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CHAPTER LX (#litres_trial_promo)
CHAPTER LXI (#litres_trial_promo)
CHAPTER LXII (#litres_trial_promo)
CHAPTER LXIII: THE BEAUTY (#litres_trial_promo)
CHAPTER LXIV (#litres_trial_promo)
CHAPTER LXV (#litres_trial_promo)
CHAPTER LXVI: THE BEAST (#litres_trial_promo)
CHAPTER LXVII: THE BEAUTY (#litres_trial_promo)
CHAPTER LXVIII: THE BEAST (#litres_trial_promo)
CHAPTER LXIX (#litres_trial_promo)
CHAPTER LXX (#litres_trial_promo)
CHAPTER LXXI (#litres_trial_promo)
CHAPTER LXXII: THE BEAST (#litres_trial_promo)
CHAPTER LXXIII: THE BEAUTY (#litres_trial_promo)
CHAPTER LXXIV: THE BEAST (#litres_trial_promo)
CHAPTER LXXV: THE BEAUTY (#litres_trial_promo)
CHAPTER LXXVI: THE BEAST (#litres_trial_promo)
THE BEAUTY OF THE WOLF (#litres_trial_promo)
CHAPTER LXXVII (#litres_trial_promo)
CHAPTER LXXVIII: THE BEAST (#litres_trial_promo)
CHAPTER LXXIX (#litres_trial_promo)
CHAPTER LXXX: THE BEAUTY (#litres_trial_promo)
CHAPTER LXXXI (#litres_trial_promo)
CHAPTER LXXXII (#litres_trial_promo)
CHAPTER LXXXIII (#litres_trial_promo)
CHAPTER LXXXIV (#litres_trial_promo)
CHAPTER LXXXV: THE BEAST (#litres_trial_promo)
CHAPTER LXXXVI: THE BEAUTY (#litres_trial_promo)
CHAPTER LXXXVII (#litres_trial_promo)
CHAPTER LXXXVIII: THE SORCERESS (#litres_trial_promo)
CHAPTER LXXXIX (#litres_trial_promo)
CHAPTER XC (#litres_trial_promo)
CHAPTER XCI (#litres_trial_promo)
CHAPTER XCII (#litres_trial_promo)
CHAPTER XCIII: THE BEAUTY (#litres_trial_promo)
CHAPTER XCIV (#litres_trial_promo)
CHAPTER XCV (#litres_trial_promo)
CHAPTER XCVI (#litres_trial_promo)
CHAPTER XCVII (#litres_trial_promo)
CHAPTER XCVIII: THE BEAST (#litres_trial_promo)
CHAPTER XCIX: THE BEAUTY (#litres_trial_promo)
CHAPTER C (#litres_trial_promo)
CHAPTER CI: THE SORCERESS (#litres_trial_promo)
CHAPTER CII (#litres_trial_promo)
CHAPTER CIII: THE BEAST (#litres_trial_promo)
CHAPTER CIV (#litres_trial_promo)
AUTHOR’S NOTE (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
THE SORCERESS (#ulink_50cf8ca1-cd49-5cd9-a975-01c9534395ba)
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air . . .
THE ANATOMY OF MELANCHOLY ROBERT BURTON
I (#ulink_b8048def-6873-5e99-9a8e-c99dab596a21)
I woke when the mighty oak screamed.
No mortal heard the sound those roots made when their weighty grip upon the soil was lost to them. No mortal saw the desperate clawing at the earth, the very life snapping from the trunk as the ground crumbled, shivered with the cacophony of destruction. How could I sleep, tell me, for it had awakened the very rage in me.
My oak trees outlive men by hundreds of years, yet it is these mortals with but a few seasons to their names that claim the wisdom of God in their insect hours upon this earth.
I have no time for sweet, enchanting tales that fool the reader with lies and false promises. Too long I have lived and seen, and seen yet never said, been counselled strong to leave off the telling of my tale. What care have I for such timid sentiments? Let the Devil make his judgment.
