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The Daughters Of Red Hill Hall: A gripping novel of family, secrets and murder
Kathleen McGurl
‘The Daughters of Red Hill Hall … all the intrigue, mystery, relationship drama and edge of your seat secret reveals any reader could want.’ – Books and BoardiesWhen Gemma discovers a pair of ancient duelling pistols encrusted with rubies in the basement of the local museum, she is immediately intrigued…On a fateful night in 1838 two sisters were found shot in the cellars of Red Hill Hall. And when Gemma begins to delve deeper into their history she begins to realise that the secrets of that night are darker than anyone had ever imagined.As the shocking events of the past begin to unravel, Gemma’s own life starts to fall apart. Loyalties are tested and suddenly it seems as if history is repeating itself, as Gemma learns that female friendships can be deadly…Perfect for fans of The Emerald Comb, The Pearl Locket, Rachel Hore and Kate Morton.What reviewers are saying about Kathleen McGurl’s The Daughters of Red Hill Hall‘Mystery, danger, intrigue and heart-pounding drama are deliciously interwoven’ – Julie (Goodreads)‘I devoured The Daughters of Red Hill Hall in two sittings…it showed off the many talents of Kathleen McGurl to perfection.’ – Emma Crowley on Shaz’s Book Blog‘This book grabbed me from its opening pages’ – Being Anne…‘a great summer read!’ – A Home in the Country‘if you like historical mysteries, murder and romance, this is a must read for you.’ – Violet Fields (NetGalley)‘This is the first of Kathleen McGurl's books that I have read but it certainly won't be the last’ – Karen O’Hare (Goodreads)‘For fans of Katherine Webb or Kate Riordan’ – Sheila’s Review (Goodreads)‘McGurl focuses on the relationships and emotional turmoil… As always a spirited read.’ – Cheryl M-M
When Gemma discovers a pair of ancient duelling pistols encrusted with rubies in the basement of the local museum, she is immediately intrigued…
On a fateful night in 1838, two sisters were found shot in the cellars of Red Hill Hall. And when Gemma delves deeper into their history, she begins to realise that the secrets of that night are darker than anyone had ever imagined.
As the shocking events of the past begin to unravel, Gemma’s own life starts to fall apart. Loyalties are tested and suddenly it seems as if history is repeating itself, as Gemma learns that female friendships can be deadly…
Perfect for fans of The Emerald Comb, The Pearl Locket, Rachel Hore and Kate Morton.
Praise for Kathleen McGurl (#ulink_eb05128c-1235-50ae-9ec3-40b6fdf07d2e)
‘There were twists and turns galore that had me gripping my Kindle to within an inch of its life…’
– Becca’s Books on The Pearl Locket
“…exciting, fast-paced and impossible to put down…”
– Books Reviews by Em on The Emerald Comb
“Two stories: one historical, the other contemporary, cleverly interwoven with conflict, mystery and passion…an absorbing read”
– Jane Hunt on The Emerald Comb
“Infuriatingly well-written…an intelligent and refreshingly different read”
– Read Reviewed on The Emerald Comb
“An edge of your seat read, that is a page turner and gripped me from page one”
– Comet Babe on The Emerald Comb
“…beautifully written and left you wanting more. More of everything.”
– Feed Me Into Books on The Emerald Comb
Also by Kathleen McGurl (#ulink_15c15271-4f4b-5b71-b26d-0a206bf600a4)
The Emerald Comb
The Pearl Locket
The Daughters of Red Hill Hall
Kathleen McGurl
www.CarinaUK.com (http://www.CarinaUK.com)
KATHLEEN McGURL
lives in Bournemouth with her husband and teenage son; her older son being away at university. She always wanted to write, and for many years was waiting until she had the time. Eventually she came to the bitter realisation that no one would pay her for a year off work to write a book, so she sat down and started to write one anyway. Since then she has written several books and sold dozens of short stories to women’s magazines. She works full time in the IT industry and when she’s not writing, she’s often out running, slowly. For more information or to get in touch, please visit kathleenmcgurl.com (http://kathleenmcgurl.com) or follow @kathmcgurl (http://www.twitter.com/kathmcgurl) on Twitter.
My thanks are due as always to my editor Victoria Oundjian and everyone else at Carina, for their advice, support, superb editing and wonderful cover designs.
Thanks also to my writing buddies – the other Carina authors, the Write Women and my friends in the Romantic Novelists Association. Writing is a lonely activity, and the online chats and occasional meet-ups are what keep me going.
My sons, once again, helped me out with this book. Fionn McGurl gave me valuable feedback as my beta-reader, and Connor McGurl acted as a sounding-board and helped me work out some tricky plot twists. My heartfelt thanks to both of them.
Thanks to Della Galton, whose writing classes I attended for many years. This novel grew from a prologue I wrote for one of her end-of-term competitions.
And finally, thanks to my husband Ignatius McGurl who was so enthusiastic about that prologue that it spurred me on to complete the entire novel.
For my husband Ignatius
This is the book you said I should write!
