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‘I don’t care what you say, a deal’s a deal,’ said a tearful female voice from further down the corridor.
Lionel hesitated and peered into the dimness. A vivid blonde was standing there with a man, and for a moment he thought it was Stanwyck herself, but he quickly realized it wasn’t; this was a red-nosed, teary-eyed kid, no shining star.
‘And I don’t care what you say.’ The man leaning over her was a big bruiser, dark-haired and red with fury, shouting into her upturned face. ‘There’s no job. There never was.’
‘You said there was,’ she insisted.
‘You got proof of that?’ He let out a bark of laughter. ‘No? Thought not. So why don’t you just fuck off, sweetheart. Don’t come around my place of work making accusations again or you’ll be sorry.’
‘You bastard,’ she sobbed. ‘You promised . . .’
‘I promised nothing.’ Now he was grinning down at her. He slipped one hand inside her blouse and roughly squeezed her tit. The girl let out a yelp of pain. ‘But if you want to try and read through again, be my guest. The last reading was shit, but baby, you were hot.’
Lionel stepped out from the dimness of the corridor. ‘What the hell’s going on here?’ he asked loudly.
Stupid question. It was clear as day what was happening.
‘What’s it to you?’ asked the man, instantly pushing the girl away from him.
Lionel found himself going forward, even while his brain was saying: The audition, you’ll miss the audition . . .
Are you all right?’ he asked the girl.
‘She’s fine,’ said the man bullishly. ‘Just sore ’cos she didn’t get the part.’
‘He promised me a part,’ said the girl. She was pretty, Lionel saw. Her tears had dried and now she just looked furious. ‘If I . . . you know.’ She went red and stopped speaking.
‘What we have here is a little misunderstanding,’ said the man. ‘We had some fun together and the lady thought that meant—’
He didn’t even finish the sentence before Lionel hit him, hard. He went crashing back against the wall, and slid to the floor.
‘Come on,’ said Lionel, grabbing the girl’s hand.
‘Is he going to be all right . . .?’ They were walking away, but she was glancing back, worried.
‘Do you care?’ asked Lionel, hurrying away.
‘No.’ A smile appeared briefly on her face.
‘I’m Lionel Driver, by the way,’ he said.
‘Vivienne Bell.’
‘And I think I’ve probably missed my audition . . .’
Having failed spectacularly at the Hollywood dream, Lionel took Vivienne home to England with him and married her there. She was a chatty bottle-blonde and tired of being pawed over by fat old producers on the casting couch, tired of being wild at heart while presenting a carefully virginal image to the outside world, tired of the coke-fuelled merry-go-round that Hollywood truly was.
Vivienne was charmed by his English gentility, thinking that here was a real gentleman. He’d played at Stratford, for Chrissakes. He quoted the Bard’s love poems to her, and she melted. Accustomed to encounters like the one Lionel had interrupted, lifting her skirts for quick, sweaty couplings in draughty backstage corridors on the promise of a part – after which the part always failed to materialize – Vivienne was entranced by his old-fashioned charm and amazed that he actually took the trouble to woo her. Before a year was out, she was pregnant with Frances.
It was such a touching story, such a happy tale, it should have ended with bliss everlasting. Lionel and the lovely Vivienne waltzing off into the sunset together. But Vivienne quickly got bored with daily life in England. She was a good-time girl; she loved the bright lights. And Chamberlain’s famed ‘piece of paper’ had been proved worthless. War was declared on Germany, so Lionel went off to fight.
Feeling lucky to be alive and not maimed when so many of his comrades had died or had their lives altered forever at the hands of the Nazis, Lionel returned home when it was all over and thought, What the hell? He would give the acting dream one last shot.
He ditched his old agent and acquired a new thrusting one called LaLa LaBon, who was bursting with energy and unscrupulously single-minded in the pursuit of a deal. LaLa was a rampaging, cheroot-puffing dyke with black bobbed hair and a vulpine, predatory face. She appreciated beauty in her male clients and was now pushing him westwards with manic enthusiasm.
‘Think of it! Hollywood! You heard of an actor called Archie Leach?’ she asked him one rainy day in her poky little London office.
