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‘Yes, that’s true, I do … ‘ Francesca’s brows went up in a quirk. ‘But why do you need me to write something for you? I thought Victor Mason had a finished screenplay.’
‘When I asked Victor for the particular pages I need, he said that I could have them. At first. Later he called me back and told me that Nicholas Latimer was rewriting that whole section of the script, and therefore I couldn’t have them after all.’ Katharine bent her head closer to Francesca’s, and lowered her voice. ‘But I don’t believe Nick is rewriting. Don’t misunderstand me. It’s not Victor being difficult. It’s Nick. I don’t think he wants me to have those pages.’
‘How rotten of him! But surely Victor can – ‘ ‘Nicholas Latimer has a great deal of influence over Victor. It seems to me that anything Nick says goes. They’re as thick as thieves. If I didn’t know better, I’d swear to God they were a couple of fags.’ She burst out laughing when she saw Francesca’s face. ‘Don’t look so shocked. Anyway, they’re not. As I was going to say, their reputations as studs precede them. Nick, in particular, thinks every woman he meets is going to fall flat on her back for him.’ She laughed again, and went on, ‘In any event, Nick probably lied to Victor when he told him he was working on the screenplay, and did it just to thwart me. Victor suggested I do something from Trojan Interlude.’ Katharine shrugged. ‘What could I say. When I told him I preferred to use something that was fresher to me, he said I could select anything I wanted that ran about thirty minutes. I went through Wuthering Heights again, and I really studied the scene I like. And to be honest, it wouldn’t be difficult to adapt.’
‘Which scene is it?’ Francesca asked, her interest aroused.
‘It’s the one where – ‘ Katharine stopped when the waiter approached the table with the food, and then said, ‘I’ll tell you about it later.’
Once lunch had been served, Katharine took a few mouthfuls and then put down her knife and fork, suddenly unable to eat. ‘You know something, Francesca, every time I think about that scene I get excited. I know it’s exactly right for the screen test. And I do want Victor to see me playing Cathy, not Helen of Troy. It’s that very moving and dramatic scene, where Cathy comes back from Thrushcross Grange and tells Nelly Dean that Edgar Linton wants to marry her. They get into a long discussion about her feelings for Linton, as opposed to her feelings for Heath-cliff. Nelly tries to stop Cathy, who is being very outspoken. She knows Heathcliff is listening outside the door. But Cathy presses on, and says something about how it would degrade her to marry Heathcliff, because her brother has brought him so low – ‘
‘And then Cathy starts talking about her love for Heathcliff,’ Francesca cut in, her face alive with excitement, her eyes shining. ‘And there are those marvellous lines about their souls. I can almost quote it to you verbatim. Cathy says, “He shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton’s is as different as moonbeam from lightning, as frost from fire.” Of course I know it, and very well, Katharine. And you’re right. It is dramatic and emotional.’
Katharine had observed Francesca’s enthusiasm, her growing interest, and now she seized the moment. She said, ‘If you look at that particular chapter in the book again, and study it, you’ll see there’s enough dialogue between Nelly and Cathy to create a good thirty-minute scene, which is all I need for the screen test. Listen, Francesca, I know you can do it, and in a very short time. I also thought it would be a change of pace for you, and would get you away from your research for a day or two. Oh please, do say yes,’ she cajoled. She gazed at Francesca, her expression pleading, then finished, ‘I need you, I really do. Please, won’t you give it a stab? The test is so important to me.’ Katharine’s eyes did not leave Francesca’s face.
Francesca bit her lip, unsure of herself. But she did want to help Katharine, to please her, and so she swallowed her uncertainty. ‘Well, all right,’ she said. ‘If. you think I can do it, then I’ll give it a try.’
‘Oh, thank you, Francesca darling! Thank you. I’m so grateful,’ Katharine cried.
‘It might not be right, you know, not exactly what you want, but I promise I’ll do my very best. And you’ll have to tell me how many pages you need, where I should begin and end the scene. I will need a little guidance.’
