Short-Stories

She thanked him with a tearful look.

"I feel your position cruelly," he went on. "The world has been bitter, hard on you. Your uncle is a disgrace to mankind. Believe me, madam, there is no young gentleman in all France but would be glad of my opportunity, to die in doing you a momentary service."

"I know already that you can be very brave and generous," she answered. "What I want to know is whether I can serve you – now or afterward," she added, with a quaver.

"Most certainly," he answered, with a smile. "Let me sit beside you as if I were a friend, instead of a foolish intruder; try to forget how awkwardly we are placed to one another; make my last moments go pleasantly; and you will do me the chief service possible."

"You are very gallant," she added, with a yet deeper sadness – "very gallant – and it somehow pains me. But draw nearer, if you please; and if you find anything to say to me, you will at least make certain of a very friendly listener. Ah! Monsieur de Beaulieu," she broke forth – "ah! Monsieur de Beaulieu, how can I look you in the face?" And she fell to weeping again with a renewed effusion.

"Madam," said Denis, taking her hand in both of his, "reflect on the little time I have before me, and the great bitterness into which I am cast by the sight of your distress. Spare me, in my last moments, the spectacle of what I cannot cure even with the sacrifice of my life."

"I am very selfish," answered Blanche. "I will be braver, Monsieur de Beaulieu, for your sake. But think if I can do you no kindness in the future – if you have no friends to whom I could carry your adieux. Charge me as heavily as you can; every burden will lighten, by so little, the invaluable gratitude I owe you. Put it in my power to do something more for you than weep."

"My mother is married again, and has a young family to care for. My brother Guichard will inherit my fiefs; and if I am not in error, that will content him amply for my death. Life is a little vapor that passeth away, as we are told by those in holy orders. When a man is in a fair way and sees all life open in front of him, he seems to himself to make a very important figure in the world. His horse whinnies to him; the trumpets blow and the girls look out of window as he rides into town before his company; he receives many assurances of trust and regard – sometimes by express in a letter – sometimes face to face, with persons of great consequence falling on his neck. It is not wonderful if his head is turned for a time. But once he is dead, were he as brave as Hercules110 or as wise as Solomon111, he is soon forgotten. It is not ten years since my father fell, with many other knights around him, in a very fierce encounter, and I do not think that any one of them, nor so much as the name of the fight, is now remembered. No, no, madam, the nearer you come to it, you see that death is a dark and dusty corner, where a man gets into his tomb and has the door shut after him till the judgment day. I have few friends just now, and once I am dead I shall have none."

"Ah, Monsieur de Beaulieu!" she exclaimed, "you forget Blanche de

Malétroit."

"You have a sweet nature, madam, and you are pleased to estimate a little service far beyond its worth."

"It is not that," she answered. "You mistake me if you think I am easily touched by my own concerns. I say so because you are the noblest man I have ever met; because I recognize in you a spirit that would have made even a common person famous in the land."

"And yet here I die in a mousetrap – with no more noise about it than my own squeaking," answered he.

A look of pain crossed her face and she was silent for a little while.

Then a light came into her eyes, and with a smile she spoke again.

"I cannot have my champion think meanly of himself. Any one who gives his life for another will be met in paradise by all the heralds and angels of the Lord God. And you have no such cause to hang your head. For – Pray, do you think me beautiful?" she asked, with a deep flush.

"Indeed, madam, I do," he said.

"I am glad of that," she answered heartily. "Do you think there are many men in France who have been asked in marriage by a beautiful maiden – with her own lips – and who have refused her to her face? I know you men would half despise such a triumph; but believe me, we women know more of what is precious in love. There is nothing that should set a person higher in his own esteem; and we women would prize nothing more dearly."

"You are very good," he said; "but you cannot make me forget that I was asked in pity and not for love."

"I am not so sure of that," she replied, holding down her head. "Hear me to an end, Monsieur de Beaulieu. I know how you must despise me; I feel you are right to do so; I am too poor a creature to occupy one thought of your mind, although, alas! you must die for me this morning. But when I asked you to marry me, indeed, and indeed, it was because I respected and admired you, and loved you with my whole soul, from the very moment that you took my part against my uncle. If you had seen yourself, and how noble you looked, you would pity rather than despise me. And now," she went on, hurriedly checking him with her hand, "although I have laid aside all reserve and told you so much, remember that I know your sentiments toward me already. I would not, believe me, being nobly born, weary you with importunities into consent. I too have a pride of my own: and I declare before the holy mother of God, if you should now go back from your word already given, I would no more marry you than I would marry my uncle's groom."