‘No,’ he said, feeling dubious but finding her enthusiasm infectious. He’d already told her he’d tried Hollywood before, but LaLa was not to be deterred. ‘I’ve never heard of him.’
‘And you fucking well won’t,’ she said, busily puffing on her cheroot. She stabbed the air with it, making her point. Her eyes gleamed diabolically through the smoke-haze. ‘You know why? Because he changed his name to Cary Grant and look what happened to him. He’s English, he’s charming, he’s handsome. And so, Lionel my pet, are you – and your time is now.’
So he went back to Hollywood not as Lionel Driver (‘My God – so dull!’ said LaLa) but as Rick Ducane.
He was back on the party circuit again in no time. LaLa went with him and worked long and hard to get him into the best places. He was rubbing shoulders with people like Frank Sinatra and Ava Gardner now, and the dirt was they were having a hot affair, with Sinatra singing and shooting out streetlights as he walked her home.
As for Rick’s affairs – well, he had taken Vivienne and sulky little baby Frances with him; he owed them that much, surely? The gloss had already gone off the marriage thanks to Viv’s drinking, but he couldn’t just abandon them, now could he? LaLa insisted he could. Rick insisted he couldn’t.
Finally, LaLa won the vote. And she laid down the ground rules. Rick rented a modest house in the hills and Vivienne had to stay there with her little boy. To the outside world, to Hollywood, Rick Ducane must be a single man. There must be no mention of any marriage, none at all – not unless he wanted to fuck up his career before it had even started. He needed to be free to escort older ladies, the fading stars who needed ‘walkers’ and could thereby get him into the most desirable parties.
‘Jesus,’ complained Vivienne. ‘That fucking woman dictates our whole life. What, are you ashamed of me? Ashamed of your son?’
Vivienne took a lot of placating, but she agreed in principle to just keep her head down and later, much later, when he’d made it, LaLa promised that the announcement would be made and wife and son could begin to appear in public.
He’d be paid to schmooze the movers and shakers, an opportunity that many a struggling actor would kill for. What more could LaLa do for him? she demanded. Hold his fuckwit little hand?
So Rick Ducane started schmoozing. He schmoozed so hard he felt as if his head was coming off. He chatted with directors, producers, gofers and lighting men; he attended so many auditions that he became bewildered about which part he was reading for.
He resented it. He was back here again, chasing bit parts and walking old female farts who usually got falling-down drunk or hopped to the eyeballs on drugs, and groped him. After a year of exhausting failure and domestic discord he was all but ready to call it a day.
‘You’re never going to make it,’ Viv told him in one of her drunken rages. She was hitting the bottle harder than ever. ‘You’re a loser.’
But the war had taught him endurance in the face of adversity and so he went on, sparkling, entertaining, handsome, until one night he exerted his charm on the right person and then . . . well, next day on his dressing-room door they hung a star. They really did.
Chapter 7
1971
Saul Jury watched Rocco Mancini and Frances Ducane from his car, which was parked across the street. Idiots, he thought. They were sitting there in a window seat in the diner, thinking themselves unobserved. Touching hands all the time – Jesus, he hated faggots.
A woman’s instinct, he thought grimly. Hadn’t his own mother told him it was lethally accurate, whenever he’d tried her out with some scam or other? Didn’t his own wife tell him it was infallible, when he tried to get away with his own little minor indiscretions?
And look at this; they were both right. And so was Cara Barolli Mancini. Only she was right in a way that was unexpected; probably it was going to shock her. However, he took the pictures, particularly pleased with the one that clearly showed Rocco Mancini kissing his little fag friend Frances Ducane’s cheek as he left. If Mrs Mancini was going to snoop on her ever-loving husband, then she had to accept that the consequences might not be pleasant.
The private detective knew the identity of Frances Ducane because he’d already trailed him twice, once to Rocco’s cruiser out in New York Sound, and had even given Mrs Mancini his name. She was paying him plenty for all this work; he was a happy man. Frances was a good-looking kid, an actor – and, like ninety-five per cent of all actors, he was spending a lot of time ‘resting’. His father Rick had been a big noise in Hollywood in the Fifties, before a spectacular fall from grace. Saul hoped little Frances wasn’t going to go the same way, but the way things were shaping up, it didn’t look so good for him.
