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Paradise City
Elizabeth Day
An audacious, compassionate state-of-the-nation novel about four strangers whose lives collide with far-reaching consequences.Beatrice Kizza, a woman in flight from a homeland that condemned her for daring to love, flees to London. There, she shields her sorrow from the indifference of her adopted city, and navigates a night-time world of shift-work and bedsits.Howard Pink is a self-made millionaire who has risen from Petticoat Lane to the mansions of Kensington on a tide of determination and bluster. Yet self-doubt still snaps at his heels and his life is shadowed by the terrible loss that has shaken him to his foundations.Carol Hetherington, recently widowed, is living the quiet life in Wandsworth with her cat and The Jeremy Kyle Show for company. As she tries to come to terms with the absence her husband has left on the other side of the bed, she frets over her daughter's prospects and wonders if she'll ever be happy again.Esme Reade is a young journalist learning to muck-rake and doorstep in pursuit of the elusive scoop, even as she longs to find some greater meaning and leave her imprint on the world.Four strangers, each inhabitants of the same city, where the gulf between those who have too much and those who will never have enough is impossibly vast. But when the glass that separates Howard's and Beatrice's worlds is shattered by an inexcusable act, they discover that the capital has connected them in ways they could never have imagined.
Copyright (#u718a0743-1663-5813-9828-8e6b38fbb191)
4th Estate
An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.4thEstate.co.uk (http://www.4thEstate.co.uk)
First published in Great Britain by Bloomsbury Publishing Plc in 2015
This eBook edition published by 4th Estate in 2017
Copyright © Elizabeth Day, 2015
Elizabeth Day asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins
Source ISBN: 9780008221751
Ebook Edition © July 2017 ISBN: 9780008221768
Version: 2018-09-26
To Emma – here’s one for the rogue
Contents
Cover (#u404232a0-3305-5b9f-ad95-ffe882b06484)
Title Page (#ub5c8e2ed-1812-5c8e-920d-3a8789819e33)
Copyright (#ub9d225bb-9141-5ee9-8875-5c944fba82c4)
Dedication (#u99502b41-64cb-5567-99cc-fce5f5878d8f)
HOWARD (#u01c9948d-2fb9-5069-92f0-0165491c0c56)
ESME (#u7017a9dc-b074-577d-903a-cda4e86c135b)
CAROL (#u701809ec-6a26-54d9-9a0d-c36411b26f4c)
BEATRICE (#u1fb9cb99-f68f-5f6c-a2d3-25f5e7b83b73)
Howard (#ub616e46d-102b-58b7-b861-d8137973c2be)
Esme (#u3fa81209-46e5-5e13-b863-acbc27530867)
Carol (#u63773531-5d84-5057-977b-b10e3170f694)
Beatrice (#u5a9f5ee4-1f3c-549e-a84a-56eb57685865)
Howard (#u49c4c2f8-8fe5-56b9-a2f2-3e0646763261)
Esme (#litres_trial_promo)
Carol (#litres_trial_promo)
Beatrice (#litres_trial_promo)
Howard (#litres_trial_promo)
Esme (#litres_trial_promo)
Carol (#litres_trial_promo)
Beatrice (#litres_trial_promo)
Howard (#litres_trial_promo)
Esme (#litres_trial_promo)
Carol (#litres_trial_promo)
Beatrice (#litres_trial_promo)
Howard (#litres_trial_promo)
Esme (#litres_trial_promo)
Carol (#litres_trial_promo)
Beatrice (#litres_trial_promo)
Howard (#litres_trial_promo)
Esme (#litres_trial_promo)
Carol (#litres_trial_promo)
Beatrice (#litres_trial_promo)
Howard (#litres_trial_promo)
A Note on the Author (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
HOWARD (#u718a0743-1663-5813-9828-8e6b38fbb191)
He loved hotels. The warm swish of the automatic doors. The careful neutrality of the carpets, swept with the indentations of that morning’s vacuuming. The bright smile of the receptionist, the way her make-up acted both as deterrent and encouragement. He loved the apples in glass bowls, although he had eaten one once and been disappointed by its mustiness, the slight furry staleness that he can taste – even now – on the back of his tongue. He loved the furtive glances across lobby armchairs, the reassurance of anonymity, the cocoon of safety offered by the standardised semi-luxury of faux leather and freshly spritzed white orchids in pots.
He loved the illicit meetings: the flirtations between adulterous couples, the City insider imparting information, the journalist who is talking to a grey man of indistinct appearance, jotting down notes. He loved the hushed business, the suggestive smiles, the fountain pens proffered when he has to tick a box for a morning newspaper or sign for ‘any additional expenses, if you wouldn’t mind, sir’. He loved it all.
And today, now, on this particular morning, he can feel a benign calm wash over him with the first step he takes inside the Mayfair Rotunda; with the first slight pressure of the tip of his leather-soled bespoke Church’s shoes on the marbled floor, he senses it. He breathes in an air-conditioned lungful, allows his Italian leather overnight bag to be taken from him by gloved hands, and strides across the floor.
