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The Agincourt Bride
Joanna Hickson
Shortlisted for the Romantic Novelists’ Association Historical Fiction award, The Agincourt Bride tells the thrilling story of the French princess who became an English queen.When her own first child is tragically still-born, the young Mette is pressed into service as a wet-nurse at the court of the mad king, Charles VI of France. Her young charge is the princess, Catherine de Valois, caught up in the turbulence and chaos of life at court.Mette and the child forge a bond, one that transcends Mette’s lowly position. But as Catherine approaches womanhood, her unique position seals her fate as a pawn between two powerful dynasties. Her brother, The Dauphin and the dark and sinister, Duke of Burgundy will both use Catherine to further the cause of France.Catherine is powerless to stop them, but with the French defeat at the Battle of Agincourt, the tables turn and suddenly her currency has never been higher. But can Mette protect Catherine from forces at court who seek to harm her or will her loyalty to Catherine place her in even greater danger?
JOANNA HICKSON
The Agincourt Bride
Copyright (#ulink_76fb2770-c718-59fb-aaec-b7aa96b5aed8)
This novel is entirely a work of fiction.
The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperCollinsPublishers Ltd.
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www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Copyright © Joanna Hickson 2013
Joanna Hickson asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007446971
Ebook Edition © JANUARY 2013 ISBN: 9780007446988
Version: 2017-10-18
Dedication (#ulink_dd4455e5-ec8a-5c4b-ade6-01baa1f744d3)
For Ian and Barley – the two who share my life, thank goodness.
The House of Valois (#ulink_903fe2ff-d59d-5193-934c-3a94d8c27049)
Epigraph (#ulink_b1ffb852-8e52-5b8d-9e5a-aa97daf96710)
“It is written in the stars that I and my heirs shall rule France and yours shall rule England.
Our nations shall never live in peace. You and Henry have done this.”
Charles, Dauphin of France
Table of Contents
Cover (#u80e19e63-6336-5ca8-a48f-78025a9faecb)
Title Page (#uc1024330-8c28-594f-9306-60763089b349)
Copyright (#u67598198-b52d-5943-ba1c-f5f8add56f0a)
Dedication (#u53118d36-5e9f-5206-9681-b0360ff8cf8d)
The House of Valois (#udf1b9c65-351c-573d-908d-5a8ff3e08cee)
Epigraph (#udf4a769e-0dfb-5c8d-997c-7a6a584df2bf)
Narrator’s Note (#u14d1f8fd-d090-507b-bb4b-f2929d0072ed)
Part One (#ued13bfe1-25cc-58e9-a309-0420dfad073e)
Chapter 1 (#u232b3258-fd0b-5b0a-a949-1f04a80fb92d)
Chapter 2 (#u7b2b1647-d01f-5105-9221-6f65a891c779)
Chapter 3 (#u490ac892-94cb-5c7d-850b-6c021570dd08)
Chapter 4 (#u76053581-94ab-5773-a6a9-d1bb0bceca9e)
Chapter 5 (#u28d142c4-6e08-557e-8e58-83155df35f0e)
Part Two (#ua0c8e135-99b5-532e-bbd5-6ed9328a9b6e)
Chapter 6 (#uf5f91961-e497-5652-bcb4-024b6eb8f306)
Chapter 7 (#u8bc58c18-9a88-5817-bb84-e87614b82854)
Chapter 8 (#u32d5f341-13ca-526f-8dc9-a6428e921ebe)
Chapter 9 (#uc2976291-ca32-513e-9804-f702bdcd426f)
Chapter 10 (#u036e219c-7368-5a5f-970f-b789cc34591b)
Chapter 11 (#litres_trial_promo)
Chapter 12 (#litres_trial_promo)
Chapter 13 (#litres_trial_promo)
Chapter 14 (#litres_trial_promo)
Chapter 15 (#litres_trial_promo)
Chapter 16 (#litres_trial_promo)
Part Three (#litres_trial_promo)
Chapter 17 (#litres_trial_promo)
Chapter 18 (#litres_trial_promo)
Chapter 19 (#litres_trial_promo)
Chapter 20 (#litres_trial_promo)
Chapter 21 (#litres_trial_promo)
Chapter 22 (#litres_trial_promo)
Chapter 23 (#litres_trial_promo)
Chapter 24 (#litres_trial_promo)
Chapter 25 (#litres_trial_promo)
Chapter 26 (#litres_trial_promo)
Chapter 27 (#litres_trial_promo)
Chapter 28 (#litres_trial_promo)
Chapter 29 (#litres_trial_promo)
Chapter 30 (#litres_trial_promo)
Part Four (#litres_trial_promo)
Chapter 31 (#litres_trial_promo)
Chapter 32 (#litres_trial_promo)
Chapter 33 (#litres_trial_promo)
Chapter 34 (#litres_trial_promo)
Chapter 35 (#litres_trial_promo)
Chapter 36 (#litres_trial_promo)
Chapter 37 (#litres_trial_promo)
Chapter 38 (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
Extract from The Tudor Bride (#litres_trial_promo)
About the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
NARRATOR’S NOTE (#ulink_d8aafa79-fca4-522a-a692-d97b9d7541f9)
January 1439
Respected reader,
Before we embark on this story together, I think I should explain that I am not a historian or a chronicler or indeed any kind of scholar. I did not even read Latin until my dear and present husband undertook to teach me on dark winter nights by the fire in our London house, when a more dutiful goodwife would have been doing her embroidery. Luckily my days of being dutiful are behind me. I am now fifty-two years of age and I have had quite enough of stitching and scrubbing and answering becks and calls. I have been a servant and I have been a courtier and now I am neither so I have become a scribe, for one good reason; to tell the story of a brave and beautiful princess who wanted the impossible – to be happy. Of course, here at the start of the tale, I am not going to tell you whether she succeeded but I can tell you that some momentous events, scurrilous intrigues and monstrously evil acts conspired to prevent it.
