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Capturing Cleo
Linda Winstead Jones
Wary and weary, detective Luther Malone longed to get away. Until he strolled into Cleo's and thoughts of solitary nights flew away…. Sultry and seductive in her nightclub, alluring and adorable at home, Cleo Tanner was trouble - but Luther couldn't stay away. Although he doubted Cleo had killed her ex-husband, it seemed another had done it for her. And then a second murder occurred. Was someone after people who upset Cleo?Suddenly Luther had an idea. He'd get real close to Cleo, and then she'd spurn him. That should catch the killer's attention. Yet it also meant that Luther would be captured by Cleo. But would that be punishment…or the sweetest reward…?
“Malone is a macho jerk!”
Cleo told her neighbor. “But if he wasn’t a cop, and if he didn’t think I’d pushed my ex-husband off a tall building, I might think he was…relatively handsome.” Gorgeous, actually, if only his dark eyes hadn’t been so tired. “But the man has a serious testosterone problem,” she added defensively.
“Okay, on the Barney Fife–Bruce Willis scale of masculinity, where does this cop fit?”
Cleo sighed but didn’t hesitate. “Fifteen.”
Praise from New York Times bestselling author Linda Howard
“Damn, this book is good! I loved it.
I fell so in love with Luther, it’s ridiculous.”
Dear Reader,
They say that March comes in like a lion, and we’ve got six fabulous books to help you start this month off with a bang. Ruth Langan’s popular series, THE LASSITER LAW, continues with Banning’s Woman. This time it’s the Banning sister, a freshman congresswoman, whose life is in danger. And to the rescue…handsome police officer Christopher Banning, who’s vowed to get Mary Bren out of a stalker’s clutches—and into his arms.
ROMANCING THE CROWN continues with Marie Ferrarella’s The Disenchanted Duke, in which a handsome private investigator—with a strangely royal bearing—engages in a spirited battle with a beautiful bounty hunter to locate the missing crown prince. And in Linda Winstead Jones’s Capturing Cleo, a wary detective investigating a murder decides to close in on the prime suspect—the dead man’s sultry and seductive ex-wife—by pursuing her romantically. Only problem is, where does the investigation end and romance begin? Beverly Bird continues our LONE STAR COUNTRY CLUB series with In the Line of Fire, in which a policewoman investigating the country club explosion must team up with an ex-mobster who makes her pulse race in more ways than one. You won’t want to miss RaeAnne Thayne’s second book in her OUTLAW HARTES miniseries, Taming Jesse James, in which reformed bad-boy-turned-sheriff Jesse James Harte puts his life—not to mention his heart—on the line for lovely schoolteacher Sarah MacKenzie. And finally, in Keeping Caroline by Vickie Taylor, a tragedy pushes a man back toward the wife he’d left behind—and the child he never knew he had.
Enjoy all of them! And don’t forget to come back next month when the excitement continues in Silhouette Intimate Moments.
Yours,
Leslie J. Wainger
Executive Senior Editor
Capturing Cleo
Linda Winstead Jones
LINDA WINSTEAD JONES
would rather write than do anything else. Since she cannot cook, gave up ironing many years ago and finds cleaning the house a complete waste of time, she has plenty of time to devote to her obsession for writing. Occasionally she’s tried to expand her horizons by taking classes. In the past she’s taken instruction on yoga, French (a dismal failure), Chinese cooking, cake decorating (food-related classes are always a good choice, even for someone who can’t cook), belly dancing (trust me, this was a long time ago) and, of course, creative writing.
She lives in Huntsville, Alabama, with her husband of more years than she’s willing to admit and the youngest of their three sons.
She can be reached via www.eharlequin.com or her own Web site www.lindawinsteadjones.com.
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Epilogue
Chapter 1
He’d known when the phone started ringing well before sunup that it was going to be a long, bad day. He’d been right. On occasion, he really hated being right. Here it was seventeen hours later, and the day dragged on.
