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They Do It With Mirrors
Agatha Christie
A man is shot at in a juvenile reform home – but someone else dies…Miss Marple senses danger when she visits a friend living in a Victorian mansion which doubles as a rehabilitiation centre for delinquents. Her fears are confirmed when a youth fires a revolver at the administrator, Lewis Serrocold. Neither is injured. But a mysterious visitor, Mr Gilbrandsen, is less fortunate – shot dead simultaneously in another part of the building.Pure coincidence? Miss Marple thinks not, and vows to discover the real reason for Mr Gilbrandsen’s visit.
Copyright (#ulink_890cd9e3-ee93-5f01-b92b-594904401315)
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by Collins, The Crime Club 1952
They Do It With Mirrors™ is a trade mark of Agatha Christie Limited and Agatha Christie
Marple
and the Agatha Christie Signature are registered trade marks of Agatha Christie Limited in the UK and elsewhere.
Copyright © 1952 Agatha Christie Limited. All rights reserved.
www.agathachristie.com (http://www.agathachristie.com)
Cover by www.juliejenkinsdesign.com © HarperCollins/Agatha Christie Ltd 2016
Agatha Christie asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008196561
Ebook Edition © December 2016 ISBN: 9780007422852
Version: 2017-04-12
Dedication (#ulink_a679168c-d29d-5156-b52f-94523848d809)
To Mathew Prichard
Contents
Cover (#uc3e43256-5814-5b3f-8b16-d72d82126abe)
Title Page (#ue7a6883e-7d9d-5cd1-bed7-5c68940d2904)
Copyright (#u361eed03-550f-5292-9586-ef937239b1df)
Dedication (#u8cb6b471-f1aa-5943-b312-86993fa913c0)
Map (#ua1401ff9-64cb-5c35-bb4a-6a38e719a8bf)
Chapter 1 (#uc9f6db6a-12d8-54a5-8f49-163b87058296)
Chapter 2 (#u9b7052fb-71b7-5f16-955a-62363e2c37f7)
Chapter 3 (#ue159c441-4351-565f-a7cf-2dfcbc08e2bd)
Chapter 4 (#ubd50c3fe-91b0-5d4b-b10d-9bad9b702ab2)
Chapter 5 (#u53faeb01-9a3a-5d58-a519-29f79906e279)
Chapter 6 (#litres_trial_promo)
Chapter 7 (#litres_trial_promo)
Chapter 8 (#litres_trial_promo)
Chapter 9 (#litres_trial_promo)
Chapter 10 (#litres_trial_promo)
Chapter 11 (#litres_trial_promo)
Chapter 12 (#litres_trial_promo)
Chapter 13 (#litres_trial_promo)
Chapter 14 (#litres_trial_promo)
Chapter 15 (#litres_trial_promo)
Chapter 16 (#litres_trial_promo)
Chapter 17 (#litres_trial_promo)
Chapter 18 (#litres_trial_promo)
Chapter 19 (#litres_trial_promo)
Chapter 20 (#litres_trial_promo)
Chapter 21 (#litres_trial_promo)
Chapter 22 (#litres_trial_promo)
Chapter 23 (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Also by Agatha Christie (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
Map (#ulink_0100f96c-9808-5ac6-a657-c16a94c87624)
CHAPTER 1 (#ulink_1b5b5836-1414-5008-bbfe-2b1e9d15c0cf)
Mrs Van Rydock moved a little back from the mirror and sighed.
‘Well, that’ll have to do,’ she murmured. ‘Think it’s all right, Jane?’
Miss Marple eyed the Lanvanelli creation appraisingly.
‘It seems to me a very beautiful gown,’ she said.
‘The gown’s all right,’ said Mrs Van Rydock and sighed.
‘Take it off, Stephanie,’ she said.
The elderly maid with the grey hair and the small pinched mouth eased the gown carefully up over Mrs Van Rydock’s upstretched arms.