‘I’ll help you. In fact, I can explain some things over lunch. You won’t find it difficult, because it is all there in the book,’ Katharine assured her.
Francesca nodded and stared at her plate. When she lifted her head she looked slightly perplexed. ‘You seem to have a lot of confidence in me, Katharine. Why?’
Katharine thought for a second, and then she smiled. ‘Instinct,’ she replied.
CHAPTER FOURTEEN (#ulink_e6f5c9c8-c54f-5022-a088-961e69fcad2a)
As Katharine approached the St James’s Theatre, she felt a quickening inside, and her heart beat a little faster, excitement tingling through her in short sharp waves. She always experienced these feelings when she went to work, and never once had they diminished or lessened. The thrill, the anticipation and the expectation mingled to bring a spring to her step, a blithe smile of eagerness to her face, and she increased her pace, hurrying down the alley to the stage door.
For as long as she could remember, the theatre for her had been a place of refuge and her happiest moments had been spent on a stage. When she was ten years old she had appeared in a nativity play at the convent in Chicago, and ever since that time she had known she would become an actress, for her destiny had been truly sealed that day. It was the only life she could bear to live, the only one which had any real meaning, and purpose, to her. In a sense, the magical unreality of the stage was her only reality. She found escape in her roles, bringing to them such belief and intensity, she literally became the characters she played. And it was this extraordinary commitment, total and unwavering, that gave her portrayals the absolute ring of dramatic truth, and was perhaps one of her greatest strengths as an actress. She never failed to touch, to move, and perhaps, more importantly, to convince. Even as a student, her interpretations of classical parts, in particular Shakespearean heroines, were innovative and individualistic, and she brought to them wholly new dimensions which staggered with their brilliance.
Charlie, the stage-door attendant, gave her a cheery greeting, and after exchanging a few friendly words with him, she went down the stone staircase to her dressing room. She sighed with relief as she closed the door and snapped on the light. She was home again. Safe and secure. Here nothing could harm her.
Katharine always went to the threatre several hours before first curtain call. She needed this time to relax, to empty her head of extraneous matters, to repose, to concentrate and to psyche herself into the part of Helen of Troy. This afternoon she was earlier than usual, but she welcomed the chance to be alone, to think and plan her strategy for the next few days. She still had a lot to achieve before the screen test. After her lunch with Francesca, she had debated whether to go back to her flat, and then decided against it, realizing it was a waste of energy to return to Lennox Gardens for only an hour at the most. Instead, she had strolled down Piccadilly, stopped at Hatchards to buy several books, and then made her way to the Haymarket. She had attempted to call Victor Mason from a telephone booth, to give him Estelle’s information about Confidential. To her frustration he was not at the hotel, and so she had left a cryptic message, adding that she would call again later.
Now, as she took off her cape, her skirt and her sweater, she concentrated on the supper she had dreamed up on the spur of the moment at the Arlington Club. She was quite positive Victor would not object, since he relied on her for much of his social life, and he had already intimated he wanted to take her to dinner with Francesca on Sunday night. So he’ll give a small party instead, she thought, slipping into her towelling robe and sitting down on the couch to pull off her boots. After she had carefully put all her clothes away in the wardrobe, she found a small note pad and pencil, and moved to the dressing table to make a tentative guest list. There would be Victor. And Nicholas Latimer. Naturally, she thought with a small caustic smile. And Francesca, Estelle and herself. She needed at least three more people, perhaps even five, to make up an entertaining group. Well, Kim and the Earl were out, as they were returning to Yorkshire on Sunday afternoon. She paused, the pencil poised in mid-air, considering various friends who would be suitable to include. The Shand-Elliots were possibilities if…
There was a light tapping on the dressing room door, and she looked at it in surprise. ‘Who is it?’ she called.
‘It’s me, Katharine. Norman,’ Terry’s dresser said.