One last stop, and he could call it a night. Luther stepped from his car onto the downtown sidewalk. At this point in his career—in his life—nothing should surprise him. Little did. Except the worst and nasty surprises were few and far between. Luther stared at the building before him, wishing someone else had gotten that early morning phone call. He didn’t need this. He had a gut-deep feeling this weird case could be full of nasty little surprises.
He was due for a vacation. In fact, he was past due. He had the trip planned, in his head, he just hadn’t gotten around to requesting the time off. Two weeks in Florida, sleeping all day and walking the beach at night. The sound of the surf, seafood and bikini-clad women. What else did a man need?
But, no. Instead of those temptingly beautiful things, he had one dead body, heartburn from a too-quick, too-late barbecue supper, and a craving for a cigarette like he hadn’t had in months. He played with the cellophane-wrapped candy in his coat pocket, running a few pieces through his fingers. The candy had helped him quit smoking, but sometimes he felt like he’d traded one addiction for another. The February night air cut through his coat jacket, damp and chilling, making him long for Florida once again.
Detective Luther Malone quit fiddling with the candy in his pocket and stood perfectly still on the sidewalk while he glared at the blue neon sign over the single, shuttered window of the redbrick nightclub in downtown Huntsville: Cleo’s. Muted piano music and a woman’s voice singing something old and bluesy drifted to his ears. It was the kind of music that would be very easy to go to sleep to, and since he’d been up since 4:00 a.m. he was momentarily tempted. It was now past nine at night, and this really could wait until tomorrow morning. He’d already spent all day filling out paperwork, combing the scene for clues and talking to the victim’s hysterical girlfriend and his neighbors. And now this. Yeah, tomorrow would work just fine.
But why put off until tomorrow what you could screw up today? Besides, since this Cleo Tanner was a nightclub owner, the best time to catch her was likely at night. She probably wasn’t any more of a morning person than he was.
He threw open the door and stepped inside. The club was small. Cozy was a kinder word, and it suited the warm and welcoming place. A long bar stretched along the wall to the left, and a number of small, randomly scattered tables and chairs, half filled even though this was a Monday night, were arranged in a haphazard kind of symmetry. At the rear of the room a small stage rose above the dimly lit crowd. A woman perched on a stool there and sang. He recognized the song now: “I Got It Bad and That Ain’t Good.” A piano and a piano player shared the stage with the singer, but as he watched and listened, the instrument and the longhaired musician faded into the background, necessary but insignificant.
Luther stared, over heads and past hanging silk ferns, at the singer whose warm, husky voice had captivated the crowd. And him. It wasn’t just the voice that fascinated him, it was the whole, luscious package. Damn. Now, this was a woman. Grace was always trying to set him up with one sweet thing or another, certain he was not yet past saving, sure that he, too, could be as disgustingly happy as she and Ray were. But she’d never offered up anything like this woman.
Long, wildly curling black hair fell past the singer’s shoulders; her lips were red and lush; her eyes slightly slanted and rimmed with dark lashes, giving her an exotic air. She perched on that stool, back straight and yet perfectly relaxed, shapely legs crossed at the knee. The body beneath her slinky black dress was rounded and curved, soft in all the right places and begging to be…
Luther shook off his daze and headed for the bar and the bartender. It really had been a long day.
The surly bartender was an older man—late fifties, early sixties, Luther guessed. He was built like a fireplug, short and solid, and had a thick head of silver-gray hair and a flat face only a mother could love. And he was offended that a potential customer took his attention from the woman on stage. He looked Luther up and down, scowled, and asked what he wanted to drink, in a gruff voice that matched his craggy face.
“Nothing,” Luther said. “I need to speak to the owner. Cleo Tanner.”
“I know who owns the place,” the bartender snapped. “Wait around. She’s kinda busy right now. You can talk to her in about twenty minutes.”
Annoyed, Luther lifted his jacket to show the fireplug his badge, and to offer a glimpse of the snub-nosed revolver he carried in a shoulder holster. “Tell her Detective Malone from HPD is here and has a few questions for her,” he said.
The bartender didn’t budge. “I tell you what. You go up on stage and flash that badge and gun at her. Maybe, and I ain’t promising anything, that’ll get her to end her set early.”
