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“You have a visitor, you see,” said Monsieur Defarge.
“What did you say?”
“Here is a visitor.”
The shoemaker looked up as before, but without removing a hand from his work.
“Come!” said Defarge. “Here is monsieur, who knows a well-made shoe when he sees one. Show him that shoe you are working at. Take it, monsieur.”
Mr. Lorry took it in his hand.
“Tell monsieur what kind of shoe it is, and the maker’s name.”
There was a longer pause than usual, before the shoemaker replied—
“I forget what it was you asked me. What did you say?”
“I said, couldn’t you describe the kind of shoe, for monsieur’s information?”
“It is a lady’s shoe. It is a young lady’s walking-shoe. It is in the present mode. I never saw the mode. I have had a pattern in my hand.” He glanced at the shoe, with some little passing touch of pride.
“And the maker’s name?” said Defarge.
Now that he had no work to hold, he laid the knuckles of the right hand in the hollow of the left, and then the knuckles of the left hand in the hollow of the right, and then passed a hand across his bearded chin, and so on in regular changes, without a moment’s intermission. The task of recalling him from the vacancy into which he always sank when he had spoken, was like recalling some very weak person from a swoon, or endeavouring, in the hope of some disclosure, to stay the spirit of a fast dying man.
“Did you ask me for my name?”
“Assuredly I did.”
“One Hundred and Five, North Tower.”
“Is that all?”
“One Hundred and Five, North Tower.”
With a weary sound that was not a sigh, nor a groan, he bent to work again, until the silence was again broken.
“You are not a shoemaker by trade?” said Mr. Lorry, looking steadfastly at him.
His haggard eyes turned to Defarge as if he would have transferred the question to him; but as no help came from that quarter, they turned back on the questioner when they had sought the ground.
“I am not a shoemaker by trade? No, I was not a shoemaker by trade. I—I learned it here. I taught myself. I asked leave to—”
He lapsed away, even for minutes, ringing those measured changes on his hands the whole time. His eyes came slowly back, at last, to the face from which they had wandered; when they rested on it, he started, and resumed, in the manner of a sleeper that moment awake, reverting to a subject of last night.
“I asked leave to teach myself, and I got it with much difficulty after a long while, and I have made shoes ever since.”
As he held out his hand for the shoe that had been taken from him, Mr. Lorry said, still looking steadfastly in his face—
“Monsieur Manette, do you remember nothing of me?”
The shoe dropped to the ground, and he sat looking fixedly at the questioner.
“Monsieur Manette”—Mr. Lorry laid his hand upon Defarge’s arm—“do you remember nothing of this man? Look at him. Look at me. Is there no old banker, no old business, no old servant, no old time, rising in your mind, Monsieur Manette?”
As the captive of many years sat looking fixedly, by turns at Mr. Lorry and at Defarge, some long-obliterated marks of an actively intent intelligence, in the middle of the forehead, gradually forced themselves through the black mist that had fallen on him. They were overclouded again, they were fainter, they were gone; but they had been there. And so exactly was the expression repeated on the fair young face of her who had crept along the wall to a point where she could see him, and where she now stood looking at him, with hands which at first had been only raised in frightened compassion, if not even to keep him off and shut out the sight of him, but which were now extending towards him, trembling with eagerness to lay the spectral face upon her warm young breast, and love it back to life and hope—so exactly was the expression repeated (though in stronger characters) on her fair young face, that it looked as though it had passed, like a moving light, from him to her.
Darkness had fallen on him in its place. He looked at the two, less and less attentively, and his eyes in gloomy abstraction sought the ground and looked about him in the old way. Finally, with a deep, long sigh, he took the shoe up, and resumed his work.
“Have you recognised him, monsieur?” asked Defarge, in a whisper.
“Yes; for a moment. At first I thought it quite hopeless, but I have unquestionably seen, for a single moment, the face that I once knew well. Hush! Let us draw farther back. Hush!”
She had moved from the wall of the garret, very near to the bench on which he sat. There was something awful in his unconsciousness of the figure that could have put out its hand and touched him as he stooped over his labour.
Not a word was spoken, not a sound was made. She stood, like a spirit, beside him, and he bent over his work.