‘Oh, come in, love,’ she exclaimed, smiling broadly as Norman’s head appeared around the door. But the smile fled when she saw his face. Norman, usually breezy, jovial and as bright-eyed as a chirpy Cockney sparrow, wore a dour expression and distress was mirrored in his light brown eyes. Katharine saw immediately that he was agitated. He entered the dressing room with unusual swiftness and closed the door almost furtively. He leaned against it, his body taut, his nervousness spilling out of him.
‘Norman, whatever’s wrong?’ Katharine cried, straightening up in the chair, her eyes fixed on him. ‘You look terribly upset.’
He nodded, his movements jerky. ‘I am. And thank God I’ve found you. I’ve been ‘phoning your flat for ages. I even ran over there and pushed a note through your letter box. Then I decided to come to the theatre, just on the off-chance you might be here.’
‘But Norman, tell me what’s wrong!’ Katharine demanded impatiently, her voice more high pitched than usual. She tensed, and unexpectedly felt a rush of real fear as she observed his anxiety increasing.
‘Ssssh! Not so loud,’ Norman warned. ‘It’s Terry. He’s in real trouble, and I need your help, Katharine. Now.’
‘Trouble,’ Katharine repeated, keeping her voice low. ‘What kind of trouble?’ Her eyes were wide with apprehension, for Norman’s acute distress was being transmitted more forcibly than ever.
‘Well, for one thing, he’s dead bloody drunk. Three sheets to the wind,’ he told her in a voice that was practically inaudible. ‘Can you get dressed and come with me to Albany? I’ll fill you in on the way there.’
‘Yes, love,’ Katharine said, rising at once. She wrenched her clothes out of the wardrobe, dashed behind the screen and was dressed within a few seconds. She emerged and said, ‘I just have to get my boots, then I’m ready.’ Seating herself on the couch she began to pull them on.
Looking up, her eyes questioning, she stated: ‘Terry’s insisting on going on tonight, isn’t he?’
‘Yes. The bloody fool,’ Norman responded with a tight grimace. ‘And he mustn’t. At least not in his present condition.’ He glanced at his watch. ‘It’s almost four o’clock. We’ve got three hours to sober him up. If we can’t, then I’ll have to try and restrain him somehow, and his understudy will have to play tonight.’ Norman’s eyes remained on her face and he regarded her carefully. After a second, he said with a worried frown, ‘If Terry does go on, it’ll be quite a burden for you, Katharine. I’m afraid the whole play will be on your shoulders. And Terry’s going to need every bit of help you can give him. You’ll have to cue him, lead him, cover up for him, and literally carry him through his performance.’ He smiled faintly. ‘It won’t be easy, Katharine. It’s going to take all your strength and ability and ingenuity to camouflage his disabilities from the audience.’
Katharine’s heart sank but she returned Norman’s steady gaze with one equally level. Although her face was grave, the tone she adopted was light and cheerful. ‘Yes, I understand what you’re saying, Norman. But we’ll think about that eventuality later. Come on,’ she cried. ‘Let’s go!’
CHAPTER FIFTEEN (#ulink_3344ccc0-083c-5ec3-964a-7bbe569cabd3)
Nicholas Latimer, being the consummate novelist, often elected to play the spectator. He sat back, enveloped in silence, and listened and watched and stored everything away in the computer that was his mind, for future reference and use in his work. Once, a few years ago, a female acquaintance had said she hated having writers as friends, because, as she stringently pointed out, ‘They steal everything about you, and recycle it in their books.’ He had exploded with laughter at the time, but now he suddenly recalled her comments, and he said to himself: she was right.
At this moment he was once again the spectator, and he knew he was going to revel in the scene which was on the verge of being enacted before him. And naturally he would hoard it away, and push it into the typewriter when he needed it. The protagonists were fascinating opposites, which added to the drama – Victor Mason and Mike Lazarus. And they were poised like gladiators about to do battle, to fight to the death. Nick smiled at his own rather melodramatic analogy. On the other hand, much was at stake, and if the daggers were not exactly drawn, they were sheathed and waiting, figuratively speaking, of course.
