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“You think? Or you know?” I leaned forward and watched her closely. Not just her answer but also her body language would determine my course of action.
“I know.” She straightened her back, squared her shoulders and looked me straight in the eye. “I want you to write the story.”
So that’s what I did. I wrote the story.
I did everything right, too. I checked facts and questioned witnesses, volunteers and employees at neighboring businesses and the building janitor. I made sure the evidence had not been digitally altered, compared the dates and times on the photographs to both women’s work and home schedules. I held back Maria’s name, blurred out faces, released only the least damning of the pictures, the ones where there was no way, no possible way Maria would be recognized. I did every goddamn thing right, but within twenty-four hours of my story breaking, Maria’s identity, along with every single one of the photographs and videos in clear, full-color focus, exploded across the internet anyway. Just as, if I’m being completely honest with myself, I knew they would.
Two weeks later, on a beautiful January morning, Chelsea Vogel hung herself in the shower. I wasn’t there when it happened, of course, but that doesn’t mean I wasn’t responsible for her death. After all, those were my words that made her drive those five miles in her minivan to the Home Depot for a length of braided rope, then haul it home and knot it around her neck. I knew when I put them out there that both women’s lives would be changed. I just never dreamed one of them would also end.
Secrets are a sneaky little seed. You can hide them, you can bury them, you can disguise them and cover them up. But then, just when you think your secret has rotted away and decayed into nothing, it stirs back to life. It sprouts roots and stems, crawls its way through the mud and muck, growing and climbing and bursting through the surface, blooming for everyone to see. That’s the lesson here. The truth always comes out eventually.
But I can no longer be the one to write about it.
2 (#ulink_d79e47fb-48da-5a76-966a-9933b2e09f62)
It’s the strangest thing, running into someone famous.
First, you get that initial rush of recognition, a fast flare of adrenaline that quickens your pulse and prickles your skin with awareness. Oh, my God. Is that...? Holy shit, it is him. Your body gears up for a greeting—a friendly smile, a slightly giddy wave, a high-pitched and breathy hello—when you suddenly realize that though this person may be one of the most recognizable faces in greater DC and the nation, to him you are an unfamiliar face, a stranger. You are just any other woman pushing her cart through the aisles of Handyman Market.
And then you notice the red apron, the name tag that proclaims him Handyman, the light coating of sawdust on his jeans, and realize that to Gabe Armstrong, you’re not just any other woman.
You’re any other customer.
“Need some help finding anything?” he asks.
I am not a person easily flustered by fame. I’ve interviewed heads of state and royalty, movie stars and music moguls, crime bosses and terrorists. Only one time—one time—in all those years did I lose my shit, and that was when I interviewed Gabe’s older brother Zach. People’s Sexiest Man Alive, the Hollywood golden boy who chucked his big-screen career to die in a war that, on the day he enlisted, fifty-seven percent of Americans considered a mistake. But when Zach aimed his famous smile on me that afternoon, a mere eleven days before he shipped off to basic training, I forgot every single one of the questions I thought I had memorized, and I had to fire up my laptop on the hood of my car to retrieve them.
But not so with Gabe here, who is not so much famous as infamous. There’s not an American alive who doesn’t remember his drunken performance at his brother’s funeral, when he slurred his way through a nationally televised speech, then saluted the Honor Guards with a bottle of Jack Daniel’s clutched in a fist as furious as his expression.
And his image has only gone downhill since. Cantankerous, obstinate and hostile are some of the more colorful words the media uses to describe him in print, and their adjectives lean toward the obscene when they’re off the record. Part of their censure has to do with Gabe’s role as family gatekeeper, with his thus-far successful moves to thwart their attempts at an interview with his mother or brother Nick, crouched a few feet away when three bullets tore through Zach’s skull.
But the other part, and a not-so-small part, is that he answers their every single question, even “How are you today?” with a “No fucking comment.”
I clear my throat, consult my list. “Where do you keep your tile cutters?”
Gabe doesn’t miss a beat. “Snap and score or angle grinders?”
“Wet saw, actually. I hear they’re the best for minimizing dust.”
“True, as long as you don’t mind the hike in price.” When I shake my head, he continues. “How big’s your tile?”
“Twelve by twelve,” I say as if I’m reciting my social security number.
And that’s when the absurdity hits me. I’m discussing tile saws with Zach Armstrong’s younger brother. One who so closely resembles his big-screen brother that it’s almost eerie. If I didn’t know for a fact that Zach died on an Afghani battlefield last year, I might think I’d stumbled onto a movie set...one for The Twilight Zone.
