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Still, even among friends, nothing was for nothing, and cash was always useful.
The ghost of the young Tremble stirred inside him, issuing a warning. What was he getting into? As always with his friend, he had the uneasy feeling that he was taking part in a play, the plot of which had not been fully revealed to him.
He closed the door of the coach, and at the appointed hour set forth.
At 9.20 p.m., he was over the water in Coffin’s territory, had passed St Luke’s Mansions (where Coffin was learning his part) and the Theatre Workshop without comment, although both were brightly lit. But they were not in pursuit of brightness, but of darkness. The coach turned down a narrow road, badly lit.
‘Here we are in Murder Street,’ he announced. The coach passed slowly down the road.
Here on the left, at No. 6, the murderer Dr Brittany did away with his wife, his mother-in-law, and the cook, with arsenic. That was in 1914, just before war broke out; he escaped but he was caught in the end and hanged on Armistice Day. Three doors down, and again on the even side of the road at No. 12, the axe murderer, Joseph Cadrin, did in his victims and buried them in the garden.
‘How many, sir? It was never rightly established, the bodies being cut up so. Nineteen twenty-seven, that was. A lot of the victims would have been tramps and dossers.’
He slowed the coach to a crawl so that they could all get a good look and flash away with their cameras, taking photographs if they wanted. Sometimes he stopped and let them out, but not tonight. He didn’t think they felt like it somehow. He didn’t himself.
‘That’s all on this side, except just towards the end there was a young woman found dead in the basement, though that could have been suicide.’ He sounded regretful. ‘But on the other side of the road, odd numbers, four people and a dog died in a fire in No. 7, arson, that was. Yes, they have rebuilt that house, sir, but you can see which house it was, looks newer. And here and here …’ He went through the catalogue: at No. 15 (no, there was no No. 13 but 15 would have been it if there had been) rape and suicide; at 23 a double murder; and at 29 a single death by stabbing. Yes, it was a longer road on that side, the old match factory cut into the other side.
He changed gears and put on some speed. Time to get on. He felt quite tired himself. Goodness knows, they’d all swigged enough coffee en route, ought to be as bright as crickets. But no, sodden was the feeling.
9.30 and they drove off into the darkness. There are some darknesses which seem to swallow people up. This one did.
The bar of the Theatre Workshop was a great meeting-place. That evening a small but animated group had gathered after the curtain had gone down. It was the custom for the cast of the play then in repertory to appear in the bar for a drink after they had taken off their make-up, where they could meet and talk to some of their faithful audience.
Most of the audience and almost all the cast of the current play had melted away home, but a small hard core of Friends of the Theatre Workshop remained talking to Stella Pinero who was sitting in one corner. A few people were hanging on because they had heard that Nell Casey, star of a transatlantic famous soap, and booked to play in the Festival, might appear.
Here too was Gus Hamilton, current star at the Old Vic, who would be joining the Festival in French Without Tears and The Cherry Orchard. He was also teaching a group of local students in a Drama Workshop. Getting to Know the Bard, he called it. He was doing it for peanuts, just one peanut, as he said himself. Gus was never greedy about money but he was shrewd about how to advance his career. He was standing on his own, drinking a glass of white wine, a posse of his admirers having just left.
There’s something I ought to tell him, thought Stella. Then it happened before she had a chance. Oh dear, she thought, Gus is going to be furious.
Casey came in through the swing door and met his gaze across the room. She stood still. ‘My heart stopped,’ she told herself afterwards. ‘Just for one second, I stopped breathing.’
They moved towards each other, reluctantly, but irresistibly impelled.
Casey began to breathe again, but her breath was hard inside her like a knife.
‘I thought you were dead.’
‘Not funny. You knew I wasn’t dead. I’m still on the Equity list. You could have looked.’
‘I’ve been in the States.’
‘I was on Broadway.’ Off Broadway, but that was smarter.
‘Not that kind of dead,’ she said. ‘Not dead dead.’
‘Is there another kind?’
‘Dead to me.’ Her voice dropped.
‘You always had a duff hand with dialogue, Casey. I’ve told you that before. It’s why you haven’t been more successful. You can’t give a line the right weight.’
‘I am successful. And you played off Broadway.’
‘Aha,’ he said triumphantly. ‘So I’ve come back to life, have I? Not dead at all.’
‘And you got lousy reviews.’
‘Better than you did, dear, for your extremely lousy Amanda.’
‘Dead spiritually and emotionally,’ said Casey.
