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The Prince's Convenient Proposal
Barbara Hannay
The stand-in fiancéeTo secure his country’s future, reformed playboy Prince Rafael of Montaigne needs a wife. A convenient marriage seems the ideal solution…until his fiancée disappears and Rafe must ask her identical twin sister, Charlie Morisset, to become his stand-in bride-to-be!Down-to-earth Charlie accepts Rafe’s convenient proposal—in exchange for the funds to save her baby’s sister’s life. Being swept in to a crazy royal whirlwind seems a small price to pay…until she’s finds herself falling for Rafe…a prince she knows she will have to walk away from…
The stand-in fiancée
To secure his country’s future, reformed playboy Prince Rafael of Montaigne needs a wife. A convenient marriage seems the ideal solution...until his fiancée disappears and Rafe must ask her identical twin sister, Charlie Morisset, to become his stand-in bride-to-be!
Down-to-earth Charlie accepts Rafe’s convenient proposal—in exchange for the funds to save her baby sister’s life. Being swept into a crazy royal whirlwind seems a small price to pay, until she finds herself falling for Rafe—a prince she knows she will have to walk away from...
Charlie gave Rafe a rueful smile. ‘It wouldn’t work, though, would it? I’d give the game away as soon as I arrived in Montaigne and opened my mouth.’
His smile deepened. ‘We would try to limit the amount of time you needed to speak in public. It’s all about appearances, really. And when it comes to how you look, you certainly had me and my detectives fooled.’
‘But I haven’t agreed to this,’ Charlie said quickly. ‘It’s so risky. I mean, there’s so much room for things to go wrong. What will happen, for example, if Olivia doesn’t turn up before your cut-off date? I couldn’t possibly marry you.’
She went bright pink as she said this.
Rafe watched the rosy tide with fascination. This girl was such a beguiling mix of innocence and worldliness. But now wasn’t the time to be distracted…
The Prince’s Convenient Proposal
Barbara Hannay
www.millsandboon.co.uk (http://www.millsandboon.co.uk)
BARBARA HANNAY has written over forty romance novels and has won a RITA® Award and an RT Reviewers’ Choice Best Book Award, as well as Australia’s Romantic Book of the Year. A city-bred girl, with a yen for country life, Barbara lives with her husband on a misty hillside in beautiful far north Queensland, where they raise pigs and chickens and enjoy an untidy but productive garden.
For Sophie and Milla.
Contents
Cover (#u4bbb3979-ada3-5072-8fcd-e8f59e91b7eb)
Back Cover Text (#uf9a5d196-49f3-5597-8f2e-008c766c0eab)
Introduction (#u1e066c70-ed86-5524-97d7-a74bbc39013d)
Title Page (#u847fa80a-9995-5323-9f30-dc012543ea53)
About the Author (#uf691ac88-e728-5b78-95b3-f60e3471e974)
Dedication (#u1d4fa0da-1d21-5d53-9f97-312dd526e8fb)
CHAPTER ONE (#u8f9633bc-ea88-5da4-b614-97dcce764243)
CHAPTER TWO (#ua9cf9157-22fc-56a9-98db-0c262fec02ed)
CHAPTER THREE (#ucc2c1cb8-8ffd-5180-919d-233ea663f580)
CHAPTER FOUR (#u6bd1981a-6579-5964-9e58-a0236c081537)
CHAPTER FIVE (#litres_trial_promo)
CHAPTER SIX (#litres_trial_promo)
CHAPTER SEVEN (#litres_trial_promo)
CHAPTER EIGHT (#litres_trial_promo)
CHAPTER NINE (#litres_trial_promo)
CHAPTER TEN (#litres_trial_promo)
CHAPTER ELEVEN (#litres_trial_promo)
CHAPTER TWELVE (#litres_trial_promo)
CHAPTER THIRTEEN (#litres_trial_promo)
EPILOGUE (#litres_trial_promo)
Extract (#litres_trial_promo)
Copyright (#litres_trial_promo)
CHAPTER ONE (#u5356dc31-f7a0-5610-a4ec-224aac1d8871)
WEDNESDAY MORNINGS WERE always quiet in the gallery, so any newcomer was bound to catch Charlie’s eye as she sat patiently at the reception desk. This morning, her attention was certainly caught by the tall, dark-haired fellow who came striding through the arched doorway as if he owned the place. He was gobsmackingly handsome, but it was his commanding manner that made Charlie almost forget to offer him her customary, sunny and welcoming smile.