Gabe motions for me to follow him. “I’ve got a table model with a diamond blade that’s good for both stone and ceramic. It’s sturdy, its cuts are clean and precise, and it’s fairly affordable. What are you tiling?”
“A bathroom.”
He stops walking and asks to see my list, and I know what he’s doing. He’s checking it. Inspecting for mistakes. Looking for holes. If he had a red pen, he’d mark it up and tell me to revise and resubmit.
Gabe glances up through a lifted brow. “What’s the sledgehammer for?”
“To take out the built-in closet. It’ll give me another three feet of vanity space.”
My answer earns me an impressed nod. “Are you planning on moving any fixtures?”
They could almost be twins, really. Same towering height and swimmer’s build, same dark features and angular bone structure, same neat sideburns that trail down his cheeks like perfectly clipped tassels. I take all of it in and try not to let on that I know exactly who he is.
“Nope. Same floor plan, just a thorough update of pretty much every inch. I’m fairly certain I can do everything but the plumbing and electricity myself.”
“I can get you a few referrals, if you’d like.” He looks up for my nod, then returns to the list. I give him all the time he needs, leaning with my forearms onto the cart handle and waiting for his assessment.
Gabe may be Harvard educated, but I happen to know I’ve made no mistakes on that list. I approached this project as I do every other these days: by scouring the internet for relevant articles, handpicking the most important facts and condensing them into one organized document. My bathroom has been content curated to within an inch of its life, and that list is perfect down to the very last nut and bolt.
He passes me back the paper with an impressed grin. “You’ve really done your homework.”
“I’m excellent at research.”
“Almost excellent.” He taps the list with a long finger. “You forgot the silicone caulk.”
I straighten, shaking my head. “No, I didn’t. I already have three tubes at home from when you guys had your buy two, get two free special.”
“What happened to the fourth?”
“I used it last week to re-caulk the kitchen sink.”
Amusement half cocks his grin. He nudges me aside to take charge of my cart. “Come on. We’ll start on aisle twelve and work our way forward.”
And that’s just what we do. Gabe loops us through the aisles, loading up my cart as well as another he fetches from the front as we check off every item on my list, even the items Gabe assures me there’s no way, no possible way I will ever need. I tell him if it’s on the list, to throw it in anyway. The entire expedition takes us the better part of an hour, and by the time we make it to the register, both carts are bulging.
He waits patiently while I fork over half a month’s salary to the gray-haired cashier, then helps me cram all my goods into the back of my Prius.
“Are you sure you don’t need anything else?” He has to lean three times on the hatchback door to click it closed. “Because I think we might have a couple of rusty screws left in the back somewhere.”
“Old overachiever habits are hard to break, I guess.” I grin.
He grins back, the skin of his right cheek leaning into the hint of a dimple. “It was a pretty fierce list. Very thorough. One might even say overly so.”
“I told you I was—”
“Excellent at research,” he interrupts, still grinning. “I remember. But preparation is only half the battle.”
His tone and expression are teasing, and I imitate both. “Are you doubting my competence?”
“Hell, no. Anyone who can make a list like yours is fully capable of looking up instructions on the internet. All I’m saying is, if you happen to run into any problems with the execution and need an experienced handyman...” He cocks a brow and gestures with a thumb to his apron, Handyman embroidered in big white letters across the front.
I laugh. “I’ll remember that.”
This is when he smiles again, big and wide, and it completely transforms his face. It’s a smile that’s just as fierce, just as sexy and magnetic as his look-alike brother’s, yet somehow, Gabe makes it his own. Maybe it’s the way his left cheek takes a second or two longer to catch up with his right, or the way his eyeteeth are swiveled just a tad inward. Maybe it’s the way his eyes crinkle into slits, and that dimple grows into a deep split. Whatever it is, Gabe’s smile is extraordinary in that it’s so ordinary, lopsided and uneven and unpracticed for red carpets and film cameras, and in that moment, I forget all about his famous brother. In that moment, I see only Gabe.
But now we’ve milked the moment for all it’s worth, and it’s time to go.
“Thanks for everything,” I say, reaching for my door. “Really. You’ve been a huge help.”
Gabe waves off my thanks, but he doesn’t turn to go. He stands there while I get settled, watching as I start the engine and fiddle with the gearshift, and then he stops me with a knuckle to the glass.
