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The Last Letter from Juliet
The Last Letter from Juliet
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The Last Letter from Juliet

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I’ll think, my love, of a sweeter time

When life was light, not shade

With bluebirds from this world I’ll fly

And to a cove I’ll go

To wait for you where angels sing

And when it’s time, you’ll know

To meet me on the far side where

We once led Mermaid home

And finally, my love and I

Will be, as one, alone

And at that moment, after pouring water from Juliet’s kettle into Juliet’s cup, sitting in Juliet’s house and wearing Juliet’s shawl, I felt an overwhelming sensation of being swaddled, that Juliet and I were somehow linked. Gerald would blame my overactive imagination, of course, but I really did feel that I was supposed to come to Angels Cove this Christmas.

With my dinner quickly made and eaten, I set up camp in the lounge and, trying to ignore the other Katherine who was hammering at the door to get in, I decided it was time for Kevin McCloud (such a lovely man) to transport me into his TV world of Grand Designs, into other people’s lives – happier, family lives – where dreams really do come true (and maybe a tot or two of that whiskey wouldn’t go amiss either).

Glancing into the sideboard I was mesmerised – it was an Aladdin’s Cave of memorabilia, of yet more labels. Next to the whiskey was a wad of faded A4 paper held together by green string. The top sheet had the typewritten words,

Attagirls!

The war memoirs of Juliet Caron

Lest she forgets

I untied the string and peeled back the top sheet to reveal a letter.

1 June 1996

My dear Sam

How is life at sea treating you? I know I say it too much for your liking, but I’ll say it again – I’m so very proud of you (and a little jealous of all that fabulous flying, too!).

Anyhow, I’m sure you must be busy so I’ll get to the point because I’m worried, Sam. Worried that my older memories are starting to fade and that one day soon they may leave me completely. Sitting here in my little cottage, able to do less and less each day, watching the tide ebb and flow, I have felt suddenly compelled to remember and record what happened in my life during the war. I read somewhere that if you wish to tell a story of war, do not tell the basic facts of the battle, but tell instead of the child’s bonnet removed from the rubble of a Southampton street, or the smell of twisted metal from a burnt Hurricane crashed by a friend, or the lingering smell of a man, robbed of his prime by typhus, as he lays in a strange bed in a foreign land, dying. I’m not sure I shall be able to do this, but even so, I have begun to write everything down. My friend Gerald is helping me. I aim to write one instalment per month – the first one is written already and attached – and send you copies as I write them. It’s an heirloom, I suppose, for you and your children (or if nothing else to give you something sensational to read during those long nights at sea!).

As you read each instalment, remember that my words will be as accurate as my aging mind allows them to be. Certain days stand out more than the rest. Just lately, I find that I can remember 1943 like it was yesterday, and yet events from yesterday elude me as if set in 1943. But what is truth of any situation anyway? I really do feel that life is made up of a constant stream of living, punctuated only by that otherworld of sleep. The fact that we choose to put a time and date to everything is merely a paper exercise. I used to think that once a moment is gone, it is gone forever, resigned only to memory. But now – now that I can no longer take my memory for granted – I realise that this is not the case. Love, for example, once thought lost, can be captured forever, just so long as someone out there strives to keep the memory of that love alive.

And so here is the first in a series of my memories that consist only of certain vivid days. They are memories of a time when suddenly, for a woman, absolutely anything (both the good and the desperately bad) became possible.

Anyway – enough of my ramblings!

Drum roll, please …

‘Ladieeeees and gentlemen! Lift your eyes to the heavens and prepare to be amazed, to be wowed and bedazzled! Here she is … the fearless! The death-defying! The one and only – Juliet Caron!’

I rested the letter on my knee just as a crash outside coincided with the sudden outage of the lights and the television turned to black. The glow from the fire provided sufficient ambient light for me to reach into the sideboard and find the torch, but the battery must have been an old one because the torchlight was weak and to my disappointment, within a few seconds, petered out.

Determined to take on some of the inner strength of the remarkable woman who had written a note to herself at ninety-two years old to never give in, I surrounded myself with candles, stoked the fire and wrapped the russet shawl tighter around my shoulders. And despite knowing that I shouldn’t waste my phone battery on a little light reading, not tonight of all nights, I got myself cosy on the sofa, abandoned Harry Potter, enabled the torch on my phone and began to read.

