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The Twelve-Mile Straight
Eleanor Henderson
‘Eleanor Henderson is in possession of an enormous talent’ Ann Patchett‘A superb novel whose roots can be traced to Harper Lee and Carson McCullers‘ Oprah MagazineGenus Jackson was killed in Cotton County, Georgia, on a summer midnight in 1930, when the newborn twins were fast asleep.They lay head to toe in a cradle meant for one, Winnafred on one side and Wilson on the other.Only if you looked closely – and people did – could you see that the girl was pink as a piglet, and the boy was brown.In a house full of secrets, two babies – one light-skinned, the other dark – are born to Elma Jesup, a white sharecropper’s daughter. Accused of her rape, field hand Genus Jackson is lynched and dragged down the Twelve-Mile Straight, the road to the nearby town.Despite the prying eyes and curious whispers of the townspeople, Elma begins to raise her babies as best as she can, under the roof of her impulsive father, Juke, and with the help of Nan, the young black housekeeper who is as close to Elma as a sister. It soon becomes clear that the ties that bind all of them together are more intricate than any could have imagined. A web of lies begins to collapse around the family, destabilizing their precarious world and forcing all to reckon with the truth.
Copyright (#ulink_919b2a7f-171c-5bea-9794-d252431e14f7)
4th Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.4thEstate.co.uk (http://www.4thEstate.co.uk)
First published in Great Britain by 4th Estate in 2017
First published in the United States by Ecco, an imprint of HarperCollinsPublishers, in 2017
This eBook edition published in 2017
Copyright © 2017 by Eleanor Henderson
Eleanor Henderson asserts the moral right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988
A catalogue record of this book is available from the British Library
Grateful acknowledgment is made to the Franklin D. Roosevelt Presidential Library and Museum in Hyde Park, New York, for reprinted excerpts here (#litres_trial_promo) of Franklin D. Roosevelt’s November 28, 1930, Warm Springs, Georgia, radio address, http://www.fdrlibrary.marist.edu/_resources/images/msf/msf00416 (http://www.fdrlibrary.marist.edu/_resources/images/msf/msf00416).
This is a work of fiction. The names, characters and incidents portrayed in it either are the work of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008158682
Ebook Edition © September 2017 ISBN: 9780008158712
Version: 2018-06-04
Dedication (#ulink_57dae26a-6f32-5b91-af6e-ed5c3cf79bb9)
For my father, Billy
Epigraph (#ulink_b593fd6c-57eb-59c3-8d18-1de26118ca34)
And the children struggled within her; and she said, If it be so,
why am I thus? And she went to inquire of the Lord.
And the Lord said unto her, Two nations are in thy womb.
—GENESIS 25:22–23
Contents
Cover (#u67fe94c3-ff4e-5e8d-b7b8-0c1e5dde54f0)
Title Page (#u76687869-ff41-5e65-8aa8-7657a117cf42)
Copyright (#ud1efc862-c13d-5612-801b-6b8d071240b1)
Dedication (#u75227946-bc94-56f2-be83-819be0d60bdb)
Epigraph (#u3909a6f1-77bd-5e01-a8b1-90debee7cee2)
Part I (#u278fdb75-f084-5d43-abb5-15461c61ce4f)
One (#u92f81eed-bbe1-5614-94d0-0817bf37876f)
Two (#u01f567f5-cea2-54fb-a238-b8a6caaf42e4)
Three (#udbfd02df-245c-5446-a43d-1db3cfad47e7)
Four (#u1a3be118-16be-50a0-a609-bca8ffa727a3)
Five (#u43b1344c-c487-59b0-84d1-f198e7c44208)
Six (#u17c32319-f8cc-5624-9ad0-5875ea227b78)
Seven (#u1f7f1781-accc-5868-acd1-27243510151c)
Eight (#u0c9d4670-719b-5218-8105-07e4d8e4f430)
Nine (#u6653f905-abae-5f88-a171-e8d7a6ea9868)
Ten (#ue6d9e088-c730-58ef-bbdf-9bb240d391a0)
Eleven (#litres_trial_promo)
Twelve (#litres_trial_promo)
Thirteen (#litres_trial_promo)
Fourteen (#litres_trial_promo)
Fifteen (#litres_trial_promo)
Sixteen (#litres_trial_promo)
Part II (#litres_trial_promo)
Seventeen (#litres_trial_promo)
Eighteen (#litres_trial_promo)
Nineteen (#litres_trial_promo)
Twenty (#litres_trial_promo)
Twenty-One (#litres_trial_promo)
Twenty-Two (#litres_trial_promo)
Twenty-Three (#litres_trial_promo)
Part III (#litres_trial_promo)
Twenty-Four (#litres_trial_promo)
Twenty-Five (#litres_trial_promo)
Twenty-Six (#litres_trial_promo)
Twenty-Seven (#litres_trial_promo)
Twenty-Eight (#litres_trial_promo)
Twenty-Nine (#litres_trial_promo)
Thirty (#litres_trial_promo)
Thirty-One (#litres_trial_promo)
Thirty-Two (#litres_trial_promo)
Thirty-Three (#litres_trial_promo)
Thirty-Four (#litres_trial_promo)
Thirty-Five (#litres_trial_promo)
Thirty-Six (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Acknowledgments (#litres_trial_promo)
Also by Eleanor Henderson (#litres_trial_promo)
About the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
I (#ulink_f7ae5134-6856-5233-99c4-d3bd3234d200)