Mrs Van Rydock stood in front of the glass in her peach satin slip. She was exquisitely corseted. Her still shapely legs were encased in fine nylon stockings. Her face, beneath a layer of cosmetics and constantly toned up by massage, appeared almost girlish at a slight distance. Her hair was less grey than tending to hydrangea blue and was perfectly set. It was practically impossible when looking at Mrs Van Rydock to imagine what she would be like in a natural state. Everything that money could do had been done for her—reinforced by diet, massage, and constant exercises.
Ruth Van Rydock looked humorously at her friend.
‘Do you think most people would guess, Jane, that you and I are practically the same age?’
Miss Marple responded loyally.
‘Not for a moment, I’m sure,’ she said reassuringly. ‘I’m afraid, you know, that I look every minute of my age!’
Miss Marple was white-haired, with a soft pink and white wrinkled face and innocent china blue eyes. She looked a very sweet old lady. Nobody would have called Mrs Van Rydock a sweet old lady.
‘I guess you do, Jane,’ said Mrs Van Rydock. She grinned suddenly, ‘And so do I. Only not in the same way. “Wonderful how that old hag keeps her figure.” That’s what they say of me. But they know I’m an old hag all right! And, my God, do I feel like one!’
She dropped heavily on to the satin quilted chair.
‘That’s all right, Stephanie,’ she said. ‘You can go.’
Stephanie gathered up the dress and went out.
‘Good old Stephanie,’ said Ruth Van Rydock. ‘She’s been with me for over thirty years now. She’s the only woman who knows what I really look like! Jane, I want to talk to you.’
Miss Marple leant forward a little. Her face took on a receptive expression. She looked, somehow, an incongruous figure in the ornate bedroom of the expensive hotel suite. She was dressed in rather dowdy black, carried a large shopping bag and looked every inch a lady.
‘I’m worried, Jane. About Carrie Louise.’
‘Carrie Louise?’ Miss Marple repeated the name musingly. The sound of it took her a long way back.
The pensionnat in Florence. Herself, the pink and white English girl from a Cathedral Close. The two Martin girls, Americans, exciting to the English girl because of their quaint ways of speech and their forthright manner and vitality. Ruth, tall, eager, on top of the world; Carrie Louise, small, dainty, wistful.
‘When did you see her last, Jane?’
‘Oh! not for many many years. It must be twenty-five at least. Of course we still send cards at Christmas.’
Such an odd thing, friendship! She, young Jane Marple, and the two Americans. Their ways diverging almost at once, and yet the old affection persisting; occasional letters, remembrances at Christmas. Strange that Ruth whose home—or rather homes—had been in America should be the sister whom she had seen the more often of the two. No, perhaps not strange. Like most Americans of her class, Ruth had been cosmopolitan, every year or two she had come over to Europe, rushing from London to Paris, on to the Riviera, and back again, and always keen to snatch a few moments wherever she was with her old friends. There had been many meetings like this one. In Claridge’s, or the Savoy, or the Berkeley, or the Dorchester. A recherché meal, affectionate reminiscences, and a hurried and affectionate goodbye. Ruth had never had time to visit St Mary Mead. Miss Marple had not, indeed, ever expected it. Everyone’s life has a tempo. Ruth’s was presto whereas Miss Marple’s was content to be adagio.
So it was American Ruth whom she had seen most of, whereas Carrie Louise who lived in England, she had not now seen for over twenty years. Odd, but quite natural, because when one lives in the same country there is no need to arrange meetings with old friends. One assumes that, sooner or later, one will see them without contrivance. Only, if you move in different spheres, that does not happen. The paths of Jane Marple and Carrie Louise did not cross. It was as simple as that.
‘Why are you worried about Carrie Louise, Ruth?’ asked Miss Marple.
‘In a way that’s what worries me most! I just don’t know.’
‘She’s not ill?’
