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The Shell Collector
Anthony Doerr
The showstopping debut from the author of the #1 Sunday Times bestseller ALL THE LIGHT WE CANNOT SEEA blind man spends his days roaming the beaches of Kenya collecting shells, classifying them by feeling their whorls, spines and folds in his fingers. A young woman discovers that she can explore the inner world of an animal’s mind by touching its freshly dead body. A refugee from Liberia, who cannot escape the horrors that he has witnessed, finds salvation in the clandesitne act of burying the hearts of beached whales.In The Shell Collector Antony Doerr illuminates both the riotous dangers of the natural world and the rocky terrain of the human heart.
The Shell Collector
Anthony Doerr
Copyright (#ulink_365dd3f1-dbd8-534c-bbf7-814cab56af36)
4th Estate
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.4thEstate.co.uk (http://www.4thEstate.co.uk)
First published by Flamingo 2002
This eBook edition published by 4th Estate 2016
Copyright © Anthony Doerr 2002
Anthony Doerr asserts the moral right to be identified as the author of this work
This collection of stories is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All but one of the stories in this collection have appeared elsewhere, in slightly different form: ‘The Hunter’s Wife’ in Atlantic Monthly; ‘So Many Chances’ in the Sycamore Review and Fly Rod & Reel; ‘For a Long Time This Was Griselda’s Story’ in the North American Review; ‘July Fourth’ in the Black Warrior Review; ‘The Caretaker’ in the Paris Review; ‘A Tangle by the Rapid River’ in the Sewanee Review; and ‘The Shell Collector’ in the Chicago Review.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Source ISBN: 9780007146987
Ebook Edition © December 2011: 9780007392469
Version: 2018-09-13
Praise (#ulink_8d36c9dd-de63-5f11-b1c1-39f57de96dd6)
‘These complex, resonant, beautifully realised stories sing. An entire world unfolds in each, memorable and rich; together, they form a remarkable first collection.’
ANDREA BARRETT, author of The Voyage of the Narwhal and Ship Fever
‘Doerr bears witness to history here – not the traditional history of big events or great people, but the small, anonymous corners from which the best stories can be told. Here is that rare and brave thing, a writer who doesn’t succumb to any of the easy temptations, but still manages to make a unique, powerful, and accessible music. Quite simply, this is the best collection of short stories that I’ve read in years.’
COLUM McCANN, author of Dancer
‘An impressive first collection…Doerr’s stories evoke the ecstatic feeling that comes from loving something or someone very much.’
TLS
‘Excellent stories…Doerr makes miraculous happenings seem natural because of his clean, classic style, an impressive achievement.’
Sunday Times
‘This assured literary debut has an almost ethereal quality about it: eerie and otherworldly in atmosphere, yet lucid, crisp and graceful in style. These short stories are linked by the overall themes of the complicated profundities of human emotion, the awe-inspiring beauty of nature and the numinous miracles of love…Doerr’s characters will hang around in your dreams long after you’ve finished the book.’
Venue
‘Doerr is fascinated by the way that the shape of things we can hold in our hands might be analogous to the shape of things we struggle harder to understand: love, loss, memory…When Doerr combines his talent for vivid observation with an understated look at some of the trials of being human he manages to move us far more often than not.’
Hampstead & Highgate Express
‘Loss, estrangement and distance are the collection’s keynotes. Doerr frames and executes these stories with seemingly effortless panache.’
Economist
‘The shell collector of the title is a blind man who roams the beaches of Kenya, feeling his way through the sand in search of smooth prizes. He’s just one of the enigmatic characters who populate the short stories in this strange, beautifully written collection.’
Sunday Tribune
‘Quite simply amazing. Not since Rick Bass’s The Watch has a first collection roamed so far in both language and landscape, presenting the natural and human-made worlds with equal beauty and awe.’
