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The Triumph of Katie Byrne
Barbara Taylor Bradford
A riveting novel that begins with a murder in an old Connecticut barn and reaches its climax on Broadway.We first meet Katie Byrne at seventeen. A tall beauty with reddish-gold hair, she has always wanted to be an actress. Her two best friends share her passion for the theatre, and the three girls have spent much of their childhood rehearsing plays in an old barn in Connecticut. Leaving early one day to help her mother prepare dinner, Katie realizes she has left her schoolbooks at the barn and she and her older brother return to retrieve them. When they arrive, they find the barn, the setting of so many happy dreams, has become the scene of a nightmare: one of Katie's friends has been raped and murdered, and the other lies unconscious.Ten years later, Katie, a struggling actress in New York, is still haunted by the tragedy. Her friend Carly remains in a coma, and Katie desperately wants to achieve success and stardom not only for herself but also for her two old friends. Her big chance comes when she is discovered and wins a major role in a Broadway play. A promising love affair adds to the excitement of working on Broadway; but Katie must face the demons of the past before she can embrace the possibilities of the future.
The Triumph Of Katie Byrne
Barbara Taylor Bradford
Copyright (#)
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by HarperCollinsPublishers 2001
Copyright © Beaji Enterprises, Inc 2001
The Author asserts the moral right to be identified as the author of this work
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Ebook Edition © DECEMBER 2009 ISBN: 9780007330645
Version: 2017-11-16
This book is for my husband, Bob, with my love and thanks for making everything always so special.
Table of Contents
Cover Page (#u0a869b1a-1FFF-11e9-9e03-0cc47a520474)
Title Page (#u0a869b1a-2FFF-11e9-9e03-0cc47a520474)
Copyright (#u0a869b1a-3FFF-11e9-9e03-0cc47a520474)
Dedication (#u0a869b1a-4FFF-11e9-9e03-0cc47a520474)
PART ONE Kiss of Death (#u0a869b1a-6FFF-11e9-9e03-0cc47a520474)
Chapter One (#u0a869b1a-7FFF-11e9-9e03-0cc47a520474)
Chapter Two (#u0a869b1a-8FFF-11e9-9e03-0cc47a520474)
Chapter Three (#u0a869b1a-9FFF-11e9-9e03-0cc47a520474)
Chapter Four (#u0a869b1a-10FF-11e9-9e03-0cc47a520474)
Chapter Five (#u0a869b1a-11FF-11e9-9e03-0cc47a520474)
Chapter Six (#u0a869b1a-12FF-11e9-9e03-0cc47a520474)
Chapter Seven (#u0a869b1a-13FF-11e9-9e03-0cc47a520474)
Chapter Eight (#u0a869b1a-14FF-11e9-9e03-0cc47a520474)
Chapter Nine (#u0a869b1a-15FF-11e9-9e03-0cc47a520474)
Chapter Ten (#u0a869b1a-16FF-11e9-9e03-0cc47a520474)
Chapter Eleven (#litres_trial_promo)
Chapter Twelve (#litres_trial_promo)
Chapter Thirteen (#litres_trial_promo)
PART TWO Gift of Friendship (#litres_trial_promo)
Chapter Fourteen (#litres_trial_promo)
Chapter Fifteen (#litres_trial_promo)
Chapter Sixteen (#litres_trial_promo)
Chapter Seventeen (#litres_trial_promo)
Chapter Eighteen (#litres_trial_promo)
Chapter Nineteen (#litres_trial_promo)
Chapter Twenty (#litres_trial_promo)
Chapter Twenty-one (#litres_trial_promo)
Chapter Twenty-two (#litres_trial_promo)
Chapter Twenty-three (#litres_trial_promo)
Chapter Twenty-four (#litres_trial_promo)
Chapter Twenty-five (#litres_trial_promo)
Chapter Twenty-six (#litres_trial_promo)
PART THREE Touch of Love (#litres_trial_promo)
Chapter Twenty-seven (#litres_trial_promo)
Chapter Twenty-eight (#litres_trial_promo)
Chapter Twenty-nine (#litres_trial_promo)
Chapter Thirty (#litres_trial_promo)
Chapter Thirty-one (#litres_trial_promo)
Chapter Thirty-two (#litres_trial_promo)
Chapter Thirty-three (#litres_trial_promo)
Chapter Thirty-four (#litres_trial_promo)
Chapter Thirty-five (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
About the Author (#litres_trial_promo)
Other Books By (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
PART ONE Kiss of Death (#)
Connecticut, 1989
‘…break off this last lamenting kiss, Which sucks two souls, and vapours both away.’
