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“Because he’s my son. I love him in spite of—”
“And that’s an inappropriate response. Personally, I think convicted pedophiles should get the death penalty. If my son did what your son did, he’d be dead to me.”
Jesus, the poor guy’s stuck between a rock and a hard place. Show him a little compassion, will you?
“Yeah, but the thing is—”
“The thing, sir, is that your son did something so vile, so despicable, that it’s unforgivable. You should be focusing your energies on helping your granddaughter, not your piece-of-crap son. Stop being a weenie. He’s earned what he’s getting in there.”
Well, there’s a counseling style for you: bludgeon the patient. I reach over and change the station. But what she’s just told that guy—that he should reject his son—ricochets inside my head and transports me back to that drab, joyless room on the third floor of the Good Samaritan Hospital in Lebanon, Pennsylvania, where my mother lay dying. Where, three or four days before she passed, she and I finally touched on the untouchable subject of Francis Oh, the father who had denied my existence. When I was a kid, from time to time I had asked Mom about him, but she’d told me almost nothing. Had gotten huffy whenever I inquired. How could she tell me what she didn’t know? she’d say. And so, by the time I was in my early teens, I had grown to hate the mysterious Francis Oh. Had decided he wasn’t the only one who could play the rejection game. “Fuck you,” I’d tell him, standing in front of the bathroom mirror—borrowing my own face because I had no idea what his looked like. It was around that time that my friend Brian and I went to the movies to see that movie The Manchurian Candidate. I had sat there squirming, I remember. Imagining that every one of those Chinese brainwashers in Frank Sinatra’s flashbacks was Francis Oh. It had freaked me out to the point that I got up, ran up the aisle and out to the men’s room, and puked up my popcorn and soda. By the time I went back in, I had missed a good fifteen or twenty minutes of the movie. “You okay?” Brian whispered. “Yeah, why wouldn’t I be?” I had snapped back. A few days later, I hit upon the idea of being rid of my Chinese surname. I would take my mother’s and my grandparents’ name instead—become Orion Valerio instead of Orion Oh. Rather than telling my mother, I walked down to city hall one day after school and asked in some office about how to do it. But the process was complicated and costly, and I gave up on the idea. Instead, whenever anyone asked about him, I’d say my father died. Had gotten killed in a car accident when my mother was pregnant. I liked telling people that. Killing off the father who wanted no part of me. After a while, I almost came to believe my own lie.
But decades later, after I had become a father myself and was facing the fact that my mother’s life was slipping away, I broached the subject with her again. And this time, she was more forthcoming than she’d ever been …
She looks terrible. Her hair’s matted against the pillow and she’s not wearing her false teeth. But she’s having one of her better days. They extracted a liter of fluid from her cancerous lung this morning, and she’s breathing easier. “He was a regular at the movie house where I worked as an usherette my senior year in high school,” she says. “A college student studying mathematics—a lonely young man who always came to the show by himself. He liked gangster movies and started teasing me about the love stories I told him I preferred. Kidding me about how ‘sappy’ they were. And then one day, out of the blue, he brought me a bouquet of daisies.” He was something of a mystery, she says; it had been part of his appeal. “My parents were strict and the nuns at the girls’ school where I went were advocating chastity so stridently that I gave in to his advances as a form of rebellion.” Their affair had been brief, she says, and she’d known nothing about birth control. “Nowadays, the drugstores put condoms right out on the counter, but it was different back then. I thought it was something the man took care of, but I had no idea how.” She says it was only after she became pregnant with me that Francis told her he was married. “Unhappily, he said, but he wouldn’t leave his wife because it would bring dishonor to his family.”
She begins to cough. Points to the cup of ice chips on her tray table. I put some on the little plastic spoon and feed them to her. She sucks on them, smiles weakly, and continues. “He tried to convince me to end my pregnancy or put you up for adoption, but I refused. I knew I wanted you despite what was to come. I already loved you, Orion.” He saw her one more time after he learned she was pregnant, she says. “And then after that, he just disappeared. Stopped coming to the movies. Withdrew from his college. I tried to contact him there—borrowed my friend’s car and drove over there. But the woman in the registrar’s office wouldn’t give me an address. She was sympathetic after I began to cry. I had started showing a little by then, and I’m sure she put two and two together. But she stuck to her guns. And so I surrendered to the inevitable. Went home and confessed to Mama and Papa.” The following Saturday, her father drove her to the Saint Catherine of Siena Home for Unwed Mothers, she says, and she spent the remainder of her pregnancy there. Got her high school diploma but had to miss her graduation. “The sisters tried for months to convince me to do what most of the other girls agreed to: hand the baby over to Catholic Charities so that some nice childless couple who had prayed for a baby could adopt you. They accused me of being selfish, but I just kept shaking my head. I wanted to keep you and raise you and that was that.”
She’s flagging, I can see. Exhausted and upset. Should I stop quizzing her? While I’m trying to decide, a nurse enters. “Sorry to interrupt, Maria, but it’s time for your breathing treatment,” she says. Mom nods, gives her a wan smile, and opens her mouth. While Mom is puffing away on the device, I stand. Go over to the window and look out on the parking lot. But what she’s told me has opened up more questions, and when the treatment is over and the nurse leaves, I sit back down again. Take her hand in mine. I remind her about that time we went up to Boston—to Grandpa Oh’s restaurant. “How did you know where to find his father?” I ask her.
“Well, Francis was a smoker,” she says. “Always lit his Viceroys with books of matches that said HENRY OH’S CHINA PARADISE on the cover. During one of the times we were at the motel where he used to take me, I slipped one of those matchbooks in my purse as a souvenir of our love. Like I said, Orion, I was naïve back then. I thought sex and love were one and the same.”
