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Philippa Gregory 3-Book Tudor Collection 1: The Constant Princess, The Other Boleyn Girl, The Boleyn Inheritance
Philippa Gregory
From the bestselling author of THE WHITE QUEEN - the first three novels of her Tudor Court series: THE CONSTANT PRINCESS, THE OTHER BOLEYN GIRL, THE BOLEYN INHERITANCETHE CONSTANT PRINCESS tells the story of Henry VIII’s first wife, Katherine of Aragon, the Spanish princess raised to be Queen of England and first brought to England to marry Henry’s older brother, Prince Arthur. But when her new husband dies, she must fight for her birthright – and in marrying the now heir to the throne, she must tell the greatest lie… and hold to it.THE OTHER BOLEYN GIRL, made famous by the film adaptation, tells the story of the less notorious Boleyn sister, Mary, who catches the wandering eye of the young King Henry VIII. But when he tires of her, she sets out to school her sister, Anne, as a replacement – and before their story is over, the course of English history has been irrevocably changed. Politics and passion are inextricably bound together in this compelling drama.In THE BOLEYN INHERITANCE, the court of Henry VIII is increasingly fearful at the moods of the ageing sick king. With only a baby in the cradle for an heir, Henry must take another wife and the dangerous prize of the crown of England is won by Anne of Cleves. Anne, although fascinated by the glamour of her new surroundings, senses a trap closing around her. Katherine Howard is confident that she can follow in the steps of her cousin Anne Boleyn to dazzle her way to the throne but her kinswoman Jane Boleyn, haunted by the past, knows that Anne’s path led to Tower Green and to an adulterer’s death.
PHILIPPA GREGORY
TUDOR COLLECTION VOLUME 1
The Constant Princess
The Other Boleyn Girl
The Boleyn Inheritance
Copyright (#ulink_8a0b4d4a-a069-5fbd-aa1d-b4c1a50bf1f0)
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it, while based on historical events, are the work of the author’s imagination.
Harper
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk/)
First published in Great Britain by HarperCollins 2001, 2005, 2006
Copyright © Philippa Gregory Ltd 2001, 2005, 2006
Cover layout design © HarperCollinsPublishers Ltd
Philippa Gregory asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
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Source ISBNs:
The Constant Princess 9780007190317
The Other Boleyn Girl 9780006514008
The Boleyn Inheritance 9780007190331
Ebook Edition © JULY 2013 ISBN: 9780007518739
Version: 2016-10-06
Contents
Cover (#u0d831c41-54a4-54aa-831c-446facefe260)
Title Page (#uf7220873-ea6f-51a4-95b4-611bdc43bf5e)
Copyright (#uf1dc6ecc-20f0-5f56-bf3d-804fbd5e9789)
The Constant Princess (#u67eecfaa-4f20-5022-9479-594a20734b6d)
The Other Boleyn Girl (#u0e844afd-499f-5f88-9269-947125e9cd20)
The Boleyn Inheritance (#uaf099511-c959-5579-8bb8-7d4e476cc937)
Keep Reading (#ue96c8ed0-1f7c-50a6-af69-a973683c3f4a)
About the Author (#uc730faf9-f0fa-5784-998b-e098bcef888d)
Also by Philippa Gregory (#u63ad4325-b675-5fc7-ba99-cc02b0463894)
About the Publisher (#udfd8fcfd-49af-5988-a700-4f713248841e)
(#ulink_0f6ec5d9-c79c-5d72-bf28-f6f6540ab3c5)
PHILIPPA GREGORY
THE CONSTANT PRINCESS
Dedication (#ulink_d9d050af-4d9e-516c-8167-be99fe55d3cd)
For Anthony
Contents
Title Page (#uc497d93b-cda6-5c59-bd26-ea99616a3c18)
Dedication
Letters (#ufea8d6a4-6482-569a-a7f5-de596a7d4ff5)
Princess of Wales (#ub5168fe2-0a37-528d-933f-965f8b072af4)
