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I run my finger down the side of my neck, where the pulse is going. My neck rises like a swan’s, extending from the fronds of lace clinging to me like a second skin yet cut into fragments as if someone has tried to rip it off me. Over my clavicle towards my breasts, exposed almost to the nipple in the tight bodice of the dress. And on cue my nipples start to harden, sending a buzz of wicked euphoria through me.
I need to get back to him. Someone older, wiser, who’s going to teach you stuff you’ve never dreamed of.I bend to collect everything, my jacket, beret, scarf, but someone slaps my slender lace rump and grabs hold of me.
‘Come on, girl. I want to introduce my vestal virgin! My cousin Serena, everyone!’ Polly pulls me into the crowd of Sherlock Holmeses and Jack the Rippers, Miss Havishams and Carmens. She ties a sparkling white mask onto me, fastening it tight with white ribbons. ‘Now, you look hot, girl. You get out here and charm the pants off my friends! I already love you, but Pierre will love you forever, too!’
All sound and movement shrinks to the narrowness of the mask’s slit, like the helmet of a suit of armour. Everything has a dreamy, surreal air.
‘You will remain virginal and masked, until I set you free.’ Polly cackles like a pantomime villain, reminding me of her filthy side, and as she moves back into the party she’s like a dancing flame around which huge menacing moths flutter in their swirling cloaks and feathered, furry, Venetian, Phantom, lace masks. Polly has put on a mask in the style of Catwoman and her eyes seem to sink back into her head, narrowing into red-glowing slits.
I love my beautiful, borrowed cousin to death. But mixed with the love there’s always been jealousy. That she had a family who gave her that confidence, that generosity and style, of the cocksure way she can look down her nose at an admirer so he has no idea if she’s going to lick him or lump him one. Someone offers me a tray of devils on horseback, fiery fruit wrapped in salty bacon, and as I stuff in a handful I realise I’m ravenous. I can’t remember when I last ate.
Someone changes the music. It grows louder, and wilder, looping endlessly round the same gypsy spirals. Everyone is dancing like there’s no tomorrow in this confined space, knocking over stands, mannequin arms and legs flailing like marionettes, and some, oh my God, are getting frisky now, grabbing at each other’s clothes, ripping at dresses and trousers, showing knickerbockers and camisoles, but it all looks directed, like a show, everything looks so choreographed, like a ballet, composed like a mural.
Everyone is so white, some almost transparent so that you can see the blood blue in their veins, painted red on their throats, white arms, white faces bending into each other, kissing, licking, pretending to bite, pretending to be vampires with their false fangs.
Now I do wish I had my camera. It’s my disguise. My shield. Normally I’d be prowling the place taking photographs, offering to display them later, sell them for a fee. Or keep them for my own archives.
I am limbless and naked without it.
A violin tests its strings in a kind of screech and the music lurches into another gypsy dance, the kind that makes you want to leap over a camp fire, and suddenly I’m lifted off my feet, tossed across the sea of bodies, hands and faces everywhere, stamping, clapping, whooping.
A man coated in green feathers with a hooked mask bows courteously, but as we start to waltz his hands wander over my dress, lightly resting on my hips or bottom, threatening to move further up, further in, but luckily another figure dressed as a court jester spins me round so he can rock me from behind, but then he pushes himself into my back, getting off on the feel of my buttocks pressed against his groin, ripping my dress a little more. I squeal and wriggle away from him. My breasts are in danger of falling out for all the world to see.
‘Hey, babe, you having fun? You’re the belle of the ball tonight!’
Polly sweeps past me in the arms of a very tall man in top hat and tails. They look exactly like Ginger Rogers and Fred Astaire. I try to screech at her that actually I want to go, but the music is too loud. I try to veer away from the friendly fingers and hands on me, but there’s no point. There are too many of them, big men, slender women, heads bobbing and pecking like birds in their elaborate costumes and sinister masks, all with red-painted mouths, those clever white fangs which look totally real, stabbing at their lips.
Whatever was in those canapés suddenly kicks in and instead of panicky and desperate I now get high. Euphoria must be close to mania, because now I’m laughing as two men wearing cat masks advance on me and throw me back and forth between them.
I know I’m hallucinating mad because as Polly twirls in her partner’s arms and Fred Astaire’s face appears above her head, I’m convinced that she’s dancing with Gustav Levi. Through the mask those eyes are unmistakable, glittering black and boring into my very soul.
I clap my hand to my mouth, my whole body trembling with excitement.
‘Gustav!’ I shout and wave, trying to push towards him. But he doesn’t hear or recognise me, because like an artist’s anatomical doll he turns Polly stiffly in his arms and spins away into the shadows.