Do you not know me? I was born from the womb of the earth, nursed with the milk of the moon. Flame gave me three bodies, one soul. In between lies my invisibility. I am the maiden, the mother, the crone, in all I am one. You think that I am unlike you. Look again. I am the dark side of the glass, proud to own my power for good or for ill.
My sorcery, unlike your malcontent prayers, cannot be undone. I relish my powers to shift my shape without boundaries, to move freely between the holy trinity of women. No church would ever make me give up my body in all its lustful glory to a fleshless lord. For what purpose? To be tamed, to live in servitude, to be robbed of my mystery?
Why then should I remain silent just when the mortal world has decided to overthrow magic in favour of religion and rational thought? When our ways are about to be sacrificed to the Lord of Despair, he whose feet never touched this earth of mine?
I could have dreamed my way through such lunacy, deep under my trees, wrapped safe in darkling sleep and all that happened would never have happened. For the loss of one oak tree I put my curse on he who claimed my church, who had the arrogance to fell my cathedral. I might have forgiven him one of my glorious, bejewelled treasures, but Francis Thursby, Earl of Rodermere, would have none of it. Foolish jester. He had no idea at whom he jangled his bells.
Come then, follow me down, for I am but the crack between the words, a riddle to be solved. Come, follow me, into the shadow of a sorceress’s spell and think no more of my presence. I am but the unseen, all-knowing storyteller.
No man should have dared to wake me. No man. No man.
II (#ulink_aa9cad38-3401-55af-9330-3ecb25469f01)
There is little merit in sticking pins in time, in searching for a date to tie this story to. Suffice to say it is set in an England ruled by a faerie queen, a period of ruffles and lace, of wrought velvet and blanched satins, silk stockings costing a king’s ransom. It is the age of imagination, when the philosopher’s stone would make gold of your dreams. A time when the world became curved and the seas led to strange lands and brought back unknown treasures. It is the day when the play be everything, and all men’s lives had their season there. And it would have meant nothing to the sorceress.
In her chamber deep underground she dressed in all her finery. Her petticoat was the colour of damask rose and in the embroidered stitchery lay her magic, ancient as snakes, the very weave of the cloth testament to her power. She wore her crown of briars on her amber hair, a ruff of raven’s feathers, a farthingale embroidered with beetles black as jet. Her skirt borrowed from midnight’s wardrobe showed the hem of her petticoat beneath. And in the witching hour she went to find him.
III (#ulink_e66a50f1-77be-5499-a485-254ec4537810)
Invisible in her cloak the sorceress took the measure of the man before making her appearance. She had found Lord Rodermere at the refectory table where once the monks had dined in silence. He was a large, sprawling man whose doublet battled to contain his flesh. His small eyes that suited swine looked mean in a man; his nose dominated his features; his lips, hard, thin. It was not a handsome face and his fondness for the wine accounted for the redness of his complexion. The stags’ heads on the wall were testament to his passion for hunting.
Lord Rodermere’s father, Edmund Thursby, had been given the monastery and its lands by a king who, in need of a new wife, had the monks made destitute. The late Earl of Rodermere had lived there and done nothing to its chambers that were bitter cold even in the summer months. Neither had he touched the forest other than to care for it by good husbandry. He had applied the same principle to his land and his people. Unlike his son, he had had the wisdom to leave the great oak trees alone for he believed in the tales of the forest, of the sorceress and the wolf. Only those who did not live in those parts and were ignorant thought these stories to be no more than faerie tales.
When Edmund Thursby died, his son returned home from fighting abroad determined to build a manor house from the forest, as if by the destruction of the oak trees he would be hacking at the roots of pagan beliefs. He had sworn to rid his land of superstitions, bring his peasants under the control of the church and there such nonsense would be banished, by force if necessary. He would prove that man is master of nature and if in the heart of the forest there were both sorceress and wolf, he would hunt them down with horse and hound and kill them.
