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“Well, Monica is convinced her husband was murdered,” Vickie said.
“And she’s probably right,” Griffin murmured.
“Sorry!” Carl Morris called, his voice deep, rich, loud—and extending to the different officers and detectives in the room. “Answer all calls—do your best to sort the wheat from the chaff.”
“You’re going to love this one, Detective!” an officer called out, holding up one of the police station’s yellow crime-tip forms. “The Martians are here. They learned how to beam people places by watching Star Trek reruns for hours and hours. They killed him because they had to suck out his brain.”
Morris waved a hand in the air. There wasn’t much laughter. There were far more sighs.
Morris motioned to Vickie and Griffin. They followed him into his office.
There was a monitor screen at the side of his desk. Morris picked up a remote control and hit it. “Maybe you can see something I missed. I’ve gone over the digital video or whatever the hell it is from the front-door cameras a zillion times.”
Nothing happened on the screen. Morris swore softly. “Hang on,” he told them. “I have to go find a kid.”
The kid—Officer Benedict, who appeared to be about twenty-five—hurried in after Morris stood at the door and yelled out.
“Here, sir!” Benedict said to Morris, glancing at Griffin and Vickie with a grimace. “This, sir, turns it on. Then just hit this arrow, and it will play. The arrow is Play. But the device must be powered on.”
“I got it this time, I got it!” Morris said. “Hey, these things are new. We just got them in a week or so ago. Thanks, Benedict.”
“Yes, sir,” Benedict said.
“Stay, will you? These special agents might want the footage slowed down.”
There was only one real agent there at the moment—Griffin. But he didn’t say anything and Vickie kept quiet as well.
“We have footage from the opening at eleven o’clock all the way through the night,” Benedict explained. “So, it would take hours to watch it all.”
“Go ahead, start at the beginning,” Griffin told him. “I’ll have you speed it up—but please, Detective Morris, Officer Benedict, please let us know if you see someone coming or going that we should know about.”
“Of course,” Morris told them.
They began to watch the footage. They saw Gary Frampton, the owner, opening the door and looking out on the day, then closing it again. His daughter, Alice, arrived. A small cluster of men and women who’d been identified as kitchen staff showed up. Then later, Lacey Shaw, the Poe lover/gift shop manager, and then their waiter from the night before, whose full name was Jon Skye. More staff ambled on in. Then came the customers.
“There! Stop it. Back up a bit!” Morris told Benedict.
The young officer did as he was told. Morris leaned in to the screen, pointing at people as he said, “There. Naturally there is a major Poe literary society here, a national Poe society and others. Among them is one actually called the Blackbird Society, and they’re dedicated to all things Poe. Franklin Verne belonged nominally to a number of societies, and among them was the Blackbird Society. That woman there, Liza Harcourt, is the president. The man at her side is Alistair Malcolm, vice president of the society, and with them is...” He paused, staring at the screen.
“That’s Brent Whaley,” Office Benedict said. “Another writer. He’s probably best known in science fiction circles, but he loves horror and Poe. Oh, and he belongs to several societies, the Poe one here, and also an H. P. Lovecraft one up somewhere in the northeast, probably Rhode Island, where Lovecraft was from and where he’s buried.”
They all looked curiously at Officer Benedict.
“You have great information,” Griffin told him.
Benedict flushed and shrugged. “My parents are kind of armchair members. They pay their dues and they love to read all the different stories and articles that go out. They’re just kind of homebodies.”
“They all went in together,” Morris noted. “I’ve met Liza and Malcolm, just not Brent Whaley.”
“Well, they must be friends. They’re society friends, at least,” Benedict said.
Other diners came and went. Benedict sped up the recording, and people on the screen began to look like little ants.
Liza left the restaurant at about three thirty in the afternoon.
Malcolm left a few minutes later.
Brent Whaley didn’t seem to leave.
“Take it all the way to the next morning,” Griffin asked.
They watched as the evening diners—including Vickie and Griffin themselves—came and went. They watched as the staff left, including their waiter, Jon Skye, gift-store maven Lacey Shaw and finally Alice Frampton with her father, Gary. Then nothing. Just a few late-night stragglers walking past, but the front door didn’t open again, and the time stamp on the video rolled into the next day.
“Did you see Brent Whaley leave?” Griffin asked, looking at the others.
“Let me run the footage back,” Benedict said.
Morris pointed at the screen when a large group was leaving together. “Is that Whaley there? I think it’s the same man—the top of his head appears to be the same. But maybe not.”
“You have to be right,” Benedict said. “Yeah, that has to be him. He’s just surrounded by that big crowd—looks like it was a rehearsal dinner for a wedding. Guess Brent got into the middle of it.”