She’d gone to Henry Oh’s China Paradise once before, she says, when she was six or seven months pregnant. “At first, he tried to deny that Francis was the father. How did I know this child was his son’s? ‘Because your son is the only man I’ve ever been with,’ I told him. I could tell he believed me, but he still wouldn’t tell me how to find Francis!” …
A look of exasperation had crossed her face when she said that—one I recognized. She had had that same look the day we’d walked up the stairs to Henry Oh’s China Paradise so that she could present me to my grandfather as proof of my existence. Proof that, since his son had not done the right thing by me, the obligation fell on him. He needed to help finance the college education of the boy who, whether my grandfather was happy about it or not, carried his family name. Henry Oh, Francis Oh, Orion Oh: we were linked. He was duty bound. And so I practically had had to run after her that day as she exited the restaurant, her head held high, her hand clutching the check that would allow me to attend Boston University. Mom had been fierce that day, victorious. And even at seventeen, when I was still so ignorant about life and love and the repercussions of sex, I somehow knew that, whatever it had just cost her to get that money, she had done it out of a ferocious, almost feral love for the son she had refused to hand over to adoptive parents. And so—
Jesus god, there it goes again. Love shack, baby, love shack … And suddenly I realize who must be calling me. Annie. It’s two days past when I was supposed to RSVP. Well, if she wants to find out if I’m going to her big gay wedding, she can go to hell because—
OH! JESUS!
Shit, that was close. If I hadn’t just pulled out of my fog and slammed on the brakes, I would have rear-ended that Subaru. That’s all I need right about now: an accident that would have been my fault. My heart’s racing, my palms have broken out in a sweat. Refocus. You want to get there in one piece, don’t you? With my eyes on the road, I feel for the radio knob and twist it counterclockwise. Return to the Mad Hatter and the shark lady.
“Okay then, Doc, so let’s say Jaws comes upon a pod of seals that are chillin’ in the waters off of Chatham. What’s his M.O.?”
“Well, first of all, ‘he’ is likely to be a she. Female great whites tend to be larger and more dominant than males. And as to the shark’s ‘M.O.,’ as you put it, great whites are ambush hunters. So what they do is identify a target and then ram it hard and fast, most likely from beneath because the underbelly is what’s most vulnerable.”
The Mad Hatter snorts. “That’s where we’re all most vulnerable. Right, guys? Under our bellies and above our knees?” An ah-ooga horn sounds, but the shark lady soldiers on.
“Once a shark takes hold, it whips its head from side to side, the better to tear open a large chunk of flesh. That exposes the organs and entrails, which will be ingested as quickly as possible. From what we’ve observed, great whites may travel in small clans, but when they’re on the hunt, they separate.”
“Every shark for himself, right?”
“That’s right. Or herself.”
Sharks. Ambush hunters. Viveca Christophoulos-Shabbas …
Annie met Viveca through her art. She’d had a piece selected for that Whitney Biennial, and at the opening Viveca approached her about exhibiting at her by-appointment-only gallery in Chelsea. But in fairness, I guess I’d started losing my wife to her art long before Lady Bountiful came into the picture …
It was strange how Annie’s career had come about. She couldn’t even say why, not long after our twins were born, she’d begun collecting odds and ends from junk stores, swap shops, and the curbside recycling boxes she passed while out for walks with Andrew and Ariane in their side-by-side stroller. She’d not understood it, that is, until she began creating those found-art shadow boxes. She had had no training as an artist. Something just compelled her to make them, she told me, but she was reluctant to explore with me the nature of that impulse. “Orion, I’m your wife, not one of your patients,” she reminded me once when I tried to tease out her motivation. She made it clear that this was her thing. No trespassing.
Her first pieces were humorous, or so I thought: The Dancing Scissors, The Jell-O Chronicles. One Saturday, I remember, she requested a “mental health” afternoon. The twins had been sick, and except for trips to the pediatrician’s and the pharmacy, Annie had been stuck in the house all week with cranky kids. Could I stay with them for a few hours while she went to a movie, maybe, or down to the mall? I got her coat, gave her a little swat on the rear, and said, “Go.” But by the time she got back home, it was after 8:00 P.M. This was the mid-1980s, before cell phones became ubiquitous; if someone didn’t bother to call in, you stared at the phone, waiting and worrying. “Where the hell have you been?” I demanded when she came through the door that night. But she was so jubilant, so energized, that she hardly noticed my day’s worth of aggravation and worry. She had driven to Waterford, she said, intending to go to the Crystal Mall. Instead, spur of the moment, she’d hopped onto I-95 South. En route to no place in particular, she decided to get off at random exits and hunt for whatever awaited her at the dumps and secondhand shops of different shoreline towns. And it had been so worth it! She’d picked up treasures at each: a bolt of lace, a bundle of 1940s movie magazines, some wooden soda crates, a canvas bag brimming with hand puppets. Passing a billboard advertising a going-out-of-business sale at a job lot store in New Rochelle, she’d made a snap decision, signaled, and exited.
“New Rochelle?” I said. “You drove all the way into New York?”
Thank God she had, she said, because she’d struck pay dirt at that Dollar Days. Her purchases included two large bags of deeply discounted miscellany, including a twenty-four-piece box of plastic British Royal Family figurines.
I began complaining about my day with the twins—how Andrew had kept making spit bubbles with his amoxicillin instead of just swallowing it. How Ariane had toddled over to the dirty diaper pail, climbed on, and tipped it over while I was at the door with a couple of Jehovah’s Witnesses—and how mopping up the mess, wet-vacing and disinfecting their bedroom carpet, had taken me the better part of an hour. From now on, we were buying Pampers, I told her. I didn’t care how much they cost. I was hoping to generate a little … what? Sympathy? Remorse, maybe? But Annie just sat there, sifting through her stuff, barely listening. And when I stopped talking, she went into the twins’ room, kissed their foreheads, and then, grabbing her new “treasures,” raced down to the studio I’d fixed up for her in the space between the washer and dryer and the furnace. She was down there for the rest of that night.