It happened, at length, that he had occasion to change the instrument in his hand for his shoemaker’s knife. It lay on that side of him which was not the side on which she stood. He had taken it up, and was stooping to work again, when his eyes caught the skirt of her dress. He raised them, and saw her face. The two spectators started forward, but she stayed them with a motion of her hand. She had no fear of his striking at her with the knife, although they had.
He stared at her with a fearful look, and after a while his lips began to form some words, though no sound proceeded from them. By degrees, in the pauses of his quick and laboured breathing, he was heard to say—
“What is this?”
With the tears streaming down her face, she put her two hands to her lips, and kissed them to him; then clasped them on her breast; as if she laid his ruined head there.
“You are not the jailer’s daughter?”
She sighed “No.”
“Who are you?”
Not yet trusting the tones of her voice, she sat down on the bench beside him. He recoiled, but she laid her hand upon his arm. A strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly, as he sat staring at her.
Her golden hair, which she wore in long curls, had been hurriedly pushed aside, and fell down over her neck. Advancing his hand by little and little, he took it up, and looked at it. In the midst of the action he went astray, and, with another deep sigh, fell to work at his shoemaking.
But not for long. Releasing his arm, she laid her hand upon his shoulder. After looking doubtfully at it, two or three times, as if to be sure that it was really there, he laid down his work, put his hand to his neck, and took off a blackened string with a scrap of folded rag attached to it. He opened this carefully, on his knee, and it contained a very little quantity of hair: not more than one or two long golden hairs, which he had, in some old day wound off upon his finger.
He took her hair into his hand again, and looked closely at it. “It is the same. How can it be! When was it! How was it!”
As the concentrating expression returned to his forehead, he seemed to become conscious that it was in hers too. He turned her full to the light, and looked at her.
“She had laid her head upon my shoulder, that night when I was summoned out-she had a fear of my going, though I had none-and when I was brought to the North Tower they found these upon my sleeve. ‘You will leave me them? They can never help me to escape in the body, though they may in the spirit.’ Those were the words I said. I remember them very well.”
He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly.
“How was this? Was it you?”
Once more, the two spectators started, as he turned upon her with a frightful suddenness. But she sat perfectly still in his grasp, and only said, in a low voice, “I entreat you, good gentlemen, do not come near us, do not speak, do not move!”
“Hark!” he exclaimed. “Whose voice was that?”
His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head.
“No, no, no; you are too young, too blooming. It can’t be. See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and he was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel?”
Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast.
“O sir, at another time you shall know my name, and who my mother was, and who my father, and how I never knew their hard, hard history. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!”
His cold, white head mingled with her radiant hair, which warmed and lighted it as though it were the light of freedom shining on him.
“If you hear in my voice—I don’t know that it is so, but I hope it is—if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay in your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a home there is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a home long desolate, while your poor heart pined away, weep for it, weep for it!”
She held him closer round the neck, and rocked him on her breast like a child.
“If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. Oh, see! Thank God for us, thank God!”
He had sunk in her arms, with his face dropped on her breast: a sight so touching, yet so terrible in the tremendous wrong and suffering which had gone before it, that the two beholders covered their faces.
When the quiet of the garret had been long undisturbed, and his heaving breast and shaken form had long yielded to the calm that must follow all storms—emblem to humanity, of the rest and silence into which the storm called life must hush at last—they came forward to raise the father and daughter from the ground. He had gradually drooped to the floor, and lay there in a lethargy, worn out. She had nestled down with him, that his head might lie upon her arm; and her hair drooping over him curtained him from the light.
“If, without disturbing him,” she said, raising her hand to Mr. Lorry as he stooped over them, after repeated blowings of his nose, “all could be arranged for our leaving Paris at once, so that, from the very door, he could be taken away—”
“But, consider. Is he fit for the journey?” asked Mr. Lorry.
“More fit for that, I think, than to remain in this city, so dreadful to him.”
“It is true,” said Defarge, who was kneeling to look on and hear. “More than that: Monsieur Manette is, for all reasons, best out of France. Say, shall I hire a carriage and post-horses?”
“That’s business,” said Mr. Lorry, resuming on the shortest notice his methodical manners; “and if business is to be done, I had better do it.”
“Then be so kind,” urged Miss Manette, “as to leave us here. You see how composed he has become, and you cannot be afraid to leave him with me now. Why should you be? If you will lock the door to secure us from interruption, I do not doubt that you will find him, when you come back, as quiet as you leave him. In any case, I will take care of him until you return, and then we will remove him straight.”