TOM FRANKLIN, author of Poachers
for Shauna
Contents
Cover (#ufa3962e9-9294-5a4f-9615-3abc156c581d)
Title Page (#uc3f3527d-52fc-5f8e-abb7-12d1f9059a3f)
Copyright (#u3389504d-dcea-5287-bb8b-ddb74a829b7c)
Praise (#u61c86910-eb34-58dd-81ee-39c0370e8d1e)
Dedication (#u059b7f34-1c3f-5e17-af55-387c50719ae0)
The Shell Collector (#u01f2c9a6-0122-576d-95b0-523517f61eba)
The Hunter’s Wife (#ucf5977ab-c6a7-5825-8144-f94016cb8323)
So Many Chances (#udf075c08-d54c-57d8-b65d-48baf3677543)
For a Long Time This Was Griselda’s Story (#u7393eedc-43b1-5d6f-aaef-ad2ee211b5c6)
July Fourth (#u046953ef-e5d2-54a8-b818-543610978ff1)
The Caretaker (#ub74c0ffd-56da-55c0-8140-a6a23a15dadf)
A Tangle by the Rapid River (#u264d419c-3462-580b-9d9c-45252b0a2417)
Mkondo (#u174c98c7-e969-5b93-9490-59c776010a52)
Acknowledgments (#ue162cae5-20e3-5652-8f3f-b87bdbbfdeb0)
About the Author (#u95a90f17-f9ee-55dc-b2d5-046b793b1666)
Keep Reading (#udf308e1c-05ed-57c1-8484-a600cc6e2e6a)
About the Publisher (#ufddf0623-5c26-5285-b9d5-d0b1a0fdad37)
THE SHELL COLLECTOR (#ulink_c6c697b4-07c6-55ec-9225-decd3c0522eb)
The shell collector was scrubbing limpets at his sink when he heard the water taxi come scraping over the reef. He cringed to hear it—its hull grinding the calices of finger corals and the tiny tubes of pipe organ corals, tearing the flower and fern shapes of soft corals, and damaging shells too: punching holes in olives and murexes and spiny whelks, in Hydatina physis and Turris babylonia. It was not the first time people tried to seek him out.
He heard their feet splash ashore and the taxi motor off, back to Lamu, and the light singsong pattern of their knock. Tumaini, his German shepherd, let out a low whine from where she was crouched under his sleeping cot. He dropped a limpet into the sink, wiped his hands and went, reluctantly, to greet them.
They were both named Jim, overweight reporters from a New York tabloid. Their handshakes were slick and hot. He poured them chai. They occupied a surprising amount of space in the kitchen. They said they were there to write about him: they would stay only two nights, pay him well. How did $10,000 American sound? He pulled a shell from his shirt pocket—a cerith—and rolled it in his fingers. They asked about his childhood: did he really shoot caribou as a boy? Didn’t he need good eyes for that?
He gave them truthful answers. It all held the air of whim, of unreality. These two big Jims could not actually be at his table, asking him these questions, complaining of the stench of dead shellfish. Finally they asked him about cone shells and the strength of cone venom, about how many visitors had come. They asked nothing about his son.
All night it was hot. Lightning marbled the sky beyond the reef. From his cot he heard siafu feasting on the big men and heard them claw themselves in their sleeping bags. Before dawn he told them to shake out their shoes for scorpions and when they did one tumbled out. It made tiny scraping sounds as it skittered under the refrigerator.
He took his collecting bucket and clipped Tumaini into her harness, and she led them down the path to the reef. The air smelled like lightning. The Jims huffed to keep up. They told him they were impressed he moved so quickly.
“Why?”
“Well,” they murmured, “you’re blind. This path ain’t easy. All these thorns.”
Far off, he heard the high, amplified voice of the muezzin in Lamu calling prayer. “It’s Ramadan,” he told the Jims. “The people don’t eat when the sun is above the horizon. They drink only chai until sundown. They will be eating now. Tonight we can go out if you like. They grill meat in the streets.”
By noon they had waded a kilometer out, onto the great curved spine of the reef, the lagoon slopping quietly behind them, a low sea breaking in front. The tide was coming up. Unharnessed now, Tumaini stood panting, half out of the water on a mushroom-shaped dais of rock. The shell collector was stooped, his fingers middling, quivering, whisking for shells in a sandy trench. He snatched up a broken spindle shell, ran a fingernail over its incised spirals. “Fusinus colus,” he said.
Automatically, as the next wave came, the shell collector raised his collecting bucket so it would not be swamped. As soon as the wave passed he plunged his arms back into sand, his fingers probing an alcove between anemones, pausing to identify a clump of brain coral, running after a snail as it burrowed away.
One of the Jims had a snorkeling mask and was using it to look underwater. “Lookit these blue fish,” he gasped. “Lookit that blue.”
The shell collector was thinking, just then, of the indifference of nematocysts. Even after death the tiny cells will discharge their poison—a single dried tentacle on the shore, severed eight days, stung a village boy last year and swelled his legs. A weeverfish bite bloated a man’s entire right side, blacked his eyes, turned him dark purple. A stone fish sting corroded the skin off the sole of the shell collector’s own heel, years ago, left the skin smooth and printless. How many urchin spikes, broken but still spurting venom, had he squeezed from Tumaini’s paw? What would happen to these Jims if a banded sea snake came slipping up between their fat legs? If a lion fish was dropped down their collars?