What had come over her? Was it OCD—some kind of hoarding disorder, maybe? Some sort of anxiety related to motherhood? If so, she could be treated. We could get her an antidepressant or a tranquilizer to take the edge off a little. But Annie wasn’t accumulating stuff solely for the sake of accumulating it. She was making art out of it, so maybe I should back off. Give her the benefit of the doubt … But could you even call it art? Like I said, it wasn’t like she’d had any formal training. To the best of my knowledge, she’d never even taken an art course in high school. Had never even finished high school. Maybe it was some sort of delayed reaction to the tough childhood she’d had. Annie’s childhood: that’s always been another “no trespassing” zone. I know the basics. She lost her mother when she was five years old. Her father had gone off the rails as a result and she’d bounced around in foster care. But Annie’s always skirted the details of her early life. Waiting here in stalled traffic, I can’t help but wonder: has she been more forthcoming with Viveca about her childhood? What does Viveca know?
A cruiser passes me on the shoulder, its lights flashing, its siren not wailing but making loud little belches. There must be an accident up ahead, which would explain why we’ve now almost come to a complete stop. Oh man, I haven’t even gotten as far as Sandwich yet. I’ll be lucky if I get to that rental place before they close for the day—or maybe even for the weekend. And what do I do if I can’t pick up the key to Viveca’s cottage? Break into the place? Start looking for motel “vacancy” signs? And now, adding insult to injury, this little jerk in the Ford Focus has his blinker on and he’s trying to squeeze in between me and the Subaru. Smart move, buddy. Nothing like lane-changing when both lanes are crawling along at about half a mile an hour. Atta boy. Nose right in. Be my guest, you little shit. When did you get your driver’s license? Yesterday? He’s talking a blue streak to his girlfriend, oblivious that his directional signal’s still blinking. To my right is one of those big-ass campers that must get about five or six miles to the gallon. A warning sprawls across the RV’s left side: MAKE WAY FOR MEAN DARLENE! A plump white-haired couple sits up front, eating a snack out of a paper bag. Microwave popcorn, maybe? Their jaws are moving in synch. When I was stuck behind them a quarter of a mile ago, I read their back bumper stickers: LET FREEDOM RING! and DON’T BLAME ME! I VOTED FOR THE HERO AND THE HOTTIE.
I honk at the kid in the Ford, and when he looks in his rearview mirror, I point down at his blinker. I can tell he doesn’t get it. Now the girlfriend turns around and looks at me, too. They both shake their heads as if I’ve offended them. On, off, on, off … Should I? Hey, why not? We’ve come to a stop. We’re all just sitting here. I put my Prius in park and get out, go up to his window and tap on it with my wedding ring. I hear the soft clunk of his car door locks. Jesus, what does he think I am? The traffic jam ax murderer?
“Yeah?”
“Your blinker’s on.”
“Is it?” He gives me this look like it’s his inalienable right to drive me crazy. But hey, I’m not about to get into a dustup about it with Junior here. I turn and head back to my car.
He’s a ballbuster, this kid. Lets about a minute go by before he finally turns it off. And when he does, it’s like the relief you feel when one of those ice cream headaches finally begins to subside. The radio’s playing that ominous music from Jaws. “Okay, but let’s separate fact from Hollywood fiction,” the shark lady’s saying. “These animals are carnivores, yes. But they’re not evil manhunters. They hunt and eat to survive, not to kill gratuitously. That better describes our species than theirs.”
“Natural Born Killers,” the Mad Hatter says. “Now there’s a great movie! Woody Harrelson and … Who was the girl? Natalie Portman, right?”
It was Juliette Lewis. One of the students I was seeing at the time—when had that movie come out? 1994? 95?—she kept mentioning how Juliette Lewis and she were half-sisters, and how they looked so much alike, and if I didn’t believe her, I should go see her sister’s new movie, Natural Born Killers. She’d seen it several times herself, she said—had been invited to attend the premiere but couldn’t afford the trip to California. Petra, her name was. She was a nice enough kid, high-strung but high functioning. In the honors program, if I remember correctly. But she was a sad kid who, I began to realize, had no friends. And when I did make a point of going to see the movie, I didn’t observe the slightest resemblance between the two. I eventually diagnosed her with Delusional Disorder, Mixed Type …
“No, seriously, Tracy. You should Netflix it this weekend,” the Mad Hatter advises. Not likely, Tracy says. Tomorrow, she’ll be part of an expedition that’s hoping to locate and tag one or more of the great whites for the purpose of tracking their migratory patterns …
Whatever it was that was compelling Annie to turn her landfill and secondhand shop finds into art, over the next years she created a series of assemblages she called Buckingham Palace Confidential. In Elizabeth Burns the Rice-A-Roni! Prince Philip and the rest of the royal family sit stiffly at a doll house dinette set while, standing at a toy stove on which sits a blackened toy frying pan, the Queen, wearing a coronet and a polka dot apron, throws up her jointed arms in domestic defeat. In Lady Di Reconsiders, the Princess of Wales, in her famously familiar wedding gown, marries Magic Johnson instead of Charles. Johnson’s in his uniform, as are his ushers, the other members of the 1992 Olympic “dream team.” Diana’s attendants are female superheroes: Wonder Woman, Supergirl. The royal family is in attendance, too, but they’ve turned their backs to the ceremony. So it was art that was driving her, I decided—comic art at that, laced with a little feminist protest. But not dysfunction … And yet, those weird scavenger hunts she was doing on the Saturdays when I was home with the kids? Whenever she came back with a good haul, she’d be wide-eyed, jazzed up, talking a blue streak and fast. What was that? Creative passion? Some kind of mania? I remember worrying that she might be starting to manifest bipolar disorder. But whatever Annie’s behavior did or didn’t indicate, I tried hard to play by her rules, encouraging her without engaging her as to why she was hunting down all this stuff, or what these 3-D collages she was making meant. But not engaging her didn’t mean I wasn’t watching her—trying to understand what was going on with her. Look, she was right: she was my wife, not my patient. I tried not to analyze her, but hey. Bottom line: I was worried about her. I’m a psychologist. I observe, make hypotheses. It’s what we do.
