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Hearts in Vegas
Hearts in Vegas
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Hearts in Vegas

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Hearts in Vegas
Colleen Collins

You're not going into this alone.P.I. Frances Jefferies is the perfect person to slip into Las Vegas's underworld to recover a priceless necklace. With her elite investigative skills, not to mention her jewel-thief past, she knows she can get the job done. That is, until a sexy stranger gets in her way.Braxton Morgan's past is as secretive as her own. There's so much about this man she wants to discover–but not at the cost of her case. For that, she must stay focused. Then Braxton suggests adding his security expertise to catch the criminal. And suddenly they're mixing smarts with danger and a whole lot of passion!

“You’re not going into this alone.”

P.I. Frances Jefferies is the perfect person to slip into Las Vegas’s underworld to recover a priceless necklace. With her elite investigative skills, not to mention her jewel-thief past, she knows she can get the job done. That is, until a sexy stranger gets in her way.

Braxton Morgan’s past is as secretive as her own. There’s so much about this man she wants to discover—but not at the cost of her case. For that, she must stay focused. Then Braxton suggests adding his security expertise to catch the criminal. And suddenly they’re mixing smarts with danger and a whole lot of passion!

“Frances, wait.”

“Need to leave,” she said between clenched teeth, taking another halting step away from Braxton.

He slid his arm around her back, bracing her against him. “Lean on me.”

She ducked her head, wondering when she’d slipped her arm around him. Her fingertips grazed the silky weave of his shirt, sensing his taut muscles underneath.

They were in the hallway now, and she released a sigh as the cooler air soothed her heated skin. She started to pull away, but he tightened his hold.

Her world rocked in place as they accidentally cuddled. She couldn’t breathe, couldn’t think, only feel. The strength of his body against hers, his masculine scent rode the woody, jasmine aroma of his aftershave and shot to some primal part of her brain, triggering a warmth she hadn’t felt in a long, long time.…

Dear Reader,

Hearts in Vegas is my third “private eyes in Las Vegas” Mills & Boon Superromance (the first being The Next Right Thing, March 2013, and the second Sleepless in Las Vegas, December 2013).

This third book picks up with the story of P.I./security consultant Braxton Morgan, the twin brother of Drake Morgan, the hero in Sleepless in Las Vegas. On the surface, Braxton looks like the kind of guy for whom life is easy—he has rock-star Adam Levine looks, cool designer threads, a wry Hugh Grant sense of humor. But Braxton is a man who’s made his share of mistakes in life, resulting in a lot of losses, from his former home and big-money career to his family’s support. He’s fighting hard to rebuild a new life, piece by piece.

And then he meets Frances Jefferies, who walks into his life the way sultry Lauren Bacall first walked into Humphrey Bogart’s in The Big Sleep. And just like Bacall, Frances is mysterious, smoky, elusive...and Braxton says goodbye forever to his former playboy ways.

I really enjoyed writing the character of Frances, a magician’s daughter who’s skilled at sleight of hand. To learn more about this technique, I read several dozen articles by magicians and watched numerous videos of their performances. In my research, I fell in like with Teller, the quiet half of the duo-magician act Penn & Teller—in fact, I went to several of their shows in Las Vegas, and afterward met Teller, who is as charming and smart as you might imagine.

Braxton and Frances’s story is about two people who once failed the ones they love, and whose priorities include earning back their families’ respect, and maybe, finally, letting their hearts open again to love.

I enjoy hearing from readers, so I invite you to drop by my website, colleencollinsbooks.com (http://colleencollinsbooks.com), and let me know how you liked Hearts in Vegas!

Best wishes,

Colleen Collins

Hearts in Vegas

Colleen Collins

www.millsandboon.co.uk (http://www.millsandboon.co.uk)

ABOUT THE AUTHOR

Colleen Collins is a member of the Romance Writers of America, Mystery Writers of America and Private Eye Writers of America, and has written several dozen novels in the romance and mystery genres, as well as three nonfiction books on private investigations. Similar to Frances in Hearts in Vegas, Colleen’s favorite magician is Teller, the silent half of the comedy magic duo Penn & Teller.

To Marilyn Doyle

Contents

CHAPTER ONE (#u5f20b862-ae45-50f3-a190-2534a192779a)

CHAPTER TWO (#u10191bf2-f821-5250-bfcf-14b470d4f945)

CHAPTER THREE (#ueade8f5c-a495-5612-85aa-15232aebed3a)

CHAPTER FOUR (#ue0008d96-8f85-5fc8-b8c3-aceb7faa8e74)

CHAPTER FIVE (#litres_trial_promo)

CHAPTER SIX (#litres_trial_promo)

CHAPTER SEVEN (#litres_trial_promo)

CHAPTER EIGHT (#litres_trial_promo)

CHAPTER NINE (#litres_trial_promo)

CHAPTER TEN (#litres_trial_promo)

CHAPTER ELEVEN (#litres_trial_promo)

CHAPTER TWELVE (#litres_trial_promo)

CHAPTER THIRTEEN (#litres_trial_promo)

CHAPTER FOURTEEN (#litres_trial_promo)

CHAPTER FIFTEEN (#litres_trial_promo)

EXTRACT (#litres_trial_promo)

CHAPTER ONE

IF TWENTY-NINE-YEAR-OLD Frances Jefferies had learned anything from her years as a pickpocket, it was the importance of blending in to one’s surroundings.

