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Evie went over and gave her mother a light kiss on the top of her head. ‘I’ll go and see if he would like me to take over.’ There were only two cows in milk now, much to her relief.
‘Would you, dear? I know he denies it but he is finding it hard without Ralph and the men to help.’
‘That’s why I’m here, Mummy.’ Evie reached for her overalls from the back of the door and whistled to the two dogs lying on the flags. ‘When will Eddie arrive?’
Rachel gave a rueful smile at the casualness of the question. ‘You’ve got time to give your dad a hand.’
Eddie Marston was tall and slightly stooped with the mannerisms of a man far older than his twenty-eight years. He had dark straight hair and grey-green eyes, magnified by wire-rimmed spectacles. His parents were neighbours of the Lucases, his father’s farm bordering theirs to the east. Eddie however had shown no interest in the farm, preferring to leave its running to his two sisters and a team of land girls. He had failed the medical to get into the forces after a childhood bout of measles had left him with poor eyesight and had been co-opted into the Ministry of Information. It was no secret that he had a soft spot for Evie, nearly ten years his junior. Her feelings for him were not so clear. She enjoyed his company and was flattered by his attention. She wasn’t sure yet whether she felt any more deeply for him but in the meantime she enjoyed flirting with him.
Sitting next to her in the farmhouse kitchen he gazed round the table as they waited for Rachel to serve the soup, then he sprang his surprise. ‘You know I took some of your sketches into Chichester to show to that friend I mentioned?’
Evie looked up quickly. She hadn’t wanted to part with them but Eddie could be very persuasive.
‘He likes them. He thinks he has a potential buyer. I have arranged to have them framed and the cost taken out of the proceeds.’
Evie’s father narrowed his eyes slightly as he surveyed Eddie across the table. Their neighbour’s son was becoming all too frequent a visitor in the house and treating it – and them – with just too much familiarity for his taste. ‘I seem to recall Evie saying she would think about whether she wanted to sell those. Some of them were from her college portfolio if I remember right.’
‘Daddy, I can speak for myself!’ Evie retorted crossly.
Eddie scooped a piece of bread from the plate on the table between them and nodded nonchalantly. ‘But remember, if you change your mind about selling them it will look bad. An introduction like this at this stage in your career is worth its weight in gold. She has talent, your daughter!’ He smiled at Dudley Lucas. ‘If she wants to go far in the world of art – and she could – she can’t start soon enough.’
Rachel stood up, pushing her chair back on the flags with unnecessary force. ‘I’m sure she does. She has enough ambition does our Evie, but Dudley is right. It has to be up to her.’ The quick look she gave Eddie from under her lashes was less than friendly.
‘I wish you wouldn’t talk about me as though I wasn’t here!’ Evie said crossly. ‘I can make my own decisions! Yes, Eddie. Please sell them.’
Eddie sat back in his chair with a smug smile. ‘You won’t regret it, sweetheart.’ There was a touch of triumph in his expression as he gave a sideways glance at Dudley.
It was as he was leaving he took the chance to have a quiet word with Evie in the hall. ‘Have you got your paintings of the airfield ready yet?’
She shook her head. ‘I’m working on them.’
‘When can I have them?’
‘I’m not sure.’ She hesitated. ‘The thing is, the squadron CO at Westhampnett said I ought to be careful. I’m not really authorised to do this even though I have his permission. It is not quite the same.’
‘Like when we kiss, eh?’ Eddie put his hands on her shoulders and pulled her to him.
Evie submitted without demur. In fact she quite liked it when Eddie kissed her. It felt exciting and slightly risqué. He was quite a bit older than she was and no doubt a lot more experienced. Her inexpert fumblings as an art student, even going ‘all the way’ as one lad had put it, had been profoundly disappointing and she had not had enough relationships to realise that being in the arms of someone who, though enthusiastic and energetic, was profoundly unattractive to her, did not turn the right switches. Eddie was a solid, good-looking young man. He carried himself well and, with his even features, good skin and a small neat moustache he had a sophisticated air which radiated confidence. Sometimes she wondered how he squared this with his claims to have fragile health and poor eyesight – although he wore glasses most of the time he didn’t always and even without them he seemed to miss nothing – but presumably the medics knew what they were doing and he would no doubt be an asset to whatever department he worked for in the Ministry.
