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Maude proceeded to the rear of the house, crossing a lawn where no daisy had ever trod. The back of the big house was of brick; evidently the costly stone fronting the house served only as a mask. She came to a summerhouse, sheltered by two silver birch trees. This summerhouse, all of wood, had a small balcony at the front, facing south, towards Righteous House. Mounting the balcony, Maude tapped at the door.
A young woman opened immediately, welcomed Maude in, and then locked the door from the inside. She was of the lightest coffee colour, with beautiful deep-set dark eyes and a neat fleshy nose. Her intense long black hair was coiled over one shoulder, her head covered by a light shawl, the ends of which were tied beneath her chin. She clasped prayerful hands together. ‘Salaam Aleikum.’
Maude had learnt to respond in kind. In the summerhouse was the scent of sandalwood. A joss stick was burning. Om Haldar was the name of this young woman who, with grave courtesy, settled Maude in a cushioned wicker chair. She brought her visitor a plastic bottle of mineral water, which she opened for the old lady, pouring some of the water into a glass.
‘Are you well, Om Haldar?’ Maude asked. She could hardly bear to take her gaze from the girl, so graceful were Om Haldar’s movements, and her every gesture, some of which rattled the bracelets on her arms.
‘I am perfectly well, thanks to Allah.’ With these words Om Haldar flashed a sad smile, showing even white teeth. She was also perfectly remote, despite her closeness. She gave a quick glance through the window to see that no one was approaching across the lawn.
‘This morning, we will speak of the Hadith, the deeds and sayings of the prophet Muhammad. Are you prepared, please, Mrs Maude?’
‘Yes, I brought my notebook.’ She produced the notebook from a capacious side pocket and then looked up expectantly at her instructress. Om Haldar had never questioned Maude about the reason she was turning to Islam rather late in life. Maude’s impulse was obscure even to herself. She knew only that she had been offended by her daughter Janet’s funeral service, by the perfunctory way the parson had read the prayers and, in particular, the manner in which the coffin was almost dropped into its grave.
From that moment, inconsolable, she had sworn to have nothing more to do with the C of E. Yet, lonely woman that she was, she felt the need for a faith. And one day she had happened upon Om Haldar. She had never asked the young woman what she was doing, or why she was living in the Fitzgerald summerhouse. Although she was curious by nature, she liked the mystery; it reinforced the sense of adventure in turning to a new faith. To turn to this young woman was to turn to her faith. She thought – or liked to think – that behind the courtesy of this young woman lurked a terrible story. She revered, even loved, this strange girl with her isolating courtesy. Perhaps she could ask the withdrawn Deirdre Fitzgerald about it one day?
‘Unfortunately, terrorists and obsolete traditions have given the name of violence to we Muslims,’ the girl had said by way of introduction. ‘Although I have my reasons to regret some of the laws of my country and my religion, I wish to stress to you, kind Mrs Maude, that for many centuries we have been peaceable. The West has in the past benefited from our learning. You may have heard of the Taliban, who banned women from education, but that was not the case everywhere.
‘So now,’ she said. And again there was this distance which Maude found intriguing. ‘We speak of the Five Pillars. These are the basic religious duties, gladly entered upon. Firstly there is Shahada, where the formula we use is the declaration of faith expressed in the phrase, “There is no god but God.”’
As she continued, Maude scribbled industriously in her notebook. There is no god but God. Yes, she thought, that must be true – but what did it mean? It meant nothing as yet, but first she had to believe and then meaning would dawn. That meaning could bring some happiness into the void.
When her session was over, Maude struggled to her feet, formally paid her teacher and said goodbye. She always wanted to kiss Om Haldar, but did not know if it would be acceptable. The session was closed, and Om Haldar turned her gentle back on her pupil. The way to the gate and the road wound close to the rear of Righteous House. As Maude was approaching the house she heard a shrill voice within calling to her maid: ‘Vera, Vera, go and see who that is walking about my garden!’ A minute later and a young woman whom Maude knew as Vera looked out of the back door.
‘You all right, ma’am?’
