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‘And they took ashes of the furnace,’ Saya John said, softly, under his breath, ‘and stood before Pharaoh; and Moses sprinkled it up toward heaven; and it became a boil breaking forth with blains upon man, and upon beast. And the magicians could not stand before Moses because of the boils; for the boil was upon the magicians, and upon all the Egyptians …’
Rajkumar was eager to be gone from the camp, sickened by the events of the last few days. But Saya John was proof against his entreaties. The hsin-ouq was an old friend, he said, and he would keep him company until the dead oo-si was buried and the ordeal ended.
In the ordinary course of things, the funeral would have been performed immediately after the body’s retrieval. But because of the forest Assistant’s absence, there arose an unforeseen hitch. It was the custom for the dead to be formally released from their earthly ties by the signing of a note. Nowhere was this rite more strictly observed than among oo-sis, who lived their lives in daily hazard of death. The dead man’s note of release had still to be signed and only the Assistant, as his employer, could sign it. A messenger was dispatched to the Assistant. He was expected to return the next day with the signed note. It only remained to wait out the night.
By sunset the camp was all but deserted. Rajkumar and Saya John were among the few who remained. Rajkumar lay awake a long time on the hsin-ouq’s balcony. At the centre of the camp’s clearing, the tai was blazing with light. The Assistant’s luga-lei had lit all his lamps and in the darkness of the jungle there was an eerie grandeur to the empty tai.
Late at night Saya John came out to the balcony to smoke a cheroot.
‘Saya, why did the hsin-ouq have to wait so long for the funeral?’ said Rajkumar on a note of complaint. ‘What harm would have resulted, Saya, if he had buried the dead man today and kept the note for later?’
Saya John pulled hard on his cheroot, the tip glowing red on his glasses. He was so long silent that Rajkumar began to wonder whether he had heard the question. But just as he was about to repeat himself Saya John began to speak.
‘I was at a camp once,’ he said, ‘when there was an unfortunate accident and an oo-si died. That camp was not far from this one, two days’ walk at most, and its herds were in the charge of our host – this very hsin-ouq. The accident happened at the busiest time of year, towards the end of the rains. The season’s work was nearing its close. There were just a few stacks left when a very large log fell askew across the banks of the chaung, blocking the chute that was being used to roll the stacked teak down to the stream. The log wedged itself between two stumps, in such a way as to bring everything to a halt: no other logs could be rolled down until this one was moved.
‘The Assistant at that camp was a young man, perhaps nineteen or twenty years old, and his name, if I remember right, was McKay – McKay-thakin they called him. He had been in Burma only two years and this was his first season of running a camp on his own. The season had been long and hard and the rain had been pouring down for several months. McKay-thakin was proud of his new responsibility and he had driven himself hard, spending the entire period of the monsoons in the camp, never giving himself any breaks, never going away for so much as one weekend. He had endured several bad bouts of fever. The attacks had so weakened him that on certain days he could not summon the strength to climb down from his tai. Now with the season drawing to a close, he had been promised a month’s leave, in the cool comfort of the Maymyo hills. The company had told him that he was free to go as soon as the territory in his charge was cleared of all the logs that had been marked for extraction. With the day of his departure drawing close, McKay-thakin was growing ever more restless, driving his teams harder and harder. The work was very nearly completed when the accident happened.
‘The jamming of the chute occurred at about nine in the morning – the time of day when the day’s work draws to a close. The hsin-ouq was at hand and he immediately sent his pa-kyeiks down to harness the log with chains so that it could be towed away. But the log was lodged at such an awkward angle that the chains could not be properly attached. The hsin-ouq tried first to move it by harnessing it to a single, powerful bull, and when this did not succeed he brought in a team of two of his most reliable cows. But all these efforts were unavailing: the log would not budge. Finally, McKay-thakin, growing impatient, ordered the hsin-ouq to send an elephant down the slope to butt free the obstinate log.