Instinctively, he knew Victor would emerge the … victor. He smiled again at his childish game but he couldn’t help himself. Words were his drug, and old habits were hard to break. Victor had had the upper hand before they had met Lazarus. Not that Lazarus realized this, being ignorant of the meeting with Helene Vernaud and thus unaware that she had passed on a certain amount of crucial information. Lazarus most probably thought he had the upper hand, especially since it was the hand which held the chequebook.
Nick had been taken aback when Victor had told him they were meeting Lazarus in the lounge of the Ritz Hotel. For tea. Good God, for tea! When he had questioned Victor about this somewhat weird location, Victor had laughed dryly and remarked: ‘Wasn’t it Napoleon who said that when he was about to do battle with the enemy, he liked to select the location and the time for his preference? He believed it gave him the advantage. So do I.’
Nick had nodded, constantly amazed at Victor’s esoteric knowledge, and said, ‘Yes, it was Napoleon. But why a public place, kid?’ Another dry chuckle from Victor, who had gone on to explain, ‘When we reach an impasse, as we undoubtedly will, I don’t want to have to kick him out of my hotel suite, or have him eject me from his offices. Also, on neutral territory, such as the Ritz, he’ll have to curb his temper. He’s hardly likely to throw one of his famous tantrums in the middle of the hotel.’ Nicholas had nodded and said nothing, but he had thought: Well, you’re wrong there, because he just might. Lazarus is unpredictable, according to what I’ve heard.
So here they were, the three of them, at four o’clock in the afternoon, sitting in a secluded corner of the Ritz, amidst gilded period furniture, potted palms and elegant, behatted ladies. All very genteel and civilized, Nick commented to himself, and swallowed a laugh of wry amusement. There was nothing very genteel or civilized about Mike Lazarus, despite his impeccable linen and well-tailored suit and his façade of genial containment. Nick had never met Lazarus before, but he knew of him by reputation. It was common knowledge that he would go for the jugular at the least provocation, if it suited his purposes to do so. He was cold and ruthless.
As Nick observed them both, his best friend and his best friend’s adversary, he had to admit there was something unusual about Lazarus. For a moment he was not quite sure what this was. He was stocky and muscular, had angular features and dark hair slightly tinged with grey. Nondescript was perhaps the best word to describe him. As he studied Mike Lazarus Nick suddenly reversed this opinion. Lazarus was not really nondescript at all, he just seemed curiously diminished in comparison to Victor. But then what man isn’t, Nick said to himself. Victor’s immense presence was as potent off the screen as on it, probably even more so.
Nick moved his head slightly, and his cool blue eyes swept over Victor, regarded him objectively, took in the dark grey pin-striped suit, the stark white shirt, the silver grey silk de. Elegant. Immaculate. Conservative. In contrast, the handsome face and dark arresting looks and raw masculinity acquired a greater vibrancy, stunned with their startling impact. And there was a very special aura surrounding Victor, one that set him apart from other men. Success, fame, wealth, Nick thought. Yet it was more elemental than that. Is it his sexuality? Nick wondered. Partially, he answered himself. It’s also his adventurous spirit. Soldier of fortune. Buccaneer. Riverboat gambler, he characterized, and then smiled inwardly and said to himself: Maybe I’ve seen too many of his movies.
Nick’s eyes rested briefly on Mike Lazarus now, and he was conscious yet again of a quality in the other man. It was something not immediately definable, or initially apparent, yet it grew on one, slowly and most forcefully. Suddenly, like a bolt of lightning striking, Nick knew what it was. Mike Lazarus had the effluvium of power. Enormous power. He exuded it, reeked of it, and it was distinguishable in the way he held himself in the chair, his body tautly controlled like a panther ready to spring, and in his very pale blue eyes, as cold as a dead fish’s, yet strangely magnetic and compelling. They seemed to penetrate with their keen intelligence, and Nick unexpectedly had the unpleasant feeling that those eyes were like lasers, beaming into his brain to pierce his thoughts. He looked away quickly, and reached for a cigarette, filled with discomfort.
