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The Golem and the Djinni
The Golem and the Djinni
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The Golem and the Djinni

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The Golem and the Djinni
Helene Wecker

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

HELENE WECKER

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

The Borough Press

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollinsPublishers 2013

Copyright © Helene Wecker 2013

Helene Wecker asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

Source ISBN: 9780007480173

Ebook Edition © 2013 ISBN: 9780007480180

Version: 2017-05-09

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

About the Book

Chava

is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.

Ahmad

is a djinni, a being of fire, born in the ancient Syrian desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop. Though he is no longer imprisoned, Ahmad is not entirely free – an unbreakable band of iron binds him to the physical world.

The Golem & The Djinni

is their magical, unforgettable story; unlikely friends whose tenuous attachment challenges their opposing natures – until the night a terrifying incident drives them back into their separate worlds. But a powerful threat will soon bring Chava and Ahmad together again, challenging their existence and forcing them to make a fateful choice …

Praise for The Golem and The Djinni

‘Set against the vivid backdrop of New York City’s immigrant neighbourhoods in the late 19th century, Helene Wecker’s tale of two fabled creatures has the intimate feel of a story handed down from generation to generation. With a delightful blend of the prosaic and the fanciful, The Golem and The Djinni explores what it means to be human as Chava and Ahmad struggle to live and find love while overcoming the powerful adversary who threatens to destroy them’

Deborah Harkness, author of A Discovery of Witches

‘An astonishing debut novel that sweeps us into a gaslit alternate reality rich enough to get lost in – a vision of fin de siècle 19th century New York as a city that had all the world’s immigrants descending on it, including supernatural ones … It is Helene Wecker's triumph that these supernatural beings – one made of fire, the other of clay – seem as real and as poignant in their struggles for love and belonging as any of their fellow human immigrants, until together they face a villain of truly monstrous proportions’

Tom Reiss, author of The Orientalist and The Black Count

For Kareem

Table of Contents

Title Page (#u381069cb-d338-579b-8cc8-9690e2aad632)

Copyright (#u15dd914a-6562-549d-b57c-08a189921bfb)

About the Book (#u0c3f3e2f-8108-5bc2-984f-041373bf81bc)

Praise for The Golem and The Djinni (#ub50fc5f3-7b12-5dff-a087-a75af723fc21)

Dedication (#u20073cc2-b036-58f5-bb01-f8196b9b9e5a)

Chapter 1 (#u897fdb18-d747-5654-9e96-0e4a0965f3b3)

Chapter 2 (#u7c1340da-1652-5219-8c4b-13b324effd79)

Chapter 3 (#ueaff5758-d497-56f9-a7c9-6c38874b9322)

Chapter 4 (#u8d60bea0-d63f-5887-8b21-0fb4ce854f1d)

Chapter 5 (#u90f7bac9-9986-52a9-af84-153a20e0c99c)

Chapter 6 (#u550c0ca0-429b-5880-94ef-3fd4857ad33f)

Chapter 7 (#uec3c6362-d623-578a-a2a1-da5f186ad1d5)

Chapter 8 (#litres_trial_promo)

Chapter 9 (#litres_trial_promo)

Chapter 10 (#litres_trial_promo)

Chapter 11 (#litres_trial_promo)

Chapter 12 (#litres_trial_promo)

Chapter 13 (#litres_trial_promo)

Chapter 14 (#litres_trial_promo)

Chapter 15 (#litres_trial_promo)

Chapter 16 (#litres_trial_promo)

Chapter 17 (#litres_trial_promo)

Chapter 18 (#litres_trial_promo)

Chapter 19 (#litres_trial_promo)

Chapter 20 (#litres_trial_promo)

Chapter 21 (#litres_trial_promo)

Chapter 22 (#litres_trial_promo)

Chapter 23 (#litres_trial_promo)

Chapter 24 (#litres_trial_promo)

Chapter 25 (#litres_trial_promo)

Chapter 26 (#litres_trial_promo)

Chapter 27 (#litres_trial_promo)

Chapter 28 (#litres_trial_promo)

Chapter 29 (#litres_trial_promo)

Epilogue (#litres_trial_promo)

Acknowledgments (#litres_trial_promo)

About the Author (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

1.

The Golem’s life began in the hold of a steamship. The year was 1899; the ship was the Baltika, crossing from Danzig to New York. The Golem’s master, a man named Otto Rotfeld, had smuggled her aboard in a crate and hidden her among the luggage.