Denis smiled a little bitterly.

"It is a small love," he said, "that shies at a little pride."

She made no answer, although she probably had her own thoughts.

"Come hither to the window," he said with a sigh. "Here is the dawn."

And indeed the dawn was already beginning. The hollow of the sky was full of essential daylight, colorless and clean; and the valley underneath was flooded with a gray reflection. A few thin vapors clung in the coves of the forest or lay along the winding course of the river. The scene disengaged a surprising effect of stillness, which was hardly interrupted when the cocks began once more to crow among the steadings112. Perhaps the same fellow who had made so horrid a clangor in the darkness not half an hour before, now sent up the merriest cheer to greet the coming day. A little wind went bustling and eddying among the tree-tops underneath the windows. And still the daylight kept flooding insensibly out of the east, which was soon to grow incandescent and cast up that red-hot cannon-ball, the rising sun.

Denis looked out over all this with a bit of a shiver. He had taken her hand, and retained it in his almost unconsciously.

"Has the day begun already?" she said; and then illogically enough: "the night has been so long! Alas! what shall we say to my uncle when he returns?"

"What you will," said Denis, and he pressed her fingers in his.

She was silent.

"Blanche," he said, with a swift, uncertain, passionate utterance, "you have seen whether I fear death. You must know well enough that I would as gladly leap out of that window into the empty air as to lay a finger on you without your free and full consent. But if you care for me at all do not let me lose my life in a misapprehension; for I love you better than the whole world; and though I will die for you blithely, it would be like all the joys of Paradise to live on and spend my life in your service."

As he stopped speaking, a bell began to ring loudly in the interior of the house; and a clatter of armor in the corridor showed that the retainers were returning to their post, and the two hours were at an end.

"After all that you have heard?" she whispered, leaning toward him with her lips and eyes.

"I have heard nothing," he replied.

"The captain's name was Florimond de Champdivers," she said in his ear.

"I did not hear it," he answered, taking her supple body in his arms, and covered her wet face with kisses.

A melodious chirping was audible behind, followed by a beautiful chuckle, and the voice of Messire de Malétroit wished his new nephew a good morning.

BIOGRAPHY

Robert Louis Stevenson was born November 13, 1850, in Edinburgh. He was an only child. On his mother's side he came from a line of Scotch philosophers and ministers; on his father's, from a line of active workers and scientists. His grandfather, Robert Stevenson, and his father, Thomas Stevenson, gained world-wide reputations in engineering.

Robert inherited from his mother throat and lung troubles. His health was very poor from his birth and his life was preserved only by the careful watchfulness of his mother and his devoted nurse, Alison Cunningham. As a child he was very lovable and possessed a very active imagination.

He went to school in Edinburgh between the years 1858-1867. He first attended a preparatory school, then the Edinburgh academy. He spent considerable time at his maternal grandfather's home. It was there that he first tasted the delights of romance. In his school work he was none too studious, but all his teachers were charmed by his pleasing manner and general intelligence. Though an idler in other things, he worked constantly on the art of writing. Throughout his study in Edinburgh University and his unsuccessful efforts in engineering and the practice of law, literature became more and more a passion with him.

The period between 1875 and 1879 was one of improved health and considerable literary activity. During this time he published A Lodging for the Night, Will o' the Mill, The New Arabian Nights, and an Inland Voyage.

While in southern Europe he met and fell in love with Mrs. Osbourne. So after she returned to her home in California, Stevenson received the news that she was seriously ill. He immediately sailed for San Francisco, travelling as a steerage passenger because of lack of funds and a desire for literary material. Out of this experience grew a number of stories and essays. Exposure on the voyage affected his health and caused a very dangerous illness. After his recovery he married Mrs. Osbourne and returned to England with his wife and stepson.

For a few years his work was more or less spasmodic on account of his bitter struggle with poor health, in 1883 he achieved success by the publication of Treasure Island. Markheim appeared in 1884. Kidnapped and Dr. Jekyll and Mr. Hyde were published in 1886.