From all the things he had read and heard about Lazarus, he knew the man had an austere discipline, an abrasive energy and a restless ambition. Nick, who on his Rhodes Scholarship to Oxford University had read history, was addicted to the sixteenth-century period. He thought: If Lazarus had lived at the time of Catherine de Medici he would undoubtedly have been a Prince of the Blood, one of those dark and sinister figures stalking across the complex and elaborate tapestry that was France in the 1500s. A Bourbon Prince, such as a Condé, perhaps. Or possibly a due from the notorious House of Guise. Yes, the latter most assuredly, for there was something decidedly Guisardian about Lazarus, with his scheming Machiavellian mind, his stealth, his penchant for plotting, his unquestionable aptitude for dissimulation, his avarice, and his absolute fearlessness. But he wasn’t French. Nick had read somewhere that Lazarus was of German-Jewish extraction, like himself. Or had his family been Russian-Jewish émigrés? Now he was not sure. Notwithstanding, the man was brilliant. He had to be, to have created a multinational conglomerate of the magnitude of Global-Centurion, whose claws were embedded in the surface of the entire world. More or less. And he was only forty-five or thereabouts. Funny, Nick mused, despite the millions of words written about him, I’ve never read much about his personal life, or his early beginnings. They are shrouded in mystery. He wondered, absently, how much Hélène Vernaud knew about Lazarus’s past. He must ask her some time.
The two men facing each other across the small tea table had not begun to skirmish yet, but were skirting each other warily, and with great adeptness, using verbal thrusts and parries, testing each other. He smelled the tension between them. It hung in the air like a curtain of gauze. He knew that Victor detested Lazarus. But it was difficult to ascertain Lazarus’s feelings for Victor. The man had adopted a posture of geniality. A constant benign smile played around his mouth. But the eyes were alert and watchful and chilling in their deadliness.
The two men droned on about the stock market, and Nick turned away, stifling a yawn.
Lazarus made a remark about trouble brewing in the Middle East, and spoke for a few minutes about oil, and the attitude of the Arab states eventually changing; and then unexpectedly, and abruptly, he switched from this topic.
Suddenly, Lazarus said, ‘Well, Victor, you’ve procrastinated for days about this meeting, presumably because you were having the contract dissected by your battery of lawyers. Since you’re sitting here, I assume all is in order. And I trust you brought the contract with you. Signed. I can’t delay my return to New York any longer. I’m leaving tomorrow, and I want to wind things up with you before doing so.’
‘Yes, I’ve brought it,’ Victor responded in a pleasant, easy tone. He moved in his chair, crossed his long and elegant legs, and leaned back, on the surface relaxed. Observing him quietly, Nick knew he was as taut as Lazarus.
‘Ah. Good,’ Lazarus said. ‘Seemingly we are making progress at last. I’d like to give you my ideas, and my conditions, now that we’re partners. Or at least about to be, after I’ve signed the contract. First of all, I cannot sanction the budget of this movie. It’s excessive. Three million dollars is, in my estimation, exactly one million dollars too much.’
‘Agreed,’ Victor said with a small cool smile.
If Lazarus was surprised at this ready acquiescence, he did not display it. Not an eyelash flickered. ‘How do you propose to cut production costs, might I ask?’ There was a sarcastic edge to his voice but he was seething inside. Victor Mason wasn’t very much different from the rest, in spite of his reputation for honesty. They were all trying to steal from him, in one way or another, when they came with their elaborate schemes and questionable deals. But none of them were a match for him. Inevitably he outsmarted them all.
