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Ugly Money
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Ugly Money

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Ugly Money
Philip Loraine

Writer Will Adams’ peaceful life is interrupted by the sudden and not entirely welcome arrival on his doorstep of his young niece, Marisa, and her best friend Nick.Marisa has learned from her parents, film director Jack Adams and his actress wife, Ruth, that Jack is not her real father and she is determined to find the man who is. Reluctantly Will agrees to help her but a shock awaits him: it looks as if Marisa’s biological father is Scott Hartman, a fabulously wealthy recluse who has not been seen for years.A near fatal accident, a false arrest, hostility from Hartman’s associate … it is becoming clear that someone wants to prevent Marisa from meeting her father. The stakes are raised still further when, through her mother, Hartman is actually tracked down and is confronted with his daughter. A bitter man, with a life of regret behind him, he decides to change his will in Marisa’s favour – a move that is to unleash a wave of violence that threatens to engulf not just Marisa, but her family.Ugly Money is an unputdownable story of intrigue, jealousy and murder which will have the reader gripped from beginning to end.

UGLY MONEY

Philip Loraine

COPYRIGHT (#ulink_bd4a4c37-4d70-5576-b371-3f944ba50b9d)

Harper

An imprint of HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk/)

First published in Great Britain in 1996 by Collins Crime

© Philip Loraine 1996

Philip Loraine asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

Photoset by Rowland Phototypesetting Ltd

Bury St Edmunds, Suffolk

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780002326032

Ebook Edition © APRIL 2017 ISBN: 9780008258023

Version: 2017-04-24

UGLY MONEY

Writer Will Adams’ peaceful life is interrupted by the sudden and not entirely welcome arrival on his doorstep of his young niece, Marisa, and her best friend Nick. Marisa has learned from her parents, film director Jack Adams and his actress wife, Ruth, that Jack is not her real father and she is determined to find the man who is. Reluctantly Will agrees to help her but a shock awaits him: it looks as if Marisa’s biological father is Scott Hartman, a fabulously wealthy recluse who has not been seen for years.

A near fatal accident, a false arrest, hostility from Hartman’s associate … it is becoming clear that someone wants to prevent Marisa from meeting her father. The stakes are raised still further when, through her mother, Hartman is actually tracked down and is confronted with his daughter. A bitter man, with a life of regret behind him, he decides to change his will in Marisa’s favour – a move that is to unleash a wave of violence that threatens to engulf not just Marisa, but her family.

Ugly Money is an unputdownable story of intrigue, jealousy and murder which will have the reader gripped from beginning to end.

DEDICATION (#ulink_3dbb6a33-38f9-5320-888e-1c27ffd312bc)

Take note, take note, O World,

To be direct and honest is not safe.

Othello

CONTENTS

Cover (#u5de39bb9-ef18-5583-adec-95150d47a9d2)

Title Page (#uc39ba45d-915f-5bfa-88ea-5334a0dced74)

Copyright (#ulink_bfedb5b7-fa72-5e01-b9b3-641d29ce0709)

Dedication (#ulink_b83bb0d9-671d-5d95-ae6e-c98410eac718)

Chapter One: Marisa (#ulink_d10e8eba-04c2-593d-9608-3961c31d9056)

Chapter Two: Ruth (#litres_trial_promo)

Chapter Three: Scott (#litres_trial_promo)

Chapter Four: Hawk Rock (#litres_trial_promo)

Chapter Five: Cross-Eye (#litres_trial_promo)

Keep Reading (#litres_trial_promo)

Other Books By (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

CHAPTER ONE (#ulink_06614107-cb47-566c-8462-eb775d9199a4)

Marisa (#ulink_06614107-cb47-566c-8462-eb775d9199a4)

1

I heard the other day about a man who was having breakfast, reading the paper and minding his own business, when a bulldozer came crashing through the wall of his house. Imagine it: as the plaster dust clears, there you are looking at this gigantic piece of machinery where your nice new kitchen used to be. Presently the driver will explain that he put the thing into Reverse when he meant Drive. It’s known as Chance.

Chance pitched me headlong into this story. In my case the bulldozer was my seventeen-year-old niece, Marisa, but that makes no difference at all; an attractive and determined teenage girl can cause as much damage as any mere bulldozer. I had just reached chapter nine, which means the book was half written, and research had taken a whole year. I’m a writer, yes. My name is Will Adams, though I don’t always write under it. I’m forty-three years old. I have survived marriage and the growing up of a son and daughter; I’ve survived divorce, which is only painful when enmity is involved – my ex-wife and I are the best of friends as long as we’re not cohabiting – and, in the past week, I’ve also survived death by murder.