Rocco had married a whole heap of money – apparently the Barolli family were huge importers of wine, olive oil and fruit from all around the world – and Frances was reaping the benefits, happily accepting not only Rocco’s manhood in places where Saul didn’t even like to think about, but accepting expensive presents too.
Of course it was the presents that had given him away. Woman’s instinct.
Yeah, his mother and his wife were right. If a woman got a feeling about something, probably there were some grounds to it. Cara had been going through Rocco’s pockets for weeks, looking for evidence to back up her theory that he was playing away from home; finally, Rocco got careless and she found receipts. Incriminating stuff. And then she had hired Saul. And Saul had done his work, and now . . . now he was going to spin this out just a little longer, bump up the tab. She could afford it.
Rocco got back to the apartment at six. He’d wasted as much time as he could, walking around, just kicking his heels, but finally he had to go home.
‘Where have you been?’ Cara called from the bedroom the instant he walked through the door.
‘I had some business to attend to,’ said Rocco, coming to stand in the open doorway. His expression was closed-off, guarded. She was sitting at her dressing table, brushing her hair, wearing a raspberry-pink silk negligee and matching peignoir.
‘Oh.’ Cara stared at him in the mirror until he looked away.
Did she suspect anything? No, he was sure she didn’t. She turned away, yanking the brush through her long blonde hair and Rocco took the opportunity to stare at his wife. Her hair was beautiful; she was beautiful. But there was an unsatisfied pout to her mouth, and an avaricious look to her dreamy blue eyes that said, Whatever it is, I want it. Right now. Her body was splendid: tall, statuesque. He ought to be a happy man. But he wasn’t.
‘Annie’s going to have a baby,’ said Cara, her lips growing thin.
‘Oh?’ Rocco sat down on the bed. ‘Your father must be pleased.’
‘Pleased?’ Cara gave him a disgusted look. ‘Really, I think he must have lost his mind, marrying that foreigner.’
Rocco said nothing. He was indifferent to his father-in-law’s second wife, but she seemed to make the Don happy, and wasn’t that what counted most?
Cara put the brush down and stood up with a hiss of silk. She came over to the bed and sat down next to him. ‘My lovely husband,’ she said, smiling, and leaned in and grasped his lightly stubbled chin in one elegantly manicured hand. ‘You need a shave,’ she purred, rubbing her fingers over his chin. ‘We’re going out tonight.’
As usual, thought Rocco.
‘To visit the expectant mama,’ said Cara.
Rocco looked at Cara in surprise. She shrugged. ‘We have to keep my father sweet.’
Of course. Rocco knew that the Don’s family hated the Englishwoman, but they had to be seen to fawn over her. Cara’s face was inches from his own. She was beautiful. He leaned forward a little, lightly brushed his lips over hers. Cara gave a smile.
‘So you were busy with work?’ she murmured against his mouth. ‘All day?’
Rocco nodded.
Liar, thought Cara.
She’d already taken a call from Saul Jury. Cara knew exactly where Rocco had been today, and with whom. That woman called Frances Ducane again. Hadn’t there been a film star once, Rick Ducane? Maybe some relative, but who cared? What concerned her now was that soon, very soon, Jury would have all the information she needed to hang Rocco out to dry.
Chapter 8
1950
Rick Ducane was the toast of Hollywood, an action hero with a Brylcreemed slick of British smoothness who could hold his own alongside Flynn and Lancaster. The audiences loved him, like they loved to hear about the young Princess Elizabeth having her second child, a daughter named Anne.
‘The Yanks love all things English,’ said LaLa. ‘We have to capitalize on that.’
Rick knew she was right.
The studio loved him too. He wasn’t beset by women trouble like Flynn, he wasn’t egotistical like Lancaster; he was easy to manage, a workhorse. He arrived promptly for his read-throughs, learning his lines with punctilious care.
Born in poverty, he adored and quickly became adapted to the high life – the private planes, the twenty-four-hour limos and bodyguards, the great house and the swimming pool high up in the Hollywood hills; he’d earned it.
