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The Complete Quin and Satterthwaite
Agatha Christie
A brand new ebook omnibus featuring Agatha Christie’s favourite characters: Messrs Quin and Satterthwaite.Harley Quin is an enigma. He appears and disappears unexpectedly – and usually by strange tricks of the light caused by stained-glass windows or flickering firelight. His background, family and friends are all a mystery – his almost supernatural powers of detection are, however, very real.Mr Satterthwaite is altogether more normal – fundamentally a snob, he lives the carefree lifestyle of a bachelor whilst indulging his hobbies. Yet, beneath this facade is a deep vein of loneliness that compels him to observe everyone and everything.Together they are an unstoppable, crime-fighting tour de force – Sattherthwaite’s skills of observation are honed by Quin’s subtle questioning, bringing to light the most pertinent clues in any crime. With each acting as a catalyst for the other, the criminal fraternity had best beware…This volume brings all the Quin and Satterthwaite novels and short stories together for the first time, and showcases the pair’s talents in a way that clearly explains why Agatha Christie herself was so fond of her creations: ‘The Love Detectives’.Contains:The Mysterious Mr QuinThree-Act TragedyDead Man’s MirrorThe Love DetectivesThe Harlequin Tea Set
AGATHA CHRISTIE
The Complete Quin and Satterthwaite
Copyright (#ulink_3c3bf8b5-8e7d-5ff4-bc58-8b1cb869d198)
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
This collection © Agatha Christie Limited 2004
www.agathachristie.com (http://www.agathachristie.com)
The Mysterious Mr. Quin © Agatha Christie Limited 1930
Three Act Tragedy © Agatha Christie Limited 1934
Dead Man’s Mirror © Agatha Christie Limited 1937
The Love Detectives © Agatha Christie Limited 1926,1950
The Harlequin Tea Set © Agatha Christie Limited 1971
Cover photograph © Johner/Photonica
Agatha Christie asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780007171156
Ebook Edition © 2011 ISBN: 9780007562657
Version: 2017-04-13
Contents
Cover (#ud8fa935b-fe4a-5aef-bcb9-51870cc74e4d)
Title Page (#u97b746a5-3c7d-5897-818e-4a0f72d70ee5)
Copyright (#uef469298-b21f-5e27-b890-2edfc7b29233)
The Mysterious Mr. Quin (#u61449e6b-7198-592a-88d0-d29296afd461)
Three Act Tragedy (#litres_trial_promo)
Dead Man’s Mirror (#litres_trial_promo)
The Love Detectives (#litres_trial_promo)
The Harlequin Tea Set (#litres_trial_promo)
Keep Reading … (#litres_trial_promo)
About the Author (#litres_trial_promo)
Also by the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
The Mysterious Mr. Quin (#ulink_4ba7acef-d17e-5dfb-8792-3967f53662ad)
Contents
Title Page (#u61449e6b-7198-592a-88d0-d29296afd461)
Author’s Foreword (#ulink_d444d505-de7a-58b0-9d47-8794dc9dddbe)
1. The Coming of Mr Quin (#ulink_8ede36b4-4354-59af-914e-5681c887eba3)
2. The Shadow on the Glass (#ulink_2d9e0c2d-1848-5c64-b765-ce8d8da9f01d)
3. At the ‘Bells and Motley’ (#ulink_85c6d896-0278-5495-9404-3dfebf924650)
4. The Sign in the Sky (#ulink_14e898e3-16ed-5389-96c5-aaa77e5c7bb1)
5. The Soul of the Croupier (#ulink_8d5f2f3b-cc1e-5516-9441-a28b363f5544)
6. The Man from the Sea (#ulink_51bd7c0e-a801-56bd-a345-879b2b078003)
7. The Voice in the Dark (#ulink_49d329d4-cc6d-5f89-9a84-defef5cf78ac)
8. The Face of Helen (#litres_trial_promo)
9. The Dead Harlequin (#litres_trial_promo)
10. The Bird with the Broken Wing (#litres_trial_promo)
11. The World’s End (#litres_trial_promo)
12. Harlequin’s Lane (#litres_trial_promo)
Author’s Foreword (#ulink_06376024-81dc-5bdf-9fe8-60b0c87b9a23)
The Mr Quin stories were not written as a series. They were written one at a time at rare intervals. Mr Quin, I consider, is an epicure’s taste.
A set of Dresden figures on my mother’s mantelpiece fascinated me as a child and afterwards. They represented the Italian commedia dell’arte: Harlequin, Columbine, Pierrot, Pierette, Punchinello, and Punchinella. As a girl I wrote a series of poems about them, and I rather think that one of the poems, Harlequin’s Song, was my first appearance in print. It was in the Poetry Review, and I got a guinea for it!
After I turned from poetry and ghost stories to crime, Harlequin finally reappeared; a figure invisible except when he chose, not quite human, yet concerned with the affairs of human beings and particularly of lovers. He is also the advocate for the dead.
Though each story about him is quite separate, yet the collection, written over a considerable period of years, outlines in the end the story of Harlequin himself.
With Mr Quin there has been created little Mr Satterthwaite, Mr Quin’s friend in this mortal world: Mr Satterthwaite, the gossip, the looker-on at life, the little man who without ever touching the depths of joy and sorrow himself, recognizes drama when he sees it, and is conscious that he has a part to play.
Of the Mr Quin stories, my favourites are: World’s End, The Man from the Sea, and Harlequin’s Lane.
