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The Body in the Library
The Body in the Library
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The Body in the Library

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The Body in the Library
Agatha Christie

Agatha Christie’s world-famous Miss Marple mystery, reissued with a striking cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.It’s seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing evening dress and heavy make-up, which is now smeared across her cheeks.But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry?The respectable Bantrys invite Miss Marple to solve the mystery… before tongues start to wag.

Copyright (#u2cce7421-31e6-5e80-8586-e223aa9ca429)

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published in Great Britain by Collins, The Crime Club 1942

The Body in the Library™ is a trade mark of Agatha Christie Limited and Agatha Christie

Marple

and the Agatha Christie Signature are registered trade marks of Agatha Christie Limited in the UK and elsewhere. Copyright © 1942 Agatha Christie Limited. All rights reserved.

www.agathachristie.com (http://www.agathachristie.com)

Cover by juliejenkinsdesign.com (http://juliejenkinsdesign.com) © HarperCollins/Agatha Christie Ltd 2016

Agatha Christie asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008196530

Ebook Edition © December 2016 ISBN: 9780007422173

Version: 2017-04-12

Dedication (#u2cce7421-31e6-5e80-8586-e223aa9ca429)

To My Friend Nan

Contents

Cover (#uec174fca-baa6-5974-b6e4-90855a458579)

Title Page (#u5c5f81d6-a9f6-53a4-bb39-8b0ac546b16e)

Copyright

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Also by Agatha Christie

About the Publisher

CHAPTER 1 (#u2cce7421-31e6-5e80-8586-e223aa9ca429)

Mrs Bantry was dreaming. Her sweet peas had just taken a First at the flower show. The vicar, dressed in cassock and surplice, was giving out the prizes in church. His wife wandered past, dressed in a bathing-suit, but as is the blessed habit of dreams this fact did not arouse the disapproval of the parish in the way it would assuredly have done in real life …

Mrs Bantry was enjoying her dream a good deal. She usually did enjoy those early-morning dreams that were terminated by the arrival of early-morning tea. Somewhere in her inner consciousness was an awareness of the usual early-morning noises of the household. The rattle of the curtain-rings on the stairs as the housemaid drew them, the noises of the second housemaid’s dustpan and brush in the passage outside. In the distance the heavy noise of the front-door bolt being drawn back.

Another day was beginning. In the meantime she must extract as much pleasure as possible from the flower show—for already its dream-like quality was becoming apparent …

Below her was the noise of the big wooden shutters in the drawing-room being opened. She heard it, yet did not hear it. For quite half an hour longer the usual household noises would go on, discreet, subdued, not disturbing because they were so familiar. They would culminate in a swift, controlled sound of footsteps along the passage, the rustle of a print dress, the subdued chink of tea-things as the tray was deposited on the table outside, then the soft knock and the entry of Mary to draw the curtains.

In her sleep Mrs Bantry frowned. Something disturbing was penetrating through to the dream state, something out of its time. Footsteps along the passage, footsteps that were too hurried and too soon. Her ears listened unconsciously for the chink of china, but there was no chink of china.

The knock came at the door. Automatically from the depths of her dreams Mrs Bantry said: ‘Come in.’ The door opened—now there would be the chink of curtain-rings as the curtains were drawn back.

But there was no chink of curtain-rings. Out of the dim green light Mary’s voice came—breathless, hysterical: ‘Oh, ma’am, oh, ma’am, there’s a body in the library.’

And then with a hysterical burst of sobs she rushed out of the room again.

Mrs Bantry sat up in bed.

Either her dream had taken a very odd turn or else—or else Mary had really rushed into the room and had said (incredible! fantastic!) that there was a body in the library.

‘Impossible,’ said Mrs Bantry to herself. ‘I must have been dreaming.’

But even as she said it, she felt more and more certain that she had not been dreaming, that Mary, her superior self-controlled Mary, had actually uttered those fantastic words.

Mrs Bantry reflected a minute and then applied an urgent conjugal elbow to her sleeping spouse.

‘Arthur, Arthur, wake up.’

Colonel Bantry grunted, muttered, and rolled over on his side.

‘Wake up, Arthur. Did you hear what she said?’

‘Very likely,’ said Colonel Bantry indistinctly. ‘I quite agree with you, Dolly,’ and promptly went to sleep again.

Mrs Bantry shook him.

‘You’ve got to listen. Mary came in and said that there was a body in the library.’

‘Eh, what?’

‘A body in the library.’

‘Who said so?’

‘Mary.’

Colonel Bantry collected his scattered faculties and proceeded to deal with the situation. He said:

‘Nonsense, old girl; you’ve been dreaming.’

‘No, I haven’t. I thought so, too, at first. But I haven’t. She really came in and said so.’

‘Mary came in and said there was a body in the library?’

‘Yes.’

‘But there couldn’t be,’ said Colonel Bantry.

‘No—no, I suppose not,’ said Mrs Bantry doubtfully.

Rallying, she went on:

‘But then why did Mary say there was?’

‘She can’t have.’

‘She did.’

‘You must have imagined it.’

‘I didn’t imagine it.’

Colonel Bantry was by now thoroughly awake and prepared to deal with the situation on its merits. He said kindly:

‘You’ve been dreaming, Dolly, that’s what it is. It’s that detective story you were reading—The Clue of the Broken Match. You know—Lord Edgbaston finds a beautiful blonde dead on the library hearthrug. Bodies are always being found in libraries in books. I’ve never known a case in real life.’

‘Perhaps you will now,’ said Mrs Bantry. ‘Anyway, Arthur, you’ve got to get up and see.’

‘But really, Dolly, it must have been a dream. Dreams often do seem wonderfully vivid when you first wake up. You feel quite sure they’re true.’

‘I was having quite a different sort of dream—about a flower show and the vicar’s wife in a bathing-dress—something like that.’

With a sudden burst of energy Mrs Bantry jumped out of bed and pulled back the curtains. The light of a fine autumn day flooded the room.

‘I did not dream it,’ said Mrs Bantry firmly. ‘Get up at once, Arthur, and go downstairs and see about it.’

‘You want me to go downstairs and ask if there’s a body in the library? I shall look a damned fool.’

‘You needn’t ask anything,’ said Mrs Bantry. ‘If there is a body—and of course it’s just possible that Mary’s gone mad and thinks she sees things that aren’t there—well, somebody will tell you soon enough. You won’t have to say a word.’

Grumbling, Colonel Bantry wrapped himself in his dressing-gown and left the room. He went along the passage and down the staircase. At the foot of it was a little knot of huddled servants; some of them were sobbing. The butler stepped forward impressively.

‘I’m glad you have come, sir. I have directed that nothing should be done until you came. Will it be in order for me to ring up the police, sir?’

‘Ring ’em up about what?’

The butler cast a reproachful glance over his shoulder at the tall young woman who was weeping hysterically on the cook’s shoulder.

‘I understood, sir, that Mary had already informed you. She said she had done so.’

Mary gasped out:

‘I was so upset I don’t know what I said. It all came over me again and my legs gave way and my inside turned over. Finding it like that—oh, oh, oh!’