Sons of the Soil

Mademoiselle Laguerre lived an irreproachable life at Les Aigues, one might even call it a saintly one, after her famous adventure, – you remember it? One evening in a paroxysm of despairing love, she fled from the opera-house in her stage dress, rushed into the country, and passed the night weeping by the wayside. (Ah! how they have calumniated the love of Louis XV.‘s time!) She was so unused to see the sunrise, that she hailed it with one of her finest songs. Her attitude, quite as much as her tinsel, drew the peasants about her; amazed at her gestures, her voice, her beauty, they took her for an angel, and dropped on their knees around her. If Voltaire had not existed we might have thought it a new miracle. I don’t know if God gave her much credit for her tardy virtue, for love after all must be a sickening thing to a woman as weary of it as a wanton of the old Opera. Mademoiselle Laguerre was born in 1740, and her hey-day was in 1760, when Monsieur (I forget his name) was called the “ministre de la guerre,” on account of his liaison with her. She abandoned that name, which was quite unknown down here, and called herself Madame des Aigues, as if to merge her identity in the estate, which she delighted to improve with a taste that was profoundly artistic. When Bonaparte became First Consul, she increased her property by the purchase of church lands, for which she used the proceeds of her diamonds. As an Opera divinity never knows how to take care of her money, she intrusted the management of the estate to a steward, occupying herself with her flowers and fruits and with the beautifying of the park.

After Mademoiselle was dead and buried at Blangy, the notary of Soulanges – that little town which lies between Ville-aux-Fayes and Blangy, the capital of the township – made an elaborate inventory, and sought out the heirs of the singer, who never knew she had any. Eleven families of poor laborers living near Amiens, and sleeping in cotton sheets, awoke one fine morning in golden ones. The property was sold at auction. Les Aigues was bought by Montcornet, who had laid by enough during his campaigns in Spain and Pomerania to make the purchase, which cost about eleven hundred thousand francs, including the furniture. The general, no doubt, felt the influence of these luxurious apartments; and I was arguing with the countess only yesterday that her marriage was a direct result of the purchase of Les Aigues.

To rightly understand the countess, my dear Nathan, you must know that the general is a violent man, red as fire, five feet nine inches tall, round as a tower, with a thick neck and the shoulders of a blacksmith, which must have amply filled his cuirass. Montcornet commanded the cuirassiers at the battle of Essling (called by the Austrians Gross-Aspern), and came near perishing when that noble corps was driven back on the Danube. He managed to cross the river astride a log of wood. The cuirassiers, finding the bridge down, took the glorious resolution, at Montcornet’s command, to turn and resist the entire Austrian army, which carried off on the morrow over thirty wagon-loads of cuirasses. The Germans invented a name for their enemies on this occasion which means “men of iron.”1 Montcornet has the outer man of a hero of antiquity. His arms are stout and vigorous, his chest deep and broad; his head has a leonine aspect, his voice is of those that can order a charge in the thick of battle; but he has nothing more than the courage of a daring man; he lacks mind and breadth of view. Like other generals to whom military common-sense, the natural boldness of those who spend their lives in danger, and the habit of command gives an appearance of superiority, Montcornet has an imposing effect when you first meet him; he seems a Titan, but he contains a dwarf, like the pasteboard giant who saluted Queen Elizabeth at the gates of Kenilworth. Choleric though kind, and full of imperial hauteur, he has the caustic tongue of a soldier, and is quick at repartee, but quicker still with a blow. He may have been superb on a battle-field; in a household he is simply intolerable. He knows no love but barrack love, – the love which those clever myth-makers, the ancients, placed under the patronage of Eros, son of Mars and Venus. Those delightful chroniclers of the old religions provided themselves with a dozen different Loves. Study the fathers and the attributes of these Loves, and you will discover a complete social nomenclature, – and yet we fancy that we originate things! When the world turns upside down like an hour-glass, when the seas become continents, Frenchmen will find canons, steamboats, newspapers, and maps wrapped up in seaweed at the bottom of what is now our ocean.