After the death of his father in 1887, Stevenson and his family sailed to America, where they settled in the Adirondacks for the winter of 1888. Here his health was good and he wrote a number of essays for Scribner's Magazine. In the spring of the same year they started on a cruise of the south seas. They visited many of the southern islands and settled at Vailima, Samoa. Stevenson was interested in the Samoaas and took an active part in their political affairs. The tropical climate agreed with him and his creative power was renewed. He wrote a number of short stories, a series of letters on the South Seas, and the novel David Balfour.

Political reverses and failing strength took away for a time his power to write. He was again stimulated, however, by the love and appreciation of his Samoan followers, and started on what promised to be his period of highest achievement. This promise was soon blighted by his untimely death from a stroke of apoplexy, December 13, 1894. He was buried in Samoa.

BIOGRAPHICAL REFERENCES

Life of Robert Louis Stevenson, 2 vols., Graham Balfour.

Robert Louis Stevenson, Isobel Strong.

Memories and Portraits, Robert Louis Stevenson.

Friends on the Shelf, Bradford Torrey.

"Personal Recollections," Edmund Gosse, Century Magazine, 50:447.

"Character Sketch," Atlantic Monthly, 89:89-99.

"The Real Stevenson," Atlantic Monthly, 85:702-5.

A Bibliography of the Works of Robert Louis Stevenson, W.F. Prideaux.

CRITICISMS

Fundamentally Stevenson's style is marked by a conscious aim to entertain. His engaging humor, free of all affectation, sentimentality, and exaggeration, is spontaneous and natural. His most original writing is The Child's Garden of Verses. His touch is light and his thought is clear and lucid. Across the Plains is written in his most straightforward and natural style.

Stevenson was a careful writer, doing with great skill any established piece of art. He practised diligently, and gained, as he himself states, his high rank by constantly drilling himself in the art of writing. This imitation of form to the point of perfection, rather than an expression of a great and moving idea, gives an air of insincerity to some of Stevenson's works. Yet, although seemingly artificial, he never chose words for the sake of mere sounds, but for their accuracy in truth and fitness. He was as an ephemeral shadow with an optimistic and real spirit. He infused an intimacy and spirituality into his writings that prove delightful to all his readers.

The subject of Markheim, a man failing through weakness, was a favorite topic for Stevenson. Markheim is almost an ideal specimen of the impressionistic short-story. It has a plot in which Hawthorne might justly have revelled, a treatment as intellectual as that of Poe, descriptions not unlike those of Flaubert's, and a moral ending true to the Puritanic type. The movement of the story is swift and possesses perfect unity. The surprise at the end comes as a shock although the author has consistently and logically constructed his plot.

GENERAL REFERENCES

Emerson and Other Essays, John Jay Chapman.

Robert Louis Stevenson, L. Cope Cornford.

Modern Novelists, William Lyon Phelps.

Makers of English Fiction, W.J. Dawson.

"Art of Stevenson," North American Review, 171: 348-358.

"Criticism," Dial, 30:345. May 18, 1901.

COLLATERAL READINGS

The Suicide Club (New Arabian Nights), Robert Louis Stevenson.

Story of the Physician and the Saratoga Trunk, Robert Louis Stevenson.

The Adventure of the Hansom Cab, Robert Louis Stevenson.

The Rajah's Diamond, Robert Louis Stevenson.

The Story of the House with the Green Blinds, Robert Louis Stevenson.

The Adventure of Prince Florizel and the Detective, Robert Louis Stevenson.

A Lodging for the Night, Robert Louis Stevenson,

Providence and the Guitar, Robert Louis Stevenson.

In the Valley, Robert Louis Stevenson.

With the Children of Israel, Robert Louis Stevenson.

The Lotus and the Cockleburrs, "O. Henry."

Two Bites at a Cherry, Thomas Bailey Aldrich.

The Notary of Perigueux, Henry W. Longfellow.

MARKHEIM 113

By Robert Louis Stevenson (1850-1894)

"Yes," said the dealer, "our windfalls114 are of various kinds. Some customers are ignorant, and then I touch a dividend115 on my superior knowledge. Some are dishonest," and here he held up the candle, so that the light fell strongly on his visitor, "and in that case," he continued, "I profit by my virtue."

Markheim had but just entered from the daylight streets, and his eyes had not yet grown familiar with the mingled shine and darkness in the shop. At these pointed words, and before the near presence of the flame, he blinked painfully and looked aside.