A serious mistake. The cut of this fellow’s charcoal-grey suit suggested that he actually had the means to purchase one of the gallery’s paintings.
And, boy, Charlie needed to sell a painting. Fast. Her father, Michael Morisset, was the artist most represented on these gallery walls and his finances were in dire straits. Again. Always.
Sadly, her charming and talented, but vague and impractical parent was hopeless with money. His finances had always been precarious, but until recently he and Charlie—actually, it had mostly been Charlie who’d struggled with this—had managed to make ends meet. Just. But now, her father had remarried and his new wife had produced a brand-new baby daughter, and his situation was even more desperate.
Charlie was thinking of Isla, her new, too fragile and tiny half-sister, as she flashed the newcomer a bright smile and lifted a catalogue brochure from the pile on the counter.
‘Good morning,’ she said warmly.
‘Morning.’ His response was cool, without any hint of an answering smile. His icy grey eyes narrowed as he stopped and stood very still, staring at Charlie.
She squeezed her facial muscles, forcing an even brighter smile as she held out a brochure. ‘First time at the gallery, sir?’
Momentary surprise flashed in his eyes, but then he said, ‘Of course.’
Charlie thought she caught the hint of an accent, and his gaze grew even chillier, which spoiled the handsome perfection of his cheekbones and jawline and thick, glossy dark hair.
‘How are you, Olivia?’ he asked.
Huh?
Charlie almost laughed. He looked so serious, but he was seriously deluded. ‘I’m sorry. My name’s not Olivia.’
The newcomer shook his head. ‘Nice try.’ He smiled this time, but the smile held no warmth. ‘Don’t play games. I’ve come a long way to find you, as you very well know.’
Now it was Charlie’s turn to stare, while her mind raced. Was this fellow a loony? Should she call Security?
She glanced quickly around the gallery. A pair of elderly ladies were huddled at the far end of the large space, which had once been a warehouse. Their heads were together as they studied a Daphne Holden, a delicate water colour of a rose garden. The only other visitor, so far this morning, was the fellow in the chair by the window. He seemed to be asleep, most probably a homeless guy enjoying the air-conditioning.
At least no one was paying any attention to this weird conversation.
‘I’m sorry,’ Charlie said again. ‘You’re mistaken. My name is not Olivia. It’s Charlie.’
His disbelief was instantly evident. In his eyes, in the curl of his lip.
‘Charlotte, to be totally accurate,’ she amended. ‘Charlotte Morisset.’ Again, she held out the catalogue. ‘Would you like to see the gallery? We have some very fine—’
‘No, I’m not interested in your paintings.’ The man was clearly losing his patience. ‘I haven’t come to see the artwork. I don’t know why you’re doing this, Olivia, but whatever your reasons, the very least you owe me is an explanation.’
Charlie refused to apologise a second time. ‘I told you, I’m not—’ She stopped in mid-sentence. There was little to be gained by repeating her claim. She was tempted to reach for her handbag, to show this arrogant so and so her driver’s licence and to prove she wasn’t this Olivia chick. But she had no idea if she could trust this man. For all she knew, this could be some kind of trap. He could be trying to distract her while thieves crept in to steal the paintings.
Or perhaps she’d been watching too much television?
She was rather relieved when a middle-aged couple came into the gallery, all smiles. She always greeted gallery visitors warmly, and Grim Face had no choice but to wait his turn as she bestowed this couple with an extra-sunny smile and handed them each a catalogue.
‘We’re particularly interested in Michael Morisset,’ the man said.
Wonderful! ‘We have an excellent collection of his paintings.’ Charlie tried not to sound too pleased and eager. ‘The Morrisets are mostly on this nearest wall.’ She waved towards the collection of her father’s bold, dramatic oils depicting so many facets of Sydney’s inner-city landscape. ‘You’ll find them all listed in the catalogue.’
‘And they’re all for sale?’ asked the woman.
‘Except for the few samples of his earliest work from the nineteen-eighties. It’s all explained in the catalogue, but if you have any questions, please don’t hesitate to ask me. That’s why I’m here.’
‘Wonderful. Thank you.’
