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She picked up another photograph. ‘Detail of crack along neck. Head secure but some paint loss reveals a thin layer of plaster underneath the paint …’
‘Look at the detail of the right ear as it disappears into her hair,’ Nell said, entranced.
‘Oh, Nell, you really need to see the figurehead itself to appreciate the detail. Look at the robe, the wrist, the curve of her arm at the elbow as it disappears into her robe … This would be such a wonderful project to work on.’
Nell smiled. Gabby’s enthusiasm was infectious and Nell felt a whiff of envy at Gabby’s chance of working with something so beautiful.
‘The neck and upper body seem the most damaged.’
‘That left hand … it’s a terrible reproduction, totally out of proportion.’
‘Mm, I can see that. What else does she say?’
‘Image 01–0193 … Traces of blue-green paint in upper rear right gap.’ Gabby jumped on the last sentence and photograph. ‘Great! Nell, she found some original paint!’
‘Don’t get your hopes up, Gabby, until you’ve done a detailed inspection of your own.’
‘You are going to come and see her, aren’t you?’
‘I’d certainly like to see her before you start. You just can’t wait to get your teeth into this, can you?’
‘I haven’t got the job yet, Nell!’
‘I know Peter, Gabby. He wouldn’t let you take this report away unless he wanted you to restore it.’
The phone went and Nell got up. ‘It’s probably Elan.’
He and Nell phoned each other most nights. But it was not Elan, it was Peter.
‘Were your ears burning?’ Nell asked.
‘Why? Should they have been?’
‘Gabby and I were just looking through the report that Mark Hannah brought with him.’
‘Good, I can catch Gabby in work mode. How are you, Nell? I hear you’ve been landed with the Browns’ enormous picture.’
Nell had a clear picture of his wolfish, cerebral face crinkling with amusement. ‘Glad you find it funny, Peter. I trust you had nothing to do with them coming to me with it?’
‘I merely advised them that if anyone could do anything with it, you could.’
‘Thank you very much! Well, I hope when I am a bent old crone still working on that masterpiece you will have the grace to feel guilty. I will hand you over to Gabby.’
‘You will never be an old crone, Nell. We must have lunch soon?’
‘Look forward to it,’ Nell said, handing the phone to Gabby. How ridiculous that a certain tone of voice, like a code or secret signal, could still contract her stomach with memory of love.
‘Hello Peter,’ Gabby said, breathless.
‘Gabby, I’ve come up with an idea that might satisfy all the various bodies responsible for the funding for the museum. I’ve spoken to John and he thinks it is possibly the answer, if you are agreeable.’
‘Right,’ Gabby said nervously, wondering what was coming.
‘As we explained, funding is always a problem, and unfortunately we have to depend on councillors like Rowe, who are good at drumming-up money for Cornish artefacts.
‘We want to get the figurehead into a condition where we can exhibit her in the museum by the end of June, before the influx of visitors. We wondered if you would be willing to work on her in two stages. Initially, make sure she is sound and make all the immediate repairs that are needed to safeguard the whole, plus the superficial ones that affect her appearance.
‘When you are happy that she is in a condition to be exhibited in June, having made whatever tests and analysis you consider necessary for further more detailed work later on, would it be possible for you to go on to other work and return to the figurehead at a later date, possibly when the museum is closed at the end of the season? Does this sound feasible to you?’
‘Of course, Peter. John says that the museum is kept at a regular temperature so we don’t have to worry about humidity. That would be fine. I would like to see her again, properly, out of her wrappings and in position. This inspection report is very helpful. I’ll make my own inspection and give you a quote for all the initial work I consider vital before she can be exhibited. After I’ve been working on her for a while, I’ll then submit a more detailed quote for the next stage of her restoration. Would that be OK?’
‘Perfect. Thank you for being so accommodating. By then we will hopefully have more funding and voluntary contributions coming in from interested parties. I can now appease Rowe, Penwith Council, the Heritage people, and the Cornish Historical Society. Bless you!’
Gabby laughed. ‘Does that mean …?’
‘Of course it does, Gabrielle! John and I have always been convinced you are the best person for the job. We just have to tweak terms and make it official. You’ll get a letter in a few days.’
‘I’m really looking forward to restoring her, Peter, it’s very exciting.’
‘It is, isn’t it? We are all hoping Mark Hannah comes up with more history for us. Goodnight, Gabrielle, and thanks again.’
‘YES!’ Gabby said, replacing the phone and punching the air.
‘I told you you had nothing to worry about,’ Nell said, laughing. ‘I’m off to bed.’ She nodded at the report. ‘I should remove those papers and photographs from the table. Charlie will come home and drip egg sandwich all over them.’
‘Oh, God! That wouldn’t look very professional.’
She walked to the back door with Nell. ‘Look, a new moon.’
They both looked up. It was a clear, cold night and the stars stood out like a child’s drawing on black paper.
