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The Last Kingdom Series Books 1-6
Bernard Cornwell
The first six books in Bernard Cornwell’s masterful series that tells the iconic story of King Alfred and the making of a nation, in one complete eBook for the first time.BBC2’s major Autumn 2015 TV show THE LAST KINGDOM is based on the first two books in the series.THE LAST KINGDOM, THE PALE HORSEMAN, THE LORDS OF THE NORTH, SWORD SONG, THE BURNING LAND, DEATH OF KINGS.Uhtred, born into Saxon aristocracy in ninth-century Northumbria is orphaned at ten. He is captured and adopted by a Dane and taught the Viking ways. Yet Uhtred's fate is indissolubly bound up with Alfred, King of Wessex, who rules over the only English kingdom to survive the Danish assault.The Last Kingdom Series is an epic series from the master of historical fiction, that tells the tale of Alfred the Great, his descendants, and the Viking enemies they face. The struggle between the English and the Danes and the strife between Christianity and paganism is the background to this outstanding series of how England was made – and very nearly lost.
THE WARRIOR CHRONICLES
Books 1-6
BERNARD CORNWELL
Copyright (#ulink_b1517db3-f3cb-51cc-aaa1-96af79fa97f1)
These novels are entirely works of fiction. The names, characters, and incidents portrayed in them, while at times based on historical figures, are the work of the author’s imagination.
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
The Last Kingdom first published in Great Britain by HarperCollinsPublishers 2004
The Pale Horseman first published in Great Britain by HarperCollinsPublishers 2005
The Lords of the North first published in Great Britain by HarperCollinsPublishers 2006
Sword Song first published in Great Britain by HarperCollinsPublishers 2007
The Burning Land first published in Great Britain by HarperCollinsPublishers 2009
Death of Kings first published in Great Britain by HarperCollinsPublishers 2011
Copyright © Bernard Cornwell 2004, 2005, 2006, 2007, 2009, 2011
Bernard Cornwell asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Ebook Edition © December 2012 ISBN: 9780007511464
Version 1
FIRST EDITION
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Version: 2017-05-08
Table Of Contents
Title Page (#u3738066d-8afd-5595-9d68-d5bd9999b0aa)
Copyright (#uddf84252-7c10-517c-9e1f-26c3a71198cf)
THE LAST KINGDOM (#ude92946d-b322-5f95-a5b5-f64228608583)
THE PALE HORSEMAN (#u11858443-ae52-5ab9-897e-2d6c324088e0)
THE LORDS OF THE NORTH (#uf353c422-559b-5e12-a0dc-dd7e2756f67e)
SWORD SONG (#uacae8ff0-d960-5939-9529-d4a4d994e4e7)
THE BURNING LAND (#ud25c09cd-26aa-5435-b964-51d4454c7c21)
DEATH OF KINGS (#u79bfe749-0bf0-510b-9114-37d5d908b650)
About the Author (#ud99ffee0-7da4-5fa1-8b62-225bc04aacb6)
Also by Bernard Cornwell (#u95248b94-7fb4-516a-ac97-0038f19dcdd6)
The Sharpe Series (#u35922bea-a60a-5ae4-8b16-421f2999ab97)
About the Publisher (#u95188a47-489b-552b-86b4-7e597071703c)
THE LAST KINGDOM (#ulink_905b7178-7be3-55a3-8013-f3b780bcf08b)
THE LAST KINGDOM
BERNARD CORNWELL
Copyright (#ulink_1411cdaa-fa8c-5ea7-b4d0-b48f3248a4c7)
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it, while at times based on historical figures, are the work of the author’s imagination.
