скачать книгу бесплатно
“It’s that scoundrel from Philadelphia. He’s the cause of all our troubles. It’s high time the respectable business element of Chicago realized just what sort of a man they have to deal with in him. He ought to be driven out of here. Look at his Philadelphia record. They sent him to the penitentiary down there, and they ought to do it here.”
Mr. Baker, very recently the guest of Schryhart, and his henchman, too, was also properly chagrined. “The man is a charlatan,” he protested to Blackman. “He doesn’t play fair. It is plain that he doesn’t belong in respectable society.”
Nevertheless, and in spite of this, the ordinance was passed. It was a bitter lesson for Mr. Norman Schryhart, Mr. Norrie Simms, and all those who had unfortunately become involved. A committee composed of all three of the old companies visited the mayor; but the latter, a tool of McKenty, giving his future into the hands of the enemy, signed it just the same. Cowperwood had his franchise, and, groan as they might, it was now necessary, in the language of a later day, “to step up and see the captain.” Only Schryhart felt personally that his score with Cowperwood was not settled. He would meet him on some other ground later. The next time he would try to fight fire with fire. But for the present, shrewd man that he was, he was prepared to compromise.
Thereafter, dissembling his chagrin as best he could, he kept on the lookout for Cowperwood at both of the clubs of which he was a member; but Cowperwood had avoided them during this period of excitement, and Mahomet would have to go to the mountain. So one drowsy June afternoon Mr. Schryhart called at Cowperwood’s office. He had on a bright, new, steel-gray suit and a straw hat. From his pocket, according to the fashion of the time, protruded a neat, blue-bordered silk handkerchief, and his feet were immaculate in new, shining Oxford ties[64 - Oxford ties – ботинки с шнурками или пуговицами].
“I’m sailing for Europe in a few days, Mr. Cowperwood,” he remarked, genially, “and I thought I’d drop round to see if you and I could reach some agreement in regard to this gas situation. The officers of the old companies naturally feel that they do not care to have a rival in the field, and I’m sure that you are not interested in carrying on a useless rate war[65 - rate war – тарифная война (снижение тарифов как средство в конкурентной борьбе)] that won’t leave anybody any profit. I recall that you were willing to compromise on a half-andhalf basis with me before, and I was wondering whether you were still of that mind.”
“Sit down, sit down, Mr. Schryhart,” remarked Cowperwood, cheerfully, waving the new-comer to a chair. “I’m pleased to see you again. No, I’m no more anxious for a rate war than you are. As a matter of fact, I hope to avoid it; but, as you see, things have changed somewhat since I saw you. The gentlemen who have organized and invested their money in this new city gas company are perfectly willing – rather anxious, in fact – to go on and establish a legitimate business. They feel all the confidence in the world that they can do this, and I agree with them. A compromise might be effected between the old and the new companies, but not on the basis on which I was willing to settle some time ago. A new company has been organized since then, stock issued, and a great deal of money expended.” (This was not true.) “That stock will have to figure in any new agreement. I think a general union of all the companies is desirable, but it will have to be on a basis of one, two, three, or four shares – whatever is decided – at par for all stock involved.”
Mr. Schryhart pulled a long face. “Don’t you think that’s rather steep?” he said, solemnly.
“Not at all, not at all!” replied Cowperwood. “You know these new expenditures were not undertaken voluntarily.” (The irony of this did not escape Mr. Schryhart, but he said nothing.)
“I admit all that, but don’t you think, since your shares are worth practically nothing at present, that you ought to be satisfied if they were accepted at par?”
“I can’t see why,” replied Cowperwood. “Our future prospects are splendid. There must be an even adjustment here or nothing. What I want to know is how much treasury stock you would expect to have in the safe for the promotion of this new organization after all the old stockholders have been satisfied?”
“Well, as I thought before, from thirty to forty per cent. of the total issue,” replied Schryhart, still hopeful of a profitable adjustment. “I should think it could be worked on that basis.”
“And who gets that?”
“Why, the organizer,” said Schryhart, evasively.
“Yourself, perhaps, and myself.”
“And how would you divide it? Half and half, as before?”