Now, I must tell you that the Comtesse de Montcornet is a fragile, timid, delicate little woman. What do you think of such a marriage as that? To those who know society such things are common enough; a well-assorted marriage is the exception. Nevertheless, I have come to see how it is that this slender little creature handles her bobbins in a way to lead this heavy, solid, stolid general precisely as he himself used to lead his cuirassiers.

If Montcornet begins to bluster before his Virginie, Madame lays a finger on her lips and he is silent. He smokes his pipes and his cigars in a kiosk fifty feet from the chateau, and airs himself before he returns to the house. Proud of his subjection, he turns to her, like a bear drunk on grapes, and says, when anything is proposed, “If Madame approves.” When he comes to his wife’s room, with that heavy step which makes the tiles creak as though they were boards, and she, not wanting him, calls out: “Don’t come in!” he performs a military volte-face and says humbly: “You will let me know when I can see you?” – in the very tones with which he shouted to his cuirassiers on the banks of the Danube: “Men, we must die, and die well, since there’s nothing else we can do!” I have heard him say, speaking of his wife, “Not only do I love her, but I venerate her.” When he flies into a passion which defies all restraint and bursts all bonds, the little woman retires into her own room and leaves him to shout. But four or five hours later she will say: “Don’t get into a passion, my dear, you might break a blood-vessel; and besides, you hurt me.” Then the lion of Essling retreats out of sight to wipe his eyes. Sometimes he comes into the salon when she and I are talking, and if she says: “Don’t disturb us, he is reading to me,” he leaves us without a word.

It is only strong men, choleric and powerful, thunder-bolts of war, diplomats with olympian heads, or men of genius, who can show this utter confidence, this generous devotion to weakness, this constant protection, this love without jealousy, this easy good humor with a woman. Good heavens! I place the science of the countess’s management of her husband as far above the peevish, arid virtues as the satin of a causeuse is superior to the Utrecht velvet of a dirty bourgeois sofa.

My dear fellow, I have spent six days in this delightful country-house, and I never tire of admiring the beauties of the park, surrounded by forests where pretty wood-paths lead beside the brooks. Nature and its silence, these tranquil pleasures, this placid life to which she woos me, – all attract. Ah! here is true literature; no fault of style among the meadows. Happiness forgets all things here, – even the Debats! It has rained all the morning; while the countess slept and Montcornet tramped over his domain, I have compelled myself to keep my rash, imprudent promise to write to you.

Until now, though I was born at Alencon, of an old judge and a prefect, so they say, and though I know something of agriculture, I supposed the tale of estates bringing in four or five thousand francs a month to be a fable. Money, to me, meant a couple of dreadful things, – work and a publisher, journalism and politics. When shall we poor fellows come upon a land where gold springs up with the grass? That is what I desire for you and for me and the rest of us in the name of the theatre, and of the press, and of book-making! Amen!

Will Florine be jealous of the late Mademoiselle Laguerre? Our modern Bourets have no French nobles now to show them how to live; they hire one opera-box among three of them; they subscribe for their pleasures; they no longer cut down magnificently bound quartos to match the octavos in their library; in fact, they scarcely buy even stitched paper books. What is to become of us?

Adieu; continue to care forYour Blondet.

If this letter, dashed off by the idlest pen of the century, had not by some lucky chance been preserved, it would have been almost impossible to describe Les Aigues; and without this description the history of the horrible events that occurred there would certainly be less interesting.

After that remark some persons will expect to see the flashing of the cuirass of the former colonel of the guard, and the raging of his anger as he falls like a waterspout upon his little wife; so that the end of this present history may be like the end of all modern dramas, – a tragedy of the bed-chamber. Perhaps the fatal scene will take place in that charming room with the blue monochromes, where beautiful ideal birds are painted on the ceilings and the shutters, where Chinese monsters laugh with open jaws on the mantle-shelf, and dragons, green and gold, twist their tails in curious convolutions around rich vases, and Japanese fantasy embroiders its designs of many colors; where sofas and reclining-chairs and consoles and what-nots invite to that contemplative idleness which forbids all action.