‘The slope was very steep and after months of pounding from enormous logs, its surface was crumbling into powder. The hsin-ouq knew that it would be very dangerous for an oo-si to lead an elephant into terrain of such uncertain footing. But McKay-thakin was by now in an agony of impatience and, being the officer in charge, he prevailed. Against his will, the hsin-ouq summoned one of his men, a young oo-si who happened to be his nephew, his sister’s son. The dangers of the task at hand were perfectly evident and the hsin-ouq knew that none of the other men would obey him if he were to order them to go down that slope. But his nephew was another matter. “Go down,” said the hsin-ouq, “but be careful, and do not hesitate to turn back.”
‘The first part of the operation went well, but just as the log sprang free the young oo-si lost his footing and was stranded directly in the path of the rolling, two-ton log. The inevitable happened: he was crushed. His body was unscarred when it was recovered, but every bone in it was smashed, pulverised.
‘This young oo-si, as it happened, was much loved, both by his peers and by his mount, a gentle and good-natured cow by the name of Shwe Doke. She had been trained in the company’s aunging herds and had been in his charge for several years.
‘Those who know them well claim to be able to detect many shades of emotion in elephants – anger, pleasure, jealousy, sorrow. Shwe Doke was utterly disconsolate at the loss of her handler. No less saddened was the hsin-ouq, who was quite crushed with guilt and self-reproach.
‘But worse was still to come. That evening, after the body had been prepared for burial, the hsin-ouq took the customary letter of release to McKay-thakin and asked for his signature.
‘By this time McKay-thakin was not in his right mind. He had emptied a bottle of whisky and his fever had returned. The hsin-ouq’s entreaties made no impression on him. He was no longer capable of understanding what was being asked of him.
‘In vain did the hsin-ouq explain that the interment could not be deferred, that the body would not keep, that the man must have his release before his last rites. He pleaded, he begged, in his desperation he even attempted to climb up the ladder and force his way into the tai. But McKay-thakin saw him coming and came striding out, with a glass in one hand and a heavy-bored hunting rifle in the other. Emptying one barrel into the sky, he shouted: “For pity’s sake can you not leave me alone just this one night?”
‘The hsin-ouq gave up and decided to go ahead with the burial. The dead man’s body was interred as darkness was gathering.
‘I was staying the night, as always, in the hsin-ouq’s hut. We ate a sparse meal and afterwards I stepped outside to smoke a cheroot. Usually a camp is full and bustling at that time of day: from the kitchen there issues a great banging of tin plates and metal pots and the darkness is everywhere pierced by the glowing tips of cheroots, where the oo-sis sit beside their huts, savouring their last smoke of the day and chewing a final quid of betel. But now I saw, to my astonishment, that there was no one about; I could hear nothing but frogs and owls and the feathery flapping of great jungle moths. Absent also was that most familiar and reassuring of a camp’s sounds, the tinkling of elephants’ bells. Evidently, no sooner had the soil been tamped down on the dead man’s grave than the other oo-sis had begun to flee the camp, taking their elephants with them.
‘The only elephant that was still in the camp’s vicinity was Shwe Doke, the dead man’s mount. The hsin-ouq had taken charge of his nephew’s riderless elephant after the accident. She was restless, he said, and nervous, frequently flapping her ears and clawing the air with the tip of her trunk. This was neither uncommon nor unexpected, for the elephant is, above all, a creature of habit and routine. So pronounced an upheaval as the absence of a long-familiar handler can put even the gentlest of elephants out of temper, often dangerously so.
‘This being the case, the hsin-ouq had decided not to allow Shwe Doke to forage through the night, as was the rule. Instead he had led her to a clearing, some half-mile’s distance from the camp and supplied her with a great pile of succulent treetop branches. Then he had tethered her securely between two immense and immovable trees. To be doubly sure of keeping her bound he had used, not the usual lightweight fetters with which elephants are shackled at night, but the heavy iron towing chains that are employed in the harnessing of logs. This, he said, was a precaution.