It looked as though they were about to embark on one of the stand-up fights that had broken their relationship in the first place. They had a fascinated audience all round them, drinking it in. Casey and Gus at it again.
Then Gus held out a hand. ‘Come on, Nelly. Kiss and make up.’
Casey swung on her heel. ‘You ought to have stayed dead.’
John Coffin, walking into the room, thought: Who are these people who are behaving badly? Years and years of knowing Stella Pinero and having a stage-struck sister had not accustomed him to the idea that a scene was words but not deeds and a quarrel was not for ever. Probably not even for the next ten minutes.
Still, this one had looked real.
The girl, tall, beautiful, reddish hair (he liked red hair on a woman but not on a man), a thin and delicately boned face—did he know her face?—was talking to a group of three, then moving on, being hailed, kissed and exclaimed at. Someone asked her if she had ‘brought it with her’. He made his way across to where Stella sat. ‘What was all that about?’
‘Oh, you’ve turned up?’
‘I said I’d be late. So what was it?’
‘They knew each other well once, and were going to be married. May still be,’ she added thoughtfully. Only indefinitely postponed. Owing to injury.
‘What got in the way?’ From the manner in which they assaulted each other he would have said they were a perfect match.
‘Something rather nasty. A death.’
‘Oh?’
‘Don’t prick up your detectival ears.’
‘Bad word.’
Nell Casey finished her tour of the room and ended up by Stella. ‘That was painful.’
‘I should have warned you he was here.’
‘Are we both going to be working in the Festival?’
Stella prudently held back the information that they were cast in the same play, the Rattigan. Wonderful publicity to be got from their pairing, she had to put the show first. ‘Apart from work, you need never meet.’
‘We have met,’ said Casey.
‘Isn’t it about time to call it a draw?’
‘No,’ said Nell. ‘Niet, non, nein. Is that clear? No, no, no. I’ll never forgive that shit. And you heard him just now.’
To Stella’s relief, she turned to John Coffin, and held out her hand. ‘I’m Nell Casey. I know who you are, I’ve seen your photograph in the papers.’
‘Surely not.’
‘Yes, and I saw you on TV. You were over in Los Angeles on some policemen’s conference. You said …’ She stopped there, perhaps she couldn’t remember what he had said. ‘Well, it was about women as victims.’
‘I ought to have had my mouth shot off.’
A tall figure, bespectacled, with greying hair and a small white beard, who had just come into the room, tapped Casey on the shoulder. ‘So you got here.’
She spun round. ‘Ellice! I didn’t expect you.’
Neither did I, thought Stella, a little disconcerted. Ellice Eden was a famous and caustic theatre critic, who had not so far been too kind to her productions although professing undying admiration for Stella herself. ‘Lovely actress,’ he always said. ‘Lovely.’ Unmarried himself, he was famous for a special sensitivity towards actresses, while asking the question if women could ever reach the height of the greatest of men. Garrick, Kean, Olivier, did they stand on their own?
Duse, Bernhardt, goddesses, he said. Among moderns he praised Ashcroft, Redgrave, and Bloom. Nor did he despise the screen. Hepburn, marvellous. Monroe, now there was a talent of a very special kind. Streep? He was still watching and assessing. But the reservation about the supreme greatness of women remained, so actresses were careful with him.
He had shown a special liking for Nell Casey, and true admiration for her professional skills. She was so young, she had a long way to go.
‘Came to see you. It’s been quite a gap.’ He held her at arm’s length. ‘You look more Pre-Raphaelite than ever.’
‘“By the margins willow-veiled, slide the heavy barges trailed.” You always did like the river,’ she laughed.
He pulled her towards the bar. ‘Come and have a drink.’
Stella and Coffin were left alone.
‘What’s the story about the death?’
‘Surprised you don’t know. Casey and Gus were part of a company, avant garde little group called Boxers, they were touring Australia. They were in Sydney for a month. Gus ran a little class within the company, he likes teaching. One of the kids fell for him. A lad, of course, they were pretty bisexual, that company, some tours are. I’ve looked round on occasion and thought: Not a proper man here. Anyway, this lad hung around Gus, that sort of thing.’
‘So?’
‘Gus said he didn’t encourage him. Well, perhaps he didn’t. Two schools of thought about that. And then Nell moved in and kind of mopped him up. So they say. Anyway, it got pretty messy,’ Stella said. ‘He was found dead.’
‘Where?’
‘Does it matter?’
‘It might.’