No; the drama here to be developed is not one of private life; it concerns things higher, or lower. Expect no scenes of passion; the truth of this history is only too dramatic. And remember, the historian should never forget that his mission is to do justice to all; the poor and the prosperous are equals before his pen; to him the peasant appears in the grandeur of his misery, and the rich in the pettiness of his folly. Moreover, the rich man has passions, the peasant only wants. The peasant is therefore doubly poor; and if, politically, his aggressions must be pitilessly repressed, to the eyes of humanity and religion he is sacred.

CHAPTER II. A BUCOLIC OVERLOOKED BY VIRGIL

When a Parisian drops into the country he is cut off from all his usual habits, and soon feels the dragging hours, no matter how attentive his friends may be to him. Therefore, because it is so impossible to prolong in a tete-a-tete conversations that are soon exhausted, the master and mistress of a country-house are apt to say, calmly, “You will be terribly bored here.” It is true that to understand the delights of country life one must have something to do, some interests in it; one must know the nature of the work to be done, and the alternating harmony of toil and pleasure, – eternal symbol of human life.

When a Parisian has recovered his powers of sleeping, shaken off the fatigues of his journey, and accustomed himself to country habits, the hardest period of the day (if he wears thin boots and is neither a sportsman nor an agriculturalist) is the early morning. Between the hours of waking and breakfasting, the women of the family are sleeping or dressing, and therefore unapproachable; the master of the house is out and about on his own affairs; a Parisian is therefore compelled to be alone from eight to eleven o’clock, the hour chosen in all country-houses for breakfast. Now, having got what amusement he can out of carefully dressing himself, he has soon exhausted that resource. Then, perhaps, he has brought with him some work, which he finds it impossible to do, and which goes back untouched, after he sees the difficulties of doing it, into his valise; a writer is then obliged to wander about the park and gape at nothing or count the big trees. The easier the life, the more irksome such occupations are, – unless, indeed, one belongs to the sect of shaking quakers or to the honorable guild of carpenters or taxidermists. If one really had, like the owners of estates, to live in the country, it would be well to supply one’s self with a geological, mineralogical, entomological, or botanical hobby; but a sensible man doesn’t give himself a vice merely to kill time for a fortnight. The noblest estate, and the finest chateaux soon pall on those who possess nothing but the sight of them. The beauties of nature seem rather squalid compared to the representation of them at the opera. Paris, by retrospection, shines from all its facets. Unless some particular interest attaches us, as it did in Blondet’s case, to scenes honored by the steps and lighted by the eyes of a certain person, one would envy the birds their wings and long to get back to the endless, exciting scenes of Paris and its harrowing strifes.

The long letter of the young journalist must make most intelligent minds suppose that he had reached, morally and physically, that particular phase of satisfied passions and comfortable happiness which certain winged creatures fed in Strasbourg so perfectly represent when, with their heads sunk behind their protruding gizzards, they neither see nor wish to see the most appetizing food. So, when the formidable letter was finished, the writer felt the need of getting away from the gardens of Armida and doing something to enliven the deadly void of the morning hours; for the hours between breakfast and dinner belonged to the mistress of the house, who knew very well how to make them pass quickly. To keep, as Madame de Montcornet did, a man of talent in the country without ever seeing on his face the false smile of satiety, or detecting the yawn of a weariness that cannot be concealed, is a great triumph for a woman. The affection which is equal to such a test certainly ought to be eternal. It is to be wondered at that women do not oftener employ it to judge of their lovers; a fool, an egoist, or a petty nature could never stand it. Philip the Second himself, the Alexander of dissimulation, would have told his secrets if condemned to a month’s tete-a-tete in the country. Perhaps this is why kings seek to live in perpetual motion, and allow no one to see them more than fifteen minutes at a time.

Notwithstanding that he had received the delicate attentions of one of the most charming women in Paris, Emile Blondet was able to feel once more the long forgotten delights of a truant schoolboy; and on the morning of the day after his letter was written he had himself called by Francois, the head valet, who was specially appointed to wait on him, for the purpose of exploring the valley of the Avonne.

