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The Force
The Force
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The Force

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Whites started to get opium-based pills from their physicians—oxycodone, Vicodin, that shit. But it was expensive and doctors were reluctant to prescribe too much for exactly the fear of addiction. So the white folks went to the open market and the pills became a street drug. It was all very nice and civilized until the Sinaloa Cartel down in Mexico made a corporate decision that it could undersell the big American pharmaceutical companies by raising production of its heroin, thereby reducing price.

As an incentive, they also increased its potency.

The addicted white Americans found that Mexican “cinnamon” heroin was cheaper and stronger than the pills and started shooting it into their veins and overdosing.

Malone literally saw it happening.

He and his team busted more bridge-and-tunnel junkies, suburban housewives and Upper East Side madonnas than they could count. More and more of the bodies they’d find slumped dead in alleys were Caucasian.

Which, according to the media, is a tragedy.

Even congressmen and senators pulled their noses out of their donors’ ass cracks long enough to notice the new epidemic and demand that “something has to be done about it.”

“I want you out there making heroin arrests,” Sykes says. “Our numbers on crack cocaine are satisfactory, but our numbers on heroin are subpar.”

The suits love their numbers, Malone thinks. This new “management” breed of cops are like the sabermetrics baseball people—they believe the numbers say it all. And when the numbers don’t say what they want them to, they massage them like Koreans on Eighth Avenue until they get a happy ending.

You want to look good? Violent crime is down.

You need more funding? It’s up.

You need arrests? Send your people out to make a bunch of bullshit busts that will never get convictions. You don’t care—convictions are the DA’s problem—you just want the arrest numbers.

You want to prove drugs are down in your sector? Send your guys on “search and avoid” missions where there aren’t any drugs.

That’s half the scam. The other way to manipulate the numbers is to let officers know they should downgrade charges from felonies to misdemeanors. So you call a straight-up robbery a “petit larceny,” a burglary becomes “lost property,” a rape a “sexual assault.”

Boom—crime is down.

Moneyball.

“There’s a heroin epidemic,” Sykes says, “and we’re on the front lines.”

They must have really cracked Inspector McGivern’s nuts at the CompStat meeting, Malone thinks, and he passed the pain along to Sykes.

So he hands it off to us.

And we’ll pass it down to a bunch of low-level dealers, addicts who sell so they can score, and fill the house with a bunch of arrests so Central Booking will flow with puke from junkies jonesing, and bog down the court dockets with quivering losers pleading out and then going back to jail to score more smack. Come out still addicted, and start the whole cycle all over again.

But we’ll make par.

The suits at One Police can say as much as they want that there are no quotas, but every guy on the Job knows there are. Back in the “broken windows” days, they were writing summonses for everything—loitering, littering, jumping a subway stile, double-parking. The theory was if you didn’t come down on the small stuff, people would figure it was okay to do the big stuff.

So they were out there writing a lot of bullshit C-summonses, which forced a lot of poor people to take time off work they couldn’t afford to go to court to pay fines they couldn’t pay. Some just skipped their court days and got “no-show” warrants, so their misdemeanors escalated to felonies and they were looking at jail time for tossing a gum wrapper on the sidewalk.

It provoked a lot of anger toward the police.

Then there were the 250s.

The stop and frisks.

Which basically meant that if you saw a young black kid on the street, you stopped him and shook him down. It caused a lot of resentment, too, and got a lot of negative media, so we don’t do that anymore, either.

Except we do.

Now the quota that isn’t is heroin.

“Cooperation,” Sykes is saying, “and coordination are what makes us a task force and not just separate entities officed in the same space. So let’s work together, gentlemen, and get this thing done.”

Rah fuckin’ rah, Malone thinks.

Sykes probably doesn’t realize that he’s just given his people contradictory instructions—work their sources and make heroin arrests—doesn’t even get that you work your sources by popping them with drugs and then not arresting them.

They give you information, you give them a pass.

That’s the way it works.

What’s he think, a dealer is going to talk to you out of the goodness of his heart, which he doesn’t have anyway? To be a good citizen? A dealer talks to you for money or drugs, to skate on a charge or to fuck a rival dealer. Or maybe, maybe, because someone is fucking his bitch.

That’s it.

The guys on Da Force don’t look too much like cops. In fact, Malone thinks as he looks around, they look more like criminals.