No. Correction: I was a psychologist. When my license came up for renewal last month, I let the date go by. I go back and forth about whether I should have. But what’s done is done …
It was hard for Annie back then, I know. As the house-bound wife of a busy professional, she carried most of the burden of child care, cleaning, budgeting. She had to grab a little time here and there to work on her art. When I was down there in Pennsylvania with my mother, she hired some older woman to babysit a couple hours a day, and I applauded her for that. Told her it was a good idea. But that turned out to be a fiasco when the sitter forgot to lock the basement door and Andrew tumbled halfway down the stairs. Annie’d had to take him to the emergency room for stitches in his forehead and be grilled by the ER doc as if she were a child abuse suspect. She decided it wasn’t worth it. Told the sitter not to come back. And when I got back, mentioned casually that Thea had come to the funeral, Annie’d reacted like a crazy woman. Like some spark between my ex-girlfriend and me had been reignited when the opposite was true. Seeing Thea again had been like a refresher course in why I’d ended it with her.
I’d have liked to help her out more, but the domestic imbalance was unavoidable. Counseling Services was understaffed, we clinicians seriously overworked. Students who wanted to see one of us had to put their names on a list and then wait for an appointment, sometimes as long as two or three weeks. Besides our caseloads, we counselors supervised the clinical practicums of the predoctoral students, got saddled with committee work, ran groups. In addition to all that, it fell on us to plan and implement Suicide Awareness Week, HIV Prevention Week, Alcohol Awareness Week, and so on. Most weekdays, I left for work before 7:00 A.M.—early morning was the best time to catch up on paperwork—and didn’t get home most nights until six or after. On the weekends, I could help out more. Take the twins to the park, fix a cabinet door or rake leaves, make a Saturday night supper while she went off to scavenge. Saturday was our night for sex, too—a standing appointment unless one or both of the twins was up, or one of us was too exhausted for intimacy. Sometimes an extra hour of sleep seemed sexier than having sex. But weekdays? Forget it. I’d get home and my dinner would be sitting Saran-wrapped on top of the microwave, the twins would be asleep in their cribs, and Annie would be down there, creating her 3-D collages amid the basement noises, one ear cocked toward the baby monitor upstairs …
Okay, here we go. The traffic’s finally started to move again. Passing that camper, I put on my directional signal and jockey myself in front of them. Let Mr. and Mrs. Big-Ass Camper stare at my bumper stickers: DISSENT IS PATRIOTIC, TOO and OBAMA/BIDEN ’08 …
Annie had been creating in basement obscurity for three or four years when I urged her to take a risk and exhibit her Buckingham Palace Confidential assemblages at the annual outdoor art show in Mystic. At first she resisted the idea, arguing that her kind of work wasn’t what those big summertime crowds would be interested in. But I kept nudging her until, reluctantly, she changed her mind and reserved herself a space. All that weekend, people paused, smiled, and snickered at Annie’s creations and then moved on to the “real” art: fruit in a bowl, seascapes. She had priced her pieces modestly—fifty dollars for the smaller assemblages, a hundred for the larger and more elaborate ones. She sold nothing. But to the surprise of many—and to the disgruntlement of the Mystic Art Association’s watercolorists and lighthouse painters—the judge awarded the Best in Show ribbon to Elizabeth Burns the Rice-A-Roni! What was that guy’s name? The judge? He’d been something of a big-deal artist himself back in the day, I remember Annie telling me. Italian guy, little pencil-thin mustache. He and Annie stayed in touch after she got that Best in Show. He must be dead by now—he was already up there back then—but I bet he’d be pleased to know where Annie’s art has taken her.
Along with the five-hundred-dollar prize money Annie got from the Mystic show, she was offered a one-woman show at the Hygienic Restaurant in New London. The Hygienic had long since stopped serving food, but it had become a kind of retro coffee house—a haven for poets, interpretive dancers, klezmer bands—alternative artists of all kinds, and their equally alternative admirers. Until Annie’s opening, I had never seen such a convergence of pierced, tattooed, and purple-haired people. Annie looked adorable that night in her floral dress and purple leggings, that big bow in her hair. “Oh, thank you so much … You do? Really? Oh, my God,” she’d respond to those who approached her to say that they loved her work or wanted to buy it. I was so proud of her that night—so happy to see her on the receiving end of some artistic appreciation, and almost four hundred dollars in sales. I knew more about psychology than I did about art, but I was becoming convinced that Annie was more talented than she or I had realized.
Her modesty about her accomplishments and her natural shyness were a big part of her charm that night at the Hygienic. Annie’s brother Donald and his wife Mimsy had taken the twins for the night—their first sleepover. I’d snuck a bottle of champagne and a half-dozen chocolate-covered strawberries in the fridge before Annie and I left for the opening, and when we got home, we got into bed, drank, ate, and made love. “Good god, I’m crazy about you,” I declared after we were both spent and sweaty. “Love you, too,” she murmured back. If you had told me that night that, two decades later, Annie would leave me for a woman, I would have thought you were crazy … Agnello: that was that judge’s name. Mr. Agnello … Had there been signs all along that she might be bisexual? Cues that I’d missed right from the beginning? …
Annie’s Hygienic show caught the interest of a Connecticut magazine features writer who drove out to our house and interviewed Annie about her work. She’d brought along a photographer, so there was a photo shoot, too. I was happy for Annie. One door kept opening onto another door, and she deserved that. And I guess this was crass of me, but the fact that people had actually begun paying her for her work somehow, in my mind, legitimized her efforts. This was a career, not an emotional disorder. I should stop playing psych detective and just relax. Celebrate her accomplishments instead of stewing about her creative process. She worked so hard and with such dedication down there in our basement, to the soundtrack of the furnace’s drone and the washing machine’s agitation. Good for her!