The Avonne is a little river which, being swollen above Conches by numerous rivulets, some of which rise in Les Aigues, falls at Ville-aux-Fayes into one of the large affluents of the Seine. The geographical position of the Avonne, navigable for over twelve miles, had, ever since Jean Bouvet invented rafts, given full money value to the forests of Les Aigues, Soulanges, and Ronquerolles, standing on the crest of the hills between which this charming river flows. The park of Les Aigues covers the greater part of the valley, between the river (bordered on both sides by the forest called des Aigues) and the royal mail road, defined by a line of old elms in the distance along the slopes of the Avonne mountains, which are in fact the foot-hills of that magnificent amphitheater called the Morvan.

However vulgar the comparison may be, the park, lying thus at the bottom of the valley, is like an enormous fish with its head at Conches and its tail in the village of Blangy; for it widens in the middle to nearly three hundred acres, while towards Conches it counts less than fifty, and sixty at Blangy. The position of this estate, between three villages, and only three miles from the little town of Soulanges, from which the descent is rapid, may perhaps have led to the strife and caused the excesses which are the chief interest attaching to the place. If, when seen from the mail road or from the uplands beyond Ville-aux-Fayes, the paradise of Les Aigues induces mere passing travellers to commit the mortal sin of envy, why should the rich burghers of Soulanges and Ville-aux-Fayes who had it before their eyes and admired it every day of their lives, have been more virtuous?

This last topographical detail was needed to explain the site, also the use of the four gates by which alone the park of Les Aigues was entered; for it was completely surrounded by walls, except where nature had provided a fine view, and at such points sunk fences or ha-has had been placed. The four gates, called the gate of Conches, the gate of Avonne, the gate of Blangy, and the gate of the Avenue, showed the styles of the different periods at which they were constructed so admirably that a brief description, in the interest of archaeologists, will presently be given, as brief as the one Blondet has already written about the gate of the Avenue.

After eight days of strolling about with the countess, the illustrious editor of the “Journal des Debats” knew by heart the Chinese kiosk, the bridges, the isles, the hermitage, the dairy, the ruined temple, the Babylonian ice-house, and all the other delusions invented by landscape architects which some nine hundred acres of land can be made to serve. He now wished to find the sources of the Avonne, which the general and the countess daily extolled in the evening, making plans to visit them which were daily forgotten the next morning. Above Les Aigues the Avonne really had the appearance of an alpine torrent. Sometimes it hollowed a bed among the rocks, sometimes it went underground; on this side the brooks came down in cascades, there they flowed like the Loire on sandy shallows where rafts could not pass on account of the shifting channels. Blondet took a short cut through the labyrinths of the park to reach the gate of Conches. This gate demands a few words, which give, moreover, certain historical details about the property.

The original founder of Les Aigues was a younger son of the Soulanges family, enriched by marriage, whose chief ambition was to make his elder brother jealous, – a sentiment, by the bye, to which we owe the fairy-land of Isola Bella in the Lago Maggiore. In the middle ages the castle of Les Aigues stood on the banks of the Avonne. Of this old building nothing remains but the gateway, which has a porch like the entrance to a fortified town, flanked by two round towers with conical roofs. Above the arch of the porch are heavy stone courses, now draped with vegetation, showing three large windows with cross-bar sashes. A winding stairway in one of the towers leads to two chambers, and a kitchen occupies the other tower. The roof of the porch, of pointed shape like all old timber-work, is noticeable for two weathercocks perched at each end of a ridge-pole ornamented with fantastic iron-work. Many an important place cannot boast of so fine a town hall. On the outside of this gateway, the keystone of the arch still bears the arms of Soulanges, preserved by the hardness of the stone on which the chisel of the artist carved them, as follows: Azure, on a pale, argent, three pilgrim’s staff’s sable; a fess bronchant, gules, charged with four grosses patee, fitched, or; with the heraldic form of a shield awarded to younger sons. Blondet deciphered the motto, “Je soule agir,” – one of those puns that crusaders delighted to make upon their names, and which brings to mind a fine political maxim, which, as we shall see later, was unfortunately forgotten by Montcornet. The gate, which was opened for Blondet by a very pretty girl, was of time-worn wood clamped with iron. The keeper, wakened by the creaking of the hinges, put his nose out of the window and showed himself in his night-shirt.