ONE (#ulink_ca6937b1-5c54-5ad1-838a-178ab8b9d71c)
GENUS JACKSON WAS KILLED IN COTTON COUNTY, GEORGIA, on a summer midnight in 1930, when the newborn twins were fast asleep. They lay head to toe in a cradle meant for one, Winnafred on one side and Wilson on the other. In their overstuffed nest, with the delicate claws of their fingers intertwined and their eyelids trembling with blue veins, they looked like a pair of baby chicks, their white skullcaps like two halves of the single eggshell from which they’d hatched. Only if you looked closely—and people did—could you see that the girl was pink as a piglet, and the boy was brown.
“He’s just complected dark,” Elma had told her fiancé, Freddie Wilson, that afternoon, when he’d peeked into the cradle for the first time. “It’s my great-great-granddaddy’s Indian blood.”
“He don’t look like no Indian,” said Freddie, who was as freckled as Elma, with hair as pale and straight as straw.
It was Elma’s father, Juke—who’d nearly killed Freddie himself for failing to make her his proper wife—who first accused Genus Jackson. Nine months back was harvest. There were plenty of colored men who worked as Juke’s field hands in October, boys Juke picked up every morning in the Fourth Ward and piled in the bed of his Ford—civilized, God-fearing, Cotton County Negroes. But Genus was the one Juke had hired year-round, who’d moved into the tar paper shack behind their house after he showed up on the Twelve-Mile Straight looking for work, his clothes still black with the soot of the boxcar he’d leapt from. Juke had pitied him, folks said, for that was the kind of man Juke Jesup was. He’d give his last cow to the devil if the devil was hungry. He had a soft spot for colored folks, had liked to drink and dance with them since he was a boy—why else was he called Juke? So he kept Genus on even after he was discovered with a stolen pint of Juke’s gin, even after he was discovered last fall in the barn with Elma. He should have run him off the farm then. George Wilson, who was Freddie’s grandfather and the landlord, had told him as much. But instead Juke had given him another chance and a beating to remember. “You old enough to know better than to be found with no darky,” he told his daughter, who was eighteen.
Late on Saturday night, coming up on Sunday, Juke and Freddie and three other trucks full of men left the mill village, drove to the farm, and walked the twenty paces across the scrubgrass yard from the house to the shack. Genus was asleep on his cot when the men came in without knocking, hauled him up by the collar, and threw him out onto his knees. He was wearing shoes on his feet, a pair of alligator boots. What kind of man but a guilty one slept in his shoes? Juke had never liked those boots. He shouldn’t have trusted a man in those boots. The man took off down the dirt road like a swamp rabbit out of a briar patch, as though he’d already been running in his dreams.
A storm had passed that evening. That was the year drought had seized the state in its bone-dry jaws, but that night the Twelve-Mile Straight was pocked with puddles, the night air moist with the copper smell of rain on stone. Down the washboard road, into its white clay ditches, over the rabbit tobacco and wiregrass that grew along it, through the turkey oaks and hip-high cornfields, the men’s torches lit after Genus’s boot prints. At Tom Henry’s farm, Tom joined them with his rifle; at Mancie Neville’s, Mancie joined them with his hound. The Jesup girl’s been raped! Find your daughters! Lock your doors! The men hopped in and out of the beds of their pickups; their headlights crept along the road. The Sloane brothers came on their horses. Lettuce Jones came on foot, his wife in her nightdress behind him. It was no night for a woman, but hell if he was going to leave her home alone with a mad brute roaming the country. Someone had seen him in Mancie Neville’s peanuts; someone had heard him in Jeb Simmons’s barn. The whole McArdle family streamed out of their house, the boys clutching slingshots, the girls armed with shovels, the baby in its mother’s arms howling at the moon. Someone shut that kid up, a voice said through the dark, and the mother put the baby to her breast right there, another child’s hand in hers as she rushed them along the edge of the road, hissing into the night as though looking for a lost cat. It must have been an hour the hunt went on; some said it might have been three. It must have been a mile they spread out, or it might have been ten. But it was in the creek not a stone’s throw from Jesup’s barn where they found him, only his mouth above the surface, gulping water and air, and Lord if those weren’t baby Wilson’s lips.