Contents
Cover (#udc29c7ab-b4f1-5d09-9a2c-e60fed96ff48)
Blurb (#ua272620c-679a-57f9-82a8-0d85f53b8c6b)
Praise (#ub8f715f8-34c8-581f-8970-ca3e3e4f9c0f)
Book List (#ucc9e41d0-0199-5920-adb7-dfa98e90281a)
Title Page (#u2d759d8f-7473-5ad0-ad70-9b39c49f1a86)
Author Bio (#uc6070c2e-bd4a-5da6-b6b7-b5b63238fddf)
Acknowledgements (#ua9983260-65b2-58cc-9183-f1c285ec511f)
Dedication (#u02eb66ad-66e3-565f-852f-89f7316204e6)
Prologue (#u998e1b71-5ef1-5d46-ad77-09da7770ca88)
Chapter 1 (#uf956c978-55a3-5fb9-8ecd-17cf35821f95)
Chapter 2 (#u13375700-6e6f-5e99-ab19-d043b17551cb)
Chapter 3 (#ubdac2d18-525c-5c8f-a380-2b5b4a245480)
Chapter 4 (#u8d7489fc-767e-56cb-96ab-5c372135453f)
Chapter 5 (#ub17e9a80-96f3-5657-908e-1bf57de44326)
Chapter 6 (#u93fc06ef-eb87-5d21-841b-f22042f72634)
Chapter 7 (#u626a29a4-12fb-5616-a7d1-b6a7be6bfc54)
Chapter 8 (#uc0734840-ffd0-578c-a5d4-1af1f62114b9)
Chapter 9 (#ua58e1d0e-484b-57b0-89f9-e0cef471e05f)
Chapter 10 (#ua29c3f9d-09df-544c-ac55-471d0cf52160)
Chapter 11 (#ud405e26e-9609-534b-90d3-90ef67227ca3)
Chapter 12 (#u8a7ee276-4b6f-5834-a683-1a70c972364b)
Chapter 13 (#u00875805-91b0-5440-9332-0b8a3218f0b7)
Chapter 14 (#ud81ba7ce-7a04-5f14-ae5f-faeb879ef0aa)
Chapter 15 (#u649338e9-c0d1-5da4-9779-1b8b632bad80)
Chapter 16 (#ub1364135-1729-5600-a013-42ecd09873f9)
Chapter 17 (#ud4a5602d-c376-5d6c-aa7e-a32cf153cd15)
Chapter 18 (#u2adfc00e-5d53-52d5-b09c-49e2b0cc5a9a)
Chapter 19 (#u4c852c30-9ca5-5606-ae84-2d1adf63998c)
Chapter 20 (#u43dd1774-6473-5708-8758-5d8743e5f7ee)
Chapter 21 (#u57fabd49-0c9e-52e8-a6be-358d2ff0d83d)
Chapter 22 (#u74d0c2e7-4d93-5f51-b535-c49c071a7feb)
Chapter 23 (#u6226fc24-7851-5343-b9c0-640f4c7a7ce6)
Chapter 24 (#u3d4ae854-7864-5b9d-8f57-04677db0ae50)
Chapter 25 (#u302151c8-4f6d-543f-bd20-5b94c4f5f522)
Chapter 26 (#u8798958b-35be-54d9-b723-de2d28147f2a)
Chapter 27 (#ue6816b48-5b25-57e4-9842-6b9a48dd40a5)
Chapter 28 (#u8e44b635-ebee-5ad9-b167-a15d22ce692c)
Chapter 29 (#u4a88eaf3-762d-513b-94c2-87f77002962a)
Chapter 30 (#ueaa26758-5daa-55ae-8686-0f6ac7c36665)
Chapter 31 (#ud9cfc3ea-29f8-5606-85af-c275274410e5)
Excerpt (#u7db9f0aa-8a49-5b8d-84b9-e447b6075fda)
Endpages (#uec0dd45c-782c-52d3-8a87-2fadd5e5287d)
Copyright (#u75063068-7306-543d-b32b-85c55f299c55)
Prologue (#ulink_a4fbdc44-926f-57d0-a93c-c15e3a101339)
August 1838
The pain was unimaginable. Red-hot blades of it shot through Rebecca’s furiously throbbing shoulder, pumping blood across the cellar floor. She lay in agony, groaning, but managed a glance over to where Sarah lay, just a few feet away. The other girl was also bleeding profusely from a shot to her abdomen. The pair of pistols lay discarded on the floor where they had been dropped, their ruby-encrusted stocks glittering in the candlelight.
Rebecca felt strangely detached from the scene. She watched as blood from her shoulder flowed across the floor to meet with the pool that spread from Sarah’s skirts. Their life forces mingled and combined, indistinguishable from each other. It was fitting, she thought, that two women who’d been so close in life should be together as they died. For she was certain they would both die from their wounds. It was better that way. They couldn’t both live. Not after all that had happened between them, after all the hurt they had caused each other.