‘Evie!’ Her father’s peremptory call made her pull away from him.
’See you tomorrow,’ she whispered.
Eddie grinned. Reaching across he gave her hair a little tug. ‘Cheerio, sweetheart.’
She watched, a speculative look in her eye, as he climbed into his smart little Wolseley and drove out of the farmyard. She knew exactly what he was up to. He wanted her in bed and even more he wanted to lay his hands on more of her drawings. Both ideas had a certain appeal. She wasn’t sure yet what she was going to do about either proposition.
4 (#ulink_f7069a66-4789-57f7-a125-6f1f80adf10d)
Sunday 30th June
Lucy woke suddenly and lay staring up at the ceiling, her heart thudding with fright. The dream, if there had been a dream, had gone. She groped in the foggy emptiness of her memory and found nothing there. Reaching out for the clock on the bedside table she turned it to face her. It was two forty-five a.m. The room, on the second floor, under the eaves, was hot, the night very still. Outside a car drove down the street, the rattle of tyres, the sound of the engine, dying away into the distance. With a sigh she climbed out of bed and went to the window. The street two storeys below, even here near the centre of the city, was very quiet
She heard a creak in the room behind her and she turned round, her eyes wide in the darkness. There was nothing there. The floor-boards creaked all the time in this old building and she smiled wryly. In the silence of the night a dog barked far away somewhere towards the Bishop’s Palace Gardens.
And suddenly she knew she was not alone in the bedroom. She was aware of a movement on the periphery of her vision. She glanced round again, holding her breath as a shadowy, almost transparent figure slowly appeared on the far side of the bed. Her mouth went dry.
‘Larry?’ she whispered.
The room was very still.
‘Larry, darling?’
But it wasn’t Larry. For a moment in the half-light from the landing she glimpsed a thin angular face, the grey-blue uniform of the Royal Air Force, then he was gone.
She groped frantically for the light switches and, half-blinded as they came on, stared round wildly. ‘Idiot!’ she whispered. ‘You’re imagining things.’ Her hands, she realised, had started to shake.
Her eyes filled with tears and she found she had started to shiver uncontrollably in spite of the warmth of the night. ‘Larry?’ Her voice broke into a sob.
Padding down the narrow stairs from the pretty attic bedroom which she and Larry had had so much fun designing and which they had shared with such joy, she went into the first-floor kitchen at the back of the flat and turned on the lights. She stood still, confronting the studio door which was closed. The figure had been part of her dream, of course he had. She had been becoming obsessed with the identity of the young man in the portrait and had gone to sleep thinking about him, of course she had dreamed about him.
Heading determinedly for the door before she could change her mind she pushed it open, reached up and groped for the light switches. Evie was staring at her from the easel with an expression of quizzical amusement. The young man behind her was interested only in the woman sitting on the gate so close in front of him. He had no time for anyone outside the picture.
Lucy glanced round, almost afraid that the shadowy figure from her bedroom would be there, but the studio was empty. Her eyes drifted back to the young man with the bright blue eyes and she swallowed hard, trying to gather her wits. This boy was fair-haired, his face square, his figure stocky. The man she had seen standing in her bedroom had darker hair and eyes and he was tall and slim. She had only had time to see him for a fraction of a second, but it had been enough to see that he was not the young man in the picture. Nor was it Larry.
She felt a sudden tremor of fear. The figure must have been part of her dream but he had seemed so real for a moment. She backed out of the studio into the kitchen and grabbed a glass of water. As she drank it she turned and looked back through the door into the studio. She took a deep breath, trying to steady her nerves and, putting down the glass she cautiously retraced her steps. The studio was still empty. Evie was still looking back at her from the canvas, her eyes once more enigmatic. And hostile? Maybe. And the young man behind her? It was almost as though Evie didn’t know he was there.
So, who was the dark-haired young man, the other man, the man in her bedroom?