But until that Connecticut magazine article came out, I hadn’t realized the extent to which agitation fueled Annie’s art. Eventually it dawned on me that her “no trespassing” rule had been my escape hatch, too. I’d been allowed the luxury of assuming that The Dancing Scissors, The Cowgirls’ Revolt, and Buckingham Palace Confidential were playful. Satirical. Proof that my intense and sometimes morose wife had a lighter side, too. But in “Annie Oh’s Angry Art,” the writer said that my wife’s compositions emerged from “the blast furnace of her pent-up rage.” That they were “howls of protest against a suffocating middle-class domesticity” and the many ways in which society “tethers women to the mundane.” The mundane? Had Annie been referring to Rice-A-Roni or me? Was Diana’s rejection of Charles in favor of Magic Johnson metaphorical? The UPS driver who made deliveries to our house was a good-looking young black guy. Reggie, his name was. Someone she knew from way back, she said. Twice I’d gotten home from work a little early and found the two of them chatting at the front door. I couldn’t quite imagine that she’d cheat on me, but was I being naïve? The scientist in me advised objectivity, but the husband in me had just been put on alert.
“Good article, don’t you think?” I said, when I looked up from Connecticut magazine to her. I was hoping she’d say she’d been misquoted. Misunderstood. Instead, she said, “Pretty good. It’s weird to see yourself in a magazine, though. I feel … exposed, I guess.”
“Well, isn’t that what artists want? Exposure?”
She shrugged.
“Good picture of you.”
She made a face. “I wish my hair didn’t look so flat,” she said. “I can’t believe that, on the one day I was having my picture taken for a magazine, our hair dryer died.”
“Yeah, well … It’s interesting what it says about your work.”
No response.
“I mean, who knew you were so angry?”
“Oh, I don’t know, Orion. Maybe someone who was bothering to pay attention.” She walked out of the room.
I tossed the magazine onto the coffee table, got up, and followed her down the stairs to the basement. For a minute or more, I watched her yank towels out of the washing machine and slam them into the dryer. “You know something?” I said. “I don’t exactly appreciate you projecting your own marital shortcomings onto me.”
She turned and faced me, furious. “Do me a favor,” she said. “Speak English, not psychology.”
“Okay. Sure. Somebody in this marriage hasn’t been paying much attention to the other person, but it sure as hell isn’t me.”
“Oh, right. You’re just the perfect husband, aren’t you?”
“No, I’m the imperfect husband. But I think you’ve got it ass-backward as far as who’s been ignoring who.”
“Oh, really? Gee, Dr. Oh, I’m so sorry for ‘projecting,’ as you put it. And for having a career of my own.”
It was April. I had just done our taxes. “Yeah, speaking of careers, you know how much I contributed to our income this past year? Sixty-two grand. And you know how much you made? A whopping seven hundred dollars. So I think you’d better thank your lucky stars instead of bitching about my career.”
“Oh, you’re right as usual, Dr. Oh. Thanks so much for throwing that in my face and helping me see the light.” And with that, she lifted the lid of our top-loading washing machine and slammed it down. Lifted it again and slammed it. Lifted, slammed. Thanks in part to “Annie Oh’s Angry Art,” we had just entered the thrust-and-parry phase of our marriage.
Over the next several days, each of us accused the other of myriad slights and failures, large and small. The fighting exhausted us both, and our lives were already pretty exhausting. She began giving me the single-syllable treatment. “Good day today?” “Yup.” “Want to get a sitter this weekend? Go see a movie or something?” “Nah.” In the midst of that uneasy near-silence, I reread that Connecticut magazine article and came upon a couple of paragraphs I’d missed the first time. She’d told the reporter that, once upon a time, another artist had lived on the grounds of the house where we lived—a black laborer who’d taken up painting—and that she’d discovered one of his “compositions” that had been left behind. I knew the one she was talking about: a crazy-looking circus scene we’d found when we were cleaning out the attic. To my mind, it was strictly amateur, not to mention a little freaky-looking, and I’d wanted to throw it out along with the other junk up there. But Annie had said not to. It had “spoken to her,” she told that reporter, which was news to me, and when she set up her studio in the basement, she’d brought it down there for inspiration. (Oh, she’d set up that work space? So much for the work I’d done for her down there.) In the article, she said she might even have “seen” this would-be artist, who was long dead by the time we moved in. Had seen him twice, in fact. Once out back in the yard—a big, muscular guy in overalls looking up at her as she stood at one of the upstairs windows—and another time down in her studio. Both times, she said, he’d looked right at her, nodded, and then faded away. It hadn’t scared her to see him, she said; it had reassured her. Oh great, I remember thinking. Now she was seeing ghosts? Then how come I’d never heard about this? No, I figured, she wasn’t seeing people that weren’t there, except maybe in a dream she’d had. More likely, she had told the writer that because, hey, who doesn’t love a good ghost story? It wasn’t like Annie to fabricate stuff like that, but since she’d become an artist, she’d exhibited all kinds of new behaviors. And so I didn’t challenge her on it. “Annie Oh’s Angry Art” had already caused problems for us. I let it drop.