‘“A precaution against what?” I asked. By this time his eyes were dulled by opium. He gave me a sidelong glance and said, in a soft, slippery voice: “Just a precaution.”
‘There now remained in the camp only the hsin-ouq and me and of course, McKay-thakin in his tai. The tai was brightly lit, with lamps shining in all its windows, and it seemed very high, perched on its tall, teakwood stilts. The hsin-ouq’s hut was small in comparison and much closer to the ground, so that standing on its platform I had to tilt my head back to look up at McKay-thakin’s glowing windows. As I sat staring, a low, reedy wail came wafting out of the lamplit windows. It was the sound of a clarinet, an instrument the thakin sometimes played of an evening to while away the time. How strange it was to hear that plaintive, melancholy music issuing forth from those shining windows, the notes hanging in the air until they became indistinguishable from the jungle’s nightly noise. Just so, I thought, must a great liner look to the oarsmen of a palm-trunk canoe as it bears down on them out of the night, with the sounds of its ballroom trailing in its wake.
‘It had not rained much through the day, but with the approach of evening clouds had begun to mass in the sky, and by the time I blew my lamp out and rolled out my mat there was not a star to be seen. Soon the storm broke. Rain came pouring down and thunder went pealing back and forth across the valleys, echoing between the slopes. I had been asleep perhaps an hour or two when I was woken by a trickle of water, leaking through the bamboo roof. Rising to move my mat to a dry corner of the hut, I happened to glance across the camp. Suddenly the tai sprang out of the darkness, illuminated by a flash of lightning: its lamps had gone out.
‘I was almost asleep again when, through the chatter of the rain I heard a tiny, fragile sound, a distant tinkling. It was far away but approaching steadily, and as it drew nearer I recognised the unmistakable ringing of an elephant’s bell. Soon, in the subtle tensing of the hut’s bamboo beams, I could feel the animal’s heavy, hurrying tread.
‘“Do you hear that?” I whispered to the hsin-ouq. “What is it?”
‘“It is the cow, Shwe Doke.”
‘An oo-si knows an elephant by its bell: it is by following that sound that he locates his mount every morning after its night-long foraging in the forest. To do his job well a hsin-ouq must know the sound of every animal in his herd; he must, if the need arises, be able to determine the position of all his elephants simply by concentrating on the ringing of their bells. My host was a hsin-ouq of great ability and experience. There was not, I knew, the slightest likelihood of his being mistaken in his identification of the approaching bell.
‘“Perhaps,” I ventured, “Shwe Doke was panicked by the storm; perhaps she managed to break loose of her fetters.”
‘“If she had broken loose,” the hsin-ouq said, “the chains would still be dragging on her feet.” He paused to listen. “But I hear no chains. No. She has been freed by a human hand.”
‘“But whose could that hand be?” I asked.
‘He silenced me abruptly, with a raised hand. The bell was very close now and the hut was shivering to the elephant’s tread.
‘I started to move towards the ladder but the hsin-ouq pulled me back. “No,” he said. “Stay here.”
‘The next moment the sky was split by lightning. In the momentary glare of that flat sheet of light, I saw Shwe Doke, directly ahead, moving towards the tai, with her head lowered and her trunk curled under her lip.
‘I jumped to my feet and began to shout in warning: “Thakin; McKay-thakin …”
‘McKay-thakin had already heard the bells, felt the tremor of the elephant’s approaching weight. A flame flickered in one of the tai’s windows and the young man appeared on the veranda, naked, with a lantern in one hand and his hunting rifle in the other.
‘Ten feet from the tai Shwe Doke came to a standstill. She lowered her head as though she were examining the structure. She was an old elephant, trained in the ways of the aunging herd. Such animals are skilled in the arts of demolition. It takes them no more than a glance to size up a dam of snagged wood and pick a point of attack.