Acutely aware once more of how empty the flat was without Larry there at her side Lucy found herself suddenly overwhelmed with panic. The phone was in her hand before she could stop herself.
‘Robin, I’m frightened. Can you come over?’
‘Luce? What’s wrong?’ His voice was muffled. Sleepy.
‘Please.’ She was behaving irrationally. She knew it with some part of her mind, but the terror was in control.
As soon as she had put down the phone she regretted ringing him. She had forgotten what the time was. She was being a selfish cow.
Robin let himself in ten minutes later. ‘What is it, Luce?’ He ran up the stairs from the gallery followed by his partner, Phil.
She was standing in the middle of the kitchen, still shivering. ‘I am such a fool. I shouldn’t have rung you.’
‘You said you were frightened. What happened?’ Robin put his arms round her. ‘Come on. Uncle Robin is here now.’
‘I had a nightmare. A stupid nightmare,’ she stammered. ‘I woke up suddenly and I thought I saw a man standing in my room. He disappeared and I thought he must have been a ghost.’ She buried her face in his shoulder for a moment. It was comforting to be near another human being; reassuring and for a moment she wanted to stay like that. It felt safe. She pulled herself together with an effort and stood back, aware that they were both staring at her.
‘Lol’s ghost?’ Robin whispered.
She shook her head. She had confided in him once, on one of her bad days, how much she longed to see Larry again, how she was sure he would come back to her, how he would tell her what had happened and how much he still loved her. But he hadn’t.
She saw Robin and Phil glance at each other.
‘I’m mad. I know I’m mad. It was a dream. It must have been. I didn’t realise what the time was. I shouldn’t have rung you, I’m sorry.’
‘I’m glad you did. What else are friends for?’ Robin said gently.
‘What did he look like, this figure?’ Phil pulled out a chair and sat down at the table near her. He leaned forward on his elbows studying her face. He was a broad-shouldered man, reassuringly well built with wavy golden hair. Sensible. Down to earth. ‘Can you remember?’ Neither he nor Robin was laughing at her.
She explained again what had happened as Robin went over to the kettle. He switched it on and collected three mugs from the cupboard. Turning back towards them he glanced towards the studio. The door was shut.
‘OK,’ he said as he passed her a mug of tea. ‘Why don’t Phil and I go in and have a look, just to be sure everything is OK and put your mind at rest.’
She gave a weak smile. ‘He was in my bedroom.’
‘Then we’ll look there first.’ Phil stood up.
She had left the lights on upstairs. The room was empty, her bed in disarray but there was nothing there to frighten her. After looking round, searching the second bedroom and the bathroom they turned and trooped down to the first floor again. Then they went into the studio. In the beamed roof the areas of glass reflected back the spotlights against the black of the night outside, the painting a silent witness on its easel.
‘So, if he didn’t look like this chap or Lol, what did he look like?’ Robin glanced at her.
‘He was someone else. Not this man in Evie’s picture. Same uniform. Completely different face.’
‘Did he try and speak to you?’
There was a moment’s silence.
‘You think he was a ghost?’ she whispered.
Robin put his head on one side for a moment, considering. ‘I’m not sure what I think. Most likely you are right and he came from your dream, but dreams are supposed to carry messages sometimes, aren’t they?’
She was feeling confused. ‘He didn’t say anything. I was in such a state of shock. I was sure he was my imagination. It was only when I came back in here and looked at the picture again that I realised that it was a different man and I started to panic.’
‘Intriguing.’ Phil took a slow thoughtful sip from his mug. ‘Is he somewhere else in the picture, do you think? Behind her other shoulder?’
Robin frowned doubtfully. ‘There is no room. Look at the composition of the painting. This was how it was supposed to be when she painted it. Without him there she is standing too far to the left. There is a huge empty space behind her. I’ll bet that is what Lol noticed. It would have looked wrong to him. He had a fantastic eye. He would have seen that something was off balance. Perhaps that’s why he thought that it wasn’t a Lucas after all. She must have changed her mind after painting him there. Perhaps they had a row.’ He reached over and caught Lucy’s hand. ‘You know what this means, Luce, don’t you? You have to find out the whole story. Who were these men and what did they mean to Evie? Perhaps this guy wants you to write your book.’
