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His very first call worked wonders. He told, in the hearing of a gouty old lady, how that Mme. de Dey had all but died of an attack of gout in the stomach; how that the illustrious Tronchin had recommended her in such a case to put the skin from a live hare on her chest, to stop in bed, and keep perfectly still. The Countess, he said, had lain in danger of her life for the past two days; but after carefully following out Tronchin's singular prescription, she was now sufficiently recovered to receive visitors that evening.

This tale had an immense success in Carentan. The local doctor, a Royalist in petto, added to its effect by gravely discussing the specific. Suspicion, nevertheless, had taken too deep root in a few perverse or philosophical minds to be entirely dissipated; so it fell out that those who had the right of entry into Mme. de Dey's drawing-room hurried thither at an early hour, some to watch her face, some out of friendship, but the more part attracted by the fame of the marvelous cure.

They found the Countess seated in a corner of the great chimney-piece in her room, which was almost as modestly furnished as similar apartments in Carentan; for she had given up the enjoyment of luxuries to which she had formerly been accustomed, for fear of offending the narrow prejudices of her guests, and she had made no changes in her house. The floor was not even polished. She had left the old somber hangings on the walls, had kept the old-fashioned country furniture, burned tallow candles, had fallen in with the ways of the place and adopted provincial life without flinching before its cast-iron narrowness, its most disagreeable hardships; but knowing that her guests would forgive her for any prodigality that conduced to their comfort, she left nothing undone where their personal enjoyment was concerned; her dinners, for instance, were excellent. She even went so far as to affect avarice to recommend herself to these sordid natures; and had the ingenuity to make it appear that certain concessions to luxury had been made at the instance of others, to whom she had graciously yielded.

Toward seven o'clock that evening, therefore, the nearest approach to polite society that Carentan could boast was assembled in Mme. de Dey's drawing-room, in a wide circle, about the fire. The old merchant's sympathetic glances sustained the mistress of the house through this ordeal; with wonderful strength of mind, she underwent the curious scrutiny of her guests, and bore with their trivial prosings. Every time there was a knock at the door, at every sound of footsteps in the street, she hid her agitation by raising questions of absorbing interest to the countryside. She led the conversation on to the burning topic of the quality of various ciders, and was so well seconded by her friend who shared her secret, that her guests almost forgot to watch her, and her face wore its wonted look; her self-possession was unshaken. The public prosecutor and one of the judges of the Revolutionary Tribunal kept silence, however; noting the slightest change that flickered over her features, listening through the noisy talk to every sound in the house. Several times they put awkward questions, which the Countess answered with wonderful presence of mind. So brave is a mother's heart!

Mme. de Dey had drawn her visitors into little groups, had made parties of whist, boston, or reversis, and sat talking with some of the young people; she seemed to be living completely in the present moment, and played her part like a consummate actress. She elicited a suggestion of loto, and saying that no one else knew where to find the game, she left the room.

"My good Brigitte, I cannot breathe down there!" she cried, brushing away the tears that sprang to her eyes that glittered with fever, sorrow, and impatience. – She had gone up to her son's room, and was looking round it. "He does not come," she said. "Here I can breathe and live. A few minutes more, and he will be here, for he is alive, I am sure that he is alive! my heart tells me so. Do you hear nothing, Brigitte? Oh! I would give the rest of my life to know whether he is still in prison or tramping across the country. I would rather not think."

Once more she looked to see that everything was in order. A bright fire blazed on the hearth, the shutters were carefully closed, the furniture shone with cleanliness, the bed had been made after a fashion that showed that Brigitte and the Countess had given their minds to every trifling detail. It was impossible not to read her hopes in the dainty and thoughtful preparations about the room; love and a mother's tenderest caresses seemed to pervade the air in the scent of flowers. None but a mother could have foreseen the requirements of a soldier and arranged so completely for their satisfaction. A dainty meal, the best of wine, clean linen, slippers – no necessary, no comfort, was lacking for the weary traveler, and all the delights of home heaped upon him should reveal his mother's love.

