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The Genius in my Basement
Alexander Masters
As Aristotle understood it, ’there is no great genius without a mixture of madness’ and he may well have had a point: Einstein routinely forgot his way home when out walking the streets of Vienna, Nietzsche wound up in an insane asylum and Bobby Fischer, the chess prodigy, now scrambles around the world, seeking residency in any country reckless enough to let him through immigration.Simon Philips Norton, the subject of Genius in my Basement, is not mad – not by a long shot – but he is certainly mixed up. At one time he was considered one of the greatest prodigies of contemporary mathematics, his breakthrough work on a group of numbers nicknamed the 'Monster' inspired and was acclaimed by the international maths community for many years. These days he spends most of his time colouring in road atlases, tracing the paths of bus routes he has travelled upon all over the country, sheltering amongst a tower of unwashed pans and eating smoked kippers straight from a tin in his 'messy' (as Simon calls it) basement flat in Cambridge.In The Genius in my Basement, Alexander Masters, the award-winning and best-selling author of Stuart: A Life Backwards, offers a tender, humorous and intimate portrait of genius at its most ordinary and at its most blurred. He enters us into the extraordinary life of one of the would-be contenders – an everyday mastermind – and in doing so, reveals the cruel burdens, as well as the glorious rewards, of a life marked by brilliance.
ALEXANDER MASTERS
The Genius in my Basement
The biography of a happy man
Dedication
For gorgeous Flora
Oh dear, I have a feeling this book
is going to be a disaster for me.
Simon Norton
Contents
Cover
Title Page (#u218ac93d-89e4-58f1-ae90-922d822fda80)
Dedication (#u47947a2d-49ed-5b33-80e9-90a29de94452)
1
2 The reader meets Simon
Minus N
4
5 (#ulink_f9e5eadb-7d1d-57d2-acbd-5fe99469cf20)
*6 The Monster
*7
45
9 eSimon
10 Mars
*11
12
*13
14
15
16 Simon Cuttlefish
*17
18
19
20 Eton
*21 3D chess
*22 Breakthrough
23 Breakdown!
24
*25 How to bag a Subgroup
26
*27 Garbage Bag Group
28
29 Great Silence
30
*31 The Monster
32 Atlas
33
34
*35 Moonshine
36 Discovery!
37
38
Acknowledgements
Further Reading
Also by Alexander Masters
Copyright
About the Publisher (#litres_trial_promo)
1
Simon was one year old, playing in the dining room, getting under his mother’s stilettos.
He was unusually thoughtful. His brothers at this age pounded the toy blocks on the glass coffee table and jabbed them into the electric sockets.
Simon picked up a pink block from the pile beside his knee and smoothed it against the carpet. Carefully, he positioned a blue brick alongside. He reached across – his mother, on her way to lay the side-plates and forks, had to make a sharp swerve – for two more pink bricks, and slid them against the blue. With precision, he extracted another blue brick.
Shuffling across the room on his bottom, Simon found four more pink bricks, fumbled them back and continued the arrangement.
His mother, halfway through folding napkins into bishops’ mitres, stopped in astonishment. She saw at last what he was doing.
One blue, one pink.
One blue, two pinks.
One blue, three pinks.
One blue, four pinks.
From the disarray of Nature, her baby son was enforcing regularity.
It took our species from the birth of prehistory to the dawn of Babylonian civilisation to learn mathematics.
Simon was bumping about its foothills in just over twelve months.
At three years, eleven months and twenty-six days, he toddled into cake-layers of long multiplication:
(January 1956)
Simon’s brother Francis had barely managed to recite the digits from one to ten by the time he was four years old; his brother Michael, a fraction quicker, had understood that if you gave him three banana-flavour milkshakes, and asked him to ‘count’ them, the correct answer was ‘one’ for the first, ‘two’ for the second and ‘three’ for the sticky splosh dribbling down his ear.
Percentages, square numbers, factors, long division, his 81 and 91 times tables, making numbers dance about to itchy tunes:
Simon mastered these when he was five.
Occasionally, his attention wandered:
2 The reader meets Simon
Sschliissh, dhuunk, dhuunk, zwaap, dhuunk, zwaap …
Listen! Can you hear?
… dhuunk, sschliissh, dhuunk, zaap, zwap, dhuunk … Bend down. Put your ear against the carpet: Zwaap, dhuunk, dhuunk, dhuunk,
zwaap, dhuunk, ssschliissh …
It’s fifty years later.
… liissh, dhuunk, dhuunk, dhuunk, zwaap, dhuunk, ssschliissh, dhunnk dhuunk, zwa ap, sclissh dhunnk, du unnk, sw
That’s the sound of a once-in-a-generation genius.
Simon Phillips Norton: Phillips, with an ‘s’, as if one Phillip were not enough to contain his brilliance. He lives under my floorboards.
Dhuunk, dhuunk …
When I first moved here, I had no idea what the noises were. Underground rivers? The next-door neighbours dragging a new pot through to their Tuscan garden? Dhuunk, dhuunk … But after eight years of interpretation I know that it’s the great man’s feet, stomping from one end of his room to the other. Every second stomp is heavier.
‘Sssschlissh’: that’s the swipe of his puffa ski-jacket against the stalagmites of paperbacks he keeps piled on the furniture.
‘Zwaap’: the sound of his holdall, as he rotates at the end of the room. He sometimes flings it wide, hitting papers. Simon carries this bag about with him everywhere he goes, clutched in the crook of his arm, even if it’s just to his front door to let in the gas man.
… dhuunk, dhuunk, dhuunk, zwaap, dhuunk, dhuunk …
Simon’s bed is ten feet directly beneath mine. My study is on top of his living room. His stomping space extends the full depth of the building, under my floor. My balcony is the roof of his basement extension, which has herded all the pretty garden plants into a six-foot square at the back of our house and stamped them under concrete slabs.
The phone rings. A charge from Simon: Dhuunk! Dhuunk! Dhuunk!
Snorting. The receiver – … rrinng, clank, clumpump, ping, ping … – wrenched from its holster. Attempts at speech, grunts, bangs of talk-noise; a strangulated word.
Clunk. Phone back in its holster.
Silence.
Dhuunk, dhuunk, dhuunk …
There’s another very important sound, which is too difficult to represent typographically: an intermittent, twisted crackle, sharp but thick, with a strong sense of command, resting on a base of plosive disorder. In an exercise book from when he was five there’s a squiggle that comes close:
It’s the sound of plastic-bag-being-opened-in-a-hurry-andthe-gratification-of-discovering-important-papers-inside. Without understanding this noise, you cannot understand the man.
… ssschliissh, dhuunk, zwaap, zwaap, dhuunk, dhuunk … Simon has been pacing down there for twenty-seven years, three months, five days, thirteen hours and eight minutes.
Ssssh!