“Maybe—or maybe not,” Griffin murmured.
“We’ll find out. Because if he was still in the restaurant... I guess we’ll pick up Brent Whaley. If he tells us he walked out in a crowd...we’ll know for sure. But even with the cameras, there are things that can be missed. And there is the delivery door... Oh, we’ll be really nice. We’ll ask for help from him,” Morris said wearily. He shook his head. “Would one writer kill another? Out of jealousy, anger or a perceived insult?”
Griffin looked at Vickie. “I don’t think it involved writers, but... ‘The Cask of Amontillado,’” he said.
“Oh, yeah, man! I read that one,” Office Benedict said, enthused. “So cold! So precise... But our victim wasn’t walled in.”
“Poe liked to wall people in, huh?” Morris asked, shaking his head. “‘The Black Cat.’ He liked burying people alive, too. ‘The Premature Burial’—and others, I’m sure.”
“Everyone is a Poe expert,” Griffin murmured, looking at Vickie a little bit baffled. She had to smile. “Detective, Mrs. Verne said that you took her husband’s desktop computer. Have you been able to find anything on it, any references to him planning to meet up with anyone—anything at all?”
“Our tech people are on it—and they’re good,” Morris assured him.
“I’m sure they are,” Griffin said. “We’ll be in touch then,” he said. “Will you let me know if you’re able to find Brent Whaley?”
When they left a few minutes later, Vickie whispered to Griffin, “That really was a great rendition of ‘The Raven’ you gave earlier.”
He laughed, squeezing her hand and smiling at her. “Yeah? Well...”
He looked away. Something was bothering him, she thought. “My turn,” she said. “What? What’s going on?”
“I saw him.”
“Him—who?”
“Him—Poe. Edgar Allan. He was at the burial ground.”
“The ghost of?” Vickie asked, frowning.
“Looked just like Poe—and disappeared in the wink of an eye. In my experience that means, A, I’ve worked at this job too long, B, there’s a really amazing magician at work in Baltimore, or, C, the ghost of the master of horror and mystery himself, Edgar Allan Poe, is walking among us!”
3 (#u4c1cea3e-c0dc-5289-b0af-5bb3f1177773)
Vickie stood on North Amity Street, looking at the building that Edgar Allan Poe had once called home.
She was on her own; Griffin had headed to the morgue with Carl Morris. The medical examiner—Dr. Myron Hatfield—was going to start right in on Franklin Verne.
With the uproar in the city over the very unusual passing of such a man, it was imperative that he give a cause of death as quickly as possible. He had already been approached by various media outlets, of course.
He’d said he could not give out cause until he had received results on every test that must be considered when such a death had occurred.
Bravo, Myron! Vickie had thought. She was sure that certain things might quickly be obvious. She was glad that the man intended to be thorough—and that he wouldn’t be pressured into speaking before he was ready.
Morris had, she realized, kept a number of pieces of information from the press. There was no mention of the dead blackbirds found by him, nor the little souvenir-style raven Verne had been holding so tightly in his hand.
Vickie looked up at the house. She had downloaded and printed some information about the residence while at the police station.
While the home wasn’t furnished, it was on the National Registry of Historic Places, and, according to her reading, very much the same as it had been during the years Poe had lived there between 1833 and 1835. A Poe society had struggled long and hard to preserve the building and had managed to do so. Through time—and due to the expense of keeping up the old property—city organizations took over. Now Poe Baltimore, an organization dedicated to keeping alive the brilliance of the man who had lived and written some of his most amazing work in the city, took care of the house.
The house was a small brick row house in a line of other similar houses.
A friendly docent welcomed her and explained some of the rooms and the exhibits. The museum was proud to have Poe’s writing desk and a number of other important artifacts, some china, glasses and more that had belonged to the family. Vickie admired the objects—those that had belonged to Poe’s father, and those that were simply from the correct period.
Walking the rooms, halls and stairways of the house and studying the exhibits, Vickie wondered about the fact that Griffin had been the one to see Poe—while she had dreamed about him. She wondered if she was a little bit worried that the ghost had shown himself to Griffin rather than to her—or if she was just disturbed because her dream had been so real. She had nearly felt the dirt of the road; she had heard the noise of the tavern as if it had been real. She’d much rather simply see the man—or the specter of him—than face dreams that made her feel she was right there with the clip-clop of horses’ hooves and the dust that stirred in the air.
The staircases in the house were wicked—with twists and turns and very narrow. Vickie smiled and stepped out of the way for a mother with a young son to make their way up.
Vickie followed; the house was mostly empty, but there were displays here and there.