AGATHA CHRISTIE
1953
1 The Coming of Mr Quin (#ulink_37f777de-e41f-57c4-826e-9aba1f2cc87c)
‘The Coming of Mr Quin’ was first published as ‘The Passing of Mr Quinn’ in Grand Magazine, March 1923.
It was New Year’s Eve.
The elder members of the house party at Royston were assembled in the big hall.
Mr Satterthwaite was glad that the young people had gone to bed. He was not fond of young people in herds. He thought them uninteresting and crude. They lacked subtlety and as life went on he had become increasingly fond of subtleties.
Mr Satterthwaite was sixty-two – a little bent, dried-up man with a peering face oddly elflike, and an intense and inordinate interest in other people’s lives. All his life, so to speak, he had sat in the front row of the stalls watching various dramas of human nature unfold before him. His role had always been that of the onlooker. Only now, with old age holding him in its clutch, he found himself increasingly critical of the drama submitted to him. He demanded now something a little out of the common.
There was no doubt that he had a flair for these things. He knew instinctively when the elements of drama were at hand. Like a war horse, he sniffed the scent. Since his arrival at Royston this afternoon, that strange inner sense of his had stirred and bid him be ready. Something interesting was happening or going to happen.
The house party was not a large one. There was Tom Evesham, their genial good-humoured host, and his serious political wife who had been before her marriage Lady Laura Keene. There was Sir Richard Conway, soldier, traveller and sportsman, there were six or seven young people whose names Mr Satterthwaite had not grasped and there were the Portals.
It was the Portals who interested Mr Satterthwaite.
He had never met Alex Portal before, but he knew all about him. Had known his father and his grandfather. Alex Portal ran pretty true to type. He was a man of close on forty, fair-haired, and blue-eyed like all the Portals, fond of sport, good at games, devoid of imagination. Nothing unusual about Alex Portal. The usual good sound English stock.
But his wife was different. She was, Mr Satterthwaite knew, an Australian. Portal had been out in Australia two years ago, had met her out there and had married her and brought her home. She had never been to England previous to her marriage. All the same, she wasn’t at all like any other Australian woman Mr Satterthwaite had met.
He observed her now, covertly. Interesting woman – very. So still, and yet so – alive. Alive! That was just it! Not exactly beautiful – no, you wouldn’t call her beautiful, but there was a kind of calamitous magic about her that you couldn’t miss – that no man could miss. The masculine side of Mr Satterthwaite spoke there, but the feminine side (for Mr Satterthwaite had a large share of femininity) was equally interested in another question. Why did Mrs Portal dye her hair?
No other man would probably have known that she dyed her hair, but Mr Satterthwaite knew. He knew all those things. And it puzzled him. Many dark women dye their hair blonde; he had never before come across a fair woman who dyed her hair black.
Everything about her intrigued him. In a queer intuitive way, he felt certain that she was either very happy or very unhappy – but he didn’t know which, and it annoyed him not to know. Furthermore there was the curious effect she had upon her husband.
‘He adores her,’ said Mr Satterthwaite to himself, ‘but sometimes he’s – yes, afraid of her! That’s very interesting. That’s uncommonly interesting.’
Portal drank too much. That was certain. And he had a curious way of watching his wife when she wasn’t looking.
‘Nerves,’ said Mr Satterthwaite. ‘The fellow’s all nerves. She knows it too, but she won’t do anything about it.’
He felt very curious about the pair of them. Something was going on that he couldn’t fathom.
He was roused from his meditations on the subject by the solemn chiming of the big clock in the corner.
‘Twelve o’clock,’ said Evesham. ‘New Year’s Day. Happy New Year – everybody. As a matter of fact that clock’s five minutes fast … I don’t know why the children wouldn’t wait up and see the New Year in?’
‘I don’t suppose for a minute they’ve really gone to bed,’ said his wife placidly. ‘They’re probably putting hairbrushes or something in our beds. That sort of thing does so amuse them. I can’t think why. We should never have been allowed to do such a thing in my young days.’
‘Autre temps, autres moeurs,’ said Conway, smiling.
He was a tall soldierly-looking man. Both he and Evesham were much of the same type – honest upright kindly men with no great pretensions to brains.
‘In my young days we all joined hands in a circle and sang “Auld Lang Syne”,’ continued Lady Laura. ‘“Should auld acquaintance be forgot” – so touching, I always think the words are.’
Evesham moved uneasily.
‘Oh! drop it, Laura,’ he muttered. ‘Not here.’
He strode across the wide hall where they were sitting, and switched on an extra light.
‘Very stupid of me,’ said Lady Laura, sotto voce. ‘Reminds him of poor Mr Capel, of course. My dear, is the fire too hot for you?’
Eleanor Portal made a brusque movement.
‘Thank you. I’ll move my chair back a little.’
What a lovely voice she had – one of those low murmuring echoing voices that stay in your memory, thought Mr Satterthwaite. Her face was in shadow now. What a pity.
From her place in the shadow she spoke again.
‘Mr – Capel?’
‘Yes. The man who originally owned this house. He shot himself you know – oh! very well, Tom dear, I won’t speak of it unless you like. It was a great shock for Tom, of course, because he was here when it happened. So were you, weren’t you, Sir Richard?’
‘Yes, Lady Laura.’
An old grandfather clock in the corner groaned, wheezed, snorted asthmatically, and then struck twelve.
‘Happy New Year, Tom,’ grunted Evesham perfunctorily.
Lady Laura wound up her knitting with some deliberation.
‘Well, we’ve seen the New Year in,’ she observed, and added, looking towards Mrs Portal, ‘What do you think, my dear?’