"Oh, Brigitte!.." cried the Countess, with a heart-rending inflection in her voice. She drew a chair to the table as if to strengthen her illusions and realize her longings.

"Ah! madame, he is coming. He is not far off… I haven't a doubt that he is living and on his way," Brigitte answered. "I put a key in the Bible and held it on my fingers while Cottin read the Gospel of St. John, and the key did not turn, madame."

"Is that a certain sign?" the Countess asked.

"Why, yes, madame! everybody knows that. He is still alive; I would stake my salvation on it; God cannot be mistaken."

"If only I could see him here in the house, in spite of the danger."

"Poor Monsieur Auguste!" cried Brigitte; "I expect he is tramping along the lanes!"

"And that is eight o'clock striking now!" cried the Countess in terror.

She was afraid that she had been too long in the room where she felt sure that her son was alive; all those preparations made for him meant that he was alive. She went down, but she lingered a moment in the peristyle for any sound that might waken the sleeping echoes of the town. She smiled at Brigitte's husband, who was standing there on guard; the man's eyes looked stupid with the strain of listening to the faint sounds of the night. She stared into the darkness, seeing her son in every shadow everywhere; but it was only for a moment. Then she went back to the drawing-room with an assumption of high spirits, and began to play at loto with the little girls. But from time to time she complained of feeling unwell, and went to sit in her great chair by the fireside. So things went in Mme. de Dey's house and in the minds of those beneath her roof.

Meanwhile, on the road from Paris to Cherbourg, a young man, dressed in the inevitable brown carmagnole of those days, was plodding his way toward Carentan. When the first levies were made, there was little or no discipline kept up. The exigencies of the moment scarcely admitted of soldiers being equipped at once, and it was no uncommon thing to see the roads thronged with conscripts in their ordinary clothes. The young fellows went ahead of their company to the next halting place, or lagged behind it; it depended upon their fitness to bear the fatigues of a long march. This particular wayfarer was some considerable way in advance of a company of conscripts on the way to Cherbourg, whom the mayor was expecting to arrive every hour, for it was his duty to distribute their billets. The young man's footsteps were still firm as he trudged along, and his bearing seemed to indicate that he was no stranger to the rough life of a soldier. The moon shone on the pasture land about Carentan, but he had noticed great masses of white cloud that were about to scatter showers of snow over the country, and doubtless the fear of being overtaken by a storm had quickened his pace in spite of his weariness.

The wallet on his back was almost empty, and he carried a stick in his hand, cut from one of the high, thick box hedges that surround most of the farms in Lower Normandy. As the solitary wayfarer came into Carentan, the gleaming moonlit outlines of its towers stood out for a moment with ghostly effect against the sky. He met no one in the silent streets that rang with the echoes of his own footsteps, and was obliged to ask the way to the mayor's house of a weaver who was working late. The magistrate was not far to seek, and in a few minutes the conscript was sitting on a stone bench in the mayor's porch waiting for his billet. He was sent for, however, and confronted with that functionary, who scrutinized him closely. The foot soldier was a good-looking young man, who appeared to be of gentle birth. There was something aristocratic in his bearing, and signs in his face of intelligence developed by a good education.

"What is your name?" asked the mayor, eying him shrewdly.

"Julien Jussieu," answered the conscript.

"From – ?" queried the official, and an incredulous smile stole over his features.

"From Paris."

"Your comrades must be a good way behind?" remarked the Norman in sarcastic tones.

"I am three leagues ahead of the battalion."

"Some sentiment attracts you to Carentan, of course, citizen-conscript," said the mayor astutely. "All right, all right!" he added, with a wave of the hand, seeing that the young man was about to speak. "We know where to send you. There, off with you, Citizen Jussieu," and he handed over the billet.

There was a tinge of irony in the stress the magistrate laid on the two last words while he held out a billet on Mme. de Dey. The conscript read the direction curiously.

"He knows quite well that he has not far to go, and when he gets outside he will very soon cross the marketplace," said the mayor to himself, as the other went out. "He is uncommonly bold! God guide him!.. He has an answer ready for everything. Yes, but if somebody else had asked to see his papers it would have been all up with him!"