Both Mr. Lorry and Defarge were rather disinclined to this course, and in favour of one of them remaining. But, as there were not only carriage and horses to be seen to, but travelling papers; and as time pressed, for the day was drawing to an end, it came at last to their hastily dividing the business that was necessary to be done, and hurrying away to do it.
Then, as the darkness closed in, the daughter laid her head down on the hard ground close at the father’s side, and watched him. The darkness deepened and deepened, and they both lay quiet, until a light gleamed through the chinks in the wall.
Mr. Lorry and Monsieur Defarge had made all ready for the journey, and had brought with them, besides travelling cloaks and wrappers, bread and meat, wine, and hot coffee. Monsieur Defarge put this provender, and the lamp he carried, on the shoemaker’s bench (there was nothing else in the garret but a pallet bed), and he and Mr. Lorry roused the captive, and assisted him to his feet.
No human intelligence could have read the mysteries of his mind, in the scared, blank wonder of his face. Whether he knew what had happened, whether he recollected what they had said to him, whether he knew that he was free, were questions which no sagacity could have solved. They tried speaking to him; but he was so confused, and so very slow to answer, that they took fright at his bewilderment, and agreed for the time to tamper with him no more. He had a wild, lost manner of occasionally clasping his head in his hands, that had not been seen in him before; yet he had some pleasure in the mere sound of his daughter’s voice, and invariably turned to it when she spoke.
In the submissive way of one long accustomed to obey under coercion, he ate and drank what they gave him to eat and drink, and put on the cloak and other wrappings that they gave him to wear. He readily responded to his daughter’s drawing her arm through his, and took—and kept—her hand in both of his own.
They began to descend; Monsieur Defarge going first with the lamp, Mr. Lorry closing the little procession. They had not traversed many steps of the long main staircase when he stopped, and stared at the roof and round at the walls.
“You remember the place, my father? You remember coming up here?”
“What did you say?”
But, before she could repeat the question, he murmured an answer as if she had repeated it.
“Remember? No, I don’t remember. It was so very long ago.”
That he had no recollection whatever of his having been brought from his prison to that house, was apparent to them. They heard him mutter, “One Hundred and Five, North Tower”; and when he looked about him, it evidently was for the strong fortress walls which had long encompassed him. On their reaching the courtyard, he instinctively altered his tread, as being in expectation of a drawbridge; and when there was no drawbridge, and he saw the carriage waiting in the open street, he dropped his daughter’s hand and clasped his head again.
No crowd was about the door, no people were discernible at any of the many windows; not even a chance passer-by was in the street. An unnatural silence and desertion reigned there. Only one soul was to be seen, and that was Madame Defarge-who leaned against the door-post, knitting, and saw nothing.
The prisoner had got into the coach, and his daughter had followed him, when Mr. Lorry’s feet were arrested on the step by his asking, miserably, for his shoemaking tools and the unfinished shoes. Madame Defarge immediately called to her husband that she would get them, and went, knitting, out of the lamplight, through the courtyard. She quickly brought them down and handed them in; and immediately afterwards leaned against the door-post, knitting, and saw nothing.
Defarge got upon the box, and gave the word “To the barrier!” The postilion cracked his whip, and they clattered away under the feeble over-swinging lamps.
Under the over-swinging lamps—swinging ever brighter in the better streets, and ever dimmer in the worse—and by lighted shops, gay crowds, illuminated coffee-houses, and theatre-doors, to one of the city gates. Soldiers with lanterns, at the guard-house there. “Your papers, travellers!” “See here then, monsieur the officer,” said Defarge, getting down, and taking him gravely apart, “these are the papers of monsieur inside, with the white head. They were consigned to me, with him, at the—” He dropped his voice, there was a flutter among the military lanterns, and one of them being handed into the coach by an arm in uniform, the eyes connected with the arm looked, not an every day or an every night look, at monsieur with the white head. “It is well. Forward!” from the uniform. “Adieu!” from Defarge. And so, under a short grove of feebler and feebler over-swinging lamps, out under the great grove of stars.
Beneath that arch of unmoved and eternal lights—some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done—the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry-sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration—the old inquiry-
“I hope you care to be recalled to life?”
