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But even through the sudden wretchedness I can still see the way my blue pashmina dangles over his arm like a waiter’s napkin as comical.
I shake my head. ‘I’m just reminded of things, people, I’d rather forget.’
‘You don’t like your hair being touched?’
‘Au contraire,’ I sigh. ‘I have just discovered that I love it being touched. No-one’s ever – it took me by surprise, that’s all.’
‘I’m continental. Too tactile. And you Anglo-Saxons?’ He flips his hands dismissively. ‘Ice in your veins.’
‘I always think of myself as Celtic. Fire, not ice. But no, Gustav. I’m trying to tell you it felt nice. Lovely. It was just more intimate than I’m used to.’
He raises his eyebrows questioningly.
‘I would defy any man not to want to either stroke it or paint pictures of it all day long. Christ, even mammals groom each other, don’t they?’ He pushes the hair off his face and unbuttons his coat. ‘You telling me your mother never brushed it? All that sunset splendour?’
‘Brushed it?’ I repeat harshly. ‘God no. She pulled it when I was naughty, the little baby hairs just in front of my ears, oh, and she chopped it off, as soon as it grew more than a few inches, because she hated it. It wasn’t sunset splendour to her. It was ugly and ginger.’
A shadow passes over Gustav’s face. A brief cloud, followed by watery sunlight. I wonder if he realises how easy he is to read. The black gleam in his eyes steadies to understanding, as if he’s listening to a piece of music he used to play.
‘I’ve never told anyone that before. No-one has ever stood still long enough to listen.’
‘My God, Serena,’ he says, very softly, his eyes softening. ‘You really are a lost soul under all that chutzpah, aren’t you?’
‘Not lost. Fighting to be heard. I’m fine. You learn to be the cat who walks alone when you’re kicked about often enough.’
A small, dark man in an impeccable suit appears soundlessly from behind a huge vase of winter flowers. ‘Mr Levi. How very good to see you. Your usual tipple this evening?’
Gustav nods. ‘Thank you, Jerome. If you have my favourite seat, too?’
The tinkle of glasses and low murmur of voices start to trickle out of the bar as if we’ve disturbed birds sleeping on a wire.
‘And very sexy they are too.’ Gustav takes a step towards the bar.
‘What are?’
‘Cats. Cold, distant. And you have the eyes, too. Green, slightly slanted. Perfect for Halloween.’ Gustav crooks his arm again. ‘They sometimes pounce on mice for fun, when no-one’s looking, don’t they? Don’t make that face. I mean it in a good way.’
I toss my jacket and gloves at him, as if he’s a servant. His hand shoots out overarm as if he’s catching a cricket ball.
‘Are we going to have that drink or what?’
He laughs and slaps his leg. Those expressive hands. ‘Of course. What would you like?’
‘Surprise me. And could you look after my camera, while I freshen up? Guard it with your life.’
‘Oh, I will, Serena. Don’t you worry about that.’
I know he’s watching me, my butt, my supposedly fertile woman’s hips, my legs, sketching me all over again in his head as I make my way self-consciously down the airy corridor to the ladies’ room. The knowledge that he’s watching makes hot sweat spring through my cold skin. I pray I don’t trip. I push open the big white door, slip inside. Alone at last.
False pretences. I don’t really need the bathroom. I just need a moment. Work out what’s going on. Get a grip. I need to, what do those counsellors say? Regroup.
Polly, the only person who looks out for me, would still be nagging me.
You have no idea who this guy is. He could be an axe murderer. He could be twice your age. Get the hell out of there, before something happens.
But I want something to happen! That’s precisely why I came to London, isn’t it? And it’s not as if I’ve gone down a dark alley with him, is it, tempted as I was, or allowed him to drag me back to his lair.
I start to tremble. I close my eyes and let it take me over. I know what that means. It’s my body’s reaction to the possibility of danger. Gustav Levi’s lair. What would that be like? What would happen there? What would he do to me if I went there with him?
I open my eyes and stare at the girl reflected in the huge mirror. I barely recognise her. In the house on the cliff they used to nail up one or two dusty panes of mirrored glass in the only places where it was absolutely necessary. The bathroom, beside the front door, so the handful of visitors, the priest, the doctor, the undertaker, could check that they looked sane before taking great lungfuls of fresh air on departure.
Only two days ago this girl was still in that house, reflected in those paltry mirrors. Pale, transparent, only catching sight of herself out of the corner of her eye. She was a ghost, not just because the house was deserted, no furniture now, never any ornaments or pictures, no cushions or rugs. Not just because everyone else was dead and gone, burned to a crisp like the tables and chairs and beds. But because in that house she had never had a life.