‘There are ways and means to do it,’ Victor replied, sounding and looking enigmatic.
‘I see.’ Lazarus remained motionless in the chair, holding his annoyance in check. Mason was such a fool, being evasive, and wasting his valuable time. The man would have to reveal his plans eventually. But Lazarus decided not to press. Instead, he drawled softly, ‘How much can you save?’
‘About a million dollars.’
Lazarus regarded Victor closely, with those keen and assessing eyes. A cynical smile touched his mouth fleetingly. ‘Then I feel justified in my assumption that the budget was padded. That’s the trouble with the motion picture industry. Too much waste, too much fat. An inefficient business in my opinion.’
‘You’re wrong. About the budget. It wasn’t padded, merely erroneous,’ Victor shot back sharply, sheathing his irritation. ‘An easy mistake for a production man to make when he’s sitting in Hollywood.’
‘Obviously you picked the wrong production man, Victor. A shame.’ He made the last word sound ominous, even though his voice was soft. Lazarus sighed lightly and took a sip of his tea. ‘A good production man doesn’t make mistakes, Victor, wherever he’s sitting. Poor judgment on your part. I hope it will be less flawed when it comes to other areas of our project. I also sincerely pray we’re not going to have the pleasure of his company here in England, when we start shooting.’ Lazarus laughed thinly. ‘Otherwise, we might find the budget escalating to four million dollars. Perhaps even five. And why not!’
‘He was not hired on a permanent basis,’ Victor answered, ignoring the sarcastic jibes. ‘As a matter of fact, the entire production team will be English.’ He lit a cigarette, furious with himself for even bothering to justify his actions to Lazarus. But Lazarus had a way of putting everyone on the defensive.
‘Well, that’s a step in the right direction,’ Lazarus responded, his tone patronizing. ‘Let’s talk about casting. I’ve been doing a lot of thinking, analysing, and I’ve decided on the female lead. Ava Gardner. She would be marvellous as Catherine Earnshaw, and I – ‘
‘No.’ Victor’s voice was even but emphatic. ‘I’m testing Katharine Tempest. And if she tests the way I believe she will, then she gets the part.’
Lazarus stared at Victor, and his lip lifted slowly, disdainfully. ‘And who in hell is Katharine Tempest? If I’ve never heard of her, then you can bet your last dime the American public hasn’t either. I don’t want an unknown in my picture. I want an established movie star, who is an international name. I want a few box office guarantees, my friend.’
I’m not your friend, Victor thought, bristling. But he contained himself, and he chose not to remind Lazarus that he was one of the biggest box office names in the world. If not the biggest. Aloud he remarked, ‘Katharine Tempest is a brilliant young actress who’s starring in the West End play, Trojan Interlude, at the moment. And she is the perfect Cathy. You have to agree, she certainly looks right for the part.’
‘I told you, I don’t know who she is,’ Lazarus responded, coldly impatient.
The lazy smile eased onto Victor’s mouth. ‘You couldn’t take your eyes off her on Monday evening. At Les Ambassadeurs,’ he rejoined swiftly. ‘Much to the annoyance of your female companion. If looks could’ve killed, you’d be dead, my friend.’
Nick’s eyes swivelled between them alertly. He didn’t remember seeing Lazarus on Monday evening. But then he had arrived late, when Victor and his other guests had already moved into the restaurant. Mike Lazarus had leaned forward slightly, and Nick detected a faint flicker of sudden interest in those inscrutable eyes. Lazarus was silent for a split second, regarding Victor unblinkingly, and then he said slowly, ‘You must be talking about the very dark girl with those extraordinary eyes.’ Remembering the girl’s beauty, he felt a flare of internal excitement, but took care to conceal this behind a façade that was expressionless, adding, ‘I can’t imagine you are referring to that insipid blonde, the debutante type, who was with you.’