JOHN DONNE
‘The coward does it with a kiss.’
OSCAR WILDE
Chapter One (#)
The girl sat on a narrow bench, centre stage, her body bent forward, one elbow on her knee, a hand supporting her head. The thinker, deeply thinking, her body language seemed to convey.
She was dressed very simply, boyishly, in a loose, grey, knitted tunic cinched by a black leather belt, worn with black tights and ballet slippers. Her long, reddish-gold hair was plaited, the plaits wound tightly around her head, so that the finished effect was like a burnished-copper cap gleaming under the pin-spot shining down. The girl’s name was Katie Byrne and she was seventeen: acting was her entire life.
She was about to act for her favourite audience – an audience of two: her best friends, Carly Smith and Denise Matthews. They sat on straight-backed wooden chairs in front of the makeshift stage in the old barn which belonged to Ted Matthews, Denise’s uncle. Both girls were the same age as Katie, and had been friends since childhood; all three were members of the amateur acting group at the high school in the rural Connecticut area where they all lived.
Katie had chosen to perform a speech from one of Shakespeare’s plays at the school’s upcoming Christmas concert. It was only two months away, and she had recently begun to rehearse the piece; Carly and Denise were also perfecting their chosen speeches for the same concert, rehearsing with her in the barn almost every day.
Now, at last, Katie lifted her head, stared out into space, and focused her blue eyes on the back wall of the barn, as if she saw something visible only to herself. Taking a deep breath, she began.
‘To be, or not to be, that is the question: Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing, end them. To die –’
Abruptly, Katie stopped.
She jumped up off the bench, walked to the edge of the stage, looked down at her friends. Shaking her head, she seemed unexpectedly uncertain of herself, she who normally had such confidence and self-possession.
‘I’m not getting it right,’ Katie wailed.
‘Yes, you are, and you’re wonderful!’ Carly cried, rising, stepping closer to the stage, the stage on which they had started to act when they were children. ‘Nobody does Shakespeare the way you do it. You’re the best, Katie.’
‘Carly’s right,’ Denise agreed as she went to join Carly near the stage. ‘It’s the way you act the words, say them. You make sense out of them, and there’s never been a Hamlet like you.’
Katie burst out laughing. ‘Thanks for your compliment, Denny, but there were a few others before me…Laurence Olivier and Richard Burton, to name a couple of them…they were the greatest classical actors on the English-speaking stage, just as Christopher Plummer is the greatest classical actor today. And listen, I keep telling you, it’s all to do with understanding the meaning of the words, the motivation and intention behind them. And also with punctuation, knowing when to run the words on without pause, and when to pause to breathe…’ She let the sentence trail off, knowing now was not the right time to give Denise another acting lesson.
Returning to the bench, she seated herself, adopted the thinker’s position, which was comfortable for her, and sat ruminating for a moment or two.
Whatever her friends said, however much praise they lavished on her, Katie knew that her performance was slightly off today. Her concentration was not what it usually was, and she wasn’t sure why. Unless it was because she felt guilty at being here this afternoon. Her mother wasn’t well, and she was needed at home to help out. And yet, selfishly, she had decided to steal this time at the barn in order to rehearse the speech from Hamlet, and persuaded her friends to come with her after school.
Then rehearse, a small voice inside her head instructed. She took several deep breaths, relaxed her throat, let the stillness of the stage envelop her, calm her.
Within minutes she was ready, and she launched herself into Hamlet’s soliloquy, her natural self-confidence perfectly in place once more.