“I should think that would be fair.”
“It isn’t enough,” returned Cowperwood, incisively. “Since I talked to you last I have been compelled to shoulder obligations and make agreements which I did not anticipate then. The best I can do now is to accept three-fourths.”
Schryhart straightened up determinedly and offensively. This was outrageous, he thought, impossible! The effrontery of it!
“It can never be done, Mr. Cowperwood,” he replied, forcefully. “You are trying to unload too much worthless stock on the company as it is. The old companies’ stock is selling right now, as you know, for from one-fifty to two-ten. Your stock is worth nothing. If you are to be given two or three for one for that, and three-fourths of the remainder in the treasury, I for one[66 - for one – (эмоц.-усилит.) например] want nothing to do with the deal. You would be in control of the company, and it will be water-logged, at that. Talk about getting something for nothing! The best I would suggest to the stockholders of the old companies would be half and half. And I may say to you frankly, although you may not believe it, that the old companies will not join in with you in any scheme that gives you control. They are too much incensed. Feeling is running too high. It will mean a long, expensive fight, and they will never compromise. Now, if you have anything really reasonable to offer I would be glad to hear it. Otherwise I am afraid these negotiations are not going to come to anything.”
“Share and share alike, and three-fourths of the remainder,” repeated Cowperwood, grimly. “I do not want to control. If they want to raise the money and buy me out on that basis I am willing to sell. I want a decent return for investments I have made, and I am going to have it. I cannot speak for the others behind me, but as long as they deal through me that is what they will expect.”
Mr. Schryhart went angrily away. He was exceedingly wroth. This proposition as Cowperwood now outlined it was bucaneering at its best. He proposed for himself to withdraw from the old companies if necessary, to close out his holdings and let the old companies deal with Cowperwood as best they could. So long as he had anything to do with it, Cowperwood should never gain control of the gas situation. Better to take him at his suggestion, raise the money and buy him out, even at an exorbitant figure. Then the old gas companies could go along and do business in their old-fashioned way without being disturbed. This buccaneer! This upstart! What a shrewd, quick, forceful move he had made! It irritated Mr. Schryhart greatly.
The end of all this was a compromise in which Cowperwood accepted one-half of the surplus stock of the new general issue, and two for one of every share of stock for which his new companies had been organized, at the same time selling out to the old companies – clearing out completely. It was a most profitable deal, and he was enabled to provide handsomely not only for Mr. McKenty and Addison, but for all the others connected with him. It was a splendid coup, as McKenty and Addison assured him. Having now done so much, he began to turn his eyes elsewhere for other fields to conquer.
But this victory in one direction brought with it corresponding reverses in another: the social future of Cowperwood and Aileen was now in great jeopardy. Schryhart, who was a force socially, having met with defeat at the hands of Cowperwood, was now bitterly opposed to him. Norrie Simms naturally sided with his old associates. But the worst blow came through Mrs. Anson Merrill. Shortly after the housewarming, and when the gas argument and the conspiracy charges were rising to their heights, she had been to New York and had there chanced to encounter an old acquaintance of hers, Mrs. Martyn Walker, of Philadelphia, one of the circle which Cowperwood once upon a time had been vainly ambitious to enter. Mrs. Merrill, aware of the interest the Cowperwoods had aroused in Mrs. Simms and others, welcomed the opportunity to find out something definite.
“By the way, did you ever chance to hear of a Frank Algernon Cowperwood or his wife in Philadelphia?” she inquired of Mrs. Walker.
“Why, my dear Nellie,” replied her friend, nonplussed that a woman so smart as Mrs. Merrill should even refer to them, “have those people established themselves in Chicago? His career in Philadelphia was, to say the least, spectacular. He was connected with a city treasurer there who stole five hundred thousand dollars, and they both went to the penitentiary. That wasn’t the worst of it! He became intimate with some young girl – a Miss Butler, the sister of Owen Butler, by the way, who is now such a power down there, and – “ She merely lifted her eyes. “While he was in the penitentiary her father died and the family broke up. I even heard it rumored that the old gentleman killed himself.” (She was referring to Aileen’s father, Edward Malia Butler.) “When he came out of the penitentiary Cowperwood disappeared, and I did hear someone say that he had gone West, and divorced his wife and married again. His first wife is still living in Philadelphia somewhere with his two children.”