I finally got us a referral to a marriage counselor, despite Annie’s suspicion that the deck would be stacked in my favor because she’d be the only person in the room who wasn’t a therapist. I hired us a sitter for Tuesday evenings. (Katie had been my student coordinator for Date Rape Awareness Week.) And so for the next several weeks, Annie and I drove to Glastonbury to see Suzanne in her office full of philodendrons and ferns and hand-thrown clay pots that she had made, glazed, and fired in her wood-stoked kiln. She gave us one of those pots at the end of our first session—an imperfect one. A piece had broken off and been glued back on. “My point is this,” Suzanne said, passing her finger over the crack. “This is where the pot is strongest now: at the place where it had been broken.”
“How was tango class tonight?” Katie would ask when we returned home from our marriage counseling sessions. I’d invented our tango lessons so that I didn’t have to tell her we were trying to fix our marriage.
“Great. How were the kids?”
“Super good! They’re such cuties. And you know, I think it’s super cool that you guys are learning the tango. I wish my parents weren’t such fuddy-duddies about stuff like that. Get out of their comfort zone? Forget it. They’d rather just sit there watching TV.”
Whether or not we were doing the tango up there in Glastonbury, we were definitely out of our comfort zone. But it was worth it. We did repair things. For quite a while, actually. Becoming less accusatory of each other lessened the tension. We practiced better teamwork with the twins and the house stuff, better listening skills, worked on more open communication. Hey, I’m a psychologist; it’s not like I didn’t already know a lot of these strategies. But knowing how to advise others in dealing with their shit doesn’t necessarily mean you’re going to tackle your own without having to check in with a third party once a week. And besides, my patients range in age from eighteen to about twenty-one, twenty-two. Their relationships are more about managing the drama than maintaining a marriage. Suzanne likened the latter to servicing a car you love and want to last. Listen to the engine, rotate the tires, check the oil. Things got better for us intimacy-wise, too. I became more patient. She became more communicative about what she wanted. She had more orgasms than she’d ever had before, and damn if I didn’t enjoy giving them to her … I mean, it wasn’t happily ever after, not by any stretch. She was still distant sometimes, both in our bed and out of it, and I still overdid it sometimes, work schedule-wise. But it definitely got better. Our “tango lessons” went from once a week to once a month, and then to once every three months. Marriage as car maintenance: I was a little put off by the metaphor at first, but as it turned out, Suzanne knew her stuff. Things were much better for Annie and me. And then she got pregnant again and they weren’t …
“Their skin is covered with small toothlike scales, so they’d be virtually unaware that they’re being embedded,” Dr. Skelly is telling the Mad Hatter. “These tags use satellite technology, so that lets us—”
“Like a GPS system?” the Mad Hatter asks.
“Uh-huh. Pretty much. If we get lucky and the tags stay embedded, we should be able to track the animals’ migratory behavior. Which would be fantastic! In other parts of the world, great whites have been tracked successfully, so there’s a good deal known about their migration patterns. But that’s not the case here in the northern Atlantic. Great whites in these waters have always been a bit of a mystery.”
“Well, Dr. Tracy Skelly, thanks for a fascinating discussion. And good luck tracking those great whites. Time once again to check on news, weather, and traffic. But stay tuned, fellas, because when we … two of the self-described ‘guidettes’ who will … in MTV’s latest … Jersey Shore, debuting next …” Mercifully, the Mad Hatter is finally fading away.
Chapter Three (#ulink_fc5aebe7-fa5d-5330-98fd-3b923d4fc115)
Annie Oh (#ulink_fc5aebe7-fa5d-5330-98fd-3b923d4fc115)
I’m goin’ to the market now, Miz Anna. Anything else you need?”
“What?”
“At the market. Anything else that ain’t on your list?”
“No, I guess not. Maybe a pack of cigarettes.”
“Marlboro Lights?”
“Yes, please. Do you have enough money? Here, let me get my purse and give you another twenty just in case. You can keep the change.”
Last month, Viveca reprimanded me for giving Minnie an extra hundred dollars. “Sweetheart, once you start that, they start expecting it,” she said, as if I were a child who didn’t know better. As if Minnie were a dog I got caught feeding scraps to under the table. I kept my mouth shut, but I was pissed. I’m pissed so often lately. It’s nerves, I guess. It’s not that I’m not committed to Viveca. I am. But I’ve already been a bride. And I’m just not comfortable about being married back in Three Rivers … But okay, I’ll get through it. It’s one weekend, that’s all, and I’ll have some time with my daughters in the house where they grew up; I’m looking forward to that. And once we return from Greece, I’ll go back to my studio and Viveca will go back to her gallery and her various charity fund-raising initiatives and things will return to normal.
I’ve slipped Minnie more money since Viveca’s reprimand—hundreds by now probably, although I haven’t kept track. “Our little secret,” I say whenever I press the tens and twenties into her calloused hand and squeeze.
Minnie’s more guarded about her personal life than Hector is, but she’s been opening up little by little, more so since Viveca’s been away and I’ve been staying home instead of going to the studio. We’ve started eating our lunch together, Minnie and me, in Viveca’s study because there’s a little TV in there and Minnie likes to watch The Jerry Springer Show. I’m not sure why, because day after day, it reinforces the worst stereotypes. All the black men on Jerry Springer are dim-witted dogs who cheat on their women. And when Jerry brings out the brazen women these men have been cheating with, the betrayed wives rush them, slapping and punching, yanking off their wigs while the mostly white audience cheers them on. Minnie shakes her head and chuckles and thinks these fights are funny. Doesn’t she realize how racist it is? That it’s staged? I’m at a loss to understand what it is about Springer that appeals to her so much. But hey, I sit there, eating my yogurt and watching it with her.