‘She’s very delicate—always has been. I wouldn’t say she’d been any worse than usual—considering that she’s getting on just as we all are.’
‘Unhappy?’
‘Oh no.’
No, it wouldn’t be that, thought Miss Marple. It would be difficult to imagine Carrie Louise unhappy—and yet there were times in her life when she must have been. Only—the picture did not come clearly. Bewildered—yes—incredulous—yes—but violent grief—no.
Mrs Van Rydock’s words came appositely.
‘Carrie Louise,’ she said, ‘has always lived right out of this world. She doesn’t know what it’s like. Maybe it’s that that worries me.’
‘Her circumstances,’ began Miss Marple, then stopped, shaking her head. ‘No,’ she said.
‘No, it’s she herself,’ said Ruth Van Rydock. ‘Carrie Louise was always the one of us who had ideals. Of course it was the fashion when we were young to have ideals—we all had them, it was the proper thing for young girls. You were going to nurse lepers, Jane, and I was going to be a nun. One gets over all that nonsense. Marriage, I suppose one might say, knocks it out of one. Still, take it by and large, I haven’t done badly out of marriage.’
Miss Marple thought that Ruth was expressing it mildly. Ruth had been married three times, each time to an extremely wealthy man, and the resultant divorces had increased her bank balance without in the least souring her disposition.
‘Of course,’ said Mrs Van Rydock, ‘I’ve always been tough. Things don’t get me down. I’ve not expected too much of life and certainly not expected too much of men—and I’ve done very well out of it—and no hard feelings. Tommy and I are still excellent friends, and Julius often asks me my opinion about the market.’ Her face darkened. ‘I believe that’s what worries me about Carrie Louise—she’s always had a tendency, you know, to marry cranks.’
‘Cranks?’
‘People with ideals. Carrie Louise was always a pushover for ideals. There she was, as pretty as they make them, just seventeen and listening with her eyes as big as saucers to old Gulbrandsen holding forth about his plans for the human race. Over fifty, and she married him, a widower with a family of grown-up children—all because of his philanthropic ideas. She used to sit listening to him spellbound. Just like Desdemona and Othello. Only fortunately there was no Iago about to mess things up—and anyway Gulbrandsen wasn’t coloured. He was a Swede or a Norwegian or something.’
Miss Marple nodded thoughtfully. The name of Gulbrandsen had an international significance. A man who with shrewd business acumen and perfect honesty had built up a fortune so colossal that really philanthropy had been the only solution to the disposal of it. The name still held significance. The Gulbrandsen Trust, the Gulbrandsen Research Fellowships, the Gulbrandsen Administrative Almshouses, and best known of all the vast educational College for the sons of working men.
‘She didn’t marry him for his money, you know,’ said Ruth, ‘I should have if I’d married him at all. But not Carrie Louise. I don’t know what would have happened if he hadn’t died when she was thirty-two. Thirty-two’s a very nice age for a widow. She’s got experience, but she’s still adaptable.’
The spinster listening to her, nodded gently whilst her mind revived, tentatively, widows she had known in the village of St Mary Mead.
‘I was really happiest about Carrie Louise when she was married to Johnnie Restarick. Of course he married her for her money—or if not exactly that, at any rate he wouldn’t have married her if she hadn’t had any. Johnnie was a selfish, pleasure-loving, lazy hound, but that’s so much safer than a crank. All Johnnie wanted was to live soft. He wanted Carrie Louise to go to the best dressmakers and have yachts and cars and enjoy herself with him. That kind of man is so very safe. Give him comfort and luxury and he’ll purr like a cat and be absolutely charming to you. I never took that scene designing and theatrical stuff of his very seriously. But Carrie Louise was thrilled by it—saw it all as Art with a capital A and really forced him back into those surroundings, and then that dreadful Yugoslavian woman got hold of him and just swept him off with her. He didn’t really want to go. If Carrie Louise had waited and been sensible, he would have come back to her.’