Mrs. Merrill was properly astonished, but she did not show it. “Quite an interesting story, isn’t it?” she commented, distantly, thinking how easy it would be to adjust the Cowperwood situation, and how pleased she was that she had never shown any interest in them. “Did you ever see her – his new wife?”
“I think so, but I forget where. I believe she used to ride and drive a great deal in Philadelphia.”
“Did she have red hair?”
“Oh yes. She was a very striking blonde.”
“I fancy it must be the same person. They have been in the papers recently in Chicago. I wanted to be sure.”
Mrs. Merrill was meditating some fine comments to be made in the future.
“I suppose now they’re trying to get into Chicago society?” Mrs. Walker smiled condescendingly and contemptuously – as much at Chicago society as at the Cowperwoods.
“It’s possible that they might attempt something like that in the East and succeed – I’m sure I don’t know,” replied Mrs. Merrill, caustically, resenting the slur, “but attempting and achieving are quite different things in Chicago.”
The answer was sufficient. It ended the discussion. When next Mrs. Simms was rash enough to mention the Cowperwoods, or, rather, the peculiar publicity in connection with him, her future viewpoint was definitely fixed for her.
“If you take my advice,” commented Mrs. Merrill, finally, “the less you have to do with these friends of yours the better. I know all about them. You might have seen that from the first. They can never be accepted.”
Mrs. Merrill did not trouble to explain why, but Mrs. Simms through her husband soon learned the whole truth, and she was righteously indignant and even terrified. Who was to blame for this sort of thing, anyhow? she thought. Who had introduced them? The Addisons, of course. But the Addisons were socially unassailable, if not all-powerful, and so the best had to be made of that. But the Cowperwoods could be dropped from the lists of herself and her friends instantly, and that was now done. A sudden slump in their social significance began to manifest itself, though not so swiftly but what for the time being it was slightly deceptive.
The first evidence of change which Aileen observed was when the customary cards and invitations for receptions and the like, which had come to them quite freely of late, began to decline sharply in number, and when the guests to her own Wednesday afternoons, which rather prematurely she had ventured to establish, became a mere negligible handful. <…> Aileen was beside herself with disappointment, opposition, chagrin, shame.
At the same time Cowperwood was not to be spared his share in the distrust and social opposition which was now rampant. <…>
If it had not been for Cowperwood’s eventual financial triumph over all opposition – the complete routing of the enemy – in the struggle for control in the gas situation – the situation would have been hard, indeed. As it was, Aileen suffered bitterly; she felt that the slight was principally directed at her, and would remain in force. In the privacy of their own home they were compelled eventually to admit, the one to the other, that their house of cards, resplendent and forceful looking as it was, had fallen to the ground. Personal confidences between people so closely united are really the most trying of all. Human souls are constantly trying to find each other, and rarely succeeding.
“You know,” he finally said to her once, when he came in rather unexpectedly and found her sick in bed, her eyes wet, and her maid dismissed for the day, “I understand what this is all about. To tell you the truth, Aileen, I rather expected it. We have been going too fast, you and I. We have been pushing this matter too hard. Now, I don’t like to see you taking it this way, dear. This battle isn’t lost. Why, I thought you had more courage than this. Let me tell you something which you don’t seem to remember. Money will solve all this sometime. I’m winning in this fight right now, and I’ll win in others.” <…>
Chapter XIV
Undercurrents
It was during the year that followed their social repudiation, and the next and the next, that Cowperwood achieved a keen realization of what it would mean to spend the rest of his days in social isolation, or at least confined in his sources of entertainment to a circle or element which constantly reminded him of the fact that he was not identified with the best, or, at least, not the most significant, however dull that might be. When he had first attempted to introduce Aileen into society it was his idea that, however tame they might chance to find it to begin with, they themselves, once admitted, could make it into something very interesting and even brilliant. Since the time the Cowperwoods had been repudiated, however, they had found it necessary, if they wished any social diversion at all, to fall back upon such various minor elements as they could scrape an acquaintance with – passing actors and actresses, to whom occasionally they could give a dinner; artists and singers whom they could invite to the house upon gaining an introduction; and, of course, a number of the socially unimportant, such as the Haatstaedts, Hoecksemas, Videras, Baileys, and others still friendly and willing to come in a casual way. Cowperwood found it interesting from time to time to invite a business friend, a lover of pictures, or some young artist to the house to dinner or for the evening, and on these occasions Aileen was always present. The Addisons called or invited them occasionally. But it was a dull game, the more so since their complete defeat was thus all the more plainly indicated.