Listening attentively, Carly was transported by Katie’s voice, as she always was. There was a lovely resonance to it, full of nuances and feeling. No wonder, Carly said to herself, thinking of the way Katie practised, was endlessly training her voice. They all knew how serious she was about acting. Katie was dedicated, disciplined, and very determined to succeed. Somehow, Katie knew how to act the parts she had chosen without having had too many lessons, while Denise and she sort of stumbled along as best they could. Fortunately, they were improving, thanks to Katie’s relentless coaching and encouragement.
They had first started acting together seven years ago, ten-year-olds with stars in their eyes. Denise’s Uncle Ted had let them make use of the old barn at the far end of his property, and they had created a makeshift theatre out of it. At that time they had made a promise to each other, had vowed they would go to New York one day and start their acting careers in earnest. Making it to Broadway was their big dream. Katie kept promising that the three of them would move to the city once they finished high school, and that eventually they would be stars on the Great White Way. Carly hoped this would come true, that they would have their names in lights, but sometimes she was filled with doubts.
Denise had no doubts whatsoever, and as she sat next to Carly, watching Katie on the stage, relishing her performance, she was absolutely positive that their dreams would soon materialize. Katie was brilliant, there was no question, and they themselves were getting better and better, mostly because of Katie’s intense lessons. When they went to New York they would find an apartment to share, go to acting school, and become professional actresses. It was all going to work, the dream would become reality, she was convinced.
Katie suddenly stood up, moved downstage right, and continued, ‘To die, to sleep – No more, and by a sleep to say we end the heartache and the thousand natural shocks that flesh is heir to: ’tis a consummation devoutly to be wish’d. To die, to sleep – To sleep, perchance to dream…’
Flawlessly, and without faltering once, Katie went on to complete this most famous of Shakespearean speeches, her well-modulated voice rising and falling as she gave emphasis to certain words, less importance to others. And the quality of her acting was superb; after her initial hesitation, her seeming loss of confidence, she had gone forward sure-footedly.
When Katie was finally finished, she remained motionless for a second or two, her cornflower-blue eyes still focused in the distance, and then she blinked several times before glancing at Carly and Denise. And then she smiled at them broadly, sure in the knowledge that she had managed to get the speech right at last.
Her friends began to clap and cheer and they bounded up onto the stage enthusiastically, hugged her, congratulated her.
‘Thanks,’ she said, grinning in return, and hugging them back. ‘But don’t you think I should rehearse again tomorrow, just to make sure?’
They both drew away and gaped at her in astonishment.
Denise cried, ‘You don’t need another rehearsal! But we do. And you’ve got to help us tomorrow. I’ll never get my Desdemona speech right, and Carly’s still having trouble with her Portia, aren’t you, Carly?’
‘I am a bit.’ Carly sounded miserable. Then her voice changed, became more positive as she added, ‘As for you, Katie Byrne, you’re just awesome.’
‘We’re not going to let you hog the stage tomorrow, ’ Denise announced with a grin, adding in a mock-threatening voice, ‘You’re going to rehearse us, because we still need it. And if you don’t, you might find yourself going off to be a Broadway actress all by yourself!’
‘Never. You’ll both be with me,’ Katie declared, pulling the girls closer, putting an arm around each one of them, glancing at Denise admiringly. Her velvet-brown eyes, full of hidden depths, were sparkling. She was never anything but high-spirited and happy, bubbling with laughter and good humour. She had a kind of golden radiance about her, with her long blonde hair and pink-and-white porcelain skin. She was a genuine All-American beauty, slender, shapely and long-legged.
In contrast, Carly, who had been Katie’s closest friend since they were toddlers, was very different. She was quieter, had a more introspective demeanour, was a little fey at times, and her seductive, rather dramatic looks belied her retiring, gentle nature. Eyeing her, Katie thought that even in her school clothes she looked voluptuous. Carly had a beautiful diminutive figure, and with her short dark curls and pansy-violet eyes had the look of a young Elizabeth Taylor.
With a sudden rush of emotion, Katie felt her abiding friendship and love for them both flowing through her…they were her dearest, her very best friends.