Granada, 1491 (#u217994a7-7173-58be-af4c-cfea4afbe0af)
Dogmersfield Palace, Hampshire, Autumn 1501 (#u4439a1c2-b620-5116-9b17-a4f3057bc1a2)
London, Winter 1501 (#u73553922-fd29-5f58-b0d6-c8a23aadcccb)
Ludlow Castle, Spring 1502 (#ua88c3d36-8312-55bd-9db7-cce83132c05d)
Summer 1502 (#uae32b18f-207f-53fb-8a9d-daa08001f944)
Princess in Waiting (#u89aeaa70-9b55-5dc0-9cd4-b33d7c9efbda)
Winter 1503 (#u4116e044-8ef4-52e5-bb17-81436a8d5240)
Princess Again (#u41e2f623-6fa0-5d0c-99cc-74fc1d0a5fba)
1504 (#u4ebd7bcb-8f13-50e2-9cd4-810d60b3d89c)
1509 (#u3e23b0c1-5ff4-59a0-890c-9b01125ab1ac)
Katherine, Queen of England (#uec52bae9-d781-5207-bdd1-a852dd976f4c)
Summer 1509 (#u54da4b1d-ee6f-5e0e-a483-b82acb164c87)
Autumn 1509 (#u19db3a02-737e-56e7-811e-f13829a20287)
Spring 1510 (#u8a0c66c8-2c5b-55b9-bfb9-a59aa0db94bb)
Winter 1510 (#u86f7d888-9c7c-5578-9968-cf5ce3de1da2)
Spring 1511 (#u9e9d1504-9b91-5657-a221-8f3405ac6631)
Summer 1511 (#ub78a5220-84af-50fa-aa78-e5ee24e28141)
Autumn 1511 (#ueee66b44-4663-5a87-9f7a-4c1375b6ea91)
Spring 1512 (#uf7363f66-f70d-5145-b3b9-d8451786f46e)
Summer 1512 (#u90739a0c-489f-5a6e-b47b-95cccdeb810b)
Winter 1512 (#u1d71d042-6fb0-53e3-801d-64fd185b2e25)
Spring 1513 (#ua9d85b4c-93a5-5307-a9c4-e5fef48b3b08)
Summer 1513 (#u29d3069c-1087-5a95-bb73-124271f3d00d)
Blackfriars Hall The Papal Legate sitting as a court to hear the King’s Great Matter, June 1529 (#ue82c8295-0950-5739-b657-b5d699ed854c)
Author’s Note (#u172a388f-4fd8-5856-a91c-70268f7bbbb6)
Letters (#ulink_0570b547-769a-52dc-85c7-1c7ff745ec41)
Princess of Wales (#ulink_a29c1337-143c-5ac0-b7a4-1b9935da4ff6)
Granada, 1491 (#ulink_d6d4e536-d57c-5d82-b2bc-208028c026d2)
There was a scream, and then the loud roar of fire enveloping silken hangings, then a mounting crescendo of shouts of panic that spread and spread from one tent to another as the flames ran too, leaping from one silk standard to another, running up guy ropes and bursting through muslin doors. Then the horses were neighing in terror and men shouting to calm them, but the terror in their own voices made it worse, until the whole plain was alight with a thousand raging blazes, and the night swirled with smoke and rang with shouts and screams.
The little girl, starting up out of her bed in her fear, cried out in Spanish for her mother and screamed: ‘The Moors? Are the Moors coming for us?’
‘Dear God, save us, they are firing the camp!’ her nurse gasped. ‘Mother of God, they will rape me, and spit you on their sickle blades.’
‘Mother!’ cried the child, struggling from her bed. ‘Where is my mother?’
She dashed outside, her nightgown flapping at her legs, the hangings of her tent now alight and blazing up behind her in an inferno of panic. All the thousand, thousand tents in the camp were ablaze, sparks pouring up into the dark night sky like fiery fountains, blowing like a swarm of fireflies to carry the disaster onwards.
‘Mother!’ She screamed for help.
Out of the flames came two huge, dark horses, like great, mythical beasts moving as one, jet black against the brightness of the fire. High up, higher than one could dream, the child’s mother bent down to speak to her daughter who was trembling, her head no higher than the horse’s shoulder. ‘Stay with your nurse and be a good girl,’ the woman commanded, no trace of fear in her voice. ‘Your father and I have to ride out and show ourselves.’
‘Let me come with you! Mother! I shall be burned. Let me come! The Moors will get me!’ The little girl reached her arms up to her mother.