The dealer chuckled. "You come to me on Christmas Day," he resumed, "when you know that I am alone in my house, put up my shutters, and make a point of refusing business. Well, you will have to pay for that; you will have to pay for my loss of time, when I should be balancing my books; you will have to pay, besides; for a kind of manner that I remark in you to-day very strongly. I am the essence of discretion, and ask no awkward questions; but when a customer cannot look me in the eye, he has to pay for it." The dealer once more chuckled; and then, changing to his usual business voice, though still with a note of irony, "You can give, as usual, a clear account of how you came into the possession of the object?" he continued. "Still your uncle's cabinet? A remarkable collector, sir!"

And the little pale, round-shouldered dealer stood almost on tiptoe, looking over the top of his gold spectacles, and nodding his head with every mark of disbelief. Markheim returned his gaze with one of infinite pity, and a touch of horror.

"This time," said he, "you are in error. I have not come to sell, but to buy. I have no curios to dispose of; my uncle's cabinet is bare to the wainscot: even were it still intact, I have done well on the Stock Exchange, and should more likely add to it than otherwise, and my errand to-day is simplicity itself. I seek, a Christmas present for a lady," he continued, waxing more fluent as he struck into the speech he had prepared; "and certainly I owe you every excuse for thus disturbing you upon so small a matter. But the thing was neglected yesterday; I must produce my little compliment at dinner; and, as you very well know, a rich marriage is not a thing to be neglected."

There followed a pause, during which the dealer seemed to weigh this statement incredulously. The ticking of many clocks among the curious lumber of the shop, and the faint rushing of the cabs in a near thoroughfare, filled up the interval of silence.

"Well, sir," said the dealer, "be it so. You are an old customer after all; and if, as you say, you have the chance of a good marriage, far be it from me to be an obstacle. Here is a nice thing for a lady, now," he went on, "this hand glass – fifteenth century, warranted; comes from a good collection, too; but I reserve the name, in the interests of my customer, who was just like yourself, my dear sir, the nephew and sole heir of a remarkable collector."

The dealer, while he thus ran on in his dry and biting voice, had stooped to take the object from its place; and, as he had done so, a shock had passed through Markheim, a start both of hand and foot, a sudden leap of many tumultuous passions to the face. It passed as swiftly as it came, and left no trace beyond a certain trembling of the hand that now received the glass.

"A glass," he said hoarsely, and then paused, and repeated it more clearly. "A glass? For Christmas? Surely not."

"And why not?" cried the dealer. "Why not a glass?"

Markheim was looking upon him with an indefinable expression. "You ask me why not?" he said. "Why, look here – look in it – look at yourself! Do you like to see it? No! nor I – nor any man."

The little man had jumped back when Markheim had so suddenly confronted him with the mirror; but now, perceiving there was nothing worse on hand, he chuckled. "Your future lady, sir, must be pretty hard favored," said he.

"I ask you," said Markheim, "for a Christmas present, and you give me this – this damned reminder of years and sins and follies – this hand-conscience! Did you mean it? Had you a thought in your mind? Tell me. It will be better for you if you do. Come, tell me about yourself, I hazard a guess now, that you are in secret a very charitable man?"

The dealer looked closely at his companion. It was very odd, Markheim did not appear to be laughing; there was something in his face like an eager sparkle of hope, but nothing of mirth.

"What are you driving at?" the dealer asked.

"Not charitable?" returned the other, gloomily. "Not charitable; not pious; not scrupulous; unloving; unbeloved; a hand to get money, a safe to keep it. Is that all? Dear God, man, is that all?"

"I will tell you what it is," began the dealer, with some sharpness, and then broke off again into a chuckle. "But I see this is a love match of yours, and you have been drinking the lady's health."

"Ah!" cried Markheim, with a strange curiosity, "Ah, have you been in love? Tell me about that."

"I!" cried the dealer. "I in love! I never had the time, nor have I the time to-day for all this nonsense. Will you take the glass?"

"Where is the hurry?" returned Markheim. "It is very pleasant to stand here talking; and life is so short and insecure that I would not hurry away from any pleasure – no, not even from so mild a one as this. We should, rather cling, cling to what little we can get, like a man at a cliff's edge. Every second is a cliff, if you think upon it – a cliff a mile high – high enough, if we fall, to dash us out of every feature of humanity. Hence it is best to talk pleasantly. Let us talk of each other; why should we wear this mask? Let us be confidential. Who knows, we might become friends?"

"I have just one word to say to you," said the dealer. "Either make your purchase, or walk out of my shop."

"True, true," said Markheim. "Enough fooling. To business. Show me something else."