Chapter 4 (#u7e48d4b0-6036-5362-8380-0dc83e588d19)

Juliet

1938

A Cornish Christmas

Newspaper Cutting: The Bicester Herald

FREE AEROPLANE FLIGHTS FOR TEN LUCKY READERS!

AIR DISPLAY EXTRAVAGANZA!

Reach for the stars with the one and only

LOUIS CARON FLYING CIRCUS!

Old Bradley’s Field

1

July (for one day only)

2.30 p.m. till dusk

Star Attraction

JULIET CARON

The daredevil darling of the skies and Britain’s finest child star &aerobatic pilot

Admission 1s. Children 6d.

My name is Juliet Caron and although it would be difficult for anyone to believe if they saw me now (age has a dreadful habit of throwing a dust sheet over the vibrancy of youth) I was once the celebrated flying ace and undisputed star of the one and only Louis Caron Flying Circus.

I do not say this to boast, well, maybe a little bit, but to explain how it was that my father taught me to fly almost as quickly as I learned to walk and how, on a bright winter’s afternoon just a few days before Christmas 1938, I found myself soaring one thousand feet above Cornwall in my bright yellow Tiger Moth, looking for angels. It was a simple time in my life. Simple in the way that only those brief years before we know the agony of love, can be. My lungs were exploding with the exuberance of youth and my face was tight against the freezing air. In sum, I was living a life that was just about as alive as it is possible for a human life to be.

But first I must tell you a little of the flying circus, because my childhood was the circus, it moulded those formative days when the personality begins to take shape. My circus years were wonderful years. They were the years I had my parents with me, parents who were – and always would be – my inspiration, my warriors, my rocks.

When I was fourteen a journalist asked me to describe what being part of a flying circus was like. My father stood by me while I thought of my answer. We were in Sam Bryant’s field near Bicester, Oxfordshire, our aircraft lined up side by side, waiting to display. The crowd was arriving and the buzz of expectation bounced in the air while a cornflower blue sky kissed by a soft, silky breeze heralded the chance of a wonderful display. Tongue-tied, I looked at my father, who knelt next to me, and stalled as to what to say. He said to close my eyes and imagine how it feels to fly – to say the first thing that came into my head. The answer I gave was the answer of a child, but I would have given exactly the same answer as an adult, because the euphoria of flying – that feeling of absolute freedom – never left me.

‘Imagine heaven on earth,’ I said, ‘or rather, heaven in the skies. Imagine you’re in a dream and in that dream you somehow shrink down to the size of a doll and strap yourself onto the back of a golden eagle. You cling on to his feathers while he swoops and dives and soars and loops. And then you realise that if you’re very gentle with him and pull lightly on a feather here and there, you can control him a little, and then you’re flying too, every bit and just as naturally as the bird, and every element hits you with a freshness that can’t be matched, every sense is bright and alive. And then the bird dives towards the earth, barely missing the ground, before turning on a hairpin and soaring away. You are not in control at that moment, I think, but you are not in danger either, not so long as he – you – pull up in time. But that’s the best thrill of all – the not completely knowing if you’ll pull out of the dive in time. You simply have to trust, have faith in your judgement and let go of all fear. But you do pull out, because instinct and survival and an understanding of how to fly and how to move through the air kicks in, and you climb higher and take a breath, but not for long, because then you jump off the bird and into your father’s arms and cling on while he spins you around and around and the whole world is no more than a line of spinning colour. And your hair and skirt and legs are flung out at ninety degrees and you know that if he lets you go, you’ll fly out of the dream and into oblivion. But again, you have to trust, to become a part of the motion, to know that he will never let you go, you’re safe.’ I glanced up at Father and smiled. ‘I suppose I just feel full of joy and completely free. That’s all, really.’

An hour after the interview, my Father and mother died. Father was flying and mother was his wing-walker, her long hair and scarf trailing behind her. She was waving at me just before she died. I was standing next to my Tiger Moth, my performance coming later. I waved back at her, proud and happy. But then Pa lost control somehow and didn’t pull up in time, and I was no longer waving but screaming and running, not believing such a thing could possibly be true, already aching for a feeling I would only ever know once again – that feeling of unquestioned security and unconditional love.