I hit the button for the window. “Don’t tell me I forgot something.”
“Yes,” he says, that extraordinarily ordinary smile nudging at the edges of his expression. “You forgot to tell me your name.”
“Abigail.” I extend my hand through the window, and his face blooms into a smile I can’t help but return. “Abigail Wolff.”
“Nice to meet you, Abigail Wolff. Gabe Armstrong.”
He shakes my hand, and a surge of solidarity for this stranger-who’s-not-quite-a-stranger spreads over my skin. I want to tell him I get it. I understand how one person’s death can tilt your entire world into a tailspin, how it can make you reevaluate your life and send you scurrying for a dead-end job in a dusty hardware store, how that one choice, that one event, that one split second can change everything.
Instead, I tell him goodbye, shove the gear stick into Reverse and point my car toward home.
3 (#ulink_90bd4838-2099-5e2e-942e-bb66f8de02e4)
The good thing about renovating a master bathroom yourself is that it takes loads of time. Six to eight weeks, including demolition and drying, so says the internet, and if there’s one thing I’ve had since Maria, it’s oceans and oceans of time.
It’s not that I’m overqualified for my current position as content curator for the nation’s leading health care website, though I most definitely am. My job is a forty-hour-per-week slog that, on my worst weeks, I can wrap up in less than half that time. Yes, I’m capable of so much more, but I can’t seem to muster up the energy to care. Content curation pays the bills and, as far as I know, has never killed a single soul.
It’s funny. Back when I was working—really working—as a journalist, there was no such thing as free time. When I wasn’t writing or researching or following leads, I was thinking about my next story. In the shower, on the water, during one of my mad sprints through the grocery store. Even my vacations, by definition a break from the daily grind, were not idle, and they were never long. Stolen snippets here and there, half days and federally mandated holidays, spent rowing or climbing or hiking through some forest somewhere, my mind tripping over ideas for my next piece. The harder I pushed myself, the faster my creative juices flowed. I didn’t have time to stop moving. Time is money. Time waits for no one. There’s never enough time in the day.
Now, though, I have more than enough to cart in all the bathroom supplies from Handyman, organize them by the order in which the internet tells me I will need them, line everything along the wall of the upstairs hallway and still be a good fifteen minutes early for my mid-afternoon skim latte date in Georgetown—even though I know it’s just not in Mandy’s DNA to arrive anywhere when she says she will. She pulls up at thirteen minutes past three, just as I’m settling onto a sidewalk terrace chair with two fresh drinks, my second and her first.
“Sorry I’m late,” she calls from across the street. “Client meeting ran way over, but the good news is, I knocked their sixty-dollar argyle socks off.”
“Come on. Socks don’t cost sixty dollars.”
“Not exactly the point here. The point here is—” an SUV whizzes by, stirring up the early-September air with the first of the fallen leaves, and Mandy disappears behind it, reappearing a second or two later with a wide grin “—they loved me. They gave me the job.”
She steps off the curb without checking traffic, without making sure the drivers have slammed their brakes and their tires have screeched to a complete halt. Which they do, of course. Mandy is the human version of Jessica Rabbit, a rowdy redhead with Bambi eyes and bee-stung lips who favors skintight jeans, high heels and flowy, flowery blouses. Stopping traffic is her superpower. There’s not a man on the planet who gets annoyed at the sight of her jaywalking across four lanes of city traffic as she’s doing now.
“She’s happily married,” I say loudly enough so that the one closest to me, a Paul Bunyan type in a minivan, hears me through his open window. He responds by leaning into the dash to get a better look at her ass.
She collapses onto the seat next to me, snatches up her cup from the table. “Did you hear me? Honeymoon Channel wants me to redesign their app. It’s a big deal, Abby. You should be thrilled.”
“I am thrilled for you.”
“Be thrilled for us.” She lifts her drink in a toast, then pauses for a long pull. “I sold your services, too.”
“I already have a job, remember?”
If she rolls her eyes, she’s considerate enough to do it behind her mirrored sunglasses. After Chelsea died, Mandy made no secret of her disgust with my decision to shove my press pass to the back of a drawer, and she’s spent the past three years encouraging me, rather loudly and relentlessly, to get back in there. To write something good, something meaningful, do something more exciting than my current drudgery.