‘In a car park adjoining the theatre. In a car, from the exhaust. It could have been suicide. But there were bruises, enough for doubts. Was he attacked, or was he not? Brilliant chap. Got all the medals and loads of praise. Gus came in for a lot of criticism, and some suspicion. Was he jealous, people asked, and if so, what sort of jealousy: sexual or professional or both?’ Stella thought a bit more. ‘He and Nell broke up amid tears and blows.’
‘When was this?’
Stella made a guess. ‘Not so long ago, but before Casey went out to Los Angeles and the part in the soap we all know about, and Gus struck it big in Shakespeare. Say a couple of years.’ She shrugged. ‘So one’s sort of forgotten about it, and thinks those two ought to have done. That long.’ She looked across the room to where Gus was ordering himself a drink. She frowned. Back on that again? She would have to keep an eye on Gus.
‘Was the truth about the death ever established?’
‘I don’t think so, I don’t really know.’ Stella sounded faintly surprised she should be expected to know. ‘It was in Australia.’
Far away and long ago.
‘Nothing to do with you.’
‘No, of course not.’
Across the room, John Coffin could see Gus inserting himself into what he clearly hoped was a neutral group, neither on his side nor Casey’s, or who perhaps had never heard the gossip, anyway. Coffin felt sorry for the man. He knew what it was to feel a pariah: all policemen did. Sometimes you felt an alien in a hostile world.
‘I believe you set this up on purpose. Arranged the whole thing,’ he accused Stella.
Stella pursed her lips together. ‘It’s time they made it up. But I wanted Gus. I tried to get him to do a new play about Proust and then Othello. It was going to be a double on jealousy, but he said no.’
‘You’re a dangerous woman, Stella, and you could have created more of a situation than you realize,’ he said, observing Nell Casey’s rigid stance.
The party in the bar was increasing in size rather than diminishing as word got round that not only Nell Casey was there but Ellice Eden also. Max from the Deli round the corner, who ran the bar as a private venture, never minded staying on late. He was a man of business who nursed his profits carefully.
Nell and Gus stood at different ends of the room but were without doubt the two most courted members of the party, twin suns with their own powers of attraction. People drifted back and forth between them. Ellice Eden sat by Stella and held his own court.
In Murder Street, the real name of which was Regina Street, the small body of this particular victim had already been neatly packaged and any mess tidied away, ready for burial. It had been efficiently done. The murderer was a tidy, efficient person.
Regina Street, which knew its name but did not rejoice in it, harboured a floating population in its crowded houses, most of which had been subdivided into what the landlords called ‘studio flats’. This meant one room with a midget kitchen and a shower room tucked into a cupboard. Most of them were let furnished, this bringing in the most profit for the smallest outlay. Very few people stayed long, especially when they got to know the local name for the street, and observed the tourist coaches studying them. There were one or two old inhabitants.
One was called Jim Lollard and as he was an old dock-worker who had lived there since before the war, he was generally regarded by those of the inhabitants who noticed him at all as having been unloaded from the Ark. He was the only one who had a whole house to himself, and the interest to devote to it. His house was the one freshly painted and with a single bell with but his name underneath it. Since he had retired with a nice lump sum and a steady pension from the Dock Labour Board, he had spent most of his time decorating his house, inside and out, and tending his garden. He took evening classes in carpentry and upholstery and was willing to do odd jobs for anyone. At a price.
‘His house is his hobby,’ said Mimsie Marker tolerantly. Mimsie sold newspapers outside the Tube station at Spinnergate and knew all the old inhabitants of the district, being one herself.
But she was wrong. His house was not his hobby but his life’s work. His hobby was murder.
He was well known to the police. As a murder addict, he frequently reported crimes that had happened, or were about to happen, as well as some that had never happened and were never going to happen.
He never bothered with a substation, but always directed his attention to the headquarters of the new Force in the big building a stone’s throw from Spinnergate Tube station. Thus his name and his face were known even to John Coffin, from whom, because of his rank, all but the most august criminals were sheltered.
‘You’ll cry wolf once too often, said the sergeant on the desk one day, leaning across to Jim Lollard.
‘What do you mean?’ Defensively.
‘You’ll call murder and we won’t believe you and it’ll be you. You’ll be the victim.’
Lollard drew back. Aggrieved. ‘I’m doing a citizen’s duty. I could report you for saying that.’
‘You do,’ said the sergeant. ‘Now hop it.’
Lollard was stung into further speech. Truth to say, he had had it prepared and meant to get it out. ‘You don’t take account of what you’ve got in this district. Polyglot, that’s what it is. Muslims, Hindus, the Irish. You want to watch them. I do.’
‘We’ve got special units dealing with that,’ said the sergeant.