Even the girl at the railway station yesterday, shoving the beret down on her hair, applying lip gloss to stop her biting her lips, looked drained and anxious as if any minute someone would burst in like it was a Wild West saloon and tell her she would never leave this one-horse town.
This girl, the one who got to London in the end, is loitering in an expensive hotel, about to have a drink with a very attractive vampire, possibly a dangerous stranger, and she’s up for it. There. I’ve said it. I’m going to do whatever the hell I like, wherever the hell it leads me.
This huge mirror is a mirror that invites, that celebrates reflections. Not makes them out to be something vain and sinful. It’s almost too brightly lit, as if put there to help Hollywood starlets apply their stage make-up. Pampering and vanity is encouraged in this boudoir with its piles of soft white face towels, its elegant curved taps, its primrose-flavoured, oily, perfumed handwash in crystal bottles attached to the basins so that urchins like me won’t nick them.
But the girl in the mirror has altered. It’s like the portrait of a different girl. Her face is pale, cheeks flushed with red. Her eyes, her Halloween cat’s eyes, are sparking with anticipation. The mouth with its pillowy lips is open, as if I’m out of breath. Those lips earned the nickname Fishy, taken up by every bully at school.
Here’s my tongue, running along the lower lip, catching on the curve because the surface is so dry.
I giggle into the silence and bite my finger. There’s a drip, drip of water from one of the cubicles. I press my hands on my head to try to calm myself down. It doesn’t work. I press my palms against my hollowed cheeks like Edvard Munch’s The Scream. Do I want to kiss Gustav? Is that it? Do I want him to kiss me? I don’t know. Not yet. I’m off men, remember? Too much going on in my head for that. So, no. I just want to get near him. He’s deadly, the way he pins you like a butterfly. I’ve followed him here without question, but what’s going to happen next?
You’re just lonely. You don’t know anyone in town. Sad sack. Any old company will do.
But Gustav Levi is not just any old company. I have the weirdest feeling that he’s picked me.
The crazy reflection in the mirror shakes its head, and I bend to wash my hands.
I step smartly into the small bar with its glittering wall of bottles, all brimming with the fuel of adventure. He is sitting on a tall stool, elbow propped on the bar, coat off, jumper slung round his shoulders, his long fingers turning a glass swizzle stick. In the soft lighting his face is sculpted with the rough promise of a piratical beard, so how does he still manage to look like James Bond under cover as an unshaven bandit?
I pull my stomach in. This guy is waiting for me. This cool, sexy, scary guy.
His long legs in dark blue jeans are crossed comfortably, one Italian loafer tapping out a tune on the rung of the bar stool. Those lovely legs. Just now they were standing behind me, pressed against my back as he tried and failed to groom me. My stomach kicks rebelliously at the memory. The hard evidence I felt of his maleness. The proof that being close to me aroused him. He’s not made of stone at all, even if it takes hieroglyphics to understand him. I may just be one girl amongst many, but I’m the one who’s right here, right now, and it’s me he’s waiting for.
Look at him. That languid body the dark blue cashmere fits so well, skimming the muscular torso beneath, the run of muscle under his ribs, the subtle flex in his forearm as he twirls his swizzle up and down his fingers like a cheerleader’s baton.
I stand at the door. I observe his air of elegant alienation. No Brit by definition can combine the two. Yet he’s so restless when he thinks no-one’s looking. His tapping foot, his long fingers twisting and clapping and explaining. The muscle in his jaw is going again. His eyes are lowered over his cocktail as if he’s a soothsayer examining the entrails of a goat. All I can see from his profile is the fierce jut of his eyelashes.
He turns his head as if he senses a siren call and sees me leaning against the door frame. He nods as if I’ve just asked him something. His eyes lock onto mine for a moment, dark and persuasive, before moving easily over my mouth, my throat, the barely visible curves deliberately hidden under my sweater. My body tightens and resists my clothing. Something uneasy stirs. There’s something final in his study of me, as if this is the last time.
I walk towards him and he pushes himself away from the bar to stand chivalrously as I approach him. I wrap my fingers round the cold glass.
How many mobile phones have broken how many perfect moments? Mine buzzes impatiently into life just then, dancing about on the chrome bar. We both glare at it as if it’s a scorpion just scuttled out of a salad.
‘This is so rude, Gustav.’ I glance down anxiously to see who it is. ‘But it’s a text from my cousin.’