This defeat, as Cowperwood kept reflecting, was really not his fault at all. He had been getting along well enough personally. If Aileen had only been a somewhat different type of woman! Nevertheless, he was in no way prepared to desert or reproach her. She had clung to him through his stormy prison days. She had encouraged him when he needed encouragement. He would stand by her and see what could be done a little later; but this ostracism was a rather dreary thing to endure. Besides, personally, he appeared to be becoming more and more interesting to men and to women. The men friends he had made he retained – Addison, Bailey, Videra, McKibben, Rambaud, and others. There were women in society, a number of them, who regretted his disappearance if not that of Aileen. Occasionally the experiment would be tried of inviting him without his wife. At first he refused invariably; later he went alone occasionally to a dinner-party without her knowledge.
It was during this interregnum that Cowperwood for the first time clearly began to get the idea that there was a marked difference between him and Aileen intellectually and spiritually; and that while he might be in accord with her in many ways – emotionally, physically, idyllically – there were, nevertheless, many things which he could do alone which she could not do – heights to which he could rise where she could not possibly follow. Chicago society might be a negligible quantity, but he was now to contrast her sharply with the best of what the Old World had to offer in the matter of femininity, for following their social expulsion in Chicago and his financial victory, he once more decided to go abroad. In Rome, at the Japanese and Brazilian embassies (where, because of his wealth, he gained introduction), and at the newly established Italian Court, he encountered at a distance charming social figures of considerable significance – Italian countesses, English ladies of high degree, talented American women of strong artistic and social proclivities. As a rule they were quick to recognize the charm of his manner, the incisiveness and grip of his mind, and to estimate at all its worth the high individuality of his soul; but he could also always see that Aileen was not so acceptable. She was too rich in her entourage, too showy. Her glowing health and beauty was a species of affront to the paler, more sublimated souls of many who were not in themselves unattractive.
“Isn’t that the typical American for you,” he heard a woman remark, at one of those large, very general court receptions to which so many are freely admitted, and to which Aileen had been determined to go. He was standing aside talking to an acquaintance he had made – an English-speaking Greek banker stopping at the Grand Hotel – while Aileen promenaded with the banker’s wife. The speaker was an Englishwoman. “So gaudy, so self-conscious, and so naïve!”
Cowperwood turned to look. It was Aileen, and the lady speaking was undoubtedly well bred, thoughtful, good-looking. He had to admit that much that she said was true, but how were you to gage a woman like Aileen, anyhow? She was not reprehensible in any way – just a full-blooded animal glowing with a love of life. She was attractive to him. It was too bad that people of obviously more conservative tendencies were so opposed to her. Why could they not see what he saw – a kind of childish enthusiasm for luxury and show which sprang, perhaps, from the fact that in her youth she had not enjoyed the social opportunities which she needed and longed for. He felt sorry for her. At the same time he was inclined to feel that perhaps now another type of woman would be better for him socially. If he had a harder type, one with keener artistic perceptions and a penchant for just the right social touch or note, how much better he would do! He came home bringing a Perugino, brilliant examples of Luini, Previtali, and Pinturrichio (this last a portrait of Cesare Borgia)[67 - Perugino – Перуджино (1446—1524, настоящее имя Пьетро ди Кристофоро Ваннуччи), итальянский художник, представитель умбрийской школы; Luini – Луини, Бернардино (1480/90—1532), итальянский художник; Previtali – Превитали, Андреа (около 1480—1528), итальянский художник; Pinturrichio – Пинтуриккьо (1454—1513, настоящее имя Бернардино ди Бетти), итальянский художник, представитель умбрийской школы], which he picked up in Italy, to say nothing of two red African vases of great size that he found in Cairo, a tall gilt Louis Fifteenth standard of carved wood that he discovered in Rome, two ornate candelabra from Venice for his walls, and a pair of Italian torchères from Naples to decorate the corners of his library. It was thus by degrees that his art collection was growing.