That jealousy, twisting like a small knife again. If I’m the belle of the ball, Polly is undoubtedly the queen. She always is. She’s sorted. She has a job, a flat, a man. There he is, parading her in his arms. And me? Apart from a large inheritance which has come by default from people who would rather have pulled their own eyes out than give me anything, what have I got?
I stagger backwards through the crowd, aiming for the cubicle where my clothes are strewn about on the floor, but the push of the throng sends me crashing out into the back yard instead, and when the doors shut behind me it’s blissfully quiet out here. The embers which were heating the cauldron earlier are still glowing, heating up the patio.
I stumble towards a kind of bower in the corner and without checking what or who might be there as well I collapse onto a day bed under a curtain of ivy, spread-eagled across the white calico cushions. All I can see through the curtain of ivy is the orange fuzz of the city sky. No moon. No stars. No clouds.
‘Are you OK?’ Someone else has got here first.
I heave myself up onto my elbows, irritation prickling through me. ‘I thought I was alone out here,’ I mutter crossly. ‘Who’s that?’
I find myself staring into the blank gaze of mirrored Elvis shades. As my eyes move over the interloper I see how totally incongruous those glasses are with the short white toga and laurel wreath he’s wearing, shoved on top of impossibly golden curls.
‘Friend of Pierre’s. Who are you?’
‘Cousin of Polly.’
He doesn’t move from his Caesar-like pose. I fiddle with my tattered dress, realising that even if I wanted to leave I’d have to take it with me, because I can’t get out of it without help.
‘Wrong party, huh?’ he murmurs in an American accent. ‘You look far too pure and innocent to be mingling with these ghoulies and ghosties. Some very decadent people here, you know.’
‘Polly dressed me up like this. It’s not really me. Her idea of a joke.’
‘May be a joke to you, but however dirty you really are you sure look the part in that scrap of a dress. Bit rough with you, were they?’ He speaks with a subdued gruffness that makes me glance at him more closely. ‘A bit of rape and pillage back there?’
I toss my head in just the way a vestal virgin would. ‘All a bit of fun. Actually I’ve got to go. I’ve got things to do in the morning.’
‘Hey, you don’t want to go now. This is where it starts to get interesting. Why should our host and hostess have all the fun?’ His hands gesticulate as if they might slice right through me like butter, then he aims them like a couple of pistols to point out my cousin. ‘You can tell they’ve only been dating for a short time. They can’t keep their hands off each other!’
It’s true. Polly and Pierre are in the doorway. The moon is their spotlight as they sway together, totally oblivious to everyone else.
‘She deserves it. New York has always been her goal. She’s worked for it.’
He picks up a bottle of wine and hands it to me. ‘And you haven’t?’
‘I’m just starting out. My first day in London.’
I regret it as soon as it’s out, like I did earlier when I told Gustav Levi my name, and sure enough those disconcertingly blind shades are still fixed on me, the American mouth grinning as I take a big swig of wine and wipe my mouth with the back of my hand like a navvy.
‘How about that! Mine too. Fancy showing me the sights while I’m here? Starting now? Show Princess Polly she’s not the only one who can take a city by storm?’
I glance instinctively back towards the party, as if I need to ask permission.
But there’s no-one to ask. Certainly not our Polly. She has always encouraged me to go for it. Rebel. Do what the hell I like. In any case, she’s not available for comment. Her eyes are closed behind her mask, her arms around Pierre’s neck and his mouth is locked down on hers, and they are kissing, hard, I can see their tongues, and their hands are roving, hers going under his tail coat and squeezing his buttocks, his wandering shamelessly between her legs, wrinkling up her red skirt, pushing it up her thighs, his hand and wrist diving in.
Polly’s knee lifts and hooks around her boyfriend’s leg to steady herself as his hand disappears, touching her where no-one else is allowed, assuming that no-one else can see.
But I can see, and so can my companion. I tear my eyes away from my cousin, because the sight of that naked love, or at least lust, is embarrassing to watch. She’s got what you haven’t got. But the jealousy is all grown up now. Emphasising what I’m missing. Who I’m missing.
I squeeze my bare legs together, trying to quell the hint of heat between them, and then I see all too obviously what the sight of my kissing cousin has done to the American. There is a big bulge under his toga. The white cotton is rising in a comical tent over his crotch.
‘How about it, Polly’s cousin? They’re all at it in there, or they will be.’
I blush hotter as he shifts closer along the seat. I move slightly away, but he’s reasonably gentlemanly, at least at first. He takes my hands and pulls me closer.
‘There’s a light in your eyes,’ he says quietly, his mouth close to mine now. ‘And I can see you’re distracted. Who are you thinking about?’