Luther cut his eyes toward the stage. “That’s Cleo Tanner?” Surprise.
“Yep.”
He should’ve known. Cleo Tanner was a singer, he already knew that. Her one recorded hit, popular almost eight years ago, had been the sappy country love song, “Come Morning.” He glanced around the club, taking it all in while he waited. The small crowd was mesmerized, as he had been when he’d first seen her. They ate and drank, and smiled serenely. If she pulled in a good crowd like this on a Monday, the weekends were probably really busy. She was doing all right.
But from what he’d learned today, Cleo Tanner could make a real killing in the business if she went back to using her married name and sang country music. She could pack a much larger place than this and make a small fortune. Hearing her now, watching her, he knew she had the talent and the presence to make something like that work.
Luther took a deep breath. “Coffee,” he said, taking a stool and leaning on the bar. “Black.” He stared at the singer, but she was as oblivious to his presence as she was to everyone else’s. She didn’t look at the crowd, she didn’t sing to a lover at a table close to the stage. She sang with her eyes fixed above the crowd, a satisfied smile on her face, an evident contentment in her eyes.
She finished the song to enthusiastic applause, and after flashing a small smile she almost immediately went into the next number: “Someone To Watch Over Me.”
Cleo Tanner was gifted, beautiful and incredibly sexy, but like it or not she was still suspect number one. His day wasn’t getting any better.
Cleo left the stage with a smile on her face. No matter what happened during the day, when she sang everything got better.
“Good set,” Eric said, coming up behind her. “How about a late dinner to celebrate?”
Cleo smiled over her shoulder. Eric was a great piano player, he was cute and he was extremely talented, but he was too young for her, and besides…she didn’t need any man looking at her this way, with adoring and hopeful eyes and a wicked come-hither smile. Not now. Maybe not ever. “No, thanks.”
“One day you’ll say yes,” he said, shaking a long finger.
“Don’t hold your breath, piano man.” Their banter was lighthearted, without passion or vigor. But she did wish he would quit asking her out and find a nice girl close to his own age. With his thick, pale brown hair, blue eyes and that baby face, he should have no problem finding willing women. And yet he persisted in asking her out. Seven years wasn’t a huge difference, but Eric was such a kid and she was such a jaded old woman. Too jaded for thirty-two, maybe—but there was no going back.
Sometimes she wondered if Eric was the secret admirer who’d been sending her flowers and romantic notes over the past four months. She’d considered it, but really didn’t think it was Eric’s style. He’d be more likely to show up with flowers in hand, get down on bended knee and expect his due appreciation for the gesture.
She planned to head to her office to catch up on a little paperwork before going home, but Edgar lifted his hand and waved her over to the bar. He looked none too happy, and the tall, dark-haired man leaning against the bar wasn’t exactly a ray of sunshine, either.
The man in the black suit was trouble, and she knew it at first glance. He was too tall and stood with his spine too rigid, even as he went for that casual pose against the bar. But it was the way his eyes bored into hers that said trouble, the way his mouth thinned. Heavens, he had a hard face. No softness muted the cut of his jaw, the sharpness of his cheekbones and the line of his nose. Sharp or not, he was a very nice-looking man. He was definitely too good-looking to be so openly sour. Men who looked like this, with nicely even features and unbroken noses, solid bodies and killer eyes, smiled and got what they wanted. They didn’t do glum the way this guy did.
Another glance, and she knew who he was. What he was, anyway. A cop. A tired, cynical, overworked cop, and he was here to see her.
Somehow this was Jack’s fault, she knew it. Her ex would do anything in his power to make her life more difficult.
“What’s up, Edgar?” she asked, purposely ignoring the cop.
“This detective wants to talk to you,” Edgar said, with an apologetic nod of his gray head.
“Malone,” the cop said, offering his hand. “Detective Luther Malone.”
Cleo ignored the offered hand, and eventually he dropped it. She looked him over, her eyes raking up and down the rumpled black suit, the white shirt, the slightly loosened gray tie. Either Detective Malone had had a very bad day, or he slept in his clothes.