Two things encouraged me to write this story. The first was those Latin lessons, for they enabled me to read the second, which was a cache of letters found when I used a key entrusted to me for safekeeping by my beloved mistress, the aforementioned princess, to open a secret compartment in the gift she bequeathed to me on her untimely death. These were confidential letters, written at turbulent times in her life, and she was never able to send them to their intended recipients. But they filled gaps in my knowledge and shed light on her character and the reasons she chose the paths she followed.
Sadly, for the most part, she was powerless to shape the direction of her own life, however hard she tried. But there were one or two occasions when she, and I too by extraordinary circumstance, managed to steer the course of events in a direction favourable to us both, although this was never recorded in the chronicles of history.
I do not have much time for chroniclers anyway. They invariably have a hidden agenda, observing events from one side only, and even then you cannot trust them to get a story right. Some are no better than the ink-slingers who nail their pamphlets to St Paul’s Cross. One of them got my name wrong when he recorded the list of my mistress’ companions back in the days of Good King Harry. ‘Guillemot’ he called me, if you can believe it! Who but a short-sighted, misogynistic monk would saddle a woman with the same name as an ugly black auk-bird? But there it is, in indelible ink, and it will probably endure into history. I beg you, respected reader, do not fall into the trap of believing all you read in chronicles, for my name is not Guillemot. What it is you will discover in the story I am about to tell …
PART ONE (#ulink_e4bfb792-a581-582a-8e39-95ebfd177204)
Hôtel de St Pol, Paris
The Court of the Mad King
1401–5
1 (#ulink_480104ef-e953-5066-a725-fb2f0dc8a55c)
It was a magnificent birth.
A magnificent, gilded, cushioned-in-swansdown birth which was the talk of the town; for the life and style of Queen Isabeau were discussed and dissected in every Paris marketplace – her fabulous gowns, her glittering jewels, her grand entertainments and above all the fact that she rarely paid what she owed for any of them. The fountain gossips deplored her notorious self-indulgence and knew that, like the arrival of all her other babies, the birth of her tenth child would be a glittering, gem-studded occasion illuminated by blazing chandeliers and that they would effectively be funding it. Paris was a city of merchants and craftsmen who relied on the royals and nobles to spend their money on beautiful clothes and artefacts and when they did not pay their bills, people starved and ferment festered. Not that the queen spared a moment’s thought for any of that, probably.
For my own part, when I heard the details of her lying-in, I thought the whole process sounded horrible. It’s one thing to give birth on a gilded bed but at such a time who would want a bunch of bearded, fur-trimmed worthies peering down and making whispered comments on every gasp and groan? With the notable exception of the king, it seemed that half the court was present; the Grand Master of the Royal Household, the Chancellor of the Treasury and a posse of barons and bishops. All the queen’s ladies attended and, for some arcane reason, the Presidents of the Court of Justice, the Privy Council and the University. I do not know how the queen felt about it, but from the poor infant’s point of view it must have been like starting life on a busy stall in a crowded market place.
Being born in a feather bed was the last the poor babe knew of luxury though, or of a mother’s touch. I can vouch for that. In the fourteen years of her marriage to King Charles the Sixth of France, Queen Isabeau had already popped out four boys and five girls like seeds from a pod, which was about the level of her maternal interest in them. It was questionable whether she even knew how many of them still lived.
Once all the worthies had verified that the new arrival was genuinely fresh-sprung from the royal loins and noted that it was regrettably another girl, the poor little scrap was whisked away to the nursery to be trussed up in those tight linen bands the English call swaddling. So when I first clapped eyes on her she looked like an angry parcel, screaming fit to burst.
I did not take to her at first and who could blame me? It was hard being presented with all that squalling evidence of life, when only a few hours ago my own newborn babe had died before I was even able to hold him.
‘You must be brave, little one,’ my mother said, her voice hoarse with grief as she wrapped the tiny blue corpse of my firstborn son in her best linen napkin. ‘Save your tears for the living and your love for the good God.’