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by HarperCollinsPublishers 2004
Copyright © Bernard Cornwell 2004
Bernard Cornwell asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Ebook Edition © July 2009 ISBN: 9780007338818
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Version: 2017-05-08
THE LAST KINGDOM
is for Judy, with love
Wyrd bið ful ãræd
CONTENTS
Title Page (#u7d9306ff-7f67-5734-b3ca-0bcf60fb6b57)
Copyright (#u4b67c335-74ca-57fc-bdd5-054442f4e306)
Dedication (#ubbb3655b-790e-5712-8b67-ccdef4ade066)
Map (#uc0b261da-a0e5-5818-9c9b-a434639e880b)
Place-names (#ub7e05cb1-d2d7-5418-8243-3d6ec5213878)
Prologue: NORTHUMBRIA, 866–867 AD (#u7941b738-63f1-5692-8024-8fd42c3e46b8)
Part One: A PAGAN CHILDHOOD (#u81f9c9a4-44b9-5571-8356-7d69020d26a5)
Chapter One (#u909788fe-91fd-5b0d-bc43-689dbe898f61)
Chapter Two (#u4616fc31-857a-53d0-828a-1cb3acccef29)
Chapter Three (#u4d4778bf-e70f-5ad9-b89a-316346760323)
Chapter Four (#u0a26eb78-d048-5993-a173-c99b6ba014c5)
Chapter Five (#u60f7a530-5a85-57b0-a113-6fce435f0eee)
Chapter Six (#uedb4e0df-0e92-5730-a846-1b0433677557)
Part Two: THE LAST KINGDOM (#u4f69b573-fa0c-5fd1-923a-d064e3ac5ba5)
Chapter Seven (#uadbf70f5-8ed9-5075-b7fa-f6a302cdaf7c)
Chapter Eight (#u42a12260-a322-58a7-8edf-80cbd4895c47)
Chapter Nine (#u76a8d9ff-e686-5731-93e3-cc584f13e3a5)
Part Three: THE SHIELD WALL (#uc15dc3cc-0761-5ed8-a05c-6941ac01c90f)
Chapter Ten (#ucdbabb0f-2a10-5eed-9306-58d087826c1f)
Chapter Eleven (#ua8fbdd10-b735-5845-81e7-b292fea91513)
Historical Note (#u35b01ce6-f162-525f-8bd4-13fd6b0d60d9)
PLACE-NAMES (#ulink_6c3e379a-2a6e-54f5-abf4-f9b5918ba4aa)
The spelling of place-names in Anglo-Saxon England was an uncertain business, with no consistency and no agreement even about the name itself. Thus London was variously rendered as Lundonia, Lundenberg, Lundenne, Lundene, Lundenwic, Lundenceaster and Lundres. Doubtless some readers will prefer other versions of the names listed below, but I have usually employed whatever spelling is cited in the Oxford Dictionary of English Place-Names for the years nearest or contained within Alfred’s reign, 871–899 AD, but even that solution is not foolproof. Hayling Island, in 956, was written as both Heilincigae and Hæglingaiggæ. Nor have I been consistent myself; I have preferred the modern England to Englaland and, instead of Norðhymbralond, have used Northumbria to avoid the suggestion that the boundaries of the ancient kingdom coincide with those of the modern county. So this list, like the spellings themselves, is capricious:
PROLOGUE (#ulink_63b335b6-b5f3-54ca-b4b6-0d6fe51fadcd)
Northumbria, 866–867 AD (#ulink_63b335b6-b5f3-54ca-b4b6-0d6fe51fadcd)
My name is Uhtred. I am the son of Uhtred, who was the son of Uhtred and his father was also called Uhtred. My father’s clerk, a priest called Beocca, spelt it Utred. I do not know if that was how my father would have written it, for he could neither read nor write, but I can do both and sometimes I take the old parchments from their wooden chest and I see the name spelled Uhtred or Utred or Ughtred or Ootred. I look at those parchments which are deeds saying that Uhtred, son of Uhtred is the lawful and sole owner of the lands that are carefully marked by stones and by dykes, by oaks and by ash, by marsh and by sea, and I dream of those lands, wave-beaten and wild beneath the wind-driven sky. I dream, and know that one day I will take back the land from those who stole it from me.
I am an Ealdorman, though I call myself Earl Uhtred, which is the same thing, and the fading parchments are proof of what I own. The law says I own that land, and the law, we are told, is what makes us men under God instead of beasts in the ditch. But the law does not help me take back my land. The law wants compromise. The law thinks money will compensate for loss. The law, above all, fears the bloodfeud. But I am Uhtred, son of Uhtred, and this is the tale of a bloodfeud. It is a tale of how I will take from my enemy what the law says is mine. And it is the tale of a woman and of her father, a king.
He was my king and all that I have I owe to him. The food that I eat, the hall where I live and the swords of my men, all came from Alfred, my king, who hated me.
This story begins long before I met Alfred. It begins when I was nine years old and first saw the Danes. It was the year 866 and I was not called Uhtred then, but Osbert, for I was my father’s second son and it was the eldest who took the name Uhtred. My brother was seventeen then, tall and well-built, with our family’s fair hair and my father’s morose face.