Minnie smokes at our apartment, which Viveca would be furious about if she knew. But she’s discreet. When she goes into the spare bedroom for a cigarette break, she sits in front of the open window and blows the smoke through the screen. When I walked in and caught her that time, her eyes narrowed—looked more defiant than apologetic—and she said, “You gon’ tell Missuz I been rippin’ smokes?” I told her I wouldn’t and smiled. Asked her to please call me Annie. I thought she’d be pleased by my overture, but she just nodded, not smiling back. She hasn’t called me Annie yet. To Minnie, I’m still Miz Anna, the woman who’s going to marry Missuz.
Since Viveca’s been gone, I’ve been smoking, too. The first couple of times, I bummed cigarettes from Minnie. Then I went down to the market on the corner, the one with the ATM, and bought myself a pack from that effeminate Korean cashier with the bad attitude and the Velveeta-dyed hair. He wears women’s tops and pants some days—size zero, I’m guessing, because he has the narrowest waist I’ve ever seen. He’s over-the-top hostile—resentful when you go up to the counter and dare to interrupt his magazine reading because you want to buy something. He sighs long-sufferingly, slaps his magazine down on the counter, and rings you up with a roll of his eyes. The other day, I got so fed up with his bad attitude that, when he went to give me my change, I grabbed his wrist, looked him in the eye, and told him that whoever or whatever he was so angry about, he didn’t have to take it out on his customers. I watched his expression change from defiance to fear. He was suddenly a scared and miserable little boy, and I knew that, somewhere, in some way, somebody had abused him. I felt bad and looked away—looked down at the counter, at Oprah’s beaming face on the cover of O magazine. He’d dropped my change when I grabbed his wrist and there were dimes on Oprah’s boobs. They looked like pasties. When I looked back up at him, his mask was back on and he looked as ornery as ever. But it was too late. I’d already seen his fear. I can use it if I need to. It’s part of what makes me powerful: I can sometimes figure out what other people’s vulnerabilities are without revealing any of my own. It’s something I learned from my family, I guess; we O’Days were talented secret keepers.
For the last week or so, I’ve been buying two packs at a time: Marlboro Lights for me and Newports for Minnie. On the Today show, that Dr. Nancy person keeps harping on the dangers of smoking. Her and her cushy doctor’s life, her little brown bangs. She reminds me of those beautifully dressed girls from high school—the ones whose mothers let them borrow their credit cards and buy whatever they wanted at the Westwick Mall where I worked. That was my first real job, not counting babysitting; I’d scoop, weigh, and bag people’s mixed nuts, dried fruits, jelly candies, and deluxe jumbo cashews at a kiosk called Jo-Jo’s Nut Shack. My customers were fat people, mostly, who watched the scale to make sure I wasn’t shortchanging them. I’d keep one eye on what I was shoveling onto the scale and the other on those girls from my school who strolled by with their bags and packages. I recognized them, but they didn’t recognize me or even look my way. I hadn’t had a mother in eight years, let alone a borrowed credit card to buy things with. What did any of those girls know about having to wear used clothes from Love Me Two Times or the Salvation Army store? And what does Dr. Nancy know about what someone like Minnie is up against? That day I caught her smoking? I sat on the bed next to her, lifted the window I was facing, took a cigarette out of her pack, and lit up. And the two of us sat there, inhaling and blowing smoke through our respective screens, tapping ash into the plastic cap of the Febreze can that Minnie uses for an ashtray. Neither of us spoke until we’d each started second cigarettes. That was when she told me about her ten-year-old son, Africa. She’s a single mother. It’s been three years since Africa’s father left, she says, and he’s never paid her one single dime for child support.
Minnie drinks on the job, too. She doesn’t know I know. The other night, I dropped an egg on the kitchen floor, and when I went into the cleaning closet to get something to wipe it up, I found a gallon jug of Carlo Rossi Paisano wine hidden at the bottom of a box of rags, mop heads, and vacuum cleaner attachments. It was half full. And when I checked it the following night after she left to go home, it was only a quarter full. The night after that, there was a new jug—Carlo Rossi burgundy this time. She had finished the other bottle and drunk three or four inches’ worth from the new one. Well, as long as she gets her work done and Viveca doesn’t find out, let her drink. Maybe I have Carlo Rossi to thank for the fact that she’s been more open lately. Maybe it’s not so much that she’s begun to trust me as it is because she’s buzzed.
Minnie has medical expenses because of Africa’s asthma, and she’s trying to save enough to relocate to an apartment where there’s no mold. She’d like to get her teeth fixed, too, she told me, so she can find herself another boyfriend. Africa’s father got remarried, she says. “His new wifey LaRue gonna have triplets is what LaRue’s cousin told me on the low,” she said. “Darnell don’t even know ’bout them babies yet, but I do. Well, he in for a big surprise. Serve him right. That man loves his sleep better than anything ’cept hisself—lookin’ at the mirror all the time so he can see how pretty he is. I hope them three babies all get colic and keep him up nights. He won’t look so pretty then. He be runnin’ away from that mirror.” She chuckled at the thought of Darnell’s sleep deprivation in the same way she chuckles when the black women fight each other on Jerry Springer. Then she snuffed out her cigarette, stood, and said she didn’t suspect “Missuz’s furniture gonna dust itself.” I admire Minnie’s flinty bitterness, and the fact that, whenever I give her extra cash, she takes it without acting beholden or even grateful. “Our little secret”: it’s like a contract between the two of us.
Minnie and her boy live in Newark. Africa’s sickly but “sweet as sugar.” For the past two years, she’s paid a Spanish boy down the hall to babysit Africa in the morning “but he growin’ hisself a mustache and gettin’ some attitude lately.” Puberty’s apparently made him less dependable. “He spoze to show up befo’ I leave for work. Fix Africa his breffest, make sure he gots his homework and his inhaler, then walk him to school. But half the time, I gotta go befo’ he come so I don’t miss my bus, and then I gotta call and call his cell phone to see if he there yet so Africa don’t have to walk hisself to school and do his work all mornin’ long with nothin’ in his stomach until hot lunch. I probly gon’ have to fire Oswaldo’s ass pretty soon, but I ain’t done it yet.”