‘Nice to see you again, Sir Howard,’ says the receptionist. He squints at her name-badge. ‘Tanya’, it reads, in sans serif font above two miniature flags – one of them is Spanish; the other he can’t make out. Eastern European, he shouldn’t wonder. Probably one of the former Soviet states. They were getting everywhere these thin, ambitious girls with their black hair and sharp little faces. He wasn’t sure it was a good thing. The last time he’d rung Le Caprice for a reservation, the girl at the end of the line had asked in a thick, guttural accent how to spell his name. He’d been going there for years.
Nevertheless, he is not one to pre-judge. He admires chutzpah, in the right place. He’s fond, too, of romanticising the immigrant experience, of reminding himself that, if it weren’t for the British, his forebears would have been gassed by the Nazis. The Finks, as they were then, would have been rounded up by jack-booted monsters if they hadn’t managed to get to England in 1933. And now look at them, he wants to say. And now …
He has never been to the death camps – can’t face the idea of them, let alone the reality – but his personal history remains a matter of considerable pride. On the one and only occasion he had been asked by the BBC to take part in a current affairs discussion programme, he had supported the relaxing of border controls and received one of the biggest cheers of the night. Looking back, he wasn’t even sure why he’d said it. He voted Tory, for God’s sake.
He smiles at Tanya, dazzling her with his expensive teeth (veneers and whitening done by a dentist recommended to him by a minor Royal. He isn’t one to name names).
‘Thank you.’
‘You’re in your normal suite, Sir Howard.’
For a brief moment, he wants to weep with gratitude at this kindness, this foresight, this human generosity shown to him by a global corporation. He’s always been sentimental: easily moved to tears by charity television adverts with soulful-eyed children in hospital beds. But Tanya remembering his name has demonstrated – in a small, but significant gesture – that he is who he thinks he is; that his importance as a businessman is an acknowledged fact. He is reminded, by Tanya giving him his normal suite, by intuiting his needs, that he has made his way, that he has his own part to play in it all: in the oiling of cogs, in the handshakes that lead to the lunches that lead to the buying and selling that lead to the acquisition of influence, to the stake in governance that results in the eventual spinning of the world on its axis. He can make things work. At this, he is undoubtedly a success.
Here he is, then, Howard Pink (formerly Fink), a man with complete awareness of his status in life, confident in his opinions, blessedly certain of the rightness of his decisions. A man of fortune, yes, but also of distinction.
The financial press will insist on putting ‘self-made millionaire’ after the comma. Howard used to wear this as a badge of pride. These days, however, he can’t help but feel there is something patronising in the phrase, a sense among the blue-shirted City bigwigs that he is not quite of their sort. He has always found it magnificently ironic that men (and it is, by and large, still men) who revere money for the power it gives them dismiss the ownership of it unless it has been inherited.
Because, Howard thinks, as he turns towards the lift, isn’t it more impressive to have generated £150 million from nothing than to have been handed it on a plate by a doddery great-uncle with a baronetcy and a mouldy pile of National Trust stones? Isn’t it better, somehow, to have made one’s own way by selling clothes on an East London market stall, clothes sewn by his mother, God rest her soul, bent double over her Singer machine with pins in her mouth (he was for ever telling her not to put pins in her mouth. Did she listen? Did she bollocks), clothes that he took and marked up and pushed onto the unsuspecting hordes of Petticoat Lane Market? Wasn’t that more admirable? To have made a profit, to have ploughed it back into better stock, to have sold more, of better quality and at a higher price, and to have done this over and over again, with one canny eye always on the bottom line, until he owned Fash Attack, the fastest-growing chain of clothing shops on the British high street?
Wasn’t that worthy of some respect?
Because, after all, you only sold product by knowing first how to sell yourself.
As a young boy, Howard had once seen the Petticoat Lane crockery-seller assemble an entire place-setting, one plate on top of the other, and then throw the whole lot into the air. The trader had caught it on the way down with a giant clatter of noise and not one single plate had shattered. The housewives couldn’t open their purses quick enough after that.
That was how you shifted stuff. It was a question of performance. It was a matter of confidence.
He feels a moistness under the armpits. The collar on his shirt is too tight, even though he has spent an arm and a leg on it – forgive the pun. The shirt is made by a company called Eton. They normally sold shirts for tall, thin men but he’d insisted they custom-make them to accommodate his ever so slightly more corpulent form. Initially the name amused him – the conjunction of the country’s most famous public school with the rag-trade he knew like the back of his hand – but the joke didn’t last for long. Now, in the mornings, it depresses him to catch sight of the label.
He presses the button for the lift. Behind him, there is a squall of high-pitched laughter. He winces, then glances across. There are four people sitting in high-backed armchairs to one side of the lobby, being served silver trays of miniature scones, sandwiches and cupcakes. Two of them are older, their features bled of colour, their eyes faintly wrinkled. They look as though they are trying to enjoy themselves but would rather be at home, listening to Gardeners’ Question Time.
He guesses they are parents who have come into the city at the behest of their children to celebrate some family anniversary. Their offspring sit opposite them now – two young women, shrieking with hilarity, wearing skinny jeans and dark-coloured jackets, their hair slicked with the shine of urbanity, their lips stretched with the complacency of youth. A mobile phone, encased in pink diamanté, lies on the table in front of them. One of the girls sees him looking and stops laughing abruptly.
