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The School for Good and Evil
The School for Good and Evil
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The School for Good and Evil

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“Daddy promised to let me have first swing,” Dot said.

Sophie looked at her three bunk mates in horror.

They didn’t need to read the fairy tales. They came from them.

They were born to kill.

“A princess and a Reader,” Hester said. “The two worst things a human can be.”

“Even the Evers don’t want her,” said Anadil. “Or the fairies would have come by now.”

“But they have to come!” Sophie cried. “I’m Good!”

“Well, you’re stuck here, dearie,” Hester said, plumping Sophie’s pillow with a kick. “So if you want to stay alive, best try to fit in.”

Fit in with witches! Fit in with cannibals!

“No! Listen to me!” Sophie begged. “I’m Good!”

“You keep saying that.” In a flash, Hester seized her by the throat and pinned her over the open window. “And yet there’s no proof.”

“I donate corsets to homeless hags! I go to church every Sunday!” Sophie howled above the fatal drop.

“Mmm, no sign of fairy godmother,” Hester said. “Try again.”

“I smile at children! I sing to birds!” Sophie choked. “I can’t breathe!”

“No sign of Prince Charming either,” said Anadil, grabbing her legs. “Last chance.”

“I made friends with a witch! That’s how Good I am!”

“And still no fairies,” Anadil said to Hester as they lifted her up.

“She belongs here, not me!” Sophie wailed—

“No one knows why the School Master brings you worthless freaks into our world,” hissed Hester. “But there can only be one reason. He’s a fool.”

“Ask Agatha! She’ll tell you! She’s the villain!”

“You know, Anadil, no one’s told us the rules yet,” Hester said.

“So they can’t punish us for breaking them,” Anadil grinned.

They lifted Sophie over the edge. “One,” said Hester.

“No!” Sophie shrieked.

“Two . . .”

“You want proof! I’ll give you proof!” Sophie screamed—

“Three.”

“LOOK AT ME AND LOOK AT YOU!”

Hester and Anadil dropped her. Stunned, they stared at each other, then at Sophie, hunched on the bed, gulping tearful breaths.

“Told you she was a villain,” Dot chirped and bit into fudge.

A commotion clamored outside the room, and the girls’ heads swiveled to the door. It flew open with a crack and three wolves thundered in, grabbed them by the collars, and hurled them into a stampede of black-robed students. Students rammed and elbowed each other; some fell beneath the herd and couldn’t get back up. Sophie clung to the wall for her life.

“Where are we going!” she yelled to Dot.

“The School for Good!” Dot said. “For the Welcomin—” An ogreish boy kicked her forward.

The School for Good! Flooding with hope, Sophie followed the hideous herd down the stairs, primping her pink dress for her first meeting with her true classmates. Someone seized her arm and threw her against the banister. Dazed, she looked up at a vicious white wolf, who held up a black uniform, reeking of death. He bared his teeth in a shiny grin.

“No—” Sophie gasped—

So the wolf took care of matters himself.

Though the princesses of Purity were all bunked in threes, Agatha ended up with her own room.

A pink glass staircase connected all five floors of Purity Tower, spiraling in a carved replica of Rapunzel’s endless hair. The door to Agatha’s fifth-floor room had a glittery sign covered in hearts: “WELCOME REENA, MILLICENT, AGATHA!” But Reena and Millicent didn’t stay long. Reena, blessed with luscious Arabian skin and brilliant gray eyes, labored to move her enormous trunk into the room, only to find Agatha and move it right back out. “She just looks so evil,” Agatha heard her sob. “I don’t want to die!” (“Move in with me,” she heard Beatrix say. “The fairies will understand.”) And indeed, the fairies did understand. And they understood when red-haired Millicent, with an upturned nose and thin eyebrows, feigned a fear of heights and demanded a room on a lower floor. And so Agatha was alone, which made her feel right at home.

The room, however, made her feel anxious. Massive, jeweled mirrors glared back from pink walls. Elaborate murals flaunted beautiful princesses kissing dashing princes. Arching over each bed was a white silk canopy, shaped like a royal carriage, and a glorious fresco of clouds blanketed the ceiling tiles, with smiling cupids shooting love arrows from puffy perches. Agatha moved as far as she could from all of it and crouched in the window nook, black dress bunched against pink wall.

Through the window, she could see the sparkling lake around the Good Towers turn into sludgy moat midway across to protect the Evil ones. “Halfway Bay,” the girls had called it. Deep in the fog, the thin stone bridge reached across the waters to connect the two schools. But this was all in front of the two castles. What was behind them?