“Here is what you came to see,” he announced, and pulled the snail—a cone—from its collapsing tunnel. He spun it and balanced its flat end on two fingers. Even now its poisoned proboscis was nosing forward, searching him out. The Jims waded noisily over.
“This is a geography cone,” he said. “It eats fish.”
“That eats fish?” one of the Jims asked. “But my pinkie’s bigger.”
“This animal,” said the shell collector, dropping it into his bucket, “has twelve kinds of venom in its teeth. It could paralyze you and drown you right here.”
This all started when a malarial Seattle-born Buddhist named Nancy was stung by a cone shell in the shell collector’s kitchen. It crawled in from the ocean, slogging a hundred meters under coconut palms, through acacia scrub, bit her and made for the door.
Or maybe it started before Nancy, maybe it grew outward from the shell collector himself, the way a shell grows, spiraling upward from the inside, whorling around its inhabitant, all the while being worn down by the weathers of the sea.
The Jims were right: the shell collector did hunt caribou. Nine years old in Whitehorse, Canada, and his father would send the boy leaning out the bubble canopy of his helicopter in cutting sleet to cull sick caribou with a scoped carbine. But then there was choroideremia and degeneration of the retina; in a year his eyesight was tunneled, spattered with rainbow-colored halos. By twelve, when his father took him four thousand miles south, to Florida to see a specialist, his vision had dwindled into darkness.
The ophthalmologist knew the boy was blind as soon as he walked through the door, one hand clinging to his father’s belt, the other arm held straight, palm out, to stiff-arm obstacles. Rather than examine him—what was left to examine?—the doctor ushered him into his office, pulled off the boy’s shoes and walked him out the back door down a sandy lane onto a spit of beach. The boy had never seen sea and he struggled to absorb it: the blurs that were waves, the smears that were weeds strung over the tideline, the smudged yolk of sun. The doctor showed him a kelp bulb, let him break it in his hands and scrape its interior with his thumb. There were many such discoveries: a small horseshoe crab mounting a larger one in the wavebreak, a fistful of mussels clinging to the damp underside of rock. But it was wading ankle deep, when his toes came upon a small round shell, no longer than a segment of his thumb, that the boy truly was changed. His fingers dug the shell up, he felt the sleek egg of its body, the toothy gap of its aperture. It was the most elegant thing he’d ever held. “That’s a mouse cowry,” the doctor said. “A lovely find. It has brown spots, and darker stripes at its base, like tiger stripes. You can’t see it, can you?”
But he could. He’d never seen anything so clearly in his life. His fingers caressed the shell, flipped and rotated it. He had never felt anything so smooth—had never imagined something could possess such deep polish. He asked, nearly whispering: “Who made this?” The shell was still in his hand, a week later, when his father pried it out, complaining of the stink.
Overnight his world became shells, conchology, the phylum Mollusca. In Whitehorse, during the sunless winter, he learned Braille, mail-ordered shell books, turned up logs after thaws to root for wood snails. At sixteen, burning for the reefs he had discovered in books like The Wonders of Great Barrier, he left Whitehorse for good and crewed sailboats through the tropics: Sanibel Island, St. Lucia, the Batan Islands, Colombo, Bora Bora, Cairns, Mombassa, Moorea. All this blind. His skin went brown, his hair white. His fingers, his senses, his mind—all of him—obsessed over the geometry of exoskeletons, the sculpture of calcium, the evolutionary rationale for ramps, spines, beads, whorls, folds. He learned to identify a shell by flipping it up in his hand; the shell spun, his fingers assessed its form, classified it: Ancilla, Ficus, Terebra. He returned to Florida, earned a bachelor’s in biology, a Ph.D. in malacology. He circled the equator; got terribly lost in the streets of Fiji; got robbed in Guam and again in the Seychelles; discovered new species of bivalves, a new family of tusk shells, a new Nassarius, a new Fragum.
Four books, three Seeing Eye shepherds, and a son named Josh later, he retired early from his professorship and moved to a thatch-roofed kibanda just north of Lamu, Kenya, one hundred kilometers south of the equator in a small marine park in the remotest elbow of the Lamu Archipelago. He was fifty-eight years old. He had realized, finally, that he would only understand so much, that malacology only led him downward, to more questions. He had never comprehended the endless variations of design: Why this lattice ornament? Why these fluted scales, these lumpy nodes? Ignorance was, in the end, and in so many ways, a privilege: to find a shell, to feel it, to understand only on some unspeakable level why it bothered to be so lovely. What joy he found in that, what utter mystery.