‘Dead right,’ Victor answered. He was angered by the disparaging reference to Francesca, but instantly clamped down on it. ‘Katharine has quite a face, hasn’t she? She’s as beautiful as Ava Gardner.’
There was no response for a moment. Lazarus seemed thoughtful, and then he said, ‘I’ll reserve my judgment until after I’ve seen the test. And even if the test is good, I’m still not sure we can use an unknown. I’ll have to consider it carefully. Yes, very carefully. Now, I’d like to discuss the script with you. Frankly, it has to go. It’s far too arty for my liking. Not commercial enough by any stretch of the imagination. We’d better get a new screenwriter on the job. Immediately. We’ve no time to waste.’
There was an awkward silence. Nick, who had flinched, thought: The lousy son of a bitch. He’s behaving as if I’m not here. I guess I’m not, as far as he’s concerned. He was on the point of exploding from frustration. He wanted to defend himself, and his work, and even jab Lazarus a swift right hook. But Victor had asked him to keep silent, whatever ensued, and so he kept his clenched fist pressed into the side of the chair, and waited.
Victor, whose face was stony and closed, said with quiet authority, ‘It’s a damned great script, Mike. Not just good, but great. Furthermore, it’s the script I have every intention of shooting. And let me tell you something else. Nick is not going to be replaced by any other screenwriter. Not today. Not next week. Not ever, my friend.’
‘Now, look here, Victor, nobody’s going to tell me how to make my own picture, the picture I’m bankrolling to the tune of two million dollars. I must say, I thi – ‘
‘Oh, shut up,’ Victor murmured.
Lazarus was so startled that he did exactly that. He sat staring at Victor, an expression of disbelief washing over his face.
It took all Nick’s self-control to suppress the laughter rising in his throat. Mike Lazarus looks as if he’s just been hit in the face with a wet fish, he thought, and glanced away, biting his lip.
Lazarus recovered himself immediately. ‘We’d better get something straight, my friend. And right now. Nobody, but nobody, ever tells me to shut up!’
‘I just did,’ Victor said. He leaned forward and lifted his briefcase onto his lap. He opened it. ‘Here’s the contract.’ He handed Lazarus a manilla envelope, snapped down the fid and locked his briefcase.
In spite of the fury boiling within him, Mike Lazarus could not resist opening the envelope. The contract was in two halves, had been ripped across the middle. His eyes were riveted on the two pieces he was holding. For a moment he appeared to be mesmerized. Never in the whole of his life had he been so humiliated, so insulted. A slow flush rose from his neck, filled his face with deep colour. When he lifted his head, his eyes were like steel blades, and condemning.
Before he could utter a word, Victor, swift on the draw, said, ‘That’s what I think about your contract. And I’m sure you know what you can do with it. As hard as this might be for you to believe, I don’t want your money, and I most certainly don’t want you involved in my picture.’ Victor retrieved his briefcase and stood up. ‘I’ll be seeing you, Mike,’ he finished with a mirthless little smile. His black eyes were as cold and as hard as marble.
Nick had also risen and Lazarus regarded them both furiously for a prolonged moment. The bright colour had drained from his face. He was chalk white, and his voice, although as soft as always, was deadly as he said, ‘You’ll five to regret this, Victor. Truly, truly regret it. I’ll make damned sure of that.’
Victor did not bother to respond. He took hold of Nick’s arm and said, ‘Come on, sport, let’s get out of here. I do believe I’m in need of a bit of fresh air.’
Victor was striding rapidly towards the lobby. Nick kept in step, and when there was enough distance between themselves and Lazarus, he said, ‘Jesus, Vic, you really – ‘
‘Let’s wait until we’re in the street, Nicky.’ They collected their coats from the men’s cloakroom in silence. Victor shrugged into his camel-coloured cashmere overcoat and looked at Nicholas out of the corner of his eye. He winked theatrically, murmured, ‘That was short and sweet. Very sweet,’ and headed for the revolving door that opened onto Piccadilly.