The firelight glinted weirdly off the mother’s breastplate, off the embossed greaves of her legs, as if she were a metal woman, a woman of silver and gilt, as she leaned forwards to command. ‘If the men don’t see me, then they will desert,’ she said sternly. ‘You don’t want that.’
‘I don’t care!’ the child wailed in her panic. ‘I don’t care about anything but you! Lift me up!’
‘The army comes first,’ the woman mounted high on the black horse ruled. ‘I have to ride out.’
She turned her horse’s head from her panic-stricken daughter. ‘I will come back for you,’ she said over her shoulder. ‘Wait there. I have to do this now.’
Helpless, the child watched her mother and father ride away. ‘Madre!’ she whimpered. ‘Madre! Please!’ but the woman did not turn.
‘We will be burned alive!’ Madilla, her servant, screamed behind her. ‘Run! Run and hide!’
‘You can be quiet.’ The child rounded on her with sudden angry spite. ‘If I, the Princess of Wales herself, can be left in a burning campsite, then you, who are nothing but a Morisco anyway, can certainly endure it.’
She watched the two horses go to and fro among the burning tents. Everywhere they went the screams were stilled and some discipline returned to the terrified camp. The men formed lines, passing buckets all the way to the irrigation channel, coming out of terror back into order. Desperately, their general ran among his men, beating them with the side of his sword into a scratch battalion from those who had been fleeing only a moment before, and arrayed them in defence formation on the plain, in case the Moors had seen the pillar of fire from their dark battlements, and sallied out to attack and catch the camp in chaos. But no Moors came that night; they stayed behind the high walls of their castle and wondered what fresh devilry the mad Christians were creating in the darkness, too fearful to come out to the inferno that the Christians had made, suspecting that it must be some infidel trap.
The five-year-old child watched her mother’s determination conquer fire itself, her queenly certainty douse panic, her belief in success overcome the reality of disaster and defeat. The little girl perched on one of the treasure chests, tucked her nightgown around her bare toes, and waited for the camp to settle.
When the mother rode back to her daughter she found her dry-eyed and steady.
‘Catalina, are you all right?’ Isabella of Spain dismounted and turned to her youngest, most precious daughter, restraining herself from pitching to her knees and hugging the little girl. Tenderness would not raise this child as a warrior for Christ, weakness must not be encouraged in a princess.
The child was as iron-spined as her mother. ‘I am all right now,’ she said.
‘You weren’t afraid?’
‘Not at all.’
The woman nodded her approbation. ‘That is good,’ she said. ‘That is what I expect of a princess of Spain.’
‘And Princess of Wales,’ her daughter added.
This is me, this little five-year-old girl, perching on the treasure chest with a face white as marble and blue eyes wide with fear, refusing to tremble, biting my lips so I don’t cry out again. This is me, conceived in a camp by parents who are rivals as well as lovers, born in a moment snatched between battles in a winter of torrential floods, raised by a strong woman in armour, on campaign for all of my childhood, destined to fight for my place in the world, to fight for my faith against another, to fight for my word against another’s: born to fight for my name, for my faith and for my throne. I am Catalina, Princess of Spain, daughter of the two greatest monarchs the world has ever known: Isabella of Castile and Ferdinand of Aragon. Their names are feared from Cairo to Baghdad to Constantinople to India and beyond by all the Moors in all their many nations: Turks, Indians, Chinamen; our rivals, admirers, enemies till death. My parents’ names are blessed by the Pope as the finest kings to defend the faith against the might of Islam, they are the greatest crusaders of Christendom as well as the first kings of Spain; and I am their youngest daughter, Catalina, Princess of Wales, and I will be Queen of England.
Since I was a child of three I have been betrothed in marriage to Prince Arthur, son of King Henry of England, and when I am fifteen I shall sail to his country in a beautiful ship with my standard flying at the top of the mast, and I shall be his wife and then his queen. His country is rich and fertile – filled with fountains and the sound of dripping water, ripe with warm fruits and scented with flowers; and it will be my country, I shall take care of it. All this has been arranged almost since my birth, I have always known it will be; and though I shall be sorry to leave my mother and my home, after all, I was born a princess, destined to be queen, and I know my duty.