Sarah moaned in pain, and her eyes flickered open. Rebecca stared at her across the cellar and a wave of compassion flooded through her. She reached out a hand towards her one-time best friend and adopted sister, causing her pain level to escalate yet further. She watched as with a huge effort Sarah shifted her position and reached out too, until their fingers touched. One last heave and Rebecca was able to entwine her fingers with Sarah’s. She felt a weak squeeze in return, telling her the gesture was appreciated. Sarah groaned and sighed, and Rebecca watched as her adored sister’s eyes closed. Only then did she allow her own eyes to close as she slipped into blissful, pain-free darkness.
Spencer, the butler, had heard something. He’d been putting away the glassware used at dinner when he heard the explosion. It sounded like a shot, or rather two shots, coming almost simultaneously. He hurried along the servants’ corridor in search of the source of the noise, and spotted the door to the cellars standing open. It should have been locked shut – they kept a valuable store of wines down there. Spencer snatched up an oil lamp, rushed down the cellar steps and made his way through the labyrinth of rooms and tunnels that made up the cellars of Red Hill Hall. ‘Hello? Is anyone there?’ he called, his voice sounding shaky and nervous even to himself. Another door was standing open – the one that led to the coal store. From there a flight of steps led to the grounds of the hall. Someone could have come in – and then escaped – by that route.
At last, in an empty room beyond the wine cellar, Spencer found the source of the noise. He gasped as he angled the lamplight onto the two mounds on the floor and recognised them as Miss Rebecca and Miss Sarah. His adored Sarah – that wonderful, vivacious girl who could light up a room with her smile. Their fingers were linked together, as though they’d been holding hands when they were shot, perhaps trying to save each other.
‘Oh my word, girls, what has happened?’ he muttered as he approached. His foot kicked something, and looking round he saw one of the old master’s duelling pistols. The other one lay close by as well. He cursed himself for not keeping the pistols under lock and key. Someone had clearly got in, probably via the coal store, stolen them from where they were kept in a cupboard in the first cellar, and shot the two beautiful young ladies, whose whole lives had been ahead of them. But why had the girls been in the cellar? He shook his head. Now was not the time to ponder such things. He knelt down in the pool of still-warm blood and checked for signs of life. One of them had no pulse. There was nothing he could do for her. But the other was breathing and had a faint, if erratic, pulse. If he acted quickly, maybe, just maybe, she could be saved.
Chapter 1 (#ulink_8bf62ce8-5a22-52d5-90cc-cab63ffcb70f)
April 2015
Not another fossil. Fossils were so darned boring. Gemma sighed as she pulled what must be at least the thirtieth ammonite today from the dusty box. She loved her job at Bridhampton’s little museum, cataloguing their extensive archive, but really, she had seen enough fossils to last her a lifetime. It was inevitable, she supposed, being so close to the Jurassic Coast in Dorset they were bound to have plenty of dinosaur bones and ancient marine creatures in the collection. But fossils did nothing for her. She preferred more recent history and human stories.
‘Cup of tea for my hard worker?’ Roger, the museum curator and her boss, put his balding head around the door.
Gemma nodded. ‘I’d love one, thanks.’ Poor Roger. He was practically another fossil. Well, that was unfair – he was probably only about ten years older than her – but he acted as though he was from the nineteenth century. Or before. She grinned to herself as she measured the ammonite and typed its details into the computer catalogue. He was old-school, that was for sure, but he was also the nicest boss she’d ever had. After leaving university with a history degree and no idea what she wanted to do with her life, she’d had a number of jobs in quick succession until two years ago she’d struck lucky here at the museum in her home town of Bridhampton.
By the time Roger returned with her tea, Gemma had finished cataloguing the contents of the box and was packing it up again to return it to its shelf in the museum basement.
Roger put the tea on the desk beside her, and moved some papers off a chair so he could sit down. ‘Anything interesting in that one?’
‘Half a dozen ammonites. One’s nearly a foot across. Weighs a ton.’ She closed the lid of the box and taped it up before Roger could start poking around in it. He did have a habit of wanting to pull things out and examine them, making the whole job take so much longer.
‘Oh well. Maybe we should use them in a Jurassic Coast display. What do you think?’
Gemma stopped herself from pulling a face. ‘We could, I suppose, but then the museum at Lyme Regis covers that so much better. Everyone goes there because of the Mary Anning connection. I think we should stick to other topics – human stories and Victorian themes.’ So much more interesting, she almost added.
‘You’re probably right.’ He smiled at her, and heaved the sealed box off the table. ‘I’ll fetch you the next one, then, to get started on once you’ve had your break.’
He looked quite sweet when he smiled, Gemma thought, as she watched him go through the door that led to the basement stairs. She resolved to be nicer to him in future. Poor bloke was probably lonely. He lived alone with only a cat called Michael for company. Who on earth calls their cat Michael, she thought, not for the first time.
Roger returned a few moments later bearing another cardboard box, this one festooned with cobwebs. He dumped it on the table and brushed the dust from his pullover. That was another thing. Who, these days, wore a hand-knitted jumper over a shirt and tie? Maybe she should have a gentle word with him about his fashion sense. If he ever wanted to get himself a girlfriend he’d need to first get himself a new wardrobe.
‘Here you are, then,’ he said. ‘Hope there’s something more exciting in that one. It was from aisle four, shelf three, if you want to make a note.’