The day I first saw the Danes we were riding along the sea shore with hawks on our wrists. There was my father, my father’s brother, my brother, myself and a dozen retainers. It was autumn. The sea-cliffs were thick with the last growth of summer, there were seals on the rocks, and a host of seabirds wheeling and shrieking, too many to let the hawks off their leashes. We rode till we came to the criss-crossing shallows that rippled between our land and Lindisfarena, the Holy Island, and I remember staring across the water at the broken walls of the abbey. The Danes had plundered it, but that had been many years before I was born, and though the monks were living there again the monastery had never regained its former glory.
I also remember that day as beautiful and perhaps it was. Perhaps it rained, but I do not think so. The sun shone, the seas were low, the breakers gentle and the world happy. The hawk’s claws gripped my wrist through the leather sleeve, her hooded head twitching because she could hear the cries of the white birds. We had left the fortress in the forenoon, riding north, and though we carried hawks we did not ride to hunt, but rather so my father could make up his mind.
We ruled this land. My father, Ealdorman Uhtred, was lord of everything south of the Tuede and north of the Tine, but we did have a king in Northumbria and his name, like mine, was Osbert. He lived to the south of us, rarely came north, and did not bother us, but now a man called Ælla wanted the throne and Ælla, who was an Ealdorman from the hills west of Eoferwic, had raised an army to challenge Osbert and had sent gifts to my father to encourage his support. My father, I realise now, held the fate of the rebellion in his grip. I wanted him to support Osbert, for no other reason than the rightful king shared my name and foolishly, at nine years old, I believed any man called Osbert must be noble, good and brave. In truth Osbert was a dribbling fool, but he was the king, and my father was reluctant to abandon him. But Osbert had sent no gifts and had shown no respect, while Ælla had, and so my father worried. At a moment’s notice we could lead a hundred and fifty men to war, all well armed, and given a month we could swell that force to over four hundred foemen, so whichever man we supported would be the king and grateful to us.
Or so we thought.
And then I saw them.
Three ships.
In my memory they slid from a bank of sea mist, and perhaps they did, but memory is a faulty thing and my other images of that day are of a clear, cloudless sky, so perhaps there was no mist, but it seems to me that one moment the sea was empty and the next there were three ships coming from the south.
Beautiful things. They appeared to rest weightless on the ocean, and when their oars dug into the waves they skimmed the water. Their prows and sterns curled high and were tipped with gilded beasts, serpents and dragons, and it seemed to me that on that far off summer’s day the three boats danced on the water, propelled by the rise and fall of the silver wings of their oar banks. The sun flashed off the wet blades, splinters of light, then the oars dipped, were tugged and the beast-headed boats surged and I stared entranced.
‘The devil’s turds,’ my father growled. He was not a very good Christian, but he was frightened enough at that moment to make the sign of the cross.
‘And may the devil swallow them,’ my uncle said. His name was Ælfric and he was a slender man; sly, dark and secretive.
The three boats had been rowing northwards, their square sails furled on their long yards, but when we turned back south to canter homewards on the sand so that our horses’ manes tossed like wind-blown spray and the hooded hawks mewed in alarm, the ships turned with us. Where the cliff had collapsed to leave a ramp of broken turf we rode inland, the horses heaving up the slope, and from there we galloped along the coastal path to our fortress.
To Bebbanburg. Bebba had been a queen in our land many years before, and she had given her name to my home, which is the dearest place in all the world. The fort stands on a high rock that curls out to sea. The waves beat on its eastern shore and break white on the rock’s northern point, and a shallow sea-lake ripples along the western side between the fortress and the land. To reach Bebbanburg you must take the causeway to the south, a low strip of rock and sand that is guarded by a great wooden tower, the Low Gate, that is built on top of an earthen wall, and we thundered through the tower’s arch, our horses white with sweat, and rode past the granaries, the smithy, the mews and the stables, all wooden buildings well thatched with rye straw, and so up the inner path to the High Gate which protected the peak of the rock that was surrounded by a wooden rampart encircling my father’s hall. There we dismounted, letting slaves take our horses and hawks, and ran to the eastern rampart from where we gazed out to sea.
The three ships were now close to the islands where the puffins live and the seal-folk dance in winter. We watched them, and my stepmother, alarmed by the sound of hooves, came from the hall to join us on the rampart. ‘The devil has opened his bowels,’ my father greeted her.