Glancing at her sideways, noting her white face, he gave her a reassuring grin. ‘Are you going to be OK here on your own tonight? Why don’t you come back with us?’ He had only just stopped himself from saying, ‘Perhaps he doesn’t want you to write it.’
Lucy shook her head. ‘I can’t leave the place, Robin. You know I can’t.’
‘Then we’ll stay here.’ Ever practical, Phil reached over with the kettle and topped up Robin’s mug. ‘Kip down in the living room.’
‘Would you?’ She didn’t mean to say it. It had slipped out before she could stop it. She didn’t like to admit how rattled she still felt by what had happened. Standing there with them in the room with her was one thing. Being alone in the house with its flights of creaky stairs and squeaking floorboards was quite another.
‘Of course we would. If your boy in blue tries anything we’ll give him a surprise.’ Phil gave a small snort of laughter.
She smiled. ‘You are incorrigible.’
‘Always.’
‘But thank you.’
August 13th 1940
On June 18th Churchill had made his speech informing the country that the Battle of France was over and that the Battle of Britain was about to begin. For weeks the country waited, then, on August 13th the first massed attacks began. Huge formations of German fighters and bombers started to thunder remorselessly in over the Channel, some bound for London, some for Dover, Southampton and Portsmouth, but most, specifically and unerringly, for the chain of airfields defending southern England, and Ralph was in the front line.
Evie was sitting outside A Flight hut on an empty oil drum when the phone rang in the hut. All round her men paused in what they were doing. She stopped drawing, her hand poised above the paper, counting under her breath.
She could hear the mumble of the voice in the dispersal hut then the phone slammed down and the single-word shout. ‘Scramble!’
It was the third that day.
She swallowed hard, trying to keep her hand steady on the paper as she went on with her sketch. These lads had become familiar to her; they smiled at her and exchanged jokes as they waited between sorties. They were friends. And some of them were almost certainly not going to come back. In the previous three days eleven of the pilots had been killed and the majority of the planes damaged or destroyed. The surviving men were exhausted. The ground crew had barely finished refuelling the surviving planes, rearming the guns. The pilots had scarcely had time for a cup of tea. She sharpened her pencil and turned the page, forcing herself to concentrate on what she was doing, not letting the adrenaline get to her. She must not show her fear for them. Her job was to be invisible; to be utterly professional. Lightning charcoal sketches, a man pulling on his flying helmet, another knotting a scarf round his neck. The tractor dragging the refuelling bowser out of the way. Engines starting, the chocks being snatched from the wheels, the blur of propellers, as they gained speed and then they were gone, the remaining flight of Hurricanes, not even a full squadron now, swooping up into the air as in the distance she heard the air raid sirens start to wail.
Behind her, one of the riggers stopped to look at her page of drawings. ‘There is a new squadron coming in this afternoon. 911 Squadron. Did you see the two big Harrows that flew in this morning with the advance ground troops and all their gear?’ he said. He waved and she glanced at the two large planes parked side by side near the line of trees. ‘It’s a Spitfire squadron, like your brother’s. Something new here for you to draw. Our chaps will be glad of a break, poor bastards. Jerry has really been going for us these last few days.’
She looked up at him and managed a smile. ‘Our boys will cope.’
‘Yeah. Sure.’ The man pulled an oily rag out of a pocket in his battledress and wiped his hands. He looked up at the sky where already they could see the approaching attack. As they watched, the neat formations of fighters heading in from Tangmere to join their own boys began to break up and within seconds the sky was full of action.
‘Suppose we’d better get ourselves ready for them when they come back,’ he said with a sigh.
Evie watched him depart, sharing his anxiety; within seconds she had sketched the man’s retreating form, the slump of his shoulders, the angle of his head as once again he glanced up at the sky. Evie followed his gaze, aware for the first time of the swallows which swooped and dived over the airfield, oblivious of the drama in the sky far above, and in the corner of the page she drew a small bird.