Yesterday Minnie told me she has two grown sons by another man. Twins, Ronald and Donald. Donald is doing time in upstate New York—for what she didn’t say and I didn’t ask. “But Ronald never been no trouble. He come outa me first, thass why. It’s the second twin thass always the trouble chile.” Ronald is married and works at the Friendly’s ice cream plant in Wilbraham, Massachusetts, Minnie told me. “I keep axin’ him to come visit us an’ bring his kids so I can see my gran’babies. But he ain’t come yet. Thass okay, though. I understand. He busy.” When I told Minnie that I have twins, too—a daughter who runs a soup kitchen in San Francisco and a son who’s stationed at Fort Hood—she nodded indifferently. And when I told her that, when I was a kid, I had worked at a Friendly’s restaurant, she had no reaction at all. Minnie likes me well enough—not only because of the extra money I give her, I like to think—but she doesn’t seem to entertain the possibility that she and I have anything in common.
Well, why would she? She’s poor; I’m not. She’s black; I’m white. Minnie says her commute takes her almost two hours either way. After she catches an early bus out of Newark, she transfers twice, then takes the ferry from Hoboken into Manhattan. At the South Ferry station, she catches the Lexington Avenue local up to the Spring Street stop, then walks over to our apartment on Elizabeth. The trip in reverse takes longer, she says. Some nights she doesn’t return home until eight o’clock or later. My walk from our apartment to my studio space at the artists’ collective on Bleecker takes ten minutes when I don’t stop along the way, collecting sidewalk discards that I might incorporate into my art. (On trash collection day, that ten-minute walk sometimes takes me an hour or more, depending on what people have thrown out. A few weeks ago, I had such a good haul that I had to grab an abandoned shopping cart and wheel my treasures to the studio. I was going to leave the cart on the sidewalk out front, but then I lugged that up to my workplace, too.) One night when she got home, Minnie said, she put the key in the lock, opened the door, and smelled chocolate. The Spanish kid, who’s not supposed to leave Africa by himself, had done just that. Left to his own devices, Africa had gotten the bright idea to take a bath in cocoa. “He run hot water, then dump this whole big can of Swiss Miss that I got cheap at the flea market because of the gone-by date.” Minnie was headachy and dog tired, she said, and when she saw Africa sitting in all that chocolate bathwater, she beat him silly, splashing cocoa every which way. “He cryin’ so hard, he give hisself a asthma ’tack and I say, ‘Where your inhaler at?’ And he go, while he wheezin’ away, he go, ‘It in school, Mama.’ And so we end up at the emergency for two, three hour. After we get home, I put him to bed and start cleanin’ up all that mess. Seem like no mo’ than a few hours go by before I had to wake up, let Oswaldo in cuz he be bangin’ on the door—on time for once. By the time I got ready, I had to run to catch that bus.”
That’s another thing Minnie doesn’t know we have in common: that I used to hit my boy, too. Andrew, the second-born of my twins. Poor, sweet Andrew, who looked so beautiful when he slept. Who, despite those wallopings, always kept my tirades from his father. His sisters did, too. Why was that? I wonder. Were they being protective of me? Were they afraid that, if they told, I might turn my anger on them, too? Or that I’d be taken away—carted off by the authorities the way I was when I was a little girl? No, that was my fear, not theirs … Of the three kids, Andrew’s the one with the most O’Day in him. This? Oh, yeah, I fell off my bike and bumped my head on the sidewalk, Dad … Me and Jay Jay were horsing around over at his house. It’s just a black and blue mark, Dad. It’s no big deal. If I hadn’t known where those battle scars really came from, I might have believed him, too.
I didn’t want Andrew to enlist; I begged him not to. Every night before I go to bed, I get down on my knees, make the sign of the cross, and ask Jesus to please, please spare Andrew from being deployed to Iraq or Afghanistan. Sometimes I get scared that God or karma or whoever or whatever’s in charge of retribution will pay me back for the way I singled him out. Or because I walked away from my marriage. It amuses Viveca, I think, to see me praying; she doesn’t believe in God. “What is it you’re praying for?” she asked me one night, and I kept it vague. “World peace,” I said. But mostly what I beg God for is my son’s safety. Please, I pray, let me die if I have to, but spare my son. Let Andrew not have to go to either of those places and be killed.
Okay, I tell myself. If you’re not going into work again today, then do something else. It’s after eleven already. Go down to the lobby and get the mail. Check your e-mail.
Viveca’s two-day-old message is titled Mykonos! I click on it. “Here’s the villa where we’ll be staying,” it says. “Have a look.” In defiance, I decide not to open the attachment—those pictures she wants me to see … Our apartment, our housekeeper. What’s hers, Viveca often reminds me, is mine now, too. Nevertheless, while she’s away, I’m supposed to sign that prenup agreement her lawyer has drawn up. When it was hand delivered by way of messenger from Attorney Philip Liebmann’s Sixth Avenue office, Viveca said, “I told Phil it wasn’t necessary, but he was insistent. Got a little snippy with me in fact. I’ve known Phil since I was a child; he was my father’s lawyer and his tennis buddy. He feels paternal toward me, that’s all. But, sweetheart, it’s just a boring legal formality that’s going to make an overly protective old man happy. Don’t read any more into it than that. What’s mine is yours. You know that.”
Chapter Four (#ulink_faba7b16-9d33-5bb3-bf9a-2fa5040e67b6)