“What can I do for you, Malone?” She imagined, in a split second, a hundred different kinds of grief Jack might’ve planned for her this time. False charges, wild stories, out-and-out lies. She wondered if she should offer her hands for the cuffs the cop no doubt carried under that suit jacket of his.
The cop leaned slightly toward her, turning those broad shoulders in her direction and bending in and over her. Eyes so dark brown and deep they looked almost black scrutinized her. “Jack Tempest,” he said, those eyes locked to hers as if he were waiting for a reaction.
He got one. She surely couldn’t hide the fury the mention of her ex-husband’s name roused within her. She felt the heat rise in her cheeks, the increase of her heartbeat, the flare of her nostrils. “What has he accused me of this time? Something’s missing and I must have it. I’ve been harassing him, I threatened him, I threatened his latest bimbo.” She kept her voice low, but Eric and Edgar were both listening intently. Cleo offered her hands, wrists together and palms up. “So arrest me, Detective Malone. Take me in, lock me up.”
Malone didn’t make a move for his cuffs. In fact, his only reaction was a slight lift of his finely shaped dark eyebrows. “Maybe we should discuss this in private,” he said in a low, calm voice.
“Maybe we should discuss this right here.”
He stared at her offered hands, his gaze lingering on her wrists in a way that made her heart beat too fast once again. “Tempest is dead,” he said softly, his gaze rising to meet hers as he awaited her reaction.
Cleo dropped her hands, and her knees unexpectedly went weak. “Dead?” she whispered. “How? When?”
The cop glanced around, obviously not comfortable with having this conversation here and now. Edgar and Eric listened in, not even trying to hide their interest, and Lizzy, the regular cocktail waitress who was here six nights a week, was doing her best to sidle closer.
“Late last night,” Malone said simply. “And it looks like a homicide.”
Eric placed a steady hand on Cleo’s shoulder. “That’s too bad,” he said. “And to think, we were here so late last night, we were probably right here when it happened.”
Malone glared over her shoulder, and Eric dropped his hand. “Is that a fact? You were here on a Sunday night? I thought the club was closed on Sunday.”
“We were rehearsing,” Eric said, and his voice only wavered a little. “Until the sun came up.”
Cleo opened her mouth to tell Eric not to lie for her! She understood immediately what he was doing. Everyone who knew her knew how much she hated Jack. She was bound to be a suspect, and he was making sure she had an alibi. But lying would only get him in trouble. Before she could say a word, Edgar spoke up, his gruff voice cutting her off.
“Yep. I was here myself, cleaning and going over the liquor order at first, and then just listening.” He gave her a smile that didn’t quite work on his wrinkled, bulldog face. “I do dearly love to listen to Cleo sing. She has a voice that will—”
The detective raised a silencing hand. “Now can we talk in private?” he asked, his voice rumbling.
Cleo nodded and turned toward the narrow hall that led to the rest rooms and her office. Her head swam, and she was suddenly and inexplicably dizzy. Dead. Jack was dead. A moment later the cop was there, taking her arm as she led the way. His hand was steady, strong and warm, and she liked it. Annoying as he was, this was the kind of man a woman could lean on. After a moment that lasted just a little too long, she shook his hand off. She didn’t lean on anyone anymore.
“I don’t need your help to make it down the hallway,” she snapped.
“Coulda fooled me,” he mumbled.
Dead, she thought again as she opened the door to her office. Somehow she just couldn’t picture Jack as being gone. Permanently.
The tiny, square room was dominated by a desk piled high with bills and correspondence, a phone and fax machine, and a couple of old coffee mugs. The chair behind the desk was fat and comfortable and swiveled with a loud squeak. The only other place in the room to sit was a battered avocado-green love seat Eric’s mother had donated last year when she’d gotten new furniture.
Cleo rounded the desk and plopped into her chair, leaving the cop the sagging love seat. Instead of taking the uncomfortable seat, he propped himself against the edge of her desk and looked down at her. Sitting that way, his jacket gaped open, and she saw the badge on his belt and the shoulder holster housing a snub-nosed revolver.