At the same time it should be said, in the matter of women and the sex question, his judgment and views had begun to change tremendously. When he had first met Aileen he had many keen intuitions regarding life and sex, and above all clear faith that he had a right to do as he pleased. Since he had been out of prison and once more on his upward way there had been many a stray glance cast in his direction; he had so often had it clearly forced upon him that he was fascinating to women. Although he had only so recently acquired Aileen legally, yet she was years old to him as a mistress, and the first engrossing – it had been almost all-engrossing – enthusiasm was over. He loved her not only for her beauty, but for her faithful enthusiasm; but the power of others to provoke in him a momentary interest, and passion even, was something which he did not pretend to understand, explain, or moralize about. So it was and so he was. He did not want to hurt Aileen’s feelings by letting her know that his impulses thus wantonly strayed to others, but so it was. <…>
It was during this period of social dullness, however, which somewhat resembled, though it did not exactly parallel his first years with his first wife, that Cowperwood finally met a woman who was destined to leave a marked impression on his life. He could not soon forget her. Her name was Rita Sohlberg. She was the wife of Harold Sohlberg, a Danish violinist who was then living in Chicago, a very young man; but she was not a Dane, and he was by no means a remarkable violinist, though he had unquestionably the musical temperament. <…>
Rita Sohlberg was of the semi-phlegmatic type, soft, full-blooded, with a body that was going to be fat at forty, but which at present was deliciously alluring. Having soft, silky, light-brown hair, the color of light dust, and moist gray-blue eyes, with a fair skin and even, white teeth, she was flatteringly self-conscious of her charms. She pretended in a gay, childlike way to be unconscious of the thrill she sent through many susceptible males, and yet she knew well enough all the while what she was doing and how she was doing it; it pleased her so to do. She was conscious of the wonder of her smooth, soft arms and neck, the fullness and seductiveness of her body, the grace and perfection of her clothing, or, at least, the individuality and taste which she made them indicate. <…>
A part of the peculiarity of her state was that Sohlberg had begun to disappoint Rita – sorely. <…>
Life and character must really get somewhere to be admirable, and Harold, really and truly, did not seem to be getting anywhere. He taught, stormed, dreamed, wept; but he ate his three meals a day, Rita noticed, and he took an excited interest at times in other women. <…>
Rita was not jealous of Harold any more; she had lost faith in his ability as a musician. But she was disappointed that her charms were not sufficient to blind him to all others. That was the fly in the ointment[68 - the fly in the ointment – (разг.) ложка дегтя в бочке меда 4]. It was an affront to her beauty, and she was still beautiful. She was unctuously full-bodied, not quite so tall as Aileen, not really as large, but rounder and plumper, softer and more seductive. Physically she was not well set up, so vigorous; but her eyes and mouth and the roving character of her mind held a strange lure. Mentally she was much more aware than Aileen, much more precise in her knowledge of art, music, literature, and current events; and in the field of romance she was much more vague and alluring. She knew many things about flowers, precious stones, insects, birds, characters in fiction, and poetic prose and verse generally.
At the time the Cowperwoods first met the Sohlbergs the latter still had their studio in the New Arts Building, and all was seemingly as serene as a May morning, only Harold was not getting along very well. He was drifting. The meeting was at a tea given by the Haatstaedts, with whom the Cowperwoods were still friendly, and Harold played. Aileen, who was there alone, seeing a chance to brighten her own life a little, invited the Sohlbergs, who seemed rather above the average, to her house to a musical evening. They came. <…>
Mrs. Sohlberg, he reflected shrewdly, had a kind of fool for a husband. Would she take an interest in him, Frank Cowperwood? Would a woman like this surrender on any basis outside of divorce and marriage? He wondered. On her part, Mrs. Sohlberg was thinking what a forceful man Cowperwood was, and how close he had stayed by her. She felt his interest, for she had often seen these symptoms in other men and knew what they meant. She knew the pull of her own beauty, and, while she heightened it as artfully as she dared, yet she kept aloof, too, feeling that she had never met anyone as yet for whom it was worth while to be different. But Cowperwood – he needed someone more soulful than Aileen, she thought.