But back to Cornwall and Christmas 1938.

The little Tiger Moth, its Gypsy engine humming a familiar tune, clung to the Cornish coast as I peered over the side, my face tight against the freezing slap of the winter air. I was looking for my final navigational landmark – three small craggy mounts known locally as the Angels – that sat a few hundred yards out to sea next to a little fishing village called Angels Cove. All I had to do was to find the mounts, then a mile or so further along the coast I would find my destination, a rather grand-looking house called Lanyon and in turn, my landing strip.

I took a moment to glance down again and cross-reference the river arteries on a map before turning at Lizard Point to follow the coast northbound. If my calculations were correct, the mounts would be on the nose in two minutes exactly. They were, and looked exactly like stepping stones plopped into the sea for the convenience of a Cornish giant. After circling around the Angels a couple of times to take a closer look, I headed inland and descended, slowing to almost stalling speed looking for Lanyon – a large, red-brick manor house, with four gables and twelve chimneys. And suddenly it was there, sitting above a little patch of sea haze, in majestic reverence, on the cliffs above the cove.

The landing strip was nothing more than the lawned area in front of the house, but drat it all, a downdraft from the cliffs pulled at the aircraft’s little wooden frame as I approached, dragging me far too close to a line of very tall cedar trees as I turned finals. I powered on, overshot the approach and climbed away, waving cheerily at a couple of gardeners just a few feet below, who were leaning on rakes, open-mouthed, watching. The performer in me not dead but simply sleeping, couldn’t resist throwing the Moth into a tidy little barrel roll, before disappearing off over the horizon, to find pastures new and within these pastures, hopefully, a safe place to land. Within a minute I had found a stretch of level grass on the cliffs, directly above Angels Cove. There was a large barn in the corner of the field, too, which, if empty, could act very nicely as a store for the Moth. I turned into the wind, began my final decent and moments later, to my great relief, landed safely.

With the propeller slowed to a stop, I tore off my goggles and wool-lined leather helmet, unclipped the harness and jumped out to gather my bearings. A minute later found me jumping back into the wing’s stepping plate because a dozen or so cows approached at speed with a collective air of indignant and inquisitive over-confidence.

From my position of height, I attempted to shoo.

Shooing proved fruitless.

Help appeared almost immediately in the form of two men and a dog. They were walking towards me from the direction of the barn. The first man was wearing a long coat, his collar turned up against the wind. On closer inspection he was frowning. Definitely frowning. The second – the stockman by the looks of things – was shaking a stick in my direction. Even the dog seemed to walk with an air of peeved annoyance.

The men slapped fat sashaying backsides as they walked towards me, saying things like, ‘Get on with you,’ and ‘Away, away.’ On seeing the younger man’s face more clearly, and suffering from sudden and complete amnesia regarding the existence of Charles, my fiancé, who was waiting for me at Lanyon, I attempted to tidy my hair, which was beyond redemption. I quickly glanced down at my clothes. I was wearing a flying jacket (my father’s, far too big for me and ripped on the right sleeve) and, over thermal long-johns, men’s overalls, covered in oil, rolled up at the ankle and pulled in at the waist with a wide belt. The icing on the cake was my footwear – muddy, fur-lined flying boots.

Taking a cloth from my pocket, I gave my face and hands a quick wipe. The two men were only a few steps away now. The younger one paused out of earshot to speak to the other man, who snorted in my direction before turning tail and heading towards the barn, using a long stick to usher the cows with him.

The man approached. His expression did not soften.

‘Well, hello, there,’ I said, cheerily.

He stood there for a moment, not speaking. A kind of apoplexy seemed to have set in (this often happened to a man who found himself unexpectedly face to face with a female pilot. It was the shock, you see). I decided to wade straight in with an apology. Farmers could be ever so touchy about aircraft landing in their fields without invitation. It was best to take the wind out of their sails with a smile.