The clocks in Carentan struck half-past nine as he spoke. Lanterns were being lit in Mme. de Dey's antechamber, servants were helping their masters and mistresses into sabots, greatcoats, and calashes. The card players settled their accounts, and everybody went out together, after the fashion of all little country towns.

"It looks as if the prosecutor meant to stop," said a lady, who noticed that that important personage was not in the group in the market-place, where they all took leave of one another before going their separate ways home. And, as a matter of fact, that redoubtable functionary was alone with the Countess, who waited trembling till he should go. There was something appalling in their long silence.

"Citoyenne," said he at last, "I am here to see that the laws of the Republic are carried out – "

Mme. de Dey shuddered.

"Have you nothing to tell me?"

"Nothing!" she answered, in amazement.

"Ah! madame," cried the prosecutor, sitting down beside her and changing his tone. "At this moment, for lack of a word, one of us – you or I – may carry our heads to the scaffold. I have watched your character, your soul, your manner, too closely to share the error into which you have managed to lead your visitors to-night. You are expecting your son, I could not doubt it."

The Countess made an involuntary sign of denial, but her face had grown white and drawn with the struggle to maintain the composure that she did not feel, and no tremor was lost on the merciless prosecutor.

"Very well," the Revolutionary official went on, "receive him; but do not let him stay under your roof after seven o'clock to-morrow morning; for to-morrow, as soon as it is light, I shall come with a denunciation that I will have made out, and – "

She looked at him, and the dull misery in her eyes would have softened a tiger.

"I will make it clear that the denunciation was false by making a thorough search," he went on in a gentle voice; "my report shall be such that you will be safe from any subsequent suspicion. I shall make mention of your patriotic gifts, your civism, and all of us will be safe."

Mme. de Dey, fearful of a trap, sat motionless, her face afire, her tongue frozen. A knock at the door rang through the house.

"Oh!.." cried the terrified mother, falling upon her knees; "save him! save him!"

"Yes, let us save him!" returned the public prosecutor, and his eyes grew bright as he looked at her, "if it costs us our lives!"

"Lost!" she wailed. The prosecutor raised her politely.

"Madame," said he with a flourish of eloquence, "to your own free will alone would I owe – "

"Madame, he is – " cried Brigitte, thinking that her mistress was alone. At the sight of the public prosecutor, the old servant's joy-flushed countenance became haggard and impassive.

"Who is it, Brigitte?" the prosecutor asked kindly, as if he too were in the secret of the household.

"A conscript that the mayor has sent here for a night's lodging," the woman replied, holding out the billet.

"So it is," said the prosecutor, when he had read the slip of paper. "A battalion is coming here to-night."

And he went.

The Countess's need to believe in the faith of her sometime attorney was so great, that she dared not entertain any suspicion of him. She fled upstairs; she felt scarcely strength enough to stand; she opened the door, and sprang, half dead with fear, into her son's arms.

"Oh! my child! my child!" she sobbed, covering him with almost frenzied kisses.

"Madame!.." said a stranger's voice.

"Oh! it is not he!" she cried, shrinking away in terror, and she stood face to face with the conscript, gazing at him with haggard eyes.

"O saint bon Dieu! how like he is!" cried Brigitte.

There was silence for a moment; even the stranger trembled at the sight of Mme. de Dey's face.

"Ah! monsieur," she said, leaning on the arm of Brigitte's husband, feeling for the first time the full extent of a sorrow that had all but killed her at its first threatening; "ah! monsieur, I cannot stay to see you any longer … permit my servants to supply my place, and to see that you have all that you want."

She went down to her own room, Brigitte and the old serving-man half carrying her between them. The housekeeper set her mistress in a chair, and broke out:

"What, madame! is that man to sleep in Monsieur Auguste's bed, and wear Monsieur Auguste's slippers, and eat the pasty that I made for Monsieur Auguste? Why, if they were to guillotine me for it, I – "

"Brigitte!" cried Mme. de Dey.

Brigitte said no more.

"Hold your tongue, chatterbox," said her husband, in a low voice; "do you want to kill madame?"