He was so wet he might as well have been naked, his union suit slicked to his skin, when Juke and Freddie thrust him into the front room where Elma sat nursing the twins in her rocker, one curled in each arm, helpless to cover herself. Both straps of her overalls were undone, her shirt unbuttoned to the world. The other men stood behind him in the doorway, trailing out onto the porch. At the window just over her shoulder, two little boys pressed their faces to the glass, watching her through their dirty fingerprints.
“Go ahead,” Juke said to her. “Tell us what he done.”
Elma stopped rocking.
“Go ahead,” he said to Genus, wrestling his arms behind his back. “Tell us that ain’t your kin.”
Genus looked away from Elma’s white breasts.
“This girl and her child ain’t done no sin,” said Juke. “They’ll be spared by the Lord. But the Bible says when a man lies with a girl in the field, his neighbors must rise up and do what’s called for.”
Genus’s boots, still on his feet, squeaked with creek water. The only other sound in the room was the babies’ suckling.
“Boss,” Genus said, struggling to catch his breath, “I’d lie with your mule before I’d lie with that girl.”
Elma gasped, as though bitten by one of her babies. Freddie lunged after Genus, but Juke held him back. She looked from Genus to Freddie to her father, and just for a moment, her eyes filled with tears. Only then, lowering her eyes to the floor, did she offer the smallest of nods.
That was enough for Freddie and Juke. Some of the men waiting outside said they should send for Sheriff Cleave. Some of them didn’t. All of them followed Juke with their torches and guns as he ordered Genus onto his swayback mule. They held his hands behind his back while Freddie tied them with a short length of rope. The mule’s name was Mamie, and the colored man had been seen atop her back before, ambling up and down the Twelve-Mile Straight when the day’s work was done. Now Juke led Mamie and the mob through the yard, over the charred remains of another shack, to the edge of the field. There were plenty of trees to choose from. There were black gum and cottonwood, pecan and pine, oak trees trimmed with silver tinsel, weeping over the road. But it was the gourd tree they settled on—not a real tree at all but a post shooting up over the sorghum cane, four strong wooden beams crisscrossed at the top like the telephone poles in town. From the beams hung a dozen gourds, bleached white from the sun—birdhouses for the purple martins, who were said to keep the mosquitoes away. Elma had carved and dried and hung the gourds herself, close enough to each other to make a dull kind of music, like wind chimes, though there was no wind tonight.
“It’s all right, old girl,” Genus could be heard to say. “The Lord will take me. The Lord will have me.”
Freddie looped another rope over one of the crossbeams and the noose around Genus’s neck. Genus didn’t struggle, and Mamie didn’t have to wait for Juke’s tap. Spooked by the dark, or the crowd, she dashed out as soon as she was free of their hands. Genus dropped, his neck snapping like a chicken’s, his body falling limp. The martins shot out of the gourds, black as bats, and for a moment formed a single shadow above them.
From the tin in the chest pocket of his overalls, Juke took a grab of loose-leaf chaw and arranged it along his gums. He did this while cradling a shotgun, a Winchester twelve gauge, as easily as the mother on the road had held the baby to her breast. Genus swung in the July night, the moon near full above him. He was tall, and Mamie was not. The toes of his boots hovered but a foot from the ground.
Then one boot, heavy with water, dropped into the dirt. Freddie let go of his rifle and picked up the boot and inspected it. “That real alley-gator?” He slipped the other one off, carefully, as though not to wake a sleeping lover, and then he unlaced his own shoes. They fit the dead man snugly. The boots were loose on Freddie, but they looked fine. “Now we square!” he said, doing a little dance, and the people cheered.
The children threw the first stones. Then some drunk fool with a twenty-two started unloading bullets. It was Tom Henry, or it was Willie Cousins, or it was Willie Cousins’s cousin Bill, or it was all three shooting wildly, into the sky, into the empty sockets of the gourds, the post and the body receiving the bullets with the same soft thud. “Ain’t no nigger lover now, ain’t you, Juke?” The next day, and for weeks afterward, boys would come to the gourd tree to run their fingers over its scars, to collect the stray bullets at its feet.