Chapter XV
A New Affection
The growth of a relationship between Cowperwood and Rita Sohlberg was fostered quite accidentally by Aileen, who took a foolishly sentimental interest in Harold which yet was not based on anything of real meaning. She liked him because he was a superlatively gracious, flattering, emotional man where women – pretty women – were concerned. She had some idea she could send him pupils, and, anyhow, it was nice to call at the Sohlberg studio. Her social life was dull enough as it was. So she went, and Cowperwood, mindful of Mrs. Sohlberg, came also. Shrewd to the point of destruction, he encouraged Aileen in her interest in them. He suggested that she invite them to dinner, that they give a musical at which Sohlberg could play and be paid. There were boxes at the theaters, tickets for concerts sent, invitations to drive Sundays or other days.
The very chemistry of life seems to play into the hands of a situation of this kind. Once Cowperwood was thinking vividly, forcefully, of her, Rita began to think in like manner of him. Hourly he grew more attractive, a strange, gripping man. Beset by his mood, she was having the devil’s own time with her conscience. Not that anything had been said as yet, but he was investing her, gradually beleaguering her, sealing up, apparently, one avenue after another of escape. One Thursday afternoon, when neither Aileen nor he could attend the Sohlberg tea, Mrs. Sohlberg received a magnificent bunch of Jacqueminot roses[69 - Jacqueminot roses – сорт роз темно-красного цвета]. “For your nooks and corners,” said a card. She knew well enough from whom it came and what it was worth. There were all of fifty dollars worth of roses. It gave her breath of a world of money that she had never known. Daily she saw the name of his banking and brokerage firm advertised in the papers. Once she met him in Merrill’s store at noon, and he invited her to lunch; but she felt obliged to decline. Always he looked at her with such straight, vigorous eyes. To think that her beauty had done or was doing this! Her mind, quite beyond herself, ran forward to an hour when perhaps this eager, magnetic man would take charge of her in a way never dreamed of by Harold. But she went on practising, shopping, calling, reading, brooding over Harold’s inefficiency, and stopping oddly sometimes to think – the etherealized grip of Cowperwood upon her. Those strong hands of his – how fine they were – and those large, soft-hard, incisive eyes. The puritanism of Wichita (modified sometime since by the art life of Chicago, such as it was) was having a severe struggle with the manipulative subtlety of the ages – represented in this man.
“You know you are very elusive,” he said to her one evening at the theater when he sat behind her during the entr’acte, and Harold and Aileen had gone to walk in the foyer. The hubbub of conversation drowned the sound of anything that might be said. Mrs. Sohlberg was particularly pleasing in a lacy evening gown.
“No,” she replied, amusedly, flattered by his attention and acutely conscious of his physical nearness. By degrees she had been yielding herself to his mood, thrilling at his every word. “It seems to me I am very stable,” she went on. “I’m certainly substantial enough.”
She looked at her full, smooth arm lying on her lap.
Cowperwood, who was feeling all the drag of her substantiality, but in addition the wonder of her temperament, which was so much richer than Aileen’s, was deeply moved. Those little blood moods that no words ever (or rarely) indicate were coming to him from her – faint zephyr-like emanations of emotions, moods, and fancies in her mind which allured him. She was like Aileen in animality, but better, still sweeter, more delicate, much richer spiritually. Or was he just tired of Aileen for the present, he asked himself at times. No, no, he told himself that could not be. Rita Sohlberg was by far the most pleasing woman he had ever known.
“Yes, but elusive, just the same,” he went on, leaning toward her. “You remind me of something that I can find no word for – a bit of color or a perfume or tone – a flash of something. I follow you in my thoughts all the time now. Your knowledge of art interests me. I like your playing – it is like you. You make me think of delightful things that have nothing to do with the ordinary run of my life. Do you understand?”