The undercovers look like junkies or dope slingers—hoodies, baggy pants or filthy jeans, sneakers. Malone’s personal favorite, a black kid called Babyface, hides under a thick hood and sucks on a big pacifier as he looks up at Sykes, knowing the boss isn’t going to say shit about it because Babyface brings home the bacon.

The plainclothes guys are urban pirates. They still have tin shields—not gold—under their black leather jackets, navy peacoats and down vests. Their jeans are clean but not creased, and they prefer Chelsea boots to tennis shoes.

Except “Cowboy” Bob Bartlett, who wears shitkicker boots with skinny toes, “the better to go up a black ass.” Bartlett’s never been farther west than Jersey City, but he affects a redneck drawl and aggravates the shit out of Malone by playing country-western “music” in the locker room.

The “uniforms” in their bags don’t look like your run-of-the-mill cops either. It ain’t what they wear, it’s in their faces. They’re badasses, with the smirks as pinned on as the badges on their chests. These boys are always ready to go, ready to dance, just for the fuck of it.

Even the women have attitudes. There ain’t many of them on Da Force, but the ones who are take no prisoners. You got Tenelli and then there’s Emma Flynn, a hard-drinking (Irish, go figure) party girl with the sexual voracity of a Roman empress. And they’re all tough, with a healthy hatred in their hearts.

The detectives, though, the gold shields like Malone, Russo, Montague, Torres, Gallina, Ortiz, Tenelli, they’re in a different league altogether, “the best of the best,” decorated veterans with scores of major arrests under their belts.

The Task Force detectives aren’t uniforms or plainclothes or undercovers.

They’re kings.

Their kingdoms aren’t fields and castles but city blocks and project towers. Tony Upper West Side neighborhoods and Harlem projects. They rule Broadway and West End, Amsterdam, Lenox, St. Nicholas and Adam Clayton Powell. Central Park and Riverside where Jamaican nannies push yuppies’ kids in strollers and start-up entrepreneurs jog, and trash-strewn playgrounds where the gangbangers ball and sling dope.

We’d better rule, Malone thinks, with a strong hand, because our subjects are blacks and whites, Puerto Ricans, Dominicans, Haitians, Jamaicans, Italians, Irish, Jews, Chinese, Vietnamese, Koreans, who all hate each other and who, in the absence of kings, would kill each other more than they already do.

We rule over gangs—Crips and Bloods and Trinitarios and Latin Lords. Dominicans Don’t Play, Broad Day Shooters, Gun Clappin’ Goonies, Goons on Deck (seems to be a theme), From Da Zoo, Money Stackin’ High, Mac Baller Brims. Folk Nation, Insane Gangster Crips, Addicted to Cash, Hot Boys, Get Money Boys.

Then there’s the Italians—the Genovese family, the Lucheses, the Gambinos, the Ciminos—all of which would get totally out of control if they didn’t know there were kings out there who would cut off their heads.

We rule Da Force, too. Sykes thinks he does, or at least pretends to think he does, but it’s the detective kings who really call the shots. The undercovers are our spies, the uniforms our foot soldiers, the plainclothes our knights.

And we didn’t become kings because our daddies were—we took our crowns the hard way, like the old warriors who fought their way to the throne with nicked swords and dented armor and wounds and scars. We started on these streets with guns and nightsticks and fists and nerve and guts and brains and balls. We came up through our hard-won street knowledge, our earned respect, our victories and even our defeats. We earned our reps as tough, strong, ruthless and fair rulers, administering rough justice with tempered mercy.

That’s what a king does.

He hands down justice.

Malone knows it’s important they look the part. Subjects expect their kings to look tight, to look sharp, to wear a little money on their backs and their feet, a little style. Take Montague, for instance. Big Monty dresses like an Ivy League professor—tweedy jackets, vests, knit ties—and the trilby with a small red feather in the band. It goes against the stereotype and it’s scary because the skels don’t know what to make of him, and when he gets them in the room, they think they’re being interrogated by a genius.

Which Monty probably is.

Malone has seen him go into Morningside Park where the old black men play chess, contest five boards at a time and win every one of them.

Then give back the money he just took from them.

Which is also genius.

Russo, he’s old school. Sports a long red-brown leather overcoat, a 1980s throwback that he wears well. Then again, Russo wears everything well, he’s a sharp dresser. The retro overcoat, custom-tailored Italian suits, monogrammed shirts, Magli shoes.

A haircut every Friday, a shave twice a day.