Curious, Agatha climbed onto the window ledge, clinging to a glass beam. She glanced down at the Charity Tower below, reaching up with its sharp pink spire—one wrong move and she’d be skewered like lamb meat. Agatha tiptoed to the side of the ledge, craned her head around the corner, and almost fell from surprise. Behind the School for Good and Evil was a massive blue forest. Trees, bushes, flowers bloomed in every shade of blue, from iceberg to indigo. The lush blue grove unfolded for quite a distance, connecting the yards of both schools, before it was fenced on all sides by tall gold gates. Beyond the gates, the forest returned to green and stretched into dark oblivion.

As Agatha slid back, she saw something in front of the school, rising from Halfway Bay. It was right at the midpoint, where waters balanced between sludge and sparkle. She could barely see it through the fog . . . a tall, thin tower of glinting silver brick. Fairies buzzed around the spire in droves, while wolves with crossbows stood watch on wooden planks that jutted from the base of the tower into the water.

What were they guarding?

Agatha squinted at the top of the sky-high tower, but all she could see was a single window shrouded by clouds.

Then light caught the window and she saw it. Silhouetted in sun.

The crooked shadow that kidnapped them.

Her shoe slipped and her body pitched forward over deadly Charity. Flailing, she grabbed the window beam just in time and crashed back into the room. Agatha clutched her bruised tailbone, whipped around—but the shadow was gone.

Agatha’s heart thumped faster. Whoever brought them here was in that tower. Whoever was in that tower could fix the mistake and send them home.

But first she needed to rescue her best friend.

A few minutes later, Agatha shrank from a mirror. The sleeveless pink uniform showed off parts of her white, scrawny body that had never seen light. The lace collar gave away the rash that spread across her neck whenever she felt anxious, the carnations lining the sleeves made her sneeze, and the matching pink high heels teetered like stilts. But the foul outfit was her only chance to escape. Her room was on the opposite end from the stairwell. To get back to the bridge, she needed to glide through the hall without being noticed and slip down the stairs.

Agatha set her jaw.

You have to blend.

She took a deep breath and cracked open the door.

Fifty beautiful girls in pink pinafores packed the hallway, giggling, gossiping, trading dresses, shoes, bags, bangles, creams, and anything else they had brought in their gigantic trunks, while fairies buzzed between, trying in vain to round them up for the Welcoming. Through the hubbub, Agatha glimpsed stairs at the other end. A confident stroll and she’d be gone before they saw her. But she couldn’t move.

It had taken her whole life to make a single friend. And here these girls had become best friends in minutes as if making friends was the simplest thing in the world. Agatha prickled with shame. In this School for Good, where everyone was supposed to be kind and loving, she had still ended up alone and despised. She was a villain, no matter where she went.

She slammed the door, ripped petals from her sleeve, tore off her pink heels and hurled them through the window. She slumped against the wall and closed her eyes.

Get me out of here.

She opened her eyes and glimpsed her ugly face in the jeweled mirror. Before she could turn away, her eyes caught something else in her reflection. A ceiling tile with a smiling cupid, slightly dislodged.

Agatha slipped her feet back into her hard black clumps. She climbed up the bed canopy and pulled the tile away, revealing a dark vent above the room. She gripped the edges of the hole and swung one leg up into the vent, then the other, until she found herself perched on a narrow platform inside the chute.

She crawled through darkness, hands and knees blindly shuffling along cold metal—until metal suddenly turned to air. This time, she couldn’t save herself.

Falling too fast to scream, Agatha whizzed through chutes, ping-ponged through pipes, and slid down vents until she somersaulted through a grate and landed on a beanstalk.

She hugged the thick green trunk, thankful she was still in one piece. But as she looked around, Agatha saw she wasn’t in a garden or forest or anywhere else a beanstalk is supposed to be. She was in a dark room with high ceilings, filled with paintings, sculptures, and glass cases. Her eyes found the frosted doors in the corner, gilded words etched in glass:

THE GALLERY OF GOOD

Agatha inched down the beanstalk until her clumps touched marble floor.

A mural blanketed the long wall with a panoramic view of a soaring gold castle and a dashing prince and beautiful princess wedded beneath its gleaming arch, as thousands of spectators jingled bells and danced in celebration. Blessed by a brilliant sun, the virtuous couple kissed, while baby angels hovered above, showering them with red and white roses. High above the scene, shiny gold block letters peeked out from behind clouds, stretching from one end of the mural to the other:

EVERAFTER

Agatha grimaced. She had always mocked Sophie for believing in Happily Ever After. (“Who wants to be happy all the time?”) But looking at the mural, she had to admit this school did a spookily good job of selling the idea.

She peered into a glass case, holding a thin booklet of flowery handwriting with a plaque next to it: SNOW WHITE, ANIMAL FLUENCY EXAM (LETITIA OF MAIDENVALE). In the next cases, she found the blue cape of a boy who became Cinderella’s prince, Red Riding Hood’s dorm pillow, the Little Match Girl’s diary, Pinocchio’s pajamas, and other remnants of star students who presumably went on to weddings and castles. On the walls, she scanned more drawings of Ever After by former students, a School History exhibit, banners celebrating iconic victories, and a wall labeled “Class Captain,” stacked with portraits of students from each class. The museum got darker as it went on, so Agatha used one of her matches to light a lamp. That’s when she saw the dead animals.

