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Scarlet and Ivy – The Lost Twin
Scarlet and Ivy – The Lost Twin
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Scarlet and Ivy – The Lost Twin

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The other girls giggled and turned aside, whispering to each other. Several of them had already pulled their hair into tight buns, giving their faces a strange, sharp quality.

“Is this everyone?” I heard a voice say behind me.

I turned around to see a woman who looked so young that had she not been out of uniform I wouldn’t have been sure if she was a pupil or a teacher. She was wearing a black leotard with a long white satin skirt and a matching headband. Her hair was red, not a wiry copper like Penny’s but a lovely soft colour, almost blonde.

“Yes, Miss Finch,” said the deer-eyed girl.

“Nearly the same as last year, then. You girls go and get changed, and then meet me in the studio.” She smiled at me warmly. That was a relief, at least.

I trekked back up to my room to get my ballet clothes. As I stretched my pink tights over my legs, I felt like I was secretly becoming myself again.

The ballet studio was one of the few locations I remembered from the map that Miss Fox had given me, in the school’s basement. Winding stairs led down to it, and I could feel the air getting colder as I descended.

The studio itself was lit with gas lamps rather than the modern electric lights I had seen dotted elsewhere in the school. It had wooden floorboards and a mirrored wall, with a barre running all the way around it. I winced as I caught sight of my flickering reflection. With my hair tied up I somehow looked even more like Scarlet.

Most of the others were warming up at the barre, doing familiar stretches. I stayed at the far end of the room, hoping to avoid anyone’s attention.

I laced on my toe shoes, then began copying the rest of them. It felt good to be doing something I understood. If only I didn’t have to look at my own face quite so much. I tried to do my exercises facing away from the mirror.

A chiming note rang out around the room. Miss Finch was sitting at a shiny black grand piano in the corner. It looked new and expensive. “I’m glad to see everyone’s remembered their warm-up,” she said. “You’re going to need it. I apologise for the temperature of the studio, but unfortunately the heating isn’t wonderful down here.”

Some of the other dancers were rubbing their arms, and I had goose bumps rising already.

“Anyway,” she continued, “please carry on with your exercises at the barre.”

As everyone began to practice their pliés and tendus, Miss Finch sighed and shuffled her sheet music half-heartedly. A moment later she slipped out through a door at the back of the room.

“Centre work now, girls,” she said when she reappeared. We all moved into the middle of the room and began our exercises there. She walked between us, occasionally correcting arm and leg positions.

I was out of practice. My muscles ached as I stretched them, my joints clicked. At least I remembered the moves well enough.

Miss Finch instructed us to move on to adagio, where she led us through different steps. I watched closely as she tried to demonstrate, and I noticed that although she was quick and graceful, her right leg seemed to be trailing. When she walked she had a limp, as if it pained her.

The room was getting warmer the more we danced in the glow of the gas lamps. The sound of our shoes shuffling on the floorboards was relaxing, especially now that the others were too busy concentrating to whisper about me. Well, about Scarlet.

Finally we came to allegro


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