Surprise! In town 1 nite only. Don’t worry, won’t invade space, staying with boyf, v late notice but party tonite, come quick here’s the address! Costume provided x
A fancy dress party is the last thing I feel like tonight. I glance at Gustav, who is staring at the steamed window. Polly will be gutted if I say no.
‘I’m so sorry, Gustav, this has been great, but I have to go.’
I waggle my mobile phone in explanation. I sound far too flippant.
He hands me a cocktail glass with a clear liquid as if he hasn’t heard me. Now that his gloves and coat are off, I notice the chunky Rolex slipping on his wrist.
‘James Bond drinks in here,’ he remarks. His eyes, his face, are very calm.
‘You took the words out of my mouth.’ I take the glass from him a shade too quickly so the liquid tips in a mini tidal wave. ‘That sounds like the kind of code spooks would use at a meet.’
He laughs. The laugh is reined in now, and I suspect that’s my fault for wrecking the mood.
I stand beside the bar stool where he’s neatly folded my jacket, scarf and beret. I don’t sit down on the proffered bar stool. We chink our glasses very carefully. They look so fragile they could shatter with a sneeze. I can’t look at him. I’m afraid that if I stare into those pensive eyes I’ll never stop. So I stare down into the liquid, and the conversation dries up.
The martini is exquisite. It flurries over my tongue and warms its way down my throat, prising the top off my head, lifting me instantly. I don’t want to leave. But I’m equally sure that I must.
‘And his tipple of choice is exquisite. I love this place. I feel as if I was born to sit here sipping cocktails. But it turns out a Halloween party does await me, after all.’
‘Of course it does. Go trip the light fantastic, Serena.’ He turns the stem of his glass and smiles, not at me but at the olive bobbing on the surface of his martini. ‘But don’t get abducted by the undead, will you?’
I put my glass down and start to struggle with my jacket. My arm gets stuck in the sleeve as I’m halfway in.
‘Oh, blow it!’ I mutter crossly, my fist punching at the lining.
‘Stop struggling. You’ll rip it.’ When he stands to help me he seems taller than ever. He chuckles, hands me my blue scarf and catches it before I fling it messily round my neck and wraps it slowly round. We’re rewinding the earlier scene in the lobby, when he was close up behind me and I felt the swell of his excitement.
‘I can do it, thank you Gustav.’
He shakes his head, his black hair falling over his eyes. ‘I beg to differ, signorina.’
He bends to pick up my gloves from the pile. I stand there like a child, or like the child I would have been if anyone had ever bothered to dress me like this. I stick my fingers out stiffly. He smiles at my hopelessness and edges on the gloves.
‘Anything else I can do for you?’ he mocks, tugging at his forelock like a servant.
Our laughter dies almost as soon as it starts. I wonder if he, like me, is remembering the quiet shiver of recognition when I pulled his glove off earlier, in the square, to take his bare hand. When he then took mine, and kissed my soft palm.
Now he’s holding out my beret. How does this ritual look to the barman, the onlooker?
Well dressed, handsome man settling in for a solitary brooding drink, disturbed by hectic, flushed girl. Rising courteously, dressing her up before bidding farewell. Is it obvious we’ve just met, or does it come over as the in-joke of a relationship? Any age difference only occurs to me now I can see him in the light. Ten years, maybe fifteen, but no older than an uncle or godfather, though my scruffiness makes me look like a teenager. We’re not joshing or familiar enough to be siblings or cousins, but none of the above would put gloves on for you, and all have the whiff of the verboten.
What I want to know is, do Gustav Levi and Serena Folkes look like lovers, engaged as we are in this private, apparently perfected little sequence?
‘What about your costume?’ he asks suddenly, turning my beret over in his hand as if trying to decode a message. ‘Can’t go to a party without a costume.’
I try to take the beret off him, but he tugs it back and starts to put it on, resting his hands on the top of my head.
‘My cousin has something for me to change into when I get there.’
By now one or two people in the bar, as well as the barman, are watching us. Gustav doesn’t care, or notice. He tucks my hair behind the exposed ear, his fingers cool on the tender skin behind. My eyes close involuntarily to relish the tremor running through me. Lovers, surely, is how it looks. Ex-lovers? No. I would never let Jake get as close as this.
‘Good to go.’
He pulls my hair long on the other side, smoothes the riot of ringlets as best he can, and stands back. I feel like a prize exhibit.
‘It’s been fun, Serena. Who knows what’s in store for you tonight, and beyond? Some incredible times, I’m sure.’
I take another long sip, his eyes on my mouth as it drinks, my throat as it swallows. Then I put the glass down. My hand is shaking.