I am … I was, until the arrival of my niece, writing a novel set in and around the small town of Astoria, Oregon, a dozen miles from the mouth of the Columbia River, and that’s why I was living there at the time in question. It’s a quiet and pleasant place, its hills decorated with wonderful, sometimes comical, wooden houses built during the Victorian and Edwardian eras, and now fashionable in our age of ‘nostalgia’: anything to escape from the mess we’ve made of the present day.

Astoria has never been very important, despite the wishes of successive city fathers; its wealth lay in timber and salmon, two commodities once believed to be in endless supply – we’ve learned otherwise. As ‘the oldest settlement west of the Rockies’, it was a lure for Scandinavian and Finnish fisher-folk; the wives worked in the canneries, and most of their names live on: Astorians don’t rush to and fro very much. Their town has been dwindling since the 1890s, and its heyday, nothing to do with timber or salmon, was in World War Two when a naval base sent the population soaring. The marvelous beauty of its setting, wooded hills, distant mountains, mighty river, savage Pacific, has remained fairly constant in spite of creeping real estate and brutal logging: a pleasant if unexciting place to live. Into this Eden, and smack into chapter nine, came Eve with a whole basketful of serpents. It started on a stormy Monday afternoon at the beginning of September, and when we get storms up here they don’t mess around: perfect weather for writing. Indeed, when the doorbell rang I had just written, ‘Chapter Nine. Lewis returned to the mouth of the Columbia in November 1927. He said he was tired of traveling and had come home for a rest, but nobody in Astoria or Ilwaco believed him; they knew he’d come back because of the gold …’

Cursing, I abandoned my desk and opened the door on this stunning blonde with dark blue eyes. She appeared to be in her early twenties, and it took me a moment or two to realize I was looking at my brother’s child Marisa, aged seventeen. I said, ‘Hi, Marisa, come on in.’ Quite a smooth reaction, all things considered, you might even say cool. If you’re not cool they have this habit of walking right over your fallen body and writing you off, politely but decisively.

I’m not being wise after the event; right there and then a small stinging shock jumped from this girl to me: nervousness, even fear, sparked around her like an electrical field. She was hiding it pretty well but it was unmistakable, and it set me tingling, ready for anything. Anything? Well, that’s what I thought. She had grown since I’d last seen her, hardly surprising at that age; she now had her mother’s height, and with it that negligent grace tall women have to cultivate if they’re not going to appear gawky. As yet she was too young to get the negligent grace quite right, so there was still a touch of gawkiness which was touching. I said, ‘What brings you to the Great Pacific Northwest?’

She shrugged. ‘I guess the Great Pacific Southwest finally got me down.’ Yes, she was all nervous tension, thrumming with it. I indicated the sofa, and sat in an armchair facing her. I was thinking that Labor Day had just passed; at any minute, if not right now, girls of this age should be going back to school for those all-important final semesters. After Labor Day the beaches and forests fall silent again; no sound but the sigh of plastic waste, indestructible tons of it, blown by the winds of autumn.

She was looking around my apartment. ‘Nice.’

It’s the top floor of one of those Victorian houses, expertly updated and pleasantly furnished with comfortable and not incongruous things; it has a wondrous view across the Columbia to the hills of Washington State on the far side: four miles away, it’s a big river. But when youngsters say ‘nice’ you can be pretty sure it’s not just politeness; she probably meant ‘big’ – it does have three bedrooms. So I was ready when she added, ‘We stopped over in Medford last night – why can’t I ever fall asleep in motels?’

Obviously this was my cue to say, ‘Do you want to stay here? Who’s we?’

‘He’s a darling, you’ll love him.’

‘I only have one spare bed, the other room’s strictly junk.’

‘We can share a bed.’

‘Not in my house, you can’t, your parents would kill me.’

She laughed. ‘Nick’s gay, we often share beds.’

‘Where is he now?’

‘Parking the car.’ This was some kind of evasion – it doesn’t take that long to park in Astoria: an evasion and part of her nervousness.

‘He’s A-OK. Really. HIV negative, everything.’ And then, a schoolgirl: ‘Actually he’s my best friend.’ There are times when you can’t help loving them, even when they’re conning you. And I must say it was nice just looking at her; she wore her naturally fair hair in a longish bob, so that it fell over one eye and had to be removed from time to time; I also noticed that she’d taken the trouble to use a little cologne, a little lipstick and powder, before bearding uncle in his den.

It seemed high time I asked after her parents.

‘They’re OK, I guess. He’s going to direct that Revisions thing.’ She was talking about Revisions of Life, bestseller, bad like most of them, much admired, much touted as the movie of next year. I said, ‘Good for him. Probably get himself another Oscar.’