‘I’m so sorry for the …’ I glanced towards the cows. Their backsides lumbered from side to side as they began to disperse. Tails flicked with annoyance ‘… disturbance. I meant to land in front of a large house, up the way there.’ I paused to look in the direction of the house. ‘It’s the one with the four gables and twelve chimneys … or is it four chimneys and twelve gables, I can never remember …? Do you know it?’

‘Lanyon?

‘Yes.’

‘Of course. But look here …’

My bright smile and humble apology fell on blind eyes and deaf ears. He began to chide – really chide – something about the utter irresponsibility of landing an aircraft in a field full of cattle … could have killed myself, etc. etc. He went on for quite some time about all kinds of things that might possibly have happened had luck not been on my side, but I really couldn’t concentrate because he was just so damn gorgeous and to top it had a slight American twang in his accent, too, and I had a very definite soft spot for a soft American accent on a man, probably because of all the movies we watched in those days.

I was just trying to work out what an American was doing working on a Cornish farm when he stopped preaching and returned to his preoccupation of staring at me. I realised he was waiting for me to respond to his disciplinary lecture, but not knowing quite how to respond, and rather than answer and annoy him further, I simply kept quiet and ran my fingers through my tangled mop of thick hair, just as the cold wind nipped at my face and turned my nose into a dripping tap. I wiped my nose with the cloth and we stood in a kind of ‘what now?’ silence while the Tiger Moth rocked on its wheels in the wind. He was obviously going to wait it out until I spoke. There was nothing left to do but to shrug and apologise again.

‘You’re absolutely right, of course,’ I said, adding a suitably big enough sigh. ‘Landing on a cliff in a field full of cows was not my finest spot of airwomanship, but to be fair, I didn’t see the cows and if you think about it, nothing bad actually did happen so I wonder, could we start again because, you know, ’tis done now, and what else can I do but say to that I’m so very – very – sorry.’

I tried my best to look remorseful.

He took a deep breath. His eyes were cold, steady.

‘I’d say that was a perfunctory apology.’

‘Perfunctory?’ I repeated.

‘Yes, perfunctory.’

He had more.

‘You think that because you’re a beautiful woman you can do whatever you want – gallivant around, hither and thither …’

Hither and thither? An American saying ‘hither and thither’?

I let him rant on again, completely unaware of what he was saying because frankly, he could say what the hell else he liked. No person on the planet (other than my parents) had called me beautiful before – even my fiancé had never called me beautiful.

‘Listen,’ I interrupted, eventually, ‘we seem to have got off on the wrong foot.’ I turned towards the cows again who were quite a way away now. ‘You’re absolutely right in everything you say. Perhaps we could shake hands on the matter and start again – shall we?’

I removed my right flying glove and held out my hand. He hesitated, as if some kind of trickery might be involved, but then my hand was in his, being held for what seemed to be a couple of seconds ever so slightly longer than necessary, despite the chiding.

He pulled away.

Silence again, except for the whistle of the wind across the cliff tops. The void needed to be filled.

‘And hey! As a thank you, how about I take you flying this week sometime?’

He tilted his head to one side. He was suppressing a smile, I was sure of it.

‘A thank you? A thank you for what?’

I glanced towards the barn.

‘Well – and I know it’s ever so cheeky – but for allowing me to store my aircraft in your barn for the week.’

He turned to look at the barn.

‘The thing is, I can’t leave the old girl out here all week. I’m a guest at Lanyon for Christmas, you see, and I’m sure they would vouch for my good character – although it seems you’ve made a decision about that already.’ I added, with a side-eye towards the dog, who looked unconvinced. ‘I’ll pay for the inconvenience, obviously, although you’ll probably simply accuse me of throwing money at the problem …’

He braced his back against the breeze. His expression was unreadable. Was that a smile, though?

‘Which one?’ he asked, finally.

‘Which one, what?’

‘Which Lanyon are you the guest of?’

‘Er …’

Now, I know I should have said, Charles, I’m his fiancée, but the angel sitting on my right shoulder went into all-out battle with the devil on my left and the devil won. I should also have added, ‘We’re getting married this week, on Christmas Eve in fact. Do you know him?’

But I didn’t. Instead I went with …

‘Oh, I went to school with the daughter of the house. Lottie Lanyon?’

He nodded a kind of understanding.