A sound came from the conscript's room as he drew his chair to the table.

"I shall not stay here," cried Mme. de Dey; "I shall go into the conservatory; I shall hear better there if anyone passes in the night."

She still wavered between the fear that she had lost her son and the hope of seeing him once more. That night was hideously silent. Once, for the Countess, there was an awful interval, when the battalion of conscripts entered the town, and the men went by, one by one, to their lodgings. Every footfall, every sound in the street, raised hopes to be disappointed; but it was not for long, the dreadful quiet succeeded again. Toward morning the Countess was forced to return to her room. Brigitte, ever keeping watch over her mistress's movements, did not see her come out again; and when she went, she found the Countess lying there dead.

"I expect she heard that conscript," cried Brigitte, "walking about Monsieur Auguste's room, whistling that accursed Marseillaise of theirs while he dressed, as if he had been in a stable! That must have killed her."

But it was a deeper and a more solemn emotion, and doubtless some dreadful vision, that had caused Mme. de Dey's death; for at the very hour when she died at Carentan, her son was shot in le Morbihan.

This tragical story may be added to all the instances on record of the workings of sympathies uncontrolled by the laws of time and space. These observations, collected with scientific curiosity by a few isolated individuals, will one day serve as documents on which to base the foundations of a new science which hitherto has lacked its man of genius.

Introduction to Zadig the Babylonian

A work (says the author) which performs more than it promises.

Voltaire never heard of a "detective story"; and yet he wrote the first in modern literature, so clever as to be a model for all the others that followed.

He describes his hero Zadig thus: "His chief talent consisted in discovering the truth," – in making swift, yet marvelous deductions, worthy of Sherlock Holmes or any other of the ingenious modern "thinking machines."

But no one would be more surprised than Voltaire to behold the part that Zadig now "performs." The amusing Babylonian, now regarded as the aristocratic ancestor of modern story-detectives, was created as a chief mocker in a satire on eighteenth-century manners, morals, and metaphysics.

Voltaire breathed his dazzling brilliance into "Zadig" as he did into a hundred other characters – for a political purpose. Their veiled and bitter satire was to make Europe think – to sting reason into action – to ridicule out of existence a humbugging System of special privileges. It did, via the French Revolution and the resulting upheavals. His prose romances are the most perfect of Voltaire's manifold expressions to this end, which mark him the most powerful literary man of the century.

But the arch-wit of his age outdid his brilliant self in "Zadig." So surpassingly sharp and quick was this finished sleuth that his methods far outlived his satirical mission. His razor-mind was reincarnated a century later as the fascinator of nations – M. Dupin. And from Poe's wizard up to Sherlock Holmes, no one of the thousand "detectives," drawn in a myriad scenes that thrill the world of readers, but owes his outlines, at least, to "Zadig."

"Don't use your reason – act like your friends – respect conventionalities – otherwise the world will absolutely refuse to let you be happy." This sums up the theory of life that Zadig satires. His comical troubles proceed entirely from his use of independent reason as opposed to the customs of his times.

The satire fitted ancient Babylonia – it fitted eighteenth-century France – and perhaps the reader of these volumes can find some points of contact with his own surroundings.

It is still piquant, however, to remember Zadig's original raison d'être. He happened to be cast in the part of what we now know as "a detective," merely because Voltaire had been reading stories in the "Arabian Nights" whose heroes get out of scrapes by marvelous deductions from simple signs. (See Vol. VI.)

Voltaire must have grinned at the delicious human interest, the subtle irony to pierce complacent humbugs, that lurked behind these Oriental situations. He made the most of his chance for a quaint parable, applicable to the courts, the church and science of Europe. As the story runs on, midst many and sudden adventures, the Babylonian reads causes from events in guileless fashion, enthusiastic as Sherlock Holmes, and no less efficient – and all the while, behind this innocent mask, Voltaire is insinuating a comparison between the practical results of Zadig's common sense and the futile mental cobwebs spun by the alleged thought of the time.

