not have sent the message had he not been certain. And then she noticed the dark red curtain, masking the French doors to the balcony, sway slightly in the breeze. A frisson of uneasiness whispered within her at the realisation of having to do this alone with him, out there in the darkness.

It took thirty minutes to reach the curtain, via Razeby and Haworth and Devlin. But then at last she was able to slip unnoticed behind it. The door was only slightly ajar. She took a deep breath, pushed it silently open and, closing it quietly behind her, stepped out into the cool dampness of the London night.

The moonlight silhouetted him where he stood looking out over the lamp-lit street; a dark, lithe figure, silent and unmoving as if he were carved of the same Portland stone as the balustrade that contained the balcony. Her gaze moved over the dark beaver hat and gloves held in his left hand, and then on to the walking cane in his right. The tip of it touched to the leather of his glossy black riding boot and beneath his hand she could see the glint of the stick’s silver wolf’s-head handle and the glow of two tiny green gems within. And in that small moment before he moved, all of Robert’s warnings about this man and what he had done seemed to whisper in her ear, making her blood run cold. But even then she did not consider changing her mind. She stepped forwards, relishing the challenge.

He glanced round, half turned to her.

‘Do you mind if I…?’ She gestured towards the coping that topped the balustrade just along from where he stood.

‘Not at all.’ It was a smooth, low, well-spoken voice, not harsh and cold as one might have imagined for such a man. ‘I was just leaving.’ His expression was serious, unsmiling, nothing of the hopeful flirtation that was upon every other male face within the green room.

‘Not on my account, I hope.’ She kept her voice low and lazy and seductive as she strolled over to the balustrade, stopping, not too close to him but close enough, and looking not at him but out over the same view he had been watching. ‘Who would have thought such a spot could offer such refuge?’ She knew the way to draw a man into conversation, to entice his interest by offering a little of herself. It was a necessary skill of any successful actress and Venetia had spent years perfecting the method.

‘Refuge?’ he asked.

She kept her gaze fixed on the lamp-lit streets below. The breeze breathed its chill against her cheeks, against her exposed décolletage.

‘A few precious moments of calm in a night full of frenzy and demand.’ She watched the carriages and the groups of gentlemen with their mistresses on their arms. ‘I often come out here before the performance… and after. To think. I find it helpful.’

‘You do not enjoy acting?’

‘I enjoy acting very much. But not that which goes with it.’