Dozens of taxidermied creatures loomed over her, stuffed and mounted on rosy pink walls. She dusted off their plaques to find the booted Master Cat, Cinderella’s favorite rat, Jack’s sold-off cow, stamped with the names of children who weren’t good enough to become heroes or sidekicks or servants. No Happily Ever After for this lot. Just hooks in a museum. Agatha felt their eerie, glass-eyed stares and turned away. Only then did she see the plaque gleaming on the beanstalk. HOLDEN OF RAINBOW GALE. That wretched plant had once been a boy.

Agatha’s blood ran cold. All these stories she had never believed in. But they were painfully real now. In two hundred years, no kidnapped child had ever made it back to Gavaldon. What made her think she and Sophie would be the first? What made her think they wouldn’t end up a raven or a rosebush?

Then she remembered what made them different from all the rest.

We have each other.

They had to work together to break this curse. Or they’d both end up fossils of a fairy tale.

Agatha found her attention drawn to a corner nook, with a row of paintings by the same artist, depicting the same scenes: children reading storybooks, in hazy, impressionistic colors. As she neared the paintings, her eyes grew wider. Because she recognized where all these children were.

They were in Gavaldon.

She moved from first painting to last, with reading children set against the familiar hills and lake, crooked clock tower and rickety church, even the shadow of a house on Graves Hill. Agatha felt stabs of homesickness. She had mocked the children as batty and delusional. But in the end, they had known what she didn’t—that the line between stories and real life is very thin indeed.

Then she came to the last painting, which wasn’t like the others at all. In this one, raging children heaved their storybooks into a bonfire in the square and watched them burn. All around them, the dark forest went up in flames, filling the sky with violent red and black smoke. Staring at it, Agatha felt a chill up her spine.

Voices. She dove behind a giant pumpkin carriage, hitting her head on a plaque. HEINRICH OF NETHERWOOD. Agatha gagged.

Two teachers entered the museum, an older woman in a chartreuse high-necked dress, speckled with iridescent green beetle wings, and a younger woman in a pointy-shouldered purple gown that slunk behind her. The woman in chartreuse had a grandmotherly beehive of white hair, but luminous skin and calm brown eyes. The woman in purple had black hair yanked in a long braid, amethyst eyes, and bloodless skin stretched over bones like a drum.

“He’s tampering with the tales, Clarissa,” the one in purple said.

“The School Master can’t control the Storian, Lady Lesso,” Clarissa returned.

“He’s on your side and you know it,” Lady Lesso seethed.

“He’s not on anyone’s side—” Clarissa stopped short. So did Lady Lesso.

Agatha saw what they were looking at. The last painting.

“I see you’ve welcomed another of Professor Sader’s delusions,” Lady Lesso said.

“It is his gallery,” Clarissa sighed.

Lady Lesso’s eyes flashed. Magically, the painting tore off the wall and landed behind a glass case, inches from Agatha’s head.

“This is why they’re not in your school’s gallery,” said Clarissa.

“Anyone who believes the Reader Prophecy is a fool,” hissed Lady Lesso. “Including the School Master.”

“A School Master must protect the balance,” Clarissa said gently. “He sees Readers as part of that balance. Even if you and I cannot understand.”

“Balance!” scoffed Lady Lesso. “Then why hasn’t Evil won a tale since he took over? Why hasn’t Evil defeated Good in two hundred years?”

“Perhaps my students are just better educated,” said Clarissa.

Lady Lesso glowered and walked away. Swishing her finger, Clarissa moved the painting back into place and scurried to keep up.

“Maybe your new Reader will prove you wrong,” she said.

Lady Lesso snorted. “I hear she wears pink.”

Agatha listened to their footsteps go quiet.

She looked up at the dented painting. The children, the bonfire, Gavaldon burning to the ground. What did it all mean?

Twinkly flutters echoed through the air. Before she could move, glowing fairies burst in, searching every crevice like flashlights. Far across the museum, Agatha saw the doors through which the two teachers had left. Just when the fairies reached the pumpkin, she sprinted for it. The fairies squealed in surprise as she slid between three stuffed bears, threw open the doors—

Pink-dressed classmates streamed through the foyer in two perfect lines. As they held hands and giggled, the best of friends, Agatha felt familiar shame rise. Everything in her body told her to shut the door again and hide. But this time instead of thinking of all the friends she didn’t have, Agatha thought about the one she did.

The fairies swooped in a second later, but all they found were princesses on their way to a Welcoming. As they hovered furiously above, hunting for signs of guilt, Agatha slipped into the pink parade, put on a smile . . . and tried to blend.