‘McKay-thakin fired just as Shwe Doke began her charge. She was so close now that he could not miss: he hit her exactly where he had aimed, in her most vulnerable spot, between ear and eye.
‘But the momentum of Shwe Doke’s charge carried her forward even as she was dying on her feet. She too hit the tai exactly where she had aimed, at the junction of the two cross-beams that held it together. The structure appeared to explode, with logs and beams and thatch flying into the air. McKay-thakin was catapulted to the ground, over Shwe Doke’s head.
‘Such is the footwork of the skilled aunging elephant that it can balance its weight on the lip of a waterfall, perch like a crane upon a small mid-stream boulder, turn in a space that would trip a mule. It was with those small, practised steps that Shwe Doke turned now, until she was facing the Assistant’s prone body. Then, very slowly, she allowed her dying weight to go crashing down on him, head first, her weight rolling over in a circular motion, in a technically perfect execution of the butting manoeuvre of the aunging elephant – an application of thrust so precise as to be able to cause a ten-thousand-ton tangle of teak to spring undone like a sailor’s knot. McKay-thakin’s lantern, which had been sputtering beside him, went out and we could see nothing more.
‘I threw myself down the hut’s ladder with the hsin-ouq close behind me. Running towards the tai I stumbled in the darkness and fell, face first on the mud. The hsin-ouq was helping me up when a bolt of lightning split the sky. Suddenly he let go of my hand and unloosed a hoarse, stammering shout.
‘“What is it?” I cried. “What did you see?”
‘“Look! Look down at the ground.”
‘Lightning flashed again and I saw, directly ahead of me, the huge scalloped mark of Shwe Doke’s feet. But beside it was a smaller impression, curiously shapeless, almost oblong.
‘“What is it?” I said. “What made that mark?”
‘“It is a footprint,” he said, “human, although crushed and mangled almost beyond recognition.”
‘I froze and stayed exactly where I was, praying for another bolt of lightning so that I would be able to ascertain for myself the truth of what he had said. I waited and waited but an age seemed to pass before the heavens lit up again. And in the meanwhile it had rained so hard that the marks on the ground had melted away.’
Nine (#ulink_31190ad2-b534-5d15-8aed-b363d9626022)
In 1905, the nineteenth year of the King’s exile, a new District Collector arrived in Ratnagiri. The Collector was the district’s administrative head, the official who was ultimately responsible for dealing with the Burmese Royal Family. The job was an important one and the officials who were appointed to this post were almost always members of the Indian Civil Service – the august cadre of officials who administered Britain’s Indian possessions. To join the Indian Civil Service candidates had to pass a difficult examination that was held in England. The overwhelming majority of those who qualified were British, but there were also among them a small number of Indians.
The Collector who arrived in 1905 was an Indian, a man by the name of Beni Prasad Dey. He was in his early forties, and an outsider to the Ratnagiri region: he was a Bengali from Calcutta, which lay diagonally across the map of India, at the other end of the country. Collector Dey was slim and aquiline, with a nose that ended in a sharp, beak-like point. He dressed in finely-cut Savile Row suits and wore gold-rimmed eyeglasses. He arrived in Ratnagiri accompanied by his wife, Uma, who was some fifteen years his junior, a tall, vigorous-looking woman, with thick, curly hair.
King Thebaw was watching from his balcony when Ratnagiri’s officialdom gathered at the Mandvi jetty to receive the new Collector and his young wife. The first thing he noticed about them was that the new Madame Collector was dressed in an unusual garment. Puzzled, he handed his binoculars to the Queen. ‘What’s that she’s wearing?’
The Queen took a long look. ‘It’s just a sari,’ she said at last. ‘But she’s wearing it in the new style.’ She explained that an Indian official had made up a new way of wearing a sari, with odds and ends borrowed from European costume – a petticoat, a blouse. She’d heard that women all over India were adopting the new style. But of course everything came late to Ratnagiri – she herself had never had an opportunity to look into this new fashion at first hand.