I don’t move or say anything. He’s right, I am distracted. I can’t help thinking about Gustav. I wish he was here, looking at me like a glittering treasure he found in the snow. I’m dying to show Polly, her friends, that I can click my fingers and get anyone. But this all feels like a silly game. My heart isn’t in it. I want to get out of here, back to him. Look into his eyes which will tell me clearly that they like what they see.
‘Well, if you’re not distracted, I sure as hell am. Look how I’m fixed now.’
The guy takes my silence for consent, and takes my hands. He places them over the rigid shape under the cotton and it jumps in response. He leaves my hands there and strokes my legs, fingers wandering, under my dress. They pause, politely, then move on up my thighs.
My hands are still resting on him. I’m letting him touch me. I should play along. I will myself to want it, enjoy it, but I can’t. I shake my head and close my legs against his exploring fingers, and thankfully he pulls away.
In the doorway I can see Pierre’s hand working under Polly’s skirts. She is half opening her legs to him, wanting us all to see, to know what he’s doing to her, but half trying to keep herself hidden for the sake of decency. Her dress has ridden right up and every time he pushes at her, the curve of her butt presses white and flat against the glass door.
What’s wrong with me? If I’m aching for something, attention, caresses, then let this guy have his way. No point pining after someone else. Gustav won’t be giving me another thought, while this guy is here, he’s hard, he’s willing and able. So get over it. Show Polly I’m sexy, too, and desired. This guy is up for it, but he’s not doing it for me. Just as Jake didn’t do it for me, in the end. Maybe if I wait, sit here very still, the ache will subside, or wake up into something more useful.
Or maybe there’s nothing in me to wake up. Maybe I’m sitting here on this seat with a good-looking, aroused bloke unable to react because I’m terminally frigid, as Jake shouted yesterday morning (was it as recent as that?); he shouted it after me, standing on the metal step, shivering in the damp dawn as I stumbled across the field, away from his caravan.
Frigid cow, he’d yelled, the new, insulting violence weighting his words to make him feel better. And to punish me for faking it, and then leaving him.
The American starts to sing under his breath. Hello? Is it me you’re looking for?
He strokes my face. No. It’s not him I’m looking for. But there’s no harm in letting him touch me like this, is there? It’s a party. He’s cute enough. Why not test myself? See if I am really frigid?
Are you somewhere feeling lonely? Or is lonely feeling you?
Still looking at Polly, certain that she can see me, I turn my mouth into his stroking hand, flip out my tongue and hook the guy’s finger into my mouth. Even though he’s still wearing those stupid glasses I can tell from the excited biting down of his teeth that I’ve suitably surprised him. I nibble further down the finger and start to suck.
His tongue flicks across his slightly open mouth. It’s such a quick flick that I can tell what he’s thinking. He reckons he’s reading my signals loud and clear.
And Polly has noticed, just as I wanted her to. She can see me up close to one of her cute friends. She nudges Pierre to show him, too, but he’s talking to someone else and he doesn’t turn to look. She puts her thumb up to me, shakes her dress down to cover her legs again, then Pierre’s arm comes round her waist and they merge into the crowd.
The music has faded to one plaintive violin, the lowest possible notes probing the emotions. The dancing has slowed.
The American sees that no-one is watching. He’s strong, and he pulls me over onto him, to sit right down on his lap. My lace dress floats up round my hips. The hardness grows and jumps under the toga and pokes at my inner thigh, jabbing on the bone, at the tendons up high, trying to impress me, weaken me so that it can get in.
‘I need help with this,’ he groans, lying back, complacent in the assumption that he’s got me where he wants me. ‘I’m sorry, honey, but you caused this boner.’
I look down at him. ‘No I didn’t. My cousin getting it on with Pierre did that to you.’
‘Well, you’ve kept it going. I’m in trouble if I don’t have a woman at least once a day. Polly promised that this would be the place and she’s right. Look at you. Sex on a stick, like all the horny English girls. You gotta help me out here. Just with your hand. Your mouth?’
I sit there for another moment, straddling his bare thighs, feeling the hardness pulsing against me under the stupid toga. What a drag that must be for a guy, being attached to that hardness all your life, no control over it, what or who is going to trigger it, or when. Pretty girl wandering round a party on her own in flimsy dress. Get hard. Picture in a magazine. Get hard. Sit on a beach. Listen to sexy music, that disco thump that matches your heart beat. Matches the bump and grind of lovemaking.
But what about me? I may as well be made of stone. My body isn’t reacting to him at all. I’m straddling a handsome guy with a thumping erection who will do anything to relieve himself and nothing’s happening in here. I’m closed up. Dry as dust.
I come to my senses. ‘No. No. I’m sorry. I’m not like that. I’ve got to go.’
I lift my leg and climb off him, tug my dress down, hear the rip of vintage lace, feel the dress slipping.
Frigid. You frigid cow.