‘Do you remember Josh and his telescope?’ Nell asked. ‘I wonder what happened to it. It was one of Elan’s extravagant presents, wasn’t it?’
Gabby felt a sudden wrench for that time again, for the simple, innocent pleasures of Josh’s childhood. ‘Josh used to get crazes on things, do you remember? Absolute passions. Then he would go on to the next thing.’
‘Don’t remind me. Do you remember the fish?’
‘Which all died, because he never took any notice of the man in the aquarium and mixed and matched them because he liked their colour or shape. Months of his pocket money eating each other up before he learnt a hard biology lesson.’
‘The fishy mess in the sink when he cleaned them out.’
‘Always at Sunday lunchtime!’
‘And the stick insects he begged for and then could not bear to touch.’
‘And the rabbits.’
‘Then the guinea pigs.’
‘He stuck to his bantams, he loved those. And the calves.’
‘And Hal. That gelding was the love of his life. I still stop in the village and he whinnies and canters over.’
‘I know. He’s a lovely character.’
‘I wonder how he’s doing. Josh, I mean. I think he’s finding Sandhurst harder, physically, than he expected.’
‘People are always saying that it’s because the young are not as fit as the last generation, but Josh has always been sporty and fit.’
Nell snorted. ‘How many late-rising youths know their way around an assault course? Or readily accept being bellowed at? Or want to trot round Dartmoor in a blizzard with a great pack on their backs? Total masochism if you ask me. Absolutely bonkers.’
Gabby began to laugh. Josh and Nell argued about the army every time he came home, but she knew perfectly well, as Josh did, he could do no wrong in Nell’s eyes.
‘Goodnight, lovie,’ Nell said, making off across the yard, watching her step in the dark.
‘’Night, Nell.’
Gabby whistled for Shadow who had scooted off into the dark. She looked up at the stars once more before shutting the door. On her way upstairs she paused and pushed Josh’s bedroom door open. Funny how a room always retained the faint smell of a person. Odd how strong a sense smell was, taking you faster than thought to a place or a person you loved.
Chapter 8 (#ulink_7b06d240-2264-5dcb-af31-50bbb47e5056)
The noise from the top field was horrendous. They were tipping concrete into the foundations. Nell, who could not bear the thought of this noise continuing for months, phoned the local nursery and ordered twenty trees. If they could plant saplings as soon as possible at least they could screen the building site and maybe it would dull the sound of machinery.
She was planting succulents in the small, walled garden she and Gabby had resurrected from a decade of neglect. They had banned all livestock; no geese, hens or dogs were allowed inside their hallowed plot.
There had been no time to garden when Ted was alive, and Nell thought, not for the first time, how released she felt. Free to be herself, to express herself in ways she had never dreamt of doing when she and Ted were running the farm on a strict budget, when they had had to labour, metaphorically, side by side.
Some mornings, when Nell woke, she also felt guilty about not missing her husband more. She would stretch luxuriously across the whole double bed and lie contemplating her day, waiting for the sun to rise beyond the top field and to creep up the covers towards her face. She felt warm and spoilt and relaxed as she heard the back door of the farmhouse bang, heard Charlie whistling for Shadow and Outside Dog. Then silence would descend and she would lie waiting for the sound of Matt, the herdsman, bringing the cows down the lane and into the yard below.
The smell of them would rise up to her window, the milking machine would start up, a dog over the fields would bark in the first light. All so familiar that any small disturbance in the pattern of a morning would make Nell rise up on her elbow, ears strained for the cause of the minute change in routine. Through it all, like hugging a secret she never got tired of, the knowledge that she did not have to get up and go out into that cold darkness ever again.
She missed the farmhouse not one jot. Most of the contents had belonged to Ted’s parents; heavy Victorian furniture to fill the large rooms. When Charlie married Gabby, Nell thought with glee of her escape to the cottage. She had gone out and bought small, light, inexpensive furniture for the tiny rooms and had taken from the farmhouse only the small pieces she was fond of.
Charlie, who missed her in the house with him and had seen no reason for her to move out, had, in a rare and overt show of affection, had the cottage centrally heated for her. This, for Nell, was like being given an invaluable, never to be taken for granted, Christmas and birthday present rolled into one. She could sit restoring for many more hours and it seemed to her that she was warm for the first time in her life.
She stopped planting for a moment and looked over the grass at Gabby, who was lying on her stomach reading a huge library book on marine architecture, seemingly absorbed despite the thunderous noise of the lorries now depositing granite blocks in piles onto the once lush green field.
Sitting back on her heels Nell realized her thoughts had subconsciously formed a circular route back to Gabby. In her life with Ted there had been little female companionship, scarce time for close friendships. Gabby had not been a substitute for the daughter Nell had never had; she and Gabby did not have the intimate and critical relationship mothers and daughters often have. They had a deep, inviolable friendship and an unspoken admiration for each other which had started in that freezing cold spring when they first met.