Especially did "Zadig" caricature orthodox science, and the metaphysicians, whose solemn searches after final causes, after the reality behind the appearance of things, mostly wandered into hopeless tangles, and thus formed a great weapon of political oppression, by postponing the age of reason and independent thought. Zadig "did not employ himself in calculating how many inches of water flow in a second of time under the arches of a bridge, or whether there fell a cube line of rain in the month of the Mouse more than in the month of the Sheep. He never dreamed of making silk of cobwebs, or porcelain of broken bottles; but he chiefly studied the properties of plants and animals; and soon acquired a sagacity that made him discover a thousand differences where other men see nothing but uniformity."

FRANÇOIS MARIE AROUET DE VOLTAIRE

Zadig the Babylonian

THE BLIND OF ONE EYE

There lived at Babylon, in the reign of King Moabdar, a young man named Zadig, of a good natural disposition, strengthened and improved by education. Though rich and young, he had learned to moderate his passions; he had nothing stiff or affected in his behavior, he did not pretend to examine every action by the strict rules of reason, but was always ready to make proper allowances for the weakness of mankind.

It was matter of surprise that, notwithstanding his sprightly wit, he never exposed by his raillery those vague, incoherent, and noisy discourses, those rash censures, ignorant decisions, coarse jests, and all that empty jingle of words which at Babylon went by the name of conversation. He had learned, in the first book of Zoroaster, that self love is a football swelled with wind, from which, when pierced, the most terrible tempests issue forth.

Above all, Zadig never boasted of his conquests among the women, nor affected to entertain a contemptible opinion of the fair sex. He was generous, and was never afraid of obliging the ungrateful; remembering the grand precept of Zoroaster, "When thou eatest, give to the dogs, should they even bite thee." He was as wise as it is possible for man to be, for he sought to live with the wise.

Instructed in the sciences of the ancient Chaldeans, he understood the principles of natural philosophy, such as they were then supposed to be; and knew as much of metaphysics as hath ever been known in any age, that is, little or nothing at all. He was firmly persuaded, notwithstanding the new philosophy of the times, that the year consisted of three hundred and sixty-five days and six hours, and that the sun was in the center of the world. But when the principal magi told him, with a haughty and contemptuous air, that his sentiments were of a dangerous tendency, and that it was to be an enemy to the state to believe that the sun revolved round its own axis, and that the year had twelve months, he held his tongue with great modesty and meekness.

Possessed as he was of great riches, and consequently of many friends, blessed with a good constitution, a handsome figure, a mind just and moderate, and a heart noble and sincere, he fondly imagined that he might easily be happy. He was going to be married to Semira, who, in point of beauty, birth, and fortune, was the first match in Babylon. He had a real and virtuous affection for this lady, and she loved him with the most passionate fondness.

The happy moment was almost arrived that was to unite them forever in the bands of wedlock, when happening to take a walk together toward one of the gates of Babylon, under the palm trees that adorn the banks of the Euphrates, they saw some men approaching, armed with sabers and arrows. These were the attendants of young Orcan, the minister's nephew, whom his uncle's creatures had flattered into an opinion that he might do everything with impunity. He had none of the graces nor virtues of Zadig; but thinking himself a much more accomplished man, he was enraged to find that the other was preferred before him. This jealousy, which was merely the effect of his vanity, made him imagine that he was desperately in love with Semira; and accordingly he resolved to carry her off. The ravishers seized her; in the violence of the outrage they wounded her, and made the blood flow from a person, the sight of which would have softened the tigers of Mount Imaus. She pierced the heavens with her complaints. She cried out, "My dear husband! they tear me from the man I adore." Regardless of her own danger, she was only concerned for the fate of her dear Zadig, who, in the meantime, defended himself with all the strength that courage and love could inspire. Assisted only by two slaves, he put the ravishers to flight and carried home Semira, insensible and bloody as she was.

On opening her eyes and beholding her deliverer, "O Zadig!" said she, "I loved thee formerly as my intended husband; I now love thee as the preserver of my honor and my life." Never was heart more deeply affected than that of Semira. Never did a more charming mouth express more moving sentiments, in those glowing words inspired by a sense of the greatest of all favors, and by the most tender transports of a lawful passion.