Every six hours the tides plowed shelves of beauty onto the beaches of the world, and here he was, able to walk out into it, thrust his hands into it, spin a piece of it between his fingers. To gather up seashells—each one an amazement—to know their names, to drop them into a bucket: this was what filled his life, what overfilled it.
Some mornings, moving through the lagoon, Tumaini splashing comfortably ahead, he felt a nearly irresistible urge to bow down.
But then, two years ago, there was this twist in his life, this spiral that was at once inevitable and unpredictable, like the aperture in a horn shell. (Imagine running a thumb down one, tracing its helix, fingering its flat spiral ribs, encountering its sudden, twisting opening.) He was sixty-three, moving out across the shadeless beach behind his kibanda, poking a beached sea cucumber with his toe, when Tumaini yelped and skittered and dashed away, galloping downshore, her collar jangling. When the shell collector caught up, he caught up with Nancy, sunstroked, incoherent, wandering the beach in a khaki travel suit as if she had dropped from the clouds, fallen from a 747. He took her inside and laid her on his cot and poured warm chai down her throat. She shivered awfully; he radioed Dr. Kabiru, who boated in from Lamu.
“A fever has her,” Dr. Kabiru pronounced, and poured sea water over her chest, swamping her blouse and the shell collector’s floor. Eventually her fever fell, the doctor left, and she slept and did not wake for two days. To the shell collector’s surprise no one came looking for her—no one called; no water taxis came speeding into the lagoon ferrying frantic American search parties.
As soon as she recovered enough to talk she talked tirelessly, a torrent of personal problems, a flood of divulged privacies. She’d been coherent for a half hour when she explained she’d left a husband and kids. She’d been naked in her pool, floating on her back, when she realized that her life—two kids, a three-story Tudor, an Audi wagon—was not what she wanted. She’d left that day. At some point, traveling through Cairo, she ran across a neo-Buddhist who turned her onto words like inner peace and equilibrium. She was on her way to live with him in Tanzania when she contracted malaria. “But look!” she exclaimed, tossing up her hands. “I wound up here!” As if it were all settled.
The shell collector nursed and listened and made her toast. Every three days she faded into shivering delirium. He knelt by her and trickled seawater over her chest, as Dr. Kabiru had prescribed.
Most days she seemed fine, babbling her secrets. He fell for her, in his own unspoken way. In the lagoon she would call to him and he would swim to her, show her the even stroke he could muster with his sixty-three-year-old arms. In the kitchen he tried making her pancakes and she assured him, giggling, that they were delicious.
And then one midnight she climbed onto him. Before he was fully awake, they had made love. Afterward he heard her crying. Was sex something to cry about? “You miss your kids,” he said.
“No.” Her face was in the pillow and her words were muffled. “I don’t need them anymore. I just need balance. Equilibrium.”
“Maybe you miss your family. It’s only natural.”
She turned to him. “Natural? You don’t seem to miss your kid. I’ve seen those letters he sends. I don’t see you sending any back.”
“Well he’s thirty…” he said. “And I didn’t run off.”
“Didn’t run off? You’re three trillion miles from home! Some retirement. No fresh water, no friends. Bugs crawling in the bathtub.”
He didn’t know what to say: What did she want anyhow? He went out collecting.
Tumaini seemed grateful for it, to be in the sea, under the moon, perhaps just to be away from her master’s garrulous guest. He unclipped her harness; she nuzzled his calves as he waded. It was a lovely night, a cooling breeze flowing around their bodies, the warmer tidal current running against it, threading between their legs. Tumaini paddled to a rock perch, and he began to roam, stooped, his fingers probing the sand. A marlinspike, a crowned nassa, a broken murex, a lined bullia, small voyagers navigating the current-packed ridges of sand. He admired them, and put them back where he found them. Just before dawn he found two cone shells he couldn’t identify, three inches long and audacious, attempting to devour a damselfish they had paralyzed.
When he returned, hours later, the sun was warm on his head and shoulders and he came smiling into the kibanda to find Nancy catatonic on his cot. Her forehead was cold and damp. He rapped his knuckles on her sternum and she did not reflex. Her pulse measured at twenty, then eighteen. He radioed Dr. Kabiru, who motored his launch over the reef and knelt beside her and spoke in her ear. “Bizarre reaction to malaria,” the doctor mumbled. “Her heart hardly beats.”