“It is very nice,” she said, “if I do.” She took a breath, softly, dramatically. “You make me think vain things, you know.” (Her mouth was a delicious O.) “You paint a pretty picture.” She was warm, flushed, suffused with a burst of her own temperament.
“You are like that,” he went on, insistently. “You make me feel like that all the time. You know,” he added, leaning over her chair, “I sometimes think you have never lived. There is so much that would complete your perfectness. I should like to send you abroad or take you – anyhow, you should go. You are very wonderful to me. Do you find me at all interesting to you?”
“Yes, but” – she paused – “you know I am afraid of all this and of you.” Her mouth had that same delicious formation which had first attracted him. “I don’t think we had better talk like this, do you? Harold is very jealous, or would be. What do you suppose Mrs. Cowperwood would think?”
“I know very well, but we needn’t stop to consider that now, need we? It will do her no harm to let me talk to you. Life is between individuals, Rita. You and I have very much in common. Don’t you see that? You are infinitely the most interesting woman I have ever known. You are bringing me something I have never known. Don’t you see that? I want you to tell me something truly. Look at me. You are not happy as you are, are you? Not perfectly happy?”
“No.” She smoothed her fan with her fingers.
“Are you happy at all?”
“I thought I was once. I’m not any more, I think.”
“It is so plain why,” he commented. “You are so much more wonderful than your place gives you scope for. You are an individual, not an acolyte to swing a censer for another. Mr. Sohlberg is very interesting, but you can’t be happy that way. It surprises me you haven’t seen it.”
“Oh,” she exclaimed, with a touch of weariness, “but perhaps I have.”
He looked at her keenly, and she thrilled. “I don’t think we’d better talk so here,” she replied. “You’d better be – ”
He laid his hand on the back of her chair, almost touching her shoulder.
“Rita,” he said, using her given name again, “you wonderful woman!”
“Oh!” she breathed.
Cowperwood did not see Mrs. Sohlberg again for over a week – ten days exactly – when one afternoon Aileen came for him in a new kind of trap, having stopped first to pick up the Sohlbergs. Harold was up in front with her and she had left a place behind for Cowperwood with Rita. She did not in the vaguest way suspect how interested he was – his manner was so deceptive. Aileen imagined that she was the superior woman of the two, the better-looking, the better-dressed, hence the more ensnaring. She could not guess what a lure this woman’s temperament had for Cowperwood, who was so brisk, dynamic, seemingly unromantic, but who, just the same, in his nature concealed (under a very forceful exterior) a deep underlying element of romance and fire.
“This is charming,” he said, sinking down beside Rita. “What a fine evening! And the nice straw hat with the roses, and the nice linen dress. My, my!”[70 - My, my! – восклицание, выражающее удивление или восхищение] The roses were red; the dress white, with thin, green ribbon run through it here and there. She was keenly aware of the reason for his enthusiasm. He was so different from Harold, so healthy and out-of-doorish, so able. To-day Harold had been in tantrums over fate, life, his lack of success.
“Oh, I shouldn’t complain so much if I were you,” she had said to him, bitterly. “You might work harder and storm less.”
This had produced a scene which she had escaped by going for a walk. Almost at the very moment when she had returned Aileen had appeared. It was a way out.
She had cheered up, and accepted, dressed. So had Sohlberg. Apparently smiling and happy, they had set out on the drive. Now, as Cowperwood spoke, she glanced about her contentedly. “I’m lovely,” she thought, “and he loves me. How wonderful it would be if we dared.” But she said aloud: “I’m not so very nice. It’s just the day – don’t you think so? It’s a simple dress. I’m not very happy, though, to-night, either.”
“What’s the matter?” he asked, cheeringly, the rumble of the traffic destroying the carrying-power of their voices. He leaned toward her, very anxious to solve any difficulty which might confront her, perfectly willing to ensnare her by kindness. “Isn’t there something I can do? We’re going now for a long ride to the pavilion in Jackson Park, and then, after dinner, we’ll come back by moonlight. Won’t that be nice? You must be smiling now and like yourself – happy. You have no reason to be otherwise that I know of. I will do anything for you that you want done – that can be done. You can have anything you want that I can give you. What is it? You know how much I think of you. If you leave your affairs to me you would never have any troubles of any kind.”
