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The Art of Love
The Art of Love
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The Art of Love

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The Art of Love
Elizabeth Edmondson

*Now also published as The Villa on the Riviera*The French Riviera is the setting for this absorbing tale of family intrigue, scandal and romance, against the glamorous background of 1930s artists and aristocracy.Polly Smith is struggling to make a living as an artist when her friend and patron, Oliver, invites her to his father’s house in the south of France. Thrilled to escape cold, wet London, Polly asks for her birth certificate to obtain a passport - an act which unexpectedly turns her world upside down. For her mother is in fact her aunt; her father is unknown; even her name isn’t right.Fleeing to the Riviera, Polly finds that the serenity and sunshine brings her art to life as never before. But all is not well in the grand house. Oliver’s father was forced to leave England in a cloud of scandal and his past is about to catch up with him.But even as Polly finds herself immersed in a web of suspicion and deception, her own future begins to take on a new and fascinating shape…The perfect read for fans of THE VILLA and SUMMER’S CHILD, this is a beguiling and evocative tale that will transport you away to the Riviera itself.

ELIZABETH EDMONDSON

The Art of Love

COPYRIGHT

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk/)

Published by HarperCollinsPublishers 2008

Copyright © AEB Ltd

Elizabeth Edmondson asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under the International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins ebooks

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007223787

Ebook Edition © SEPTEMBER 2008 ISBN: 9780007283705

Version: 2016-12-28

DEDICATION

For Rosie Buckman

With love and gratitude

CONTENTS

Title Page

Copyright

Dedication

PART ONE

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

PART TWO

TWENTY-FIVE

TWENTY-SIX

TWENTY-SEVEN

TWENTY-EIGHT

TWENTY-NINE

THIRTY

THIRTY-ONE

THIRTY-TWO

THIRTY-THREE

THIRTY-FOUR

THIRTY-FIVE

THIRTY-SIX

THIRTY-SEVEN

THIRTY-EIGHT

THIRTY-NINE

FORTY

FORTY-ONE

FORTY-TWO

FORTY-THREE

FORTY-FOUR

FORTY-FIVE

FORTY-SIX

FORTY-SEVEN

FORTY-EIGHT

FORTY-NINE

FIFTY

FIFTY-ONE

FIFTY-TWO

FIFTY-THREE

STOP PRESS

Keep Reading (#litres_trial_promo)

About the Author

By the Same Author

About the Publisher

PART ONE

ONE

‘If I’m not Polly Smith, then who am I?’

‘What a profound question,’ said Oliver Fraddon.

The two of them were standing side by side in a gallery at Somerset House, home of the Register of Births, Marriages and Deaths for all the counties of England.

‘The world in little, one might say,’ Oliver went on, looking along the floor-to-ceiling shelves filled with thousands of large red ledgers that contained the transitions of millions of lives, present and past. ‘All of us written down here, captured, immortalized. Volumes full of names and identities, A to Z, plain and extraordinary. We’re born, we marry — or some of us do — and we die, and each time we are set down on a page in here. A frightening thought.’

‘Never mind the frightening thought, what concerns me is that I’m not among those immortalized here,’ Polly said.

‘Very true. I suggest we go back to the desk and ask the recording angel for help.’

He led the way down the metal spiral staircase, warning Polly to watch her step. ‘Or you’ll end up as a new entry under Deaths.’

The clerk standing behind the long wooden length of the main counter had not a touch of the angelic about her. She wore pince-nez attached to a thin chain and had a harassed air. Oliver addressed her. ‘This young lady seems to have gone missing.’

The clerk looked at Polly with worried, faded grey eyes, eyes that were kinder than her pinched mouth. ‘Oh dear. Can’t find yourself? Not where you should be? Your name is Smith, you say. Well, there are rather a lot of Smiths, but in the end there’s only one of you. It comes down to having the right dates and the right address. Once we’re sure of that information, we can find you. Unless,’ she added, her voice sharpening, ‘unless you’re a foreigner.’

‘Do I look like a foreigner?’ Polly asked, indignant, not because she minded being taken for a foreigner, but because she wanted to assert her rightful place, numbered among all her fellow citizens here, in those large red books.

‘No, but if you were born abroad, even if you were as English as me and Mr Grier over there, then you wouldn’t be in the main part of the registry, but in the records we keep elsewhere.’

‘In the nether regions?’ suggested Oliver in Polly’s ear. ‘The brimstone section, with devilish clerks scurrying to and fro.’

‘It doesn’t arise,’ said Polly, ‘I was born in Highgate. 11, Bingley Street, off Archway. My mother still lives there. On May the first, 1908.’