‘Rob Railton’s playing the lead. They went to this dinner party and it threw them ass-wise, everybody screaming about the Railtons and their adopted baby – hear about that?’

‘Kind of.’ Robert Railton was the current hunk actor, drooled over by women and teenagers. His wife couldn’t conceive, or so they said; others were of the opinion that he couldn’t sire, but you don’t air that kind of opinion about the current hunk.

‘Anyway,’ she said, ‘this dinner party went berserk because they’d been on some talk show, Robert and Grace, and the guy asked when were they going to tell the boy he was adopted. I mean, Jeeze! He’s only like eighteen months old.’

‘Talk-show hosts aren’t paid to think.’

‘They both said never, and that’s what started the big argument over dinner. People saying the kid had to be told some time, others saying of course not. And then a lot of crap about what age do you tell him – like sixteen with the driver’s license or is that too late?’ The deep blue eyes found mine. ‘Well, the fat was in the fire, know what I mean?’

I didn’t, but kept quiet.

‘They took me out next night. Vince’s. It’s my favorite place – they hate it, so I … kind of wondered.’ She put both elbows on her knees and both fists under her jaw, and the hair fell forward, hiding her face. ‘Did you know?’

‘Did I know what?’

‘He isn’t my father.’

‘Say that again.’

She sighed. ‘Your brother isn’t my father. They took me to Vince’s to tell me. I guess they thought it would be easier than just the three of us sitting around a table at home. It’s been worrying them for years.’ A woeful grimace. ‘Seventeen years, wouldn’t you know.’

I said, ‘Jesus Christ! Marisa, are you sure?’

‘Sure I’m sure, they told me right there over the eggs Benedict.’ She jumped up from the sofa and went to the window. ‘Why couldn’t they keep quiet? Why did they have to go to that stupid dinner party?’

Myself, I felt it made no difference whether she was my brother’s child or not: he loved her, he’d loved her all her life. But I wasn’t seventeen years old, and I wasn’t the child in question. Naturally I imagined that this revelation was the cause of her desperate uneasiness. I’m afraid I was being simplistic; we were in what you might call a multi-layered situation. She said, ‘It’s OK, I’m not going to bawl. I did all that.’

‘When did they tell you, Marisa?’

‘Thursday.’

Thursday, four days ago. ‘Have you been away from home five days?’

She was staring out at where the view would have been if it hadn’t been obscured by driving rain and an early cloud-sodden twilight. She shook her head. ‘No. I stuck around till yesterday morning; I guess I was in shock. And Dad … Jack was so sweet, like he always is. He tried … tried to explain how they felt, but who wants explanations?’ She swung around to face me again, and even if she’d already done the bawling, tears weren’t far away. ‘Oh God, I know he loves me, I know they both do, so why the hell couldn’t they both keep their mouths shut?’

I understood her anger and her emotion, but plain old adult practicality made me ask, ‘Marisa, do they know where you are?’

‘No. And you mustn’t tell them. Don’t look like that, Will – please, please don’t tell them I’m here.’

‘They’ll be worried sick.’

‘That makes three of us.’ A flash of rebellion. Obviously prevarication was called for: ‘OK, I won’t tell them right now – which is what I ought to do.’

‘Not ever.’ She sounded like herself at eleven. It’s a strange age, seventeen, balanced on the seesaw of growing up.

I said, ‘You know that’s not fair.’

‘Was telling me fair?’

‘I don’t know. It was honest.’

‘Oh, honest … shit! Anyone can be honest, it’s so damn easy, and it’s a killer.’

Back went the seesaw. Where did she get that kind of knowledge? Honesty as killer – and in my experience it often is.

She turned away from the window which the wind was trying to turn inside out. ‘When they told me … it was kind of weird. My mind stopped, I mean it actually wouldn’t go forward and it wouldn’t go back.’

‘Like a clogged drain.’

‘Exactly. And then … I guess somebody poured in the Drano, and I began to think again, I saw what I had to do. I must know, Will, I must find out.’

That was understandable. Knowing probably wouldn’t matter much in the end, could be dismissed; not knowing mattered like hell and could never be dismissed. So that was why she had appeared out of the storm on my doorstep, and in a jangling state of nerves.

‘Just … Oh, just meet him. Once. Kind of … feel his genes in me, know what I mean?’

Yes. Difficult enough when you’re young to discover who and what you are without a great mystery, a black hole, hanging over your head. ‘And you think you’ll find him up here?’

‘I know it. I haven’t just sat around since Thursday, I’ve been Sherlocking.’