He thinks of her, then, as he had known he would. He thinks of the person he tries daily to forget without actually wanting to do so. He allows himself one brief flash of recall: her hair in bunches, a gap where her front tooth should have been. She is wearing a tartan dress and crushing rose petals in a mixing bowl to make what she calls perfume.
His daughter. Ada. Named after his mum.
The lift pings. He walks in, forces himself to smile at the reflection in the mirror. On the fourth floor, the doors part and he turns left down the corridor, glancing at the cardboard key holder to remind himself of the number. Room 423. A corner room.
He slips the plastic key into the slot. The door handle light winks green. He enters. His luggage is already there, on the rack by the television. The inner curtains are half-drawn, the white net giving the room a drowsy, shadowed feel. The flat-screen television is set to a personalised welcome message. Two glass bottles of mineral water stand on the capacious desk. The mirrors are all discreetly tilted and lit in a way that makes him look at least ten pounds lighter. He knows, without having to open it, that the minibar will contain a half-bottle of fine Chablis and a bar of Toblerone.
Safety, he thinks, inhaling the familiarity of the surroundings. There is a particular security, for Howard, derived only from an ease that has been painstakingly thought out by other people for his benefit. He admires the competence and does not mind paying over the odds for it. It allows him, for a few hours, to be entirely outside himself.
He removes his jacket, places it on the back of a chair, slips his BlackBerry out of the inner pocket and turns it off. He unlaces his shoes. And then, in spite of the fact that it is three in the afternoon, in spite of the fact that Tanya the receptionist would be surprised at what he is about to do, in spite of the fact that Sir Howard Pink has appointments to make, places to be, people to meet, companies to manage, emails to answer and balance sheets to read, he pads into the bathroom, turns on the tap and runs himself a deep, deep bath.
This is what he does on the first Monday of each month. A ritual, if you like.
Afterwards, smelling of generic spiced shower gel, he puts on his robe. Howard notes with displeasure that the edge of one cuff is bobbled. He can’t abide untidiness in clothes. He has been known to throw away a pair of trousers after finding a badly stitched seam or an unravelling thread. Fastidious, that’s what Claudia calls him. It was one of her words, deployed in conversation to confuse those who imagined she was little more than a silicone-enhanced trophy wife. He found her reading the dictionary sometimes in bed.
‘What are you doing that for?’ he’d ask.
‘I’m improving myself, Howie. You should do the same.’ And then she’d read out one of the definitions and get him to guess what word it belonged to.
‘“Pertaining to a gulf; full of gulfs; hence, devouring.”’
‘I dunno.’
‘“Voraginous.”’
He’d never get the right word. But that, of course, was part of Claudia’s cunning. She wasn’t clever but she knew how to jab him in the ribs, how to bring him down a peg or two when necessary. Everyone knew he’d left school at fifteen without qualifications: it was part of the Howard Pink myth. In the interviews he’d done way back when he’d opened his first flagship store in Regent Street, he’d been delighted when the journalists brought it up, had revelled in the image being created for him of a hard-working lad with gumption and guile who didn’t suffer fools gladly. He can admit now he’d been flattered by the attention, by the notion that these Oxbridge graduates from The Times and the Telegraph with their economics degrees and their flashy dictaphones were wanting to talk to him – to Howie Pink of Pink’s Garments on Petticoat Lane – and record his answers for posterity.
One of the headlines had read: ‘Howard Pink: the self-made tycoon who’s got it tailor-made.’ The accompanying photograph showed him mid-laughter, his stomach billowing out like a sail in full wind, his face scrunched up, his tongue lolling grotesquely to one side. He’d liked the idea of being a tycoon.
The picture did him no favours. Still, he thought he could live with it.
But through the years, that photo had been used again and again. Even though it was now twenty years out of date and he’d stopped giving interviews after what happened, they still used it like a taunt, a reminder of his perceived clownishness. For a while, for obvious reasons, he’d become ‘Tragic self-made millionaire Howard Pink’ and the photograph had disappeared, but now there had been a sudden resurgence.
It had popped up again last month in an in-flight magazine. He’d been flying back first-class from Munich and there it was, in full Technicolor glory, when he leafed through Airwaves: a gurning facsimile of Howard Pinkishness, used to illustrate a four-page feature on British businesses. He’d been fatter back then and had indulged in a misguided attempt to grow some facial hair. It was before he’d had his teeth done too. Suffice to say, it wasn’t his best angle.
After the in-flight magazine, he’d called Rupert, his PR man.
‘Anything you can do to stop them using that fucking thing?’ he’d asked.
‘Legally, you mean?’
‘Legally, illegally, I’m not fussy.’
There had been a quick intake of breath on the other end of the line. Rupert could never tell whether his boss was joking or not.
‘Er, well, Howard, we want to keep the media on-side, for obvious reasons, so I’d caution against doing anything too draconian—’
‘Draconian’. Another of Claudia’s words.