And the old answer—
“I can’t say.”
BOOK TWO The Golden Thread (#ulink_bb3d42dc-9af2-5b87-af21-85593fd5287d)
CHAPTER 1 Five Years Later (#ulink_d9c4c2ed-7be7-52c9-a94d-50891fa96e28)
Tellson’s Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the house were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness. They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson’s (they said) wanted no elbow-room, Tellson’s wanted no light, Tellson’s wanted no embellishment. Noakes and Co.’s might, or Snooks Brothers’ might; but Tellson’s, thank Heaven—
Any one of these partners would have disinherited his son on the question of rebuilding Tellson’s. In this respect the house was much on a par with the country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable.
Thus it had come to pass that Tellson’s was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson’s down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet Street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar. If your business necessitated your seeing “the House,” you were put into a species of condemned hold at the back, where you meditated on a misspent life, until the house came with its hands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut. Your banknotes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air. Your lighter boxes of family papers went upstairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee. But indeed, at that time, putting to death was a recipe much in vogue with all trades and professions and not least of all w ith Tellson’s. Death is Nature’s remedy for all things, and why not Legislation’s? Accordingly, the forger was put to death; the utterer of a bad note was put to death, the unlawful opener of a letter was put to death, the purloiner of forty shillings and sixpence was put to death; the holder of a horse at Tellson’s door, who made off with it, was put to death; the coiner of a bad shilling was put to death; the sounders of three-fourths of the notes in the whole gamut of crime, were put to death. Not that it did the least good in the way of prevention—it might almost have been worth remarking that the fact was exactly the reverse—but it cleared off (as to this world) the trouble of each particular case, and left nothing else connected with it to be looked after. Thus, Tellson’s, in its day, like greater places of business, its contemporaries, had taken so many lives, that, if the heads laid low before it had been ranged on Temple Bar instead of being privately disposed of, they would probably have excluded what little light the ground floor had, in a rather significant manner.
Cramped in all kinds of dim cupboards and hutches at Tellson’s, the oldest of men carried on the business gravely. When they took a young man into Tellson’s London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.
Outside Tellson’s—never by any means in it, unless called in—was an odd-job-man, an occasional porter and messenger, who served as the live sign of the house. He was never absent during business hours, unless upon an errand, and then he was represented by his son: a grisly urchin of twelve, who was his express image. People understood that Tellson’s, in a stately way, tolerated the odd-job-man. The house had always tolerated some person in that capacity, and time and tide had drifted this person to the post. His surname was Cruncher, and on the youthful occasion of his renouncing by proxy the works of darkness, in the easterly parish church of Houndsditch, he had received the added appellation of Jerry.
The scene was Mr. Cruncher’s private lodging in Hanging Sword Alley, Whitefriars; the time, half-past seven of the clock on a windy March morning, Anno Domini seventeen hundred and eighty. (Mr. Cruncher himself always spoke of the year of our Lord as Anna Dominoes: apparently under the impression that the Christian era dated from the invention of a popular game, by a lady who had bestowed her name upon it.)
Mr. Cruncher’s apartments were not in a savoury neighbourhood, and were but two in number, even if a closet with a single pane of glass in it might be counted as one. But they were very decently kept. Early as it was, on the windy March morning, the room in which he lay abed was already scrubbed throughout; and between the cups and saucers arranged for breakfast, and the lumbering deal table, a very clean white cloth was spread.
Mr. Cruncher reposed under a patchwork counterpane, like a harlequin at home. At first, he slept heavily, but, by degrees, began to roll and surge in bed, until he rose above the surface, with his spiky hair looking as if it must tear the sheets to ribbons. At which juncture, he exclaimed, in a voice of dire exasperation—
“Bust me, if she ain’t at it agin!”
A woman of orderly and industrious appearance rose from her knees in a corner, with sufficient haste and trepidation to show that she was the person referred to.
“What!” said Mr. Cruncher, looking out of bed for a boot. “You’re at it agin, are you?”
After hailing the morning with this second salutation, he threw a boot at the woman as a third. It was a very muddy boot, and may introduce the odd circumstance connected with Mr. Cruncher’s domestic economy, that, whereas he often came home after banking hours with clean boots, he often got up next morning to find the same boots covered with clay.