The only slight shadow upon his otherwise dazzling life was his wife, Vivienne – and his son, Frances – now installed in a wing of his palatial house in the Hollywood hills. Vivienne drank to while away the time in her comfy Hollywood prison. She had started having drinking buddies in – Christ alone knew where she met them. That disturbed Rick. Suppose Viv got legless and told one of these wasters who she was married to? The studio would string him up by the balls. But Rick was away so much on location that he frequently – and blissfully – forgot that his wife and son were there at all.
When he did come home he was harangued by Viv for being late, absent, uncaring.
‘You’ve got a child,’ she ranted at him, gin bottle swinging from her hand, her bleached-blonde hair showing an inch of black untended roots and her once-pretty eyes slitted and mean with drunken rage. ‘Don’t that mean a thing to you, you cocksucker?’
Rick cast a look at the child. Nearly ten years old now, and watching them with hunted eyes as they shouted and swore over his head.
Actually, it didn’t mean much to Rick. He’d been brought up by a chilly, unmaternal woman, and as a consequence he didn’t feel particularly bothered about kids. He’d had her, she’d got pregnant: the luck of the draw.
Or not, depending on your viewpoint.
His viewpoint was that he wished he had never met her, wished he had never stuck his dick up her in the first place; then there would be no Viv staggering around the place night and day giving him earache, when all he wanted was peace and quiet after a hard day’s work, and no kid skulking in corners watching him with hostile eyes.
‘You bastard,’ she was shouting. ‘We’re just your dirty little secret, aren’t we? You’d rather we didn’t exist at all – wouldn’t you!’
Frances looked on the verge of tears.
Viv was raging.
‘Fuck this,’ said Rick.
He turned on his heel, left the house, got back in his car – she followed him out, shrieking and cursing at him as he started the engine and then drove away.
Rick called one of the older, dimming stars he’d once been a walker for at the Oscars. Chloe Kane was no old fart. She was still beautiful, but calls from screenwriters and producers and the press had all but dried up. What the hell – she was forty and everyone knew that once a woman hit the big four-oh in this town, she was done for.
But Jesus, she was still so beautiful, even if her allure was waning. Thick glossy red hair – which must be dyed, but who cared? – and a mouth that still invited trouble. A body that would make a bishop kick a hole through a stained-glass window, even if she had let her personal grooming slide and her bush was a tangle of red and grey that extended down her thighs and up to her navel. But so what? She was stacked, and last time they’d spoken she’d said call me – please.
So here he was, calling her. And she liked that. It soothed his sour mood, how pleased she was to hear from him. When had his wife ever sounded like that? She invited him over. Poor cow had nothing going on except an evening in on her own with her pet pooch for company; he was doing her a favour.
‘Darling,’ she greeted him at the door in that famous, breathy tone she had used to such good effect up on the silver screen. ‘How lovely. Come on in.’
There had followed a wild night in which they had made out in the hall, on the stairs, in her huge, imposing bedroom (‘Strictly for press shots, darling; actually I sleep in a teensy little room down the hall’), much to the pooch’s annoyance.
It was gone two in the morning by the time he got home. He crept in, fearful of waking Viv. The last thing he wanted now was another argument. He was exhausted. Chloe was very demanding.
In the lounge he found empty bottles and upturned bowls of nuts and nibbles that crunched under his feet as he walked. A thousand-dollar rug and she treats it like this, he thought. Nat King Cole was stuck singing ‘Mona Lisa, Mona Lisa’ over and over again. He went over and switched Nat off.
Then he went through to the master bedroom. The coverlet was perfectly in place, the bed still made.
Now what the hell?
Had she gone out somewhere? He hoped not. She was a crazy driver in her too-visible red Corvette at the best of times – oh, and the arguments they’d had about that – but today she’d had a skinful. What he didn’t need was her wrapping her damned car around a tree and the press getting wind of her existence. She was just a nobody.
He hurried along the hall, past the closed door of Frances’s room.
That kid. Strange little fellow: he wanted to be an actor when he grew up like his dad, and Rick was flattered by that, but – for fuck’s sake – the kid didn’t have the talent; all he could manage was a few lines of amateurish mimicry. He would deter him from entering the industry if he could – do the kid a favour. Bad enough when you had that special touch of stardust; it was still hard, gruelling work all the way. But without it . . . Hollywood would break your heart. No doubt about that.