Today, February 5, her task was to steal a valuable brooch from Fortier’s, a high-end jewelry store in Las Vegas. To blend in with the Wednesday bling-shopping crowd, she’d put on a red-and-leopard-print top underneath a loose-fitting Yves Saint Laurent white silk pantsuit, and a pair of killer Dolce & Gabbana stilettos.

Time for one last practice run.

She retrieved two similar-size brooches from a dresser drawer. One, a rhinestone flower-petaled pin, was an exact replica of the diamond-encrusted Lady Melbourne brooch stolen ten years ago from a museum in Amsterdam. Its whereabouts had been unknown until it suddenly, and mysteriously, surfaced at Fortier’s a few days ago. She slipped the replica into an inside pocket of her jacket and set the other pin on her dresser.

Watching her reflection in the dresser mirror, she practiced the sleight-of-hand trick, deftly plucking the brooch from the pocket and swiftly replacing it with the other pin, three times in succession. Each switch went smoothly.

Now for the finishing touch. She selected a pair of antique garnet earrings from her jewelry box and put them on.

Leaning closer to the mirror, she swept a strand of her ash-blond hair off her face, tucking it lightly into her chignon. Her gaze slipped to her lower cheek. This close, she could see the faint outline of silicon gel underneath her meticulously applied makeup. For anyone else to see it, they would have to be inches away, and she never let anyone get that close.

A few moments later, she walked into the living room, where her dad sat in his favorite chair, shuffling a deck of cards. A basketball game was on TV, the crowd yelling as a player dunked the ball.

“Still working on The Trick That Fooled Houdini?” she asked.

He grinned and set the cards on a side table. “Like Houdini, I can’t figure out how Vernon did it, either.”

Dai Vernon, Houdini’s contemporary, had devised a card routine where a spectator’s chosen card always appeared at the top of the deck. Houdini, who bragged that he could figure out any magician’s trick, never solved this one.

Her dad, who’d worked as a magician his entire life, had never solved it, either. Sometimes he jokingly referred to it as The Trick That Fooled Houdini and Jonathan Jefferies.

“Going to work?” he asked.

His thinning dark hair was neatly parted on the side, and a pair of reading glasses hung on a chain around his neck. He had a slight paunch, but otherwise stayed in shape from daily walks and a fairly healthy diet, if one overlooked his love of peanut-butter-and-jelly sandwiches.

She looked at his faded Hawaiian-print shorts and Miami Heat T-shirt with its ripped sleeve, wishing he’d let her buy him some new clothes. But he liked to stick with what was “tried-and-true,” from his haircut to clothes.

“Yes, off to work. If I leave in a few minutes, I should be there by three. The owner got back from a late lunch an hour ago. He and the security guard will be the only employees in the jewelry store the rest of the afternoon.”

“Good girl, you did your homework.” He paused, noticing her earrings. “Oh,” he said, his eyes going soft, “you’re wearing your mother’s jewelry.”

Frances’s mother, Sarah, had been her father’s tried-and-true soul mate. When she eloped at nineteen with a little-known Vegas magician, her wealthy family disinherited her. If my upbringing had been happy, she’d told her daughter, disowning me might have mattered. Instead, it released me to a better life.

The only items Sarah Jefferies had of her family’s were a small jewelry collection, gifted to her by her late grandmother.

“Mom’s earrings will be my calling card today,” Frances said, touching one of them. She loved antique jewelry, especially early-nineteenth-century Georgian, the era of these earrings and the Lady Melbourne brooch.

“She’s happy to know she’s helping. We’re proud of you, Francie.”

He often spoke of his wife in the present tense, which used to bother Frances, but she accepted it more these days. Sometimes she even envied her dad’s sense of immediacy about his late wife. Frances was painfully aware it had been four years this past summer—July 15, 1:28 in the afternoon—when they’d lost her, and shamefully aware of the pain she’d brought her parents in the months leading up to her mother’s death.

Nearly five years ago, Frances had been arrested on a jewelry theft. It had been humiliating to be caught, but agonizing to see the hurt on her parents’ faces. Especially after she admitted to them the theft hadn’t been a onetime deal. After learning sleight-of-hand tricks from her dad as a kid, she’d segued into picking pockets in her teens, then small jewelry thefts by the time she was twenty. At the time, she selfishly viewed her thefts as once-a-year indulgences, but it didn’t matter if she’d stolen once or dozens of times—what’d she done had been wrong.