The couple continued to smile broadly and they looked rather excited as they moved away. Behind her back, Charlie crossed her fingers. Her father needed a big sale so badly.
Unfortunately Grim Face was still hanging around, and now he leaned towards her. ‘You do an excellent Australian accent, but you can’t keep it up. I’ve found you now, Olivia, and I won’t be leaving until we have this sorted.’
‘There’s nothing to sort.’ Charlie felt a stirring of panic. ‘You’ve made a mistake and that’s all there is to it. I don’t even know anyone called Olivia.’ She sent a frantic glance to the couple studying her father’s paintings.
After she’d given them enough time to have a good look, she would approach them with her gentle sales pitch. Today she had to be extra careful to hit the right note—she mustn’t be too cautious, or too pushy—and she really needed this guy out of her hair.
She cut her gaze from his, as if their conversation was ended, and made a show of tidying the brochures before turning to her computer screen.
‘When do you get time off for lunch?’ he asked.
Charlie stiffened. He was really annoying her. And worrying her. Was he some kind of stalker? And anyway, she didn’t take ‘time off for lunch’. She ate a sandwich and made a cup of tea in the tiny office off this reception area, but she wasn’t about to share that information with this jerk.
‘I’m afraid I’m here all day,’ she replied with an imperiousness that almost matched his.
‘Then I’ll see you at six when the gallery closes.’
Charlie opened her mouth to protest when he cut her off with a raised hand.
‘And don’t try anything foolish, like trying to slip away again. My men will be watching you.’
His men?
What the hell...?
Truly appalled, Charlie pulled her handbag from under the desk, dumped it on the counter, and ferociously yanked the zipper. ‘Listen, mate, I’ll prove to you that I’m not this Olivia person.’ Pulling out her purse, she flipped it open to reveal her driver’s licence. ‘My name’s Charlotte Morisset. Like it or lump it.’
Her pulse was racketing at a giddy pace as he leaned forward to inspect the proffered licence. There was something very not right about this. He had the outward appearance of a highly successful man. Handsome and well groomed, with that shiny dark hair and flashing grey eyes, he might have been a male model or a film star, or even a barrister. A federal politician. Someone used to being in the spotlight.
It made no sense that he would confuse her—ordinary, everyday Charlie Morisset from the wrong end of Bankstown—with anyone from his circle.
Unless he was a high-class criminal. Perhaps he’d heard the recent ripples in the art world. Perhaps he knew that her father was on the brink of finally garnering attention for his work.
My men will be watching you.
Charlie snapped her purse shut, hoping he hadn’t had time to read her address and date of birth.
‘So you’ve changed your name, but not your date of birth,’ he said with just a hint of menace.
Charlie let out a huff—half sigh, half terror. ‘Listen, mister. I want you to leave. Now. If you don’t, I’m calling the police.’ She reached for the phone.
As she did so Grim Face slipped a hand into the breast pocket of his coat.
White-hot fear strafed through Charlie. He was getting out his gun. Her hands were shaking as she pressed triple zero. But it was probably too late. She was about to die.
Instead of producing a gun, however, he slapped a photograph down on the counter. ‘This is the girl I’m looking for.’ He eyed Charlie with the steely but watchful gaze of a detective ready to pounce. ‘Her name is Olivia Belaire.’
Once again, Charlie gasped.
It was the photo that shocked her this time. It was a head and shoulders photograph of herself.
There could be no doubt. That was her face. Those were her unruly blonde curls, her blue eyes, her too-wide mouth. Even the dimple in the girl’s right cheek was the same shape as hers.
Charlie heard a voice speaking from her phone, asking whether she wanted the police, the ambulance or the fire brigade.
‘Ah, no,’ she said quickly. ‘Sorry, I’m OK. It was a false alarm.’
As she disconnected, she stared at the photo. Every detail was exact, including the tilt of the girl’s smile. Except no, wait a minute, this dimple was in the girl’s left cheek.
Then again, Charlie supposed some cameras might reverse the image.
The girl, who looked exactly like her and was supposed to be Olivia Belaire, was even wearing a plain white T-shirt, just as Charlie was now, tucked into blue jeans. And there was a beach in the background, which could easily have been Sydney’s Bondi Beach. Charlie tried to remember what she’d been wearing the last time she’d been to Bondi.