But what Mandy can’t seem to understand is, there’s no shelf life on guilt. Someone died because of me, because of words I wrote. Just because I wasn’t the one to pull the proverbial trigger doesn’t mean I wasn’t to blame. Words, even when they’re carefully crafted, can be just as deadly as a bullet.
“Come on, Abigail.” Mandy shoves her glasses to the top of her head and leans into the table. “I’ve seen your day planner. You row until mid-morning, you take weekly martini lunches—”
“I take them with you.”
She waves off my rebuttal with a manicured hand. “Not the point. My point is, you can do your job in your sleep. In fact, I’m pretty sure you’ve done your job in your sleep, and more than once. You have plenty of time for the one I’m offering.”
I shake my head, confused. Mandy is a technological genius who peppers her sentences with terms like HTML and search engine optimization and JavaScript. Half the time, I have no idea what she’s talking about. Why would she hire me for anything?
“I know nothing about apps,” I tell her, “except how to order pizza off them.”
“No, but you know about writing.” When I don’t respond, she cranks up her pitch a notch or two. “Have I mentioned it’s for the Honeymoon Channel? We’re talking beaches and cruises and European getaways. How is that going to harm anyone, except maybe with jet lag or a sunburn?”
“That’s not the point, and you know it.”
She sighs. “I know, I know. Your muse has vanished, your well’s run dry. But surely you have enough talent still lurking in there somewhere to spit up a few thousand words of catchy advertising copy.”
I turn and stare down the street, not eager to rehash this stale argument—yet again—with my well-meaning best friend. No matter how many times I’ve told her, she refuses to believe my not writing is so much more than just me missing my muse. It’s that I can’t. What happened with Chelsea didn’t just mess me up mentally but also physically. I know this because for the past three years, every time I sit down at a blank computer screen or pick up a pen and paper, my fingers freeze up. My brain shorts out. The words are piled up somewhere deep inside of me, but they refuse to come out to play.
If anything, I’d always thought it would have been Maria. After all those pictures hit the internet, I’d obsessed about her welfare. Did she find another job? Had she made friends, come out of the closet, settled into a normal life? Was she living on the streets? But Maria had gone dark. Her phone was disconnected, her apartment empty, her email address unrecognized.
And then Chelsea surprised everyone by tying a noose around her neck and dangling herself from the showerhead—not an easy task, considering she had to rig the rope just right to support her weight and keep her knees bent as the oxygen stopped flowing to her brain. But she succeeded, and while the rest of the world shook their heads in compassion or tsked their tongues in holier-than-thou judgment, a chain of two words repeated in an endless loop through my brain. My fault—my fault—my fault.
And because Mandy knows me better than just about anyone, she heard them, too.
“Abigail, repeat after me,” Mandy said when I called to tell her the news, now coming up on three years ago. “I am not responsible for Chelsea Vogel’s death.”
“My phone and email are blowing up with people, my freaking colleagues, asking me how her death makes me feel.”
“Tell them it makes you feel unbelievably sad. For Chelsea, for her family, for everyone who ever knew her. Tell them her death is a tragedy, but do not, do not accept responsibility for that woman’s suicide.”
My fault—my fault—my fault.
A loud, exasperated sigh came down the line. “How many times have I listened to you preach about public enlightenment, how it is the foundation of democracy? That, as a journalist, it is not only your job but your duty to seek truth and report it to the world?”
“Yes, but I was also supposed to be sensitive and cautious and judicious in order to minimize harm, which clearly I didn’t, because I’m pretty sure suicide is the mack-fucking-daddy of harm.”
“If Chelsea Vogel didn’t want her dirty laundry aired, then she shouldn’t have had any in the first place. You reported the facts, Abby. Fairly and honestly and comprehensively. Just like you were trained to do.”
“Yes, but—”
And just then, a terrible, awful, horrible thought entered my mind unbidden. It was like an invasive weed that couldn’t be killed, climbing and coiling through my consciousness like kudzu, suffocating every other thought in its path.
And the thought was this: yes, I had been sensitive and cautious and judicious with Maria, perhaps even overly so, but I could have done better by Chelsea. I could have shown more compassion for how she was about to be involuntarily outed not just as a predator but as a lesbian. I could have thought a little longer about her husband’s and son’s response to the news, what would happen when they opened up their morning paper or switched on their morning talk shows. I could have been more sensitive to her right to respond to the allegations, could have been more diligent in seeking her out. I should have done all those things, but I didn’t.
“Yes, but what?” Mandy said.
“I have to go.”