‘Thanks, Gustav. For the drink. For everything. It’s been fun meeting you, too.’
Amazing how convincingly detached I sound. I start to back away and suddenly he’s in front of me. He’s looking down. All I can see is his black hair, the slope of his nose as he takes my hand and pushes a business card into it. Closes my fingers round it. Holding his own warm hand round mine like a cage as he pats it down into my pocket.
‘You never know.’ His voice is sombre and sad.
I hesitate. I haven’t told him the party isn’t that far away. I could stay for at least a couple more drinks. Everything in me is straining to stay, but I won’t. I might never know if there’s something between us. If that spark I felt when his fingers were on my neck, his mouth on my fingers, was real.
What is real is the way he nods at me to go then leans back against the bar, arms crossed over his wide chest, the sleeves rolled up over his wrists. I must depart, otherwise I never will. So with his eyes watching my every move, every bounce of my hair on my back, burning hot under my stranger’s gaze as I try to move gracefully, I push out into the foggy cold.
CHAPTER FOUR
My feet are curiously sluggish as I walk down St James’s Street, as if there are weights in my boots or a magnet is drawing me backwards. The truth is I don’t want to go anywhere. I don’t want to leave that warm bar, that half-sipped cocktail. That intriguing tall stranger with the split-screen eyes and a way with his fingers.
But as he lifted his hand in casual farewell just now it was as if he’d already forgotten me.
There’s a chain spanning the space between us, a rope between ship and shore; no, more like a jailor’s thick chain jangling with keys and handcuffs. Except this is woven thin like a spider’s web, so delicate, so invisible it only occasionally catches the light. I don’t know which one of us holds it. Which one is caught.
I might not see him again. So what? It was only an hour or so. A chat. He bought me a drink. Dry martini. Period. Why would I even consider missing a party to spend the evening with an older guy who, come to think of it, idiot that I am, oh my God how stupid am I, probably has a beautiful wife waiting for him in his beautiful home, stirring a stunning soup in a designer kitchen.
My phone buzzes again, as if to knock some sense into me. I study the map that Pol has texted, so my eyes are down as I cross Trafalgar Square. The map shows a warren of streets on the other side of Covent Garden, and the venue is in the narrowest street of all.
It feels very quiet out here. I thought there would be more of a party atmosphere, but I guess it’s still quite early. A few people are wandering about under Nelson’s haughty column, emerging from the tube at Charing Cross Station. They’re mostly in costume. The stab of scarlet skirts and fiery masks, the sharp black outlines of stalking skeletons, of horns and tails, pierce the thickening fog, which has simply dropped like a shroud. It dims the circling traffic, the glowing streetlamps, muffles the foot shuffle, like old photographs of the smog in post-war London.
They seem to be gathering by one of the lions. I reach under my scarf to lift the camera from its strap. And I realise it’s not there. Icy panic grips me as I scrabble in my bag, my pockets, under my jacket even. As I stand there, going round in circles like a cat with a firework on its tail, I’m vaguely aware of people whispering and jostling around me, a shout, a cackle, but I can’t focus on them.
A voice seems to whisper in my ear, the exposed ear, the ear he tucked my hair behind. It’s here, it says. Your camera. Both cameras. You left them in the cocktail bar in Dukes Hotel.
I don’t know whether to laugh or cry. Without my cameras I might as well have had my eyes put out.
I have to get back there, sharpish, this is too good a photo op to miss. What makes it all the worse is that out of nowhere I think of how Jake would be nagging me to get the picture, how this unfolding scenario would sell brilliantly to a newspaper or YouTube. But I’m crippled without my equipment, and now I can’t even move because both my arms are grabbed and pulled out sideways as if I’m in a line dance. It hurts. I’m sure my left shoulder is wrenched out of its socket, but that’s exactly what it is, a dance, I’m part of some kind of formation, all the people in their costumes have suddenly organised themselves into a pattern, and then suddenly the intro to ‘Thriller’screams out from hidden amplifiers; the crowd starts to dance perfectly in time, jerky and robotic, all crawling and grimacing like the zombies in the video.
I’ve been caught up in a flash mob in eccentric, crazy Trafalgar Square, on Halloween night. Getting on that train yesterday and coming up to London, and finding myself part of this kind of mass madness was the best thing I could have done.
I’m part of the picture tonight, the subject in front of the lens for a change, not behind. And I know who has my cameras. A sudden calm floods me, like a warm shower. The same sensation as when Gustav Levi put my beret on me just now, hooked my hair behind my ear.
Gustav has everything safe. He’ll look after everything. So for tonight, I’ll be observed instead of always the observer.
