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The Dead Play On
The Dead Play On
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The Dead Play On

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It was almost as if Tyler read her thoughts. When she looked up, he was staring at her.

He shook his head. “The truth. The truth is what we all need. And if...if I’m right, it’s not vengeance I’m after. It’s justice. Justice for Arnie.”

Looking back at him, she understood. She didn’t know why, but she understood. Wondering, not knowing, those were the emotional upheavals that tore people to pieces.

“We’ll need a lot from you,” Quinn told him. “I need names—all the musicians he might have played with and anyone he might have been seeing. A one-night stand, a long-lost love—anyone. And,” he said, “I’ll have to talk to his family.”

Tyler winced at that. “Yeah,” he said. “I know.”

“And,” Danni added, “if the sax...says anything else to you, we have to know.”

Tyler stiffened and stared at her. “The sax doesn’t talk,” he told her, irritated.

She smiled. “I didn’t say it talked. But if it gives you anything else, another vision, anything else at all, we need to know right away.”

He nodded and said, “Thank you.”

“Of course,” she said softly.

He rose, picking up the sax case.

“Oh, and...” He paused, looking at his plate as if surprised. Somewhere along the way he’d actually finished his food. “Thanks for the lasagna.”

“My pleasure. I just hope we can help you,” she said.

“One more thing,” Quinn said.

“What’s that?” Tyler asked.

“The sax,” Quinn said.

“The sax?” Tyler repeated, puzzled.

“That’s the sax that Arnie’s mom gave you, right?” Quinn asked.

“That’s it.”

“Leave it here,” Quinn said.

“But...I’m a saxophonist. I make a living playing music.”

“You have others, right?”

“None that I play like this,” Tyler said.

“You’ll play it again,” Quinn promised. “For now, please, let us keep it. Let us try to figure out if there really is something about this sax that’s special. But if anyone comes up to you threatening you for a sax, hand it right over. Any sax you happen to have on you.”

Tyler looked puzzled. “You’re talking about that holdup down near Frenchman Street, right?” he asked, then something dawned in his eyes.

“More than that, Tyler. Two musicians have been killed in their homes.”

“Two?” Tyler looked shocked. “I saw something on the news a few days ago about a guy, but—”

“Another man was killed today. It will be on the eleven o’clock news, if you don’t believe me. I think someone wants the sax you have right there. They just don’t know where it is,” Quinn said. He frowned, puzzled. “Didn’t Arnie have his sax the night he was killed?”

“He must have, but I don’t know if it was found with him or not, and I don’t know what sax he had,” Tyler said.

Danni looked at Quinn. He’d caught her by surprise with his mention of a musician’s murder earlier that day. Clearly he knew much more, saw more connections, than she did.

Tyler looked as if he were loath to part with the instrument.

“It could mean your life,” Quinn said quietly. “And while you’re at it, when you’re talking to people, make a point of saying you wish you had Arnie’s old sax. Don’t tell anyone who doesn’t already know that you had it or where it might be. As far as you know, it went up for auction.”

Tyler still looked doubtful.

“When you got here you told me you knew what Quinn and I did,” Danni said quietly. “So let us do our job, all right?”

Tyler nodded and slowly handed over the sax. “Thank you.” He reached into his pocket and produced his card. “This is me. If you need me at any time for anything, just call. Obviously, when I’m playing, I don’t hear my phone. But I’ll check it every break in case...in case I can help.”

“Here are our numbers,” Quinn said, and produced a card, as well. It had his cell, Danni’s cell and the shop number.

Tyler took the card as if it were a lifeline. “Thanks,” he said.

“Be careful, okay?” Quinn said. “I expect the police will be putting out a parish-wide warning for musicians, but it doesn’t hurt to be reminded. Don’t open the door when you’re alone, even to people you think are your friends. And make sure you warn your band and anyone else you play with that someone has it in for musicians.”

Tyler nodded gravely. “I’ll do that,” he promised.

“I’ll walk you out through the front,” Quinn told him.

Danni picked up in the kitchen while Quinn led Tyler back through the shop. When he came back he slipped his arms around her where she stood at the sink.

She spun in his embrace, staring at him, a sudsy plate in her hands.

“Hey! What the heck is going on? You know way more than I do. Do you really think this has something to do with the incidents with those other musicians? And what about this second murder? Are you sure it makes sense for us to investigate this? Arnie’s death must have been investigated, even if they just wanted to know where he got the heroin. He was a hero and a popular local figure, found dead on Rampart Street. They could be right, you know, and it really was an accidental OD.”

He took the plate from her. Suds were flying, because she was waving it around as she talked, she realized.

“I’m sorry. I thought we’d think alike on this,” he said.

“I’m not saying I disagree.”

“What, then?” He moved away from her, and she was almost sorry she had spoken.

There was a sudden distant look in his eyes, as if he was remembering something she hadn’t been a part of. She loved him so much, but she knew he’d had a life before he’d met her, a very different life. He’d once been a shining star, and then he’d crashed and burned, finally becoming the man he was today.

“You know,” he said quietly. “I was messed up. So messed up that I almost died. I did die, actually. They brought me back.”

“I know that,” she said softly. “I thank God constantly that you came through. And you’re right. I believe Tyler. And I don’t believe Arnie Watson just left work one night and decided to stick a needle in his arm.”

“All these incidents are related—they have to be,” Quinn said. “Larue was mistaken earlier when he told me about Holton Morelli, the musician who was killed in his home last week. He wasn’t the first to die. Arnie Watson was.”

Chapter 3 (#ulink_f27d8e27-0a8a-595a-aed8-6289279116dd)

QUINN HEARD A knock at the side door, off the courtyard entrance, to the house on Royal Street just as he was returning to the kitchen.