‘Look, fair enough if you don’t want to go with someone you’ve just met. Choosy’s fine. But what about me? Help me out here. Girls like you shouldn’t be allowed out looking so goddamn hot!’
He sits up, slams a cushion down on his disobedient groin. I wince.
‘I don’t blame you for being pissed with me. But I’m not putting out. No.’
He sighs. ‘I can tell your head is somewhere else. Who’s the lucky guy?’
I fiddle with a loose thread on my dress. ‘Don’t be nice to me. I just acted like a tease.’
‘And I acted like a schmuck. But I still say you owe some responsibility for this situation.’ His smile spreads wider. Those amazing straight American teeth. He’s obviously relieved that we can talk. And talking like civilised people might just make his hardness subside. ‘Cousin Polly’s never mentioned you’d be here. She’s a great stylist, isn’t she? You know some of the studios are looking at her fashion work? She’s made you look like something Dracula would happily snack on. I’m not sure you realise.’
‘Well, I’m flattered, Elvis. Really.’ Emboldened by distance I point playfully at his crotch. ‘And flattered that I still have that effect on people. But I’m not the girl for you. Find one who’ll want to make use of all that.’
He lifts the pillow off it. The toga is flat, no life under there now. ‘Begone, wench. See if I care.’
I lean over him and kiss him on the mouth. There’s a shy stirring in me as our lips meet. A shy tugging in the places where he touched me. But it’s not him.
Look at me, Gustav.
I put my hands on the boy’s shoulders. Make nice with him. Love the one you’re with. His tongue flips out hopefully. I hesitate, and pull away. Relief that I’m not frigid, that I can react to a cute guy? Or relief that I’ve said no?
‘So long, toga boy.’
He lifts the wine bottle in weary farewell. I still haven’t seen his eyes, and now I never will. The clouds of the night sky drift across the twin mirrors of his glasses.
Polly is waiting for me just inside. She’s been watching me.
‘You turned Toga Tomas down? Unbelievable. He’s got the hots for you. What’s up, hon?’
I shrug. ‘I’m bushed, that’s all.’
‘We’ve got lots of other cute guys around if Tomas doesn’t do it for you.’
She winds one arm round my neck and holds me for a long moment. The crowd has dissipated. Pierre is nowhere to be seen. The music has stopped. Empty bottles and glasses and trays have been virtually kicked into a pile in the corner. One or two overhead lights have been switched on in place of the old lamps. Scraps of lace and feather and ribbon are shed on the parquet floor, shining dully like fish scales. Masks have been ripped off and draped jokingly on the mannequins in the shop.
In short, the spell has been broken.
‘We’re all going up into the piazza for a meal. You coming, hon?’
I shake my head. ‘Can we catch up tomorrow?’
‘We’re leaving first thing. Might not even get any sleep. Might get on the plane dressed like this! Oh, please come with us, Rena? You look a sensation like that. Even more dishevelled than you were before, if that’s possible, like Tess of the D’Urbervilles. Like someone’s just ravished you, although I know damn well they haven’t, you saucy minx!’
‘I told you, Polly, and tonight’s just proved it. I’m genuinely off men.’
‘OK, forget men. Forget sex. I just want to show you off to my friends! Who knows, someone might offer you a photographic commission. Tomas is big in the film industry.’
I hold her tight. Kiss her cheek. I smell Eternity, by Calvin Klein. Just like mine. ‘Baby steps, Pol. I’m not a player like you. Not yet, anyway. I want to see if I can make it here in London, first. Come back and check me out in a year’s time. Who knows? I might be ready to fly by then!’
‘I’ll be back sooner than that. OK. Piss off into the night like a little bat, then! Take Pierre’s car. It’s the incredibly expensive and luxurious red Bentley parked outside. His driver will make sure you get back to the flat safely. And keep the dress. My gift to you. You look magical this evening.’
‘That’s down to you, Pol. Tomas just mentioned what a great stylist you are.’
‘Tonight London, tomorrow the world!’ She gives me a little shake, then another huge hug. ‘But you know, you’re looking so good tonight. Kind of ragged, and feverish. If you really are off men, then celibacy suits you!’
I have left the blinds open in Polly’s flat and through the huge plate-glass window the River Thames glints like steel under the night as it slides under Tower Bridge. Fireworks are spattering somewhere over to the east where the Docklands railway will be trundling lethargically around the glittering skyscrapers.
I ease the dress off my shoulders, managing to get enough buttons undone until it sheds like a second skin. My reflection is overlaid by the river, but I can see my body unpeeled in the moonlight, the body hidden in its laddish layers from Gustav Levi. The body that Polly dressed up like her dolly, that Tomas tried half-heartedly to ravish. But neither of them got down to the skin, did they? They didn’t see the whole of me.