The dealer stooped once more, this time to replace the glass upon the shelf, his thin blond hair falling over his eyes as he did so. Markheim moved a little nearer, with one hand in the pocket of his greatcoat; he drew himself up and filled his lungs; at the same time many different emotions were depicted together on his face – terror, horror, and resolve, fascination, and a physical repulsion; and through a haggard lift of his upper lip, his teeth looked out.

"This, perhaps, may suit," observed the dealer; and then, as he began to re-arise, Markheim bounded from behind upon his victim. The long, skewer-like116 dagger flashed and fell. The dealer straggled like a hen, striking his temple on the shelf, and then tumbled on the floor in a heap.

Time had some score of small voices in that shop, some stately and slow as was becoming to their great age, others garrulous and hurried. All these told out the seconds in an intricate chorus of tickings. Then the passage of a lad's feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a draught; and by that inconsiderable movement, the whole room was filled with noiseless bustle and kept heaving like a sea: the tall shadows nodding, the gross blots of darkness swelling and dwindling as with respiration, the faces of the portraits and the china gods changing and wavering like images in water. The inner door stood ajar, and peered into that leaguer117 of shadows with a long slit of daylight like a pointing finger.

From these fear-stricken rovings, Markheim's eyes returned to the body of his victim, where it lay both humped and sprawling, incredibly small and strangely meaner than in life. In these poor, miserly clothes, in that ungainly attitude, the dealer lay like so much sawdust. Markheim had feared to see it, and, lo! it was nothing. And yet, as he gazed, this bundle of old clothes and pool of blood began to find eloquent voices. There it must lie; there was none to work the cunning hinges or direct the miracle of locomotion – there it must lie till it was found. Found! aye, and then? Then would this dead flesh lift up a cry that would ring over England, and fill the world with the echoes of pursuit. Ay, dead or not, this was still the enemy. "Time was that when the brains were out118," he thought; and the first word struck into his mind. Time, now that the deed was accomplished – time, which had dosed for the victim, had become instant and momentous for the slayer.

The thought was yet in his mind, when, first one and then another, with every variety of pace and voice – one deep as the bell from a cathedral turret, another ringing on its treble notes the prelude of a waltz – the clocks began to strike the hour of three in the afternoon.

The sudden outbreak of so many tongues in that dumb chamber staggered him. He began to bestir himself, going to and fro with the candle, beleaguered by moving shadows, and startled to the soul by chance reflections. In many rich mirrors, some of home designs, some from Venice or Amsterdam, he saw his face repeated and repeated, as it were an army of spies; his own eyes met and detected him; and the sound of his own steps, lightly as they fell, vexed the surrounding quiet. And still as he continued to fill his pockets, his mind accused him, with a sickening iteration119, of the thousand faults of his design. He should have chosen a more quiet hour; he should have prepared an alibi; he should not have used a knife; he should have been more cautious, and only bound and gagged the dealer, and not killed him; he should have been more bold, and killed the servant also; he should have done all things otherwise; poignant regrets, weary, incessant toiling of the mind to change what was unchangeable, to plan what was now useless, to be the architect of the irrevocable past. Meanwhile, and behind all this activity, brute terrors, like the scurrying of rats in a deserted attic, filled the more remote chambers of his brain with riot; the hand of the constable would fall heavy on his shoulder, and his nerves would jerk like a hooked fish; or he beheld, in galloping defile, the dock, the prison, the gallows, and the black coffin. Terror of the people in the street sat down before his mind like a besieging army. It was impossible, he thought, but that some rumor of the struggle must have reached their ears and set on edge their curiosity; and now, in all the neighboring houses, he divined them sitting motionless and with uplifted ear – solitary people, condemned to spend Christmas dwelling alone on memories of the past, and now startlingly recalled from that tender exercise: happy family parties, struck into silence round the table, the mother still with raised finger; every degree and age and humor, but all, by their own hearths, prying and hearkening and weaving the rope that was to hang him. Sometimes it seemed to him he could not move too softly; the clink of the tall Bohemian goblets rang out loudly like a bell; and alarmed by the bigness of the ticking, he was tempted to stop the clocks. And then, again, with a swift transition of his terrors, the very silence of the place appeared a source of peril, and a thing to strike and freeze the passer-by; and he would step more boldly, and bustle aloud among the contents of the shop, and imitate, with elaborate bravado, the movements of a busy man at ease in his own house.