Nell had watched, protectively, a girl who refused to be beaten by the elements or by the endless taunts of seasoned pickers. Gabby had been humbled by the sheer volume of farm work Nell had been expected to get through each and every day, as well as her restoring, all to keep the farm solvent.
They had rescued each other. Nell had plucked Gabby from the fields to help her in the barn. Help in the barn had freed Nell to restore and to talk to someone. In the days before Charlie qualified and came back to the farm, Nell could go for months without having a proper conversation with anyone.
Ted had been a man of few words. Or, Nell thought now, so long after his death, maybe he only got out of the way of using words to me. Whatever, this second part of my life is mine, and I would not change a thing.
Gabby suddenly sat up and pulled small earphones out of her ears. ‘I’m sure the earth is shuddering, Nell. I can feel it over the music. This is worse than it’s ever been. It’s unbearable.’
Charlie appeared suddenly, shutting Shadow firmly on the other side of the gate. He looked hot and fed-up.
‘I’ve been up to the site and complained about the noise. We were given a strict understanding that they would build one house at a time to limit the disturbance. I’ve got two cows calving and number four is so distressed I’ve had to bring her in and put her in the barn. I’ve had two complaints, one from the primary school and one from Tom Eddy. He says two of his sheep have aborted.’
Nell and Gabby stared at him. ‘This is serious, Charlie,’ Nell said. ‘What did the site manager say? We can’t afford to fall out with our neighbours.’
‘He assured me they’ve almost finished unloading the granite for the day and he’s sorry about the noise, but he’s only doing what he’s been instructed to do.’
‘Stuart something of Roseworthy Developments gave us a hotline number in case of any complaints.’ Gabby got to her feet. ‘Shall I get it?’
‘It’s OK, I’ve got the number in the office. I’ve told Alan to ring, he’s got more patience than I have. I’ll end up yelling down the phone. In the end, all they’ll say is that they’ve got to build the houses as fast as possible.’
‘I don’t suppose they want to alienate people either, if they can help it,’ Nell said, conscious that Charlie had chosen to sell the land cheaper and take a percentage of the profit of each house built. And each house built was way out of most local pockets.
‘What I came to ask,’ Charlie said, changing the subject, ‘is can you keep an eye on number four. She’s fine at the moment, but she could start to calve any time and I have to drive Darren to the industrial estate to pick up the tractor.’
‘Do you want a cup of tea before you go?’ Gabby asked, getting up. ‘I was just going to make one.’
‘No, I’d better get off … hey, the noise has stopped, perhaps they’ve packed it in for the day.’
‘Oh,’ Nell said. ‘Isn’t silence wonderful?’
‘Gab,’ Charlie said as she came out of the gate. ‘Don’t wait until I get back to call David out, will you? If she starts calving, she’ll need help. Her calf is going to be breech.’
Gabby linked arms with him and walked him to his car. ‘Trust me. I should know what to do by now.’
Charlie grinned. ‘I know. I’m just fond of that cow. This will be her last calf and she’s done us proud.’ He opened the car door. ‘See you at supper. I’ve got my mobile if you need me.’
‘Goodbye, hard farmer man.’
‘You can mock,’ Charlie retorted. ‘Who still cries when the fox gets one of their bantams?’
Gabby watched him hurtle down the lane. The building site was deserted, all was quiet again. She stared across the field to the sea, trying to visualize the houses. Horrible, like being invaded. Nothing would ever be quite the same again. The magic and tranquil stillness of the field was gone forever.
Nell, behind her, said, ‘I’ve ordered trees. Probably more than we need, but I think it’s important we don’t have to look at the wretched houses springing up, even if we can hear them. I’ll make a cup of tea. You check that cow of Charlie’s, Gab.’
Gabby made her way to the barn. Number four was breathing hard and she was restless, but there was no sign of her being in labour yet. Gabby scratched the cow’s head; this cow had been hand-reared and related to humans on a bovine level.
Charlie had never let Josh name the livestock. ‘They are not pets, son. Animals get sick and die. Don’t name them, don’t personalize them, because eventually they will end up on your plate.’
So Josh did not name the orphan calves, he curled up in the straw feeding them by bottle, secretly calling them by numbers. Gabby and Nell would have to proclaim loudly to each other when cooking their own stock, ‘Number six got a good price at market, Charlie says. Tom Eddy is going to breed from her.’
Josh, ears pricked, would regard the meat on his plate with suspicion.
‘Who is this?’
‘Josh!’ Charlie would say crossly. ‘I’ve told you not to name the calves. Giving them a number is exactly the same as naming them. Eat. It is probably not our meat anyway.’
‘But,’ Josh would retort indignantly, ‘if you feed them you’ve got to call them something, you can’t call them nothing …’
‘Call them cow. Eat.’