The Queen had seen many Collectors come and go, Indian and English; she thought of them as her enemies and gaolers, upstarts to be held in scant regard. But in this instance she was intrigued. ‘I hope he’ll bring his wife when he comes to call. It’ll be interesting to see how this kind of sari is worn.’
Despite this propitious beginning the Royal Family’s first meeting with the new Collector came close to ending in disaster. Collector Dey and his wife had arrived at a time when politics was much on people’s minds. Every day there were reports of meetings, marches and petitions: people were being told to boycott British-made goods; women were making bonfires of Lancashire cloth. In the Far East there was the war between Russia and Japan and for the first time it looked as though an Asian country might prevail against a European power. The Indian papers were full of news of this war and what it would mean for colonized countries.
It was generally not the King’s custom to meet with officials who came to Outram House. But he had been following the Russo-Japanese war very closely and was keen to know what people thought of it. When the new Collector and his wife came to call, the King’s first words were about the war. ‘Collector-sahib,’ he said abruptly, ‘have you seen the news? The Japanese have defeated the Russians in Siberia?’
The Collector bowed stiffly, from the waist. ‘I have indeed seen reports, Your Highness,’ he said. ‘But I must confess that I do not believe this to be an event of any great significance.’
‘Oh?’ said the King. ‘Well, I’m surprised to hear that.’ He frowned, in a way that made it clear that he wasn’t about to let the subject drop.
The night before Uma and the Collector had been briefed at length on their forthcoming visit to Outram House. They’d been told that the King was never present at these occasions: it was the Queen who would receive them, in the reception room on the ground floor. But they’d entered to find the King very much present: he was dressed in a crumpled longyi and was pacing the floor, smacking his thigh with a rolled-up newspaper. His face was pale and puffy, and his wispy grey hair was straggling unkempt down the back of his neck.
The Queen, on the other hand, was exactly where she was meant to be: sitting rigidly upright on a tall chair, with her back to the door. This, Uma knew, was a part of the set order of battle: visitors were expected to walk in and seat themselves on low chairs around Her Highness, with no words of greeting being uttered on either side. This was the Queen’s way of preserving the spirit of Mandalay protocol: since the representatives of the British were adamant in their refusal to perform the shiko, she in turn made a point of not acknowledging their entry into her presence.
Uma had been told to be on her guard in the reception room, to look out for delinquent sacks of rice and stray bags of dal. This room was sometimes used as an auxiliary storeroom and several unwary visitors were known to have come to grief in its hidden pitfalls: it was not unusual to find heaps of chillies hidden under its sofas and jars of pickles stacked on its bookshelves. On one occasion a beefy superintendent of police had sat down heavily on the spiny remains of a dried fish. Another time, ambushed by a powerful whiff of pepper, a venerable old district judge had sneezed his false teeth clear across the room. They had fallen clattering at the Queen’s feet.
These reception-room stories had caused Uma much apprehension, prompting her to secure her sari with an extravagant number of clips and safety-pins. But on entering the room she’d found its effects to be not at all as expected. Far from being put out, she felt oddly comforted by the familiar fragrances of rice and mung dal. In any other setting Queen Supayalat, with her mask-like face and mauve lips, would have seemed a spectral and terrifying figure. But the odours of domesticity seemed to soften her edges a little, adding an element of succour to her unyielding presence.
Across the room, the King was smacking his newspaper loudly on his palm. ‘Well, Collector-sahib,’ he said, ‘did you ever think that we would live to witness the day when an Eastern country would defeat a European power?’
Uma held her breath. Over the last few weeks the Collector had conducted many heated arguments on the implications of a Japanese victory over Russia. Some had ended in angry outbursts. She watched anxiously now as her husband cleared his throat.