She studied Poe’s family tree and felt she got a sense for why he loved the Virginia and Maryland areas so much more than Boston. Both of Poe’s parents had been actors. He’d been born in Boston, but his father’s grandfather had been a Revolutionary hero and the Poe family had settled in Baltimore even before the fighting had begun. And while his foster father had been in Richmond, Poe had found love in the arms of his cousin, Virginia Clemm. His mother-in-law/aunt had loved him, too. He’d formed a family here. According to one exhibit, Poe had considered himself to be a “Virginia gentleman.”
And yet, in the end, Baltimore had claimed him.
She was reading another placard when she felt an uneasy sensation. The mother and little boy were near her, along with an older couple and a small group of young women who appeared to be high school age. She looked around.
And then she saw him. He was standing behind the young women. He was watching her with what seemed to be tremendous enjoyment. As she stared at him, he smiled deeply, and then gave his attention to the pocket watch he drew from his waistcoat. He pointed a finger at her, as if he was mocking her. And then he disappeared.
She blinked.
She had seen him. She had definitely seen him.
And she was suddenly angry; he was playing with the two of them. Somehow, he had haunted her when she’d been sleeping! And now he was playing the mystery out with his appearances and disappearances.
If he had something to say, he needed to say it!
She turned and strode across the room, eager to get down the steps—very eager to leave the house. On the very narrow stairway, she felt something—as if a hand pushed her. She gritted her teeth, really angry—until she realized that she hadn’t been pushed, she’d been grasped.
Vickie managed to swing around just in time to catch the little boy, who had hurried ahead of his mother and tripped on a step.
She steadied him, mentally mocking herself.
Poe’s ghost had not been trying to push her down the stairs. She was glad to have rescued the overanxious boy and was quick to assure the boy’s mother that it was nothing—she might have tripped on the stairs herself!
Outside the small museum, she muttered beneath her breath as she headed for her car.
Glancing up, Vickie couldn’t help but note that while it was afternoon, the sun was still up in the late-summer sky. It had been a long day, and it seemed almost ridiculous that so much could have happened and it still be the same day. But it all had moved quickly. They had gone from the wine cellar at the Black Bird to see Monica Verne. From her house, they’d gone to Poe’s tombstone, then to the station, and from there, Griffin had gone on to the morgue and she had come out to the museum.
The afternoon was waning, but...
There was still sun.
And shadows, she thought, going into the parking garage. For a moment, she paused, turning quickly. She had felt certain that she was being followed.
She saw no one. But since she couldn’t see anyone, she spoke aloud.
“You wretched little bastard! If you’re following me, just show yourself. And if you can’t have the manners to do so, well, shove the hell off!”
No one replied. She tensed, hearing a footstep. It was just a man in a hoodie, hands deep in his pockets. He looked up at her as if she was crazy, shaking his head. He didn’t speak to her, but muttered beneath his breath.
“I’m not following you, lady. Take a pill.”
Wincing, Vickie let out a breath and hurried to the elevator at the parking garage, and then across the asphalt to her own car. She got in and set her key in the ignition.
It was then that he spoke.
“Good afternoon, miss.”
She nearly broke the key in the ignition, switching it off, turning to stare at the ghost.
It wasn’t that she was in the least afraid of the dead. Dylan Ballantine—the teenaged ghost who had saved her in high school—had taken it upon himself to be her near constant companion and torment her through a great deal of her college years. Now, he had a lovely girlfriend, Darlene—a young woman sadly lost to killers, but who had reached out to Vickie to help solve her case. She was used to having spirits around.
It had nothing to do with fear. It had everything to do with Poe’s ghost following her around and popping up in her car.
He was now seated next to her in his suit, waistcoat and an ascot. A curl of his dark hair fell over his forehead.
“Ass!” Vickie muttered, so startled that she was shaking. She was glad—at least—that he had spoken before she’d driven out into traffic.
Then she realized that she had just called a man who had created work she had admired all her life an ass.
But he did not seem to be offended.
Rather, he grinned at her with sheer pleasure.
“Wonderful! You do see me, and quite clearly!” he said. “I mean, one must face it. There were times, indeed, when I might have been compared to the lowliest of the beasts of burden! But I beg of you, believe this! I can be charming and sincere and offer the utmost assistance as well. And, my dear Miss Preston—oh! First, forgive me being so forward, but I observed some of the most recent events and heard your name. I am, of course, Edgar Allan Poe—and I do believe that you need assistance!”
“Sir, I will tell you this,” Vickie said, irritated and amazed that a ghost could make her feel so aggravated, “I see you clearly.”