Jonathan Jefferies blamed himself for his daughter’s criminal activities, believing she had resorted to theft because he’d been unable to adequately support his family as a magician. When Frances was growing up, the family had sometimes relied on friends for food, or went without electricity, or suffered through eviction because there hadn’t been enough money to pay the rent.

The judge, moved by Frances’s difficult upbringing and her mother’s failing health, had offered her a second chance. Instead of giving her a ten-year prison sentence, he’d suspended her sentence as long as she met certain conditions, a common solution for people with a high potential for rehabilitation.

For Frances, her conditions were threefold. One, either attend college or obtain full-time legitimate employment, including any position where she applied her skills for a positive end. Two, pay restitution to the victim. Three, do not break any local, state or federal laws.

The judge had added an ominous warning to the last one. Miss Jefferies, that means you don’t even pick up a dime off the street if it isn’t yours. As much as your suspended sentence is a gift, it is also your burden. For the duration of your suspension, if you appear before the bench for any infraction, no matter how minor, the court will evaluate your case with a more critical, censorious eye. And that’s mild compared to what a prosecutor will do.

As if she had a yen to ever break a law again.

As far as college or a job, her probation officer matched her “skills” to Vanderbilt Insurance, a company that was looking for an investigator to track stolen jewels and antiquities.

Sometimes these investigations, such as the one today, required her pickpocket skills. She would be taking back the Lady Melbourne brooch, which was the legal property of Vanderbilt Insurance, since they had already paid the fifty-thousand-dollar insurance claim from the museum.

“Remember to feed Teller around six,” Frances said. “Any later, he gets cranky.” She’d named her cat after her favorite magician.

“He gets cranky?” Her dad shot a look at the fat golden-haired Persian cat lying sprawled across the back of the couch. “That cat is so laid-back, sometimes I put a mirror under his nose to make sure he’s still breathing.”

“I know you think he has no personality.”

“I never said that. I merely suggested he might be suffering from narcolepsy.” Yells from the crowd drew his attention back to the TV. “Idiot refs,” he muttered, “calling fouls against Miami again. Might as well take off those black-and-white shirts and wear Celtics jerseys.”

With a smile, she touched her dad’s shoulder. He grumped a lot at these sports games, but she’d take that any day over those lengthy silences after he first moved in.

It hadn’t been easy convincing him to move out of the apartment he’d shared with her mom. It wasn’t long after her mother’s death, and when her dad wasn’t frozen with grief, he was going through old photo albums, cleaning or filling ink into one of her favorite fountain pens, watching movies they’d seen together, even the “chick flick” ones he swore he’d never see again.

He didn’t want to be a burden, and Frances hadn’t wanted to suggest he needed help.

“Still auditioning as an opener for that lounge act?” she asked.

He flexed his fingers. “Don’t think so. Need the ol’ hands to stop giving me a bad time.”

His arthritis flare-ups were making it increasingly difficult for him to perform magic tricks. Moving his fingers as he practiced the card trick helped keep his joints somewhat mobile and stymied the arthritis.

“Gotta take off now, Dad.”

“Meeting Charlie afterward?”

“Yes.”

She typically met with Charlie Eden, her boss and mentor at Vanderbilt Insurance, right after an assignment to discuss the case. Although it was more common for Vanderbilt investigators to only provide written reports to their bosses, her situation was unique, as Charlie submitted monthly accounts to the court on her progress at Vanderbilt.

Today, if all went well, she hoped to also hand him the Lady Melbourne brooch.

But there was more to the case.

Vanderbilt believed the thief who stole the pin had also stolen four fifth-century-BC Greek silver tetradrachm coins worth several million dollars from a New York numismatic event two years ago. Both thefts had similar crime signatures, including state-of-the-art technology to circumvent surveillance systems and cutting torches to access vaults.

“That Charlie, he’s a good man. Husband material, if you ask me.”

“Dad, I’ve told you before, I don’t feel that way about him.”

“But he’s gobsmacked over you.”

“Gobsmacked? What does that mean?”

“Astonished. Over the moon. Heard a sports announcer use it the other day.”

“Did he say he was over the moon about me?”

“No.” He picked up his cards and started flipping through them. “Don’t need to be a mentalist to read that man’s brain. He’d like to make you his Zig Zag Girl.”

Zig Zag was the name of a magic trick Jonathan Jefferies used to perform with his wife, where he appeared to cut her into thirds, yet she’d emerge completely unharmed. The secret was that the true magician was her mom, who knew when to zig and zag to make the illusion look real. Jonathan, who credited his wife with the magic that made their marriage work, liked to call her his Zig Zag Girl.

He flipped the top card over and frowned. “Plus, he’s a lawyer.”