banner banner banner
Hotel California: Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967–1976
Hotel California: Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967–1976
Оценить:
Рейтинг: 0

Полная версия:

Hotel California: Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967–1976

скачать книгу бесплатно

Hotel California: Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967–1976
Barney Hoskyns

The story of a remarkable time and place: Los Angeles from the dawn of the singer-songwriter era in the mid-Sixties to the peak of The Eagles’ success in the late Seventies.‘Hotel California’ is an epic tale of songs and sunshine, drugs and denim, genius and greed, and is the first in-depth account of the LA Canyons scene between 1967 and 1976.Hoskyn's history of this vital period in the development of today's great musical influences spans the rise of Joni Mitchell, Crosby Stills Nash and Young, The Eagles, James Taylor and Jackson Browne, and focuses on the brilliance and determination of David Geffen, the man who linked them all.Covering genius, drug-crazed disintegration, and the myriad relationships between these artists and the songs that issued from them, and drawing on extensive interviews with countless stars, singers, writers, managers, executives and scenesters, ‘Hotel California’ is a pop-culture classic.

Hotel California

Singer-songwriters and Cocaine Cowboys in the LA Canyons 1967–1976

Barney Hoskyns

Copyright (#ulink_cd16b5b5-9617-57a9-bb3a-c88e3dd88c34)

Fourth Estate

An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk/)

First published in Great Britain in 2005 by Fourth Estate

Copyright © Barney Hoskyns 2005

PS Section copyright © Travis Elborough 2006, except ‘The

Genius of Judee Sill’ by Barney Hoskyns © Barney Hoskyns 2006

PS™ is a trademark of HarperCollinsPublishers Ltd

Barney Hoskyns asserts the moral right to be

identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Some images were unavailable for the electronic edition.

Source ISBN: 9780007177059

Ebook Edition © MAY 2013 ISBN: 9780007389216

Version: 2017-01-13

Praise (#ulink_07075946-5a9d-5de5-88cd-407d980cc142)

From the reviews of Hotel California:

‘A terrific account of the interface between idealism and squalor, art and commerce’

Guardian Guide

‘Takes you right into the backyards of Laurel Canyon…A masterful history’

Observer Music Monthly

‘A comprehensive account of the Golden State’s denim-clad, narcissistic heyday’

Mojo

‘Barney Hoskyns brings a genuine love as well as an outsider’s keen eye to the rise and fall of the California scene in the ’60s and ’70s. It’s a riveting story, sensitively told’

ANTHONY DECURTIS, Contributing Editor, Rolling Stone

‘If you are looking for the ingredients required of a good rock ’n’ roll story, Hotel California has got the lot…a murky tale in which a sprawling cast of A-list celebrities nurture their collective inner child with a steady diet of promiscuous sex, hard drugs and soft tunes spiced with appropriately confessional lyrics…an ambitious and authoritative account

which makes overdue sense of a spectacularly decadent period of pop history’

DAVID SINCLAIR, Guardian

‘The scene is small, intimate and hopeful, and Hoskyns writes about it with a similar delicacy and verve’

The Times

‘Fantastic’

PHIL JUPITUS

‘Brilliant’

LAUREN LAVERNE

For Natalie

Table of Contents

Cover Page (#u70116027-596c-5d4d-b641-bc17c179e715)

Title Page (#u559196f4-f326-5ff9-809a-cc61fff7880f)

Copyright (#u3ed21d5a-ffa1-5eb5-89b9-10336b4748b3)

Praise (#u975fa28d-48b8-5939-a961-b73fe2a1d8b8)

Introduction (#ufa3bf70b-953e-5daa-830d-5a1ff4ecf78e)

1 Expecting to Fly: Byrdsong and the California Dream (#ue5413a84-a2a0-5e6c-bd4d-013a5ba78c22)

I: Impossible Dreamers (#ue5413a84-a2a0-5e6c-bd4d-013a5ba78c22)

II: Claims to Fame (#uf60254e8-0608-563d-bc8a-e800122328ae)

III: So You Want to Be a Rock ’n’ Roll Star (#u471455c9-bdbd-5afe-af92-4a22f8af2f29)

2 Back to the Garden: Getting It Together in the Country (#u7c9c756e-6d2e-5e4c-80df-e1bed8d55b45)

I: Little Village (#u7c9c756e-6d2e-5e4c-80df-e1bed8d55b45)

II: Back Porch Majority (#udf957b91-b7f4-51b7-810c-57c258710d65)

III: Young Girls Are Coming to the Canyon (#u0561f91e-a213-58b5-a430-b5a59c138d95)

IV: Human Highway (#ua9c9226e-b2c9-5dcb-a76f-cf684a366123)