Three mastiffs lie at Lord Rodermere’s feet. His page serves him wine, hands shaking as he lifts the jug to refill his master’s goblet. Irritated, Lord Rodermere pushes the boy away. For all his bravado he looks uncomfortable in the dining hall of shadows. His dogs stir, their hackles rise, they snarl. They sense an unknown presence.
‘Quiet,’ says Lord Rodermere. ‘It is only the wind.’ And, cursing, he demands more wine. The page, pale of face, refills his glass. ‘What? Are you frightened of a breeze?’
‘No, my lord.’
The muscles tighten in Lord Rodermere’s neck, beads of sweat form on his forehead. His heart pounds faster than it should. He jumps when a log falls into the fire.
‘More candles,’ he demands.
More candles are lit and the unseen, uninvited guest takes pleasure in blowing them out one by one. The servants and the dogs back away from their master. It is only when he lifts his wine once more to those dry lips that the sorceress appears before him in a blaze of light. His lordship’s hand loses its grip on the goblet which clutters to the floor.
Time stops. And her voice echoes in the rafters.
‘Francis Thursby, Earl of Rodermere, I will grant you any wish you might desire if you will – as your father did and the monks before him – leave my forest be. I am prepared to be generous.’
‘What godless creature are you? From whence did you come?’
He is wondering if this be the Devil in the form of a woman.
His deep voice quavers. ‘By what trickery do you conjure yourself before me? Who are you to claim my oak trees and my land, to threaten me, your lord and master?’
‘You mistake me,’ says the sorceress. ‘I do not threaten you. And you are not and never will be my lord and master. I have come to tell you plainly what you must do if you are not to feel the burden of my curse upon you.’
‘What did you say, mistress?’
He is shocked that a mere woman would speak to him thus. He calls for his servants. He stands high and square and points to the sorceress and orders that this witch be thrown out. Not one of his men dares go near her. Lord Rodermere was not expecting such insubordination. His temper now well and truly lost to reason, he bellows for his steward.
Master Gilbert Goodwin, who was born in these parts and knows them well, comes quickly, his footsteps ring on the stone floor as he enters the hall and slow when he see the sorceress.
‘Lock her up and call the sherriff,’ commands his master.
Master Goodwin – wisely – stays where he is.
‘Did you not hear me?’ shouts Lord Rodermere.
‘My lord,’ says Master Goodwin. ‘You would do well to hear her out.’
His lordship draws his sword.
‘Do you disobey me too? Be careful, Master Goodwin . . .’
The sorceress raises her hand to silence the fool. She has had enough of his blabbering tongue. One look is all it takes and stock still he stands, mouth wide open, unable to move. The sword falls from his grip and, like the goblet, clatters to the floor.
‘You should do as Master Goodwin suggests,’ says the sorceress. ‘You should listen to every word and mark it well. Fell another of my oak trees and I will put a curse on you that no man will have the power to undo. But leave my forest be and I will grant you one wish.’
She snaps her fingers and Lord Rodermere is returned to the trumpets and drums of his fury. He shouts at her as if the sound of his voice will have the power to undo her threat.
‘Woman, your charms and other such trumpery be worthless. I damn you as a sorceress, a bullbegger.’
And before his eyes, she vanishes.
IV (#ulink_fa909347-2020-5402-85ca-84b3a5a4f71c)
The next day at dawn, to show his mettle and his belief in a higher heaven, Lord Rodermere felled the second stag oak – broader than three kings and taller than any church in those parts. The majestic tree had stood sentinel over the forest, half in shade, half in sun so that it knew both the woods and the fields. Autumn had not yet stripped the tree of its cargo of leaves, yet regardless it was crudely felled. Sap blood on the earl’s hands, the sorceress’s curse upon his soul. She wrote it on the bark of that noble fallen tree, words written in gold for all to see.
A faerie boy