Only moments later two planes broke free of the mêlée and Evie was aware of men appearing from the various huts staring upward as the dogfight swooped low overhead. The guns rattled as the two planes dodged and wove around one another, the RAF roundel and the square black crosses clear; a Hurricane versus a Messerschmitt 109. Evie found she was holding her breath. They were so close now she thought she could see the men inside, then they soared upwards on and on up towards the sun. A final blast of firing and suddenly it was over. The German plane veered away and down, flames pouring from the fuselage. It was heading straight for them. She watched, her mouth dry, unable to move, only faintly aware of the shouts near her, of men running, of the tortured scream of the engine and then the plane was down, crashing in flames barely fifty yards away on the far side of the hedge. For several seconds she was paralysed with terror. She found she had dropped her sketchbook and pencil; she had forgotten to breathe. Men ran across the field towards the wreck but there was nothing they could do. The man inside had never stood a chance. Taking a long deep breath she dashed the tears from her eyes angrily. He was the enemy; she shouldn’t be upset.
Only five of their own planes returned from the sortie, one ending up spectacularly on its back in the field almost in front of her. Evie jumped to her feet, heart in mouth, watching as the medics ran out with a stretcher, only to see the pilot extricate himself from his straps without help. He staggered from the plane, clutching at his arm, which hung uselessly at his side. He ran several steps, then stopped, swaying slightly, obviously disorientated, as the men with the stretcher reached him.
It was several seconds before, automatically, she reached again for her sketchbook. But her hand was shaking too much to draw.
She was still sitting there, stunned, when the promised new squadron appeared, circling the airfield in formation, their engines thundering deafeningly overhead. Fifteen Spitfires landed one after the other, coming to rest at last under the trees near the Nissen huts. The engines cut out, leaving the airfield eerily silent but for the distant song of a skylark.
Friday 5th July
The nights after her strange experience were hard for Lucy. Robin suggested he and Phil come and stay with her again but she refused. ‘I have to learn to be here on my own,’ she said stubbornly. ‘If you come again I will want you here every night. I have to face it. I was scared, but nothing happened. He was just a shadow. He wasn’t threatening. He was probably a dream or just my imagination.’ She looked straight at Robin and gave a faint smile.
Noticing the defiant challenge in her eyes he said nothing to contradict her. ‘Brave girl!’ he said.
What she hadn’t told him was that she couldn’t get the man’s face out of her head. His shadowy presence was in a way more real to her than the solid cheery figure in the painting. He had appeared for a reason. He was a link to Evelyn and he must have been trying to tell her something. Surely, if he had failed to get his message across wasn’t he likely to come again?
The gallery had been busy but she used the occasional pauses between customers to rough out the outline of the book she was going to write about Evelyn, filling in the very few details she had been able to scrounge from the information that was out there in catalogues and on the Net. A whole week had gone by since she had seen Michael Marston and still she had heard nothing from him. At first optimistic that he would get in touch she wondered now if he ever would. Had he promised to help just to get her out of the door? It increasingly felt as though that was exactly what he had done. But if he didn’t intend to help her, where did she go from here?
Putting her ghostly visitor firmly out of her mind she went over her meeting with Michael one more time in her head.
Had he given her any material she could work with, at least as a start? She went into the studio and stood in front of the picture. Michael had mentioned a farm where Evelyn had spent her childhood and he had implied that he would give her the address. There had to be some way of finding that out herself, but in the meantime, was there some way that she could identify it from the painting?
She dragged her eyes away from the faces in the portrait and this time concentrated instead on the landscape. The gate, the sky, the skyline. Was there a clue there which she could unravel, assuming it been painted on Evelyn’s parents’ farm? There was nothing to distinguish the gate. It was a five-barred wooden farm gate shaded with grey lichen and a mound of soft pale moss. No clue there. Nothing special. But the skyline? The silhouette of the Downs. Would she be able to find someone who recognised that? If it was a favourite place, a real place, then possibly; if it was imaginary then obviously it would mean nothing. But Evelyn painted real places. She painted the Downs she loved and the landscape around her home, that much one could tell from the paintings Lucy had seen in the catalogues, so there was a possibility that the place was identifiable.