“Oh, it isn’t anything you can do – not now, anyhow. My affairs! Oh yes. What are they? Very simple, all.”
She had that delicious atmosphere of remoteness even from herself. He was enchanted.
“But you are not simple to me, Rita,” he said, softly, “nor are your affairs. They concern me very much. You are so important to me. I have told you that. Don’t you see how true it is? You are a strange complexity to me – wonderful. I’m mad over you. Ever since I saw you last I have been thinking, thinking. If you have troubles let me share them. You are so much to me – my only trouble. I can fix your life. Join it with mine. I need you, and you need me.”
“Yes,” she said, “I know.” Then she paused. “It’s nothing much,” she went on – “just a quarrel.”
“What over?”
“Over me, really.” The mouth was delicious. “I can’t swing the censer[71 - swing the censer – (разг.) курить фимиам] always, as you say.” That thought of his had stuck. “It’s all right now, though. Isn’t the day lovely, be-yoot-i-ful!”
Cowperwood looked at her and shook his head. She was such a treasure – so inconsequential. Aileen, busy driving and talking, could not see or hear. She was interested in Sohlberg, and the southward crush of vehicles on Michigan Avenue was distracting her attention. As they drove swiftly past budding trees, kempt lawns, fresh-made flower-beds, open windows – the whole seductive world of spring – Cowperwood felt as though life had once more taken a fresh start. His magnetism, if it had been visible, would have enveloped him like a glittering aura. Mrs. Sohlberg felt that this was going to be a wonderful evening.
The dinner was at the Park – an open-air chicken à la Maryland affair, with waffles and champagne to help out. Aileen, flattered by Sohlberg’s gaiety under her spell, was having a delightful time, jesting, toasting, laughing, walking on the grass. Sohlberg was making love to her in a foolish, inconsequential way, as many men were inclined to do; but she was putting him off gaily with “silly boy” and “hush.” She was so sure of herself that she was free to tell Cowperwood afterward how emotional he was and how she had to laugh at him. Cowperwood, quite certain that she was faithful, took it all in good part. Sohlberg was such a dunce and such a happy convenience ready to his hand. “He’s not a bad sort,” he commented. “I rather like him, though I don’t think he’s so much of a violinist.”
After dinner they drove along the lake-shore and out through an open bit of tree-blocked prairie land, the moon shining in a clear sky, filling the fields and topping the lake with a silvery effulgence. Mrs. Sohlberg was being inoculated with the virus Cowperwood, and it was taking deadly effect. The tendency of her own disposition, however lethargic it might seem, once it was stirred emotionally, was to act. She was essentially dynamic and passionate. Cowperwood was beginning to stand out in her mind as the force that he was. It would be wonderful to be loved by such a man. There would be an eager, vivid life between them. It frightened and drew her like a blazing lamp in the dark. To get control of herself she talked of art, people, of Paris, Italy, and he responded in like strain, but all the while he smoothed her hand, and once, under the shadow of some trees, he put his hand to her hair, turned her face, and put his mouth softly to her cheek. She flushed, trembled, turned pale, in the grip of this strange storm, but drew herself together. It was wonderful – heaven. Her old life was obviously going to pieces.
“Listen,” he said, guardedly. “Will you meet me tomorrow at three just beyond the Rush Street bridge? I will pick you up promptly. You won’t have to wait a moment.”
She paused, meditating, dreaming, almost hypnotized by his strange world of fancy.
“Will you?” he asked, eagerly.
“Wait,” she said, softly. “Let me think. Can I?”
She paused.
“Yes,” she said, after a time, drawing in a deep breath. “Yes” – as if she had arranged something in her mind.
“My sweet,” he whispered, pressing her arm, while he looked at her profile in the moonlight.
“But I’m doing a great deal,” she replied, softly, a little breathless and a little pale.