3 Out of the City: New Kids in Town (#ud9cd56e8-caf8-57ec-910d-65c0485e5fe8)

I: A New Home in the Sun (#ud9cd56e8-caf8-57ec-910d-65c0485e5fe8)

II: Outside of a Small Circle of Friends (#u9d3cf3c4-6796-5ef5-a06a-315885c09b30)

III: Both Sides, Then (#u1e1f35c2-f048-56e7-8424-6dbf71887ab2)

IV: The Elf on Roller Skates (#ud093babd-b810-5678-a9a6-29cc2fee768e)

4 Horses, Kids, Forgotten Women: Are You Ready for Country Rock? (#uc2ba3f53-2f07-50be-af47-d021b5c66ce8)

I: Hand Sown…Home Grown (#uc2ba3f53-2f07-50be-af47-d021b5c66ce8)

II: Wheatstraw Sweet (#u211a1b91-f0b1-5313-8ffe-08578e841d24)

III: Rural Free Delivery (#u17a5340e-7f3b-5910-a345-7c865037c7a2)

IV: Big Tit Sue and Bigger Tit Sue (#u03c47157-2799-5adf-b09f-57a62f1efad5)

5 Everybody Knows This Is Nowhere: Escape from Sin City (#u36053433-f7eb-545b-b282-709c673c8103)

I: Home Is What Makes You Happy (#u36053433-f7eb-545b-b282-709c673c8103)

II: Ain’t No One for to Give You No Name (#u4fb66229-64f1-50e9-b59c-8df6b4a2d6df)

III: Free My Gypsy Soul (#ua3814276-8841-5738-a5dc-cae6028db410)

IV: The Straight Guy (#u71bec48a-23f3-5186-9c2b-273eff6c8b72)

V: Sympathy for the Devil (#uaa25979b-4799-59ed-9608-ff1e10996b7d)

6 Let It Be Written, Let It Be Sung: A Case of Me (#u958f7505-d044-59ad-a72d-f6824a38d18f)

I: Music from Big Ego (#u958f7505-d044-59ad-a72d-f6824a38d18f)

II: Old Ladies of the Canyon (#ub0e03a2a-5939-50fa-9a9f-b263603d8913)

III: Me, Myself and I (#u06ea8252-ce78-58cc-ab28-fad89650fd36)

IV: All We Are Saying Is Give Smack a Chance (#u41133cd0-91ec-539e-ba54-340dee083ffa)

V: You Probably Think This Song Is About You (#u243af691-31ef-57c5-a511-b3ae265af68e)

7 Sittin’ In: With a Little Help from Our Friends (#u0aa799de-f48c-5968-a114-1c5edd368e1e)

I: Degrees of Separation (#u0aa799de-f48c-5968-a114-1c5edd368e1e)

II: Play It as It Lays (#u0c1691f2-edc9-5315-bdb2-5e86a171a7a7)

III: ‘WHO IS DAVID GEFFEN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME?’ (#u8ee478a0-f793-51ee-b2b8-5ca45a6bd8da)

IV: Don’t Even Try to Understand (#ub919c417-fea2-5e5e-b432-83bf505ff2d3)

V: Exile on Sunset Boulevard (#u3d94b678-7da3-5cf8-b84b-fa84f6d8378f)

8 Paradise and Lunch: The Machinery vs. the Popular Song (#u8676ab2a-fe68-5185-bf7f-ec5917292348)

I: Fool’s Gold (#u8676ab2a-fe68-5185-bf7f-ec5917292348)

II: Song Power (#u85e181ce-0587-5152-bac1-bf94455fbb1f)

III: On the Rox (#u9b0ea84d-11b6-5b92-88f8-f25f383cd3af)

IV: Postcards from Hollywood (#u6ae057cb-4ac5-585b-93ab-59a47f8d3185)

9 I Hate Them Worse than Lepers: After the Thrill Is Gone (#u54a75f86-b287-5f13-bebb-a598cf66ce57)

I: Show Biz Kids (#u54a75f86-b287-5f13-bebb-a598cf66ce57)

II: Don’t Interrupt the Sorrow (#ud4ea2117-bf1a-50ac-9ac0-04d243e9d989)

III: The Smoker You Drink, the Player You Get (#uf129456f-7018-5ec4-bbed-098b6aecdb2f)

IV: Paradise in Trouble (#ub3e41664-5380-5476-b285-8c52e6832e31)

10 Go Your Own Way: Los Angeles in the Long Run (#u9505aed2-51be-5b25-bc60-bd7689e58a4f)

I: You’ll Never Eat Pussy in This Town Again (#u9505aed2-51be-5b25-bc60-bd7689e58a4f)

II: Bombs Away, Dream Babies (#u9c4a8421-ee55-5fc6-8276-5d1c9ac73d30)

III: End of the Innocents (#u416977f9-c9e7-5e68-bafd-3e90a4247a26)