Mobster chic, Russo’s ironic comment on the wiseguys he grew up with and never wanted to be. He went the other way with it; as a cop, he likes to joke, he’s the “white sheep of the family.”

Malone always wears black.

His trademark.

All Da Force detectives are kings, but Malone—with no disrespect intended to our Lord and Savior—is the King of Kings.

Manhattan North is the Kingdom of Malone.

Like with any king, his subjects love him and fear him, revere him and loathe him, praise him and revile him. He has his loyalists and rivals, his sycophants and critics, his jesters and advisers, but he has no real friends.

Except his partners.

Russo and Monty.

His brother kings.

He would die for them.

“Malone? If you have a moment for me?”

It’s Sykes.

CHAPTER 3 (#ulink_ed19cdd0-5212-5c9f-9b8e-4fc735422ecd)

As I’m sure you know,” Sykes says in his office, “just about everything I said in there was bullshit.”

“Yes, sir,” Malone says. “I was just wondering if you knew it.”

Sykes’s tight smile gets tighter, which Malone didn’t think was possible.

The captain thinks that Malone is arrogant.

Malone doesn’t argue with that.

A cop on these streets, he thinks, you’d better be arrogant. There are people up here, they see you don’t think you’re the shit, they will kill you. They’ll cap you and fuck you in the entry wounds. Let Sykes go out on the streets, let him make the busts, go through the doors.

Sykes doesn’t like it, but he doesn’t like a lot about Detective Sergeant Dennis Malone—his sense of humor, his tat sleeves, his encyclopedic knowledge of hip-hop lyrics. He especially doesn’t like Malone’s attitude, which is basically that Manhattan North is his kingdom and his captain is just a tourist.

Fuck him, Malone thinks.

There’s nothing Sykes can do because last July Malone and his team made the largest heroin bust in the history of New York City. They hit Diego Pena, the Dominican kingpin, for fifty kilos, enough to supply a fix for every man, woman and child in the city.

They also seized close to two million in cash.

The suits at One Police Plaza weren’t thrilled that Malone and his team did the whole investigation on their own and didn’t bring anyone else in. Narcotics was furious, DEA was pissed, too. But fuck ’em all, Malone thinks.

The media loved it.

The Daily News and the Post had full-color screaming headlines, every TV station led with it. Even the Times put a story in the Metro section.

So the suits had to grin and bear it.

Posed with the stacks of heroin.

The media also lifted its dress over its head in September when the Task Force made a major raid into the Grant and Manhattanville projects and busted over a hundred gangbangers from the 3Staccs, the Money Avenue Crew and the Make It Happen Boys, the latter of which youth-at-risk capped an eighteen-year-old star woman basketball player in retaliation for one of their own getting shot. She was on her knees in a stairwell begging for her life, pleading for the chance to go to that college where she had a full ride, but she didn’t get it.

They left her on the landing, her blood dripping down the steps like a little crimson waterfall.

The papers were full of pictures of Malone and his team and the rest of the Task Force hauling her killers out of the projects and toward life without parole in Attica, known in the street as the Terror Dome.

So my team, Malone thinks, brings in three-quarters of the quality arrests in “your command”—serious arrests with serious weight that result in convictions with serious time. It doesn’t show up in your numbers, but you know goddamn well that my team has made assists in just about every drug-related homicide arrest—resulting in conviction—not to mention muggings, burglaries, robberies, domestic assaults and rapes committed by junkies and dealers.

I’ve taken more real bad guys off the street than cancer, and it’s my team that keeps the lid on this shithole, keeps it from exploding, and you know it.

So even though you’re threatened by me, even though you know it’s really me and not you that runs the Task Force, you ain’t gonna reassign me because you need me to make you look good.

And you know that, too.

You may not like your best player, but you don’t trade him. He puts points on the board.

Sykes can’t touch him.

Now the captain says, “That was a dog-and-pony show to satisfy the suits. Heroin makes headlines, we have to respond.”

The fact is that heroin use in the black community is down, not up, Malone knows. The retail sale of heroin by black gangs is down, not up; in fact, the young bangers are diversifying into cell-phone theft and cybercrime—identity theft and credit card fraud.

Any cop in Brooklyn, the Bronx and Manhattan North knows that the violence isn’t around heroin, it’s about weed. The corner boys are fighting over who gets to sell peaceful marijuana, and where they get to sell it.