“So our keepers sleep till this time of day!” thought the Parisian, who thought himself very knowing in rural customs.

After a walk of about quarter of an hour, he reached the sources of the river above Conches, where his ravished eyes beheld one of those landscapes that ought to be described, like the history of France, in a thousand volumes or in only one. We must here content ourselves with two paragraphs.

A projecting rock, covered with dwarf trees and abraded at its base by the Avonne, to which circumstance it owes a slight resemblance to an enormous turtle lying across the river, forms an arch through which the eye takes in a little sheet of water, clear as a mirror, where the stream seems to sleep until it reaches in the distance a series of cascades falling among huge rocks, where little weeping willows with elastic motion sway back and forth to the flow of waters.

Beyond these cascades is the hillside, rising sheer, like a Rhine rock clothed with moss and heather, gullied like it, again, by sharp ridges of schist and mica sending down, here and there, white foaming rivulets to which a little meadow, always watered and always green, serves as a cup; farther on, beyond the picturesque chaos and in contrast to this wild, solitary nature, the gardens of Conches are seen, with the village roofs and the clock-tower and the outlying fields.

There are the two paragraphs, but the rising sun, the purity of the air, the dewy sheen, the melody of woods and waters – imagine them!

“Almost as charming as at the Opera,” thought Blondet, making his way along the banks of the unnavigable portion of the Avonne, whose caprices contrast with the straight and deep and silent stream of the lower river, flowing between the tall trees of the forest of Les Aigues.

Blondet did not proceed far on his morning walk, for he was presently brought to a stand-still by the sight of a peasant, – one of those who, in this drama, are supernumeraries so essential to its action that it may be doubted whether they are not in fact its leading actors.

When the clever journalist reached a group of rocks where the main stream is imprisoned, as it were, between two portals, he saw a man standing so motionless as to excite his curiosity, while the clothes and general air of this living statue greatly puzzled him.

The humble personage before him was a living presentment of the old men dear to Charlet’s pencil; resembling the troopers of that Homer of soldiery in a strong frame able to endure hardship, and his immortal skirmishers in a fiery, crimson, knotted face, showing small capacity for submission. A coarse felt hat, the brim of which was held to the crown by stitches, protected a nearly bald head from the weather; below it fell a quantity of white hair which a painter would gladly have paid four francs an hour to copy, – a dazzling mass of snow, worn like that in all the classical representations of Deity. It was easy to guess from the way in which the cheeks sank in, continuing the lines of the mouth, that the toothless old fellow was more given to the bottle than the trencher. His thin white beard gave a threatening expression to his profile by the stiffness of its short bristles. The eyes, too small for his enormous face, and sloping like those of a pig, betrayed cunning and also laziness; but at this particular moment they were gleaming with the intent look he cast upon the river. The sole garments of this curious figure were an old blouse, formerly blue, and trousers of the coarse burlap used in Paris to wrap bales. All city people would have shuddered at the sight of his broken sabots, without even a wisp of straw to stop the cracks; and it is very certain that the blouse and the trousers had no money value at all except to a paper-maker.

As Blondet examined this rural Diogenes, he admitted the possibility of a type of peasantry he had seen in old tapestries, old pictures, old sculptures, and which, up to this time, had seemed to him imaginary. He resolved for the future not to utterly condemn the school of ugliness, perceiving a possibility that in man beauty may be but the flattering exception, a chimera in which the race struggles to believe.

“What can be the ideas, the morals, the habits, of such a being? What is he thinking of?” thought Blondet, seized with curiosity. “Is he my fellow-creature? We have nothing in common but shape, and even that! – ”

He noticed in the old man’s limbs the peculiar rigidity of the tissues of persons who live in the open air, accustomed to the inclemencies of the weather and to the endurance of heat and cold, – hardened to everything, in short, – which makes their leathern skin almost a hide, and their nerves an apparatus against physical pain almost as powerful as that of the Russians or the Arabs.

“Here’s one of Cooper’s Red-skins,” thought Blondet; “one needn’t go to America to study savages.”