He knew it was Larue or another friend. Only those in their close circle ever used the courtyard entrance.

He looked at Danni and saw the resolve reflected in her eyes. He lowered his head, not wanting her to see the bittersweet smile on his lips. He couldn’t help but remember when he’d first gotten to know her. He’d worked with her late father many times. And when he’d been thrown into an “assignment” with her the first time—seeking a mysterious Italian bust—he’d believed he’d been stuck seeking help from a spoiled debutante.

Danni was beautiful, filled with grace and charm and a smile that could melt a man’s heart—or ignite his libido. And Angus had never said a word to her about his special “collection.” She’d been pitched almost blindly into a world where people killed over possessions that were more than they seemed, and where the sins of the past could thunder down upon the present.

And now, when he looked at her, he saw the resolve in her eyes, an implicit promise to find justice for Tyler’s dead friend.

“I’ll get it,” he said. “It’s probably Jake.”

“You have a very odd smile on your face, considering the circumstances,” she told him.

“I was thinking that I’m a lucky man,” he said softly.

“Quinn, this is bad, isn’t it? Very bad.”

“Yes, but I have a luscious—and brilliant—partner,” he told her. “One who comes with...benefits.”

“Hmm. I confess I appreciate my coworker—and eye candy—too,” she said.

She was worried, though; he could tell. Her eyes had already fallen to the sax he’d been so determined they should keep.

There was another knock, and Quinn went to let Larue in.

He greeted Danni warmly. Over the past few years they’d gotten to know one another well. Although Larue preferred to believe in what his five senses told him, Quinn knew he respected the connection he and Danni felt to something...more. And all of them believed deeply in right over wrong, which meant together they were a crime-solving force that worked.

“Want some coffee?” she asked Larue warmly.

“I’ll have something a lot stronger—if that won’t bother you?” he asked, looking at Quinn.

“Not at all. One man’s demon can be another man’s friend,” he said. He looked over at Danni with a questioning glance.

“I’ll stick to coffee,” she said.

Billie came into the kitchen from the shop just then. “Detective Larue, good to see you,” he said then caught the serious vibe in the room and quickly added, “Or not.”

“Billie, good to see you,” Larue replied.

“Shop is locked up,” he said. “I’m going to go catch up on some television, I guess.”

“Stay, Billie,” Quinn said.

“Yes, stay,” Larue echoed.

Billie nodded. He had started working with Angus in Scotland, and after Angus’s death he had cast himself in the role of Danni’s guardian. They were lucky, Quinn knew, to have him in their fold.

Quinn poured Larue a good stiff scotch and set it in front of him. Larue told Danni that he would take a coffee “chaser,” too, and soon the four of them were seated around the table.

Larue spoke first, telling them about the holdup in the street and progressing to the two murders. Quinn, in turn, explained everything that had happened with Arnie Watson and how Tyler Anderson was convinced that Arnie had been murdered.

Larue frowned and said, “The ME reported Arnie’s death as an accidental overdose. Based on the circumstances, we accepted that finding. And I’m still not a hundred percent convinced his death is connected. These other murders... They were about as brutal and sadistic as you can get.”

“The connection makes sense,” Quinn argued. “They were all musicians. The holdup? Only their instruments were stolen. After that, things escalated. First you had Arnie’s death. Maybe it was a gentler murder because the killer and Arnie were actually friends. But Arnie didn’t have the sax on him. Not the right sax, anyway.”

“I wonder why that was,” Danni put in.

“What?” Quinn asked her.

“Arnie had been playing with Tyler’s group that night. But he wasn’t found with his sax, and his family had the...special sax after he died, when his mother gave it to Tyler, who left it here with us. So what happened to his sax that night?” Danni asked.

“Maybe he had a different sax and his killer did take it,” Larue suggested.

“That seems like the most logical explanation,” Quinn said. “The killer lured him to Rampart, where he killed him when no one else was around. He stole the sax from him. But then he discovered it was the wrong one and figured maybe Arnie needed money and had sold it.”

“Could be,” Larue said.

“But he stole all the instruments when he robbed that group of musicians, right?” Danni asked.

“He did,” Larue answered.

“If he was looking for a saxophone, why take other instruments?” she asked.

“So that no one would know he was looking for a sax?” Quinn suggested. “Anyway, somehow the killer got Arnie to go with him. Maybe he was a friend, or maybe he preyed on Arnie’s generosity, which seems pretty well-known, and pretended to need help with something. Maybe he even told him another vet needed help. When Arnie was dead, he took the sax then discovered later it was just a regular sax, not worth what a Penn Special is. Or maybe it wasn’t the monetary value. Maybe he knew it supposedly had special powers and what he wanted was to play as well as Arnie played. And then he started trying to figure out where the sax had ended up, first hiding his goal by stealing a bunch of different instruments. Then he started targeting people he thought were likely to have ended up with it, and when Morelli and Barrett couldn’t or wouldn’t tell him, he got pissed off and killed them.”

“Sounds like a good working theory,” she said.

“Where is this sax you got from Tyler?” Billie asked.

Quinn pointed out the case where it was sitting under the table.

Billie picked it up and opened it carefully then took out the instrument.

“You play?” Danni asked him with surprise.

“If you can play a bagpipe, the sax is a piece of cake.” He coaxed a few off-key notes from the sax. “I didna say I could play well,” he said. “Give me a minute.”

He began to play again. The sounds were suddenly clear and good.

“Nice,” Danni said.

“Is it the sax itself? Is there something special about it?” Quinn asked.

“It’s a good instrument,” Billie said. “But...”