Nick was so elated he could hardly contain himself. He had been a champion boxer at Princeton, and once they were outside he could not resist executing a few nimble, ballet-like steps. He feinted, and then delivered a light punch on Victor’s shoulder, exclaiming, ‘You really shoved it to him! Gave him the whole enchilada!’
‘I’m lucky I was able to do so,’ Victor said with a grin. ‘Thank God I really don’t need him, or his lousy money.’
‘So you’ve made a deal with a major? For financing?’ Nick questioned, his bright blue eyes probing.
Victor shook his head negatively. ‘No, not yet. But it’s in the works. Metro’s considering it, and very seriously. But even if they turn it down, I’m not going to abort the production after all. I’ve decided to go ahead. Too much sweat, yours and mine, has gone into this project for me to let it go that easily.’
Relief flooded through Nick. ‘Hey, that’s great, kid. But can Bellissima finance the picture completely?’
‘Just about. If I defer my salary, and if I can find other ways to cut production costs, which Jerry Massingham seems to think we can do. But I’m pretty sure Metro’s going to roll with us. They want me for another picture of theirs, so they’re willing to play ball with me on this one.’
‘Will you do their picture, after Wuthering Heights!’
‘Most likely. I’ve more or less said yes, in principle. Subject to reading the script of course.’
Nick chuckled and jabbed Victor’s arm again. ‘Did you see Lazarus’s face, when he realized that you’d torn up the contract? I thought he was going to have apoplexy. I wish he had, the slimy bastard. I almost punched him in the nose when he was raving on about the script as if I wasn’t there.’
Victor laughed. ‘I thought you might myself. That’s why I didn’t dare look at you. Thanks for restraining yourself, old sport. We could have all ended up on the front page of the Daily Mirror if you hadn’t. ‘
‘Well, despite the insulting way in which he treated me, I wouldn’t have missed being there for anything. I bet it’s the first time anybody’s turned down his money. He was staggered.’
Victor nodded in agreement. ‘You’re probably right. That’s part of his problem. He’s had too much power for too long, running that fiefdom of his. He thinks he can push everybody around. I suppose I could have been more above board with him, and told him days ago that I wasn’t prepared to go ahead with the deal. But I’m afraid the actor in me overrode my scruples. I couldn’t resist playing the scene out to the bitter end. And I have to admit, Nicky, it gave me a lot of satisfaction, dumping him exactly the way I did.’
‘Me too. But I didn’t like his parting shot though. About your regretting it. He’s got a nasty reputation … for being vindictive. And there is something inimical about him. He might just try to get back at you, Vic’ Nick’s voice vibrated with nervousness. ‘I think he’s creepy. Sinister. To be honest, he kind of scares me. Doesn’t he scare you?’
‘Not at all.’ Victor looked at Nick quickly, his eyes narrowing. ‘And I don’t think he scares you either, sport. As for being sinister, I think that’s your writer’s imagination working overtime. You know you enjoy playing casting director and visualizing people in various roles. The whores and the ladies, the good guys and the heavies. Goodness versus evil, and all that jazz.’
‘I suppose I do,’ Nick agreed. ‘Nonetheless, I think he’s bloody unscrupulous. And you said yourself he’s paranoid. Jesus, I feel sorry for Hélène. I don’t relish the idea of her being involved with a guy like him – ‘
‘I know what you mean,’ Victor interrupted. ‘But she’s a big girl. I think she’s capable of taking care of herself when it comes to men. Don’t you?’
‘I guess. Incidentally, did you notice that flicker of interest when you explained who Katharine was?’
‘Sure, and I saw that same look, only much more pronounced, on Monday night in the bar at Les A. Lazarus came in with this well-stacked, stately redhead, dripping jewellery from every pore, and clinging to him like an octopus. And from the moment he noticed Katharine, she might as well have not been there. And don’t think she wasn’t aware of his attention straying. It was all very pointed. They left after one drink, just before you arrived.’