‘I am aware, Your Highness,’ the Collector said evenly, ‘that Japan’s victory has resulted in widespread rejoicing among nationalists in India and no doubt in Burma too. But the Tsar’s defeat comes as no surprise to anyone, and it holds no comfort for enemies of the British Empire. The Empire is today stronger than it has ever been. You have only to glance at a map of the world to see the truth of this.’
‘But in time, Collector-sahib, everything changes. Nothing goes on for ever.’
The Collector’s voice grew sharper. ‘May I remind Your Highness that while Alexander the Great spent no more than a few months in the steppes of central Asia, the satrapies he founded persisted for centuries afterward? Britain’s Empire is, by contrast, already more than a century old, and you may be certain, Your Highness, that its influence will persist for centuries more to come. The Empire’s power is such as to be proof against all challenges and will remain so into the foreseeable future. I might take the liberty of pointing out, Your Highness, that you would not be here today if this had been pointed out to you twenty years before.’
The King flushed, staring speechlessly at the Collector. It fell to the Queen to answer for him. She leant forward, digging her long, sharp fingernails into the arms of her chair. ‘That is enough, Mr Collector,’ she said. ‘Enough, has karo.’ There was a moment of stillness in which the only sound was that of the Queen’s nails, raking the polished arms of her chair. The room seemed to shimmer as though the floor had given off a sudden haze of heat.
Uma was seated between Dolly and the Second Princess. She had listened to her husband’s exchange with the King in dismayed silence, sitting frozen in her place. On the wall ahead of her was a small watercolour. The painting was a depiction of a landscape at sunrise, a stark red plain dotted with thousands of mist-wreathed pagodas. Suddenly, with a clap of her hands, Uma uttered a loud cry. ‘Pagan!’
The word had the effect of an explosion in a confined space. Everyone jumped, turning to look in Uma’s direction. She raised a hand to point. ‘On the wall – it’s a picture of Pagan, isn’t it?’
The Second Princess was sitting next to Uma. She seized eagerly on this diversion. ‘Yes – that is it. Dolly can tell you – she painted it.’
Uma turned to the slim upright woman on her left. Her name was Dolly Sein, she recalled: they had been introduced on the way in. Uma had noticed that there was something unusual about her, but she’d been too busy concentrating on protocol to give the matter any further thought.
‘Did you really paint that?’ Uma said. ‘Why, it’s wonderful.’
‘Thank you,’ Dolly said quietly. ‘I copied it from a book of prints.’ Their glances crossed and they exchanged a quick smile. Suddenly Uma knew what it was that she’d been struck by: this Miss Sein was perhaps the loveliest woman she’d ever set eyes on.
‘Madame Collector,’ the Queen tapped a knuckle on the arm of her chair, ‘how did you know that was a picture of Pagan? Have you had occasion to visit Burma?’
‘No,’ Uma said regretfully. ‘I wish I had but I haven’t. I have an uncle in Rangoon and he once sent me a picture.’
‘Oh?’ The Queen nodded; she was impressed by the way the young woman had intervened to save the situation. Self-possession was a quality she’d always admired. There was something attractive about this woman, Uma Dey; the liveliness of her manner was a welcome contrast to her husband’s arrogance. If not for her presence of mind she would have had to order the Collector out of the house and that could only have ended badly. No, this Mrs Dey had done well to speak when she did.
‘We would like to ask you, Madame Collector,’ the Queen said, ‘what is your real name? We have never been able to accustom ourselves to your way of naming women after their fathers and husbands. We do not do this in Burma. Perhaps you would not object to telling us your own given name?’
‘Uma Debi – but everyone calls me Uma.’