Rotfeld was a Prussian Jew from Konin, a bustling town to the south of Danzig. The only son of a well-to-do furniture maker, Rotfeld had inherited the family business sooner than expected, on his parents’ untimely death from scarlet fever. But Rotfeld was an arrogant, feckless sort of man, with no good sense to speak of; and before five years had elapsed, the business lay before him in tatters.

Rotfeld stood in the ruins and took stock. He was thirty-three years old. He wanted a wife, and he wanted to go to America.

The wife was the larger problem. On top of his arrogant disposition, Rotfeld was gangly and unattractive, and had a tendency to leer. Women were disinclined to be alone with him. A few matchmakers had approached him when he’d inherited, but their clients had been from inferior families, and he’d turned them away. When it became clear to all what kind of businessman he really was, the offers had disappeared completely.

Rotfeld was arrogant, but he was also lonely. He’d had no real love affairs. He passed worthy ladies on the street, and saw the distaste in their eyes.

It wasn’t very long before he thought to visit old Yehudah Schaalman.

Stories abounded about Schaalman, all slightly different: that he was a disgraced rabbi who’d been driven out of his congregation; that he’d been possessed by a dybbuk and given supernatural powers; and even that he was over a hundred years old and slept with demon-women. But all the stories agreed on this: Schaalman liked to dabble in the more dangerous of the Kabbalistic arts, and he was willing to offer his services for a price. Barren women had visited him in the dead of night and conceived soon after. Peasant girls in search of men’s affections bought Schaalman’s bags of powders, and then stirred them into their beloveds’ beer.

But Rotfeld wanted no spells or love-potions. He had something else in mind.

He went to the old man’s dilapidated shack, deep in the forest that bordered Konin. The path to the front door was a half-trampled trail. Greasy, yellowish smoke drifted from a chimney-pipe, the only sign of habitation. The walls of the shack slouched toward a nearby ravine, in which a stream trickled.

Rotfeld knocked on the door, and waited. After some minutes, he heard a shuffling step. The door opened a hand’s width, revealing a man of perhaps seventy. He was bald, save for a fringe. His cheeks were deeply furrowed above a tangled beard. He stared hard at Rotfeld, as though daring him to speak.

“Are you Schaalman?” Rotfeld asked.

No answer, only the stare.

Rotfeld cleared his throat, nervous. “I want you to make me a golem that can pass for human,” he said. “And I want it to be female.”

That broke the old man’s silence. He laughed, a hard bark. “Boy,” he said, “do you know what a golem is?”

“A person made of clay,” Rotfeld said, uncertain.

“Wrong. It’s a beast of burden. A lumbering, unthinking slave. Golems are built for protection and brute force, not for the pleasures of a bed.”

Rotfeld reddened. “Are you saying you can’t do it?”

“I’m telling you the idea is ridiculous. To make a golem that can pass for human would be near impossible. For one thing, it would need some amount of self-awareness, if only enough to converse. Not to mention the body itself, with realistic joints, and musculature .”

The old man trailed off, staring past his visitor. He seemed to be considering something. Abruptly he turned his back on Rotfeld and disappeared into the gloom of the shack. Through the open door Rotfeld could see him shuffling carefully through a stack of papers. Then he picked up an old leather-bound book and thumbed through it. His finger ran down a page, and he peered at something written there. He looked up at Rotfeld.

“Come back tomorrow,” he said.

Accordingly, Rotfeld knocked again the next day, and this time Schaalman opened the door without pause. “How much can you pay?” he demanded.

“Then it can be done?”

“Answer my question. The one will determine the other.”

Rotfeld named a figure. The old man snorted. “Half again, at the very least.”

“But I’ll have barely anything left!”

“Consider it a bargain,” said Schaalman. “For isn’t it written that a virtuous woman is more precious than rubies? And her virtue”—he grinned—“will be guaranteed!”

Rotfeld brought the money three days later, in a large valet case. The edge of the nearby ravine was newly disfigured, a piece the length of a man scooped away. An earth-stained spade leaned against a wall.

Schaalman opened the door with a distracted look, as though interrupted at a crucial moment. Streaks of mud crusted his clothing and daubed his beard. He saw the valet case and grabbed it from Rotfeld’s hand.

“Good,” he said. “Come back in a week.”