‘Uma?’ said the Queen. ‘That is a name that is familiar to us. I must say, you speak Hindustani well, Uma.’ There was a note of unfeigned appreciation in her voice. Both she and the King spoke Hindustani fluently and this was the language she preferred to use in her dealings with officials. She had found that her use of Hindustani usually put the Government’s representatives at a disadvantage – especially the Indians. British civil servants often spoke Hindustani well and those who didn’t had no qualms about answering in English. The Indians, on the other hand, were frequently Parsis or Bengalis, Mr Chatterjee this or Mr Dorabjee that, and they were rarely fluent in Hindustani. And unlike their British counterparts they were hesitant about switching languages; it seemed to embarrass them that the Queen of Burma could speak Hindustani better than they. They would stumble and stutter and within minutes she would have their tongues tied in knots.
‘I learnt Hindustani as a child, Your Highness,’ Uma said. ‘We lived in Delhi for a while.’
‘Achha? Well, now we would like to ask something else of you, Uma.’ The Queen made a beckoning gesture. ‘You may approach us.’
Uma went over to the Queen and lowered her head.
‘Uma,’ the Queen whispered, ‘we would like to examine your garments.’
‘Your Highness!’
‘As you can see, my daughters wear their saris in the local style. But I prefer this new fashion. It is more elegant – the sari looks more like a htamein. Would it be too great an imposition to ask you to reveal the secrets of this new style to us?’
Uma was startled into laughter. ‘I would be glad to, whenever you please.’
The Queen turned stiffly to the Collector. ‘You, Collector-sahib, are no doubt impatient to be on your way to the Cutchery and the many pressing tasks that await you. But may I ask if you will permit your wife to remain with us a little longer?’
The Collector left, and in defiance of the initial auguries of disaster, the visit ended very amicably, with Uma spending the rest of the afternoon in Outram House, chatting with Dolly and the Princesses.
The Collector’s house was known as the Residency. It was a large bungalow with a colonnaded portico and a steep, red-tiled roof. It stood on the crest of a hill, looking southward over the bay and the valley of the Kajali river. It was surrounded by a walled garden that stretched a long way down the slope, stopping just short of the river’s gorge.
One morning Uma discovered a narrow entrance hidden behind a thicket of bamboo at the bottom of her garden. The gate was overgrown with weeds but she was able to open it just wide enough to squeeze through. Twenty feet beyond, a wooded outcrop jutted out over the valley of the Kajali river. There was a peepul at the lip of the gorge, a majestic old tree with a thick beard of aerial roots hanging from its gnarled grey branches. She could tell that goats came to graze there: the earth beneath the tree’s canopy had been cropped clean of undergrowth. She could see trails of black droppings leading down the slope. The goatherds had built themselves a platform to sit on by heaping earth and stones around the peepul’s trunk.
Uma was amazed by the view: the meandering river, the estuary, the curve of the bay, the windswept cliffs – she could see more of the valley from here than from the Residency on top of the hill. She returned the next day and the day after. The goatherds came only at dawn and for the rest of the day the place was deserted. She took to slipping out of the house every morning, leaving the door of her bedroom shut, so that the servants would think she was still inside. She would sit in the peepul’s deep shade for an hour or two with a book.
One morning Dolly surprised her by appearing unexpectedly out of the peepul’s beard of hanging roots. She’d called to return some clothes that Uma had sent over to Outram House – petticoats and blouses, for the Princesses to have copied by their tailors. She’d waited in the drawing room of the Residency while the servants went looking for Uma. They’d looked everywhere before giving up: memsahib wasn’t at home, they said, she must have slipped out for a walk.
‘How did you know I was here?’
‘Our coachman is related to yours.’
‘Did Kanhoji tell you?’ Kanhoji was the elderly coachman who drove Uma around town.
‘Yes.’
‘I wonder how he knew about my secret tree.’
‘He said he’d heard about it from the herdsmen who bring their goats here in the morning. They’re from his village.’
‘Really?’ Uma fell silent. It was odd to think that the goatherds were just as aware of her presence as she was of theirs. ‘Well, the view’s wonderful, don’t you think?’
Dolly gave the valley a perfunctory glance. ‘I’ve grown so used to it I never give it a thought any more.’