Maude said gently, ‘Please tell your missus it’s Maude. I visit Om Haldar every day at this time – and with her permission.’
‘Mrs Fitzgerald is a touch short-sighted.’
‘Thank you, Vera. I’m sorry if you were upset.’
The maid grinned. ‘I’m not upset. I’m used to it.’
Once she was alone again, Om Haldar’s manner changed. She moved more briskly. She snatched a stout stick of a type known to the Irish as a shillelagh from its hiding place beneath a rug and laid it under the sofa on which she slept, so that she could more easily grab it if she was attacked.
A coloured curtain hung over the rear wall of the bungalow, concealing a wooden door. She checked that the bolt was secure. Going about these protective measures, Om Haldar sang to herself in a low voice.
Grasses glitter with the dews of morning
For the little birds to suck.
Where I come from no birds or dews
Came to greet the dusty pinks
That herald one more starving dawning
Where the wild dog comes and drinks –
The Great alone feed, while for us to pluck
No mangoes, schooling, justice, luck
I drown in all my thoughts, my sorrows.
How can my pa be so unkind
Who once held me on his knee?
How can I ever purge from mind
The death, the dagger? I can see
But pa is blind. From vengeance, death, I flee.
My yesterdays and worse tomorrows
Surely are not writ and signed?
Here amid this land of strangers
Much I see is clean and neat
Much I see is calm and sweet
And yet they have no god to praise
And those I know breed dangers, dangers.
Allah, let me see your face –
I must be ever on my ways
Or I will die for my disgrace –
My little fault, my love, my days –
To some other foreign place …
She took her duster to clean the windows and to watch, singing to herself, hoping Allah would understand her plight and be merciful.
Justin’s house, Clemenceau, was solid. He had grown fond of it. Clemenceau aspired to none of the grandeur of Righteous House. It stood with its sturdy façade towards the street; it was the house in which Janet Haddock had died. It marked the end of the street, beyond Ivy Lane. The street was one-sided. On the other side of the road opposite Clemenceau was a wilderness of trees and bushes, behind which lurked a small special school. Sometimes, standing on his front doorstep, Justin could hear the cries and calls of a different species of being: schoolchildren. Since his wife’s death, or – as he sometimes liked to describe it – the divorce, this old grey house of his had become the necessary shell of the crustacean within. Clemenceau was one of the old modest stone-built houses standing not exactly close, not exactly apart. It had originally consisted of two rooms at ground level and two upper rooms. Later, two more rooms, an upper and a lower, had been tacked on. Then a room serving now as a living room had been built to the rear. When Justin bought the house, he had greatly extended it, lengthening it with a generous hall and study, above which was a room Janet had liked to call her own, together with a spare bedroom and toilet en suite. This simulation of organic growth in the building presumably marked an increase in British fortunes across the years. When he lay in bed of a night, he listened to the many noises the house made to itself, a succession of creaks, bumps and groans, as if the old place were talking to itself, muttering about its early past before central heating was invented. In the back garden, Justin had turned up the remains of a well, with an old mattress stuffed down it. Also, as he dug himself a vegetable bed, the yellowed bones of an aged dray horse had been uncovered. These were further indications of an earlier, less comfortable, age. Justin crept about his familiar rooms. A certain dread lurked that he might, through infirmity or impoverishment, have to forsake the house in exchange for a single room. He had a relationship with the house. Not quite a love affair, more a kinship: a place where he might cling to his humanity as long as possible. He had filled the place with etchings and paintings and some of his own abstract oils. The walls of several rooms were choked by books; books on or epistles by Byron or Mary Shelley and her group, histories of World War Two, catalogues of Kandinsky exhibitions, learned works on G.B. Tiepolo’s etchings, biographies of John Osborne and the letters of Kingsley Amis, works on Sumatra and other countries, and of the solar system. It was not so much that he feared death: he hated to think of his library being broken up. That was the final dissolution of personality, of his personality and of Janet’s. Sometimes he chose to forget Janet was dead and imagined her living in Carlisle. Surely she would return, wanting to see their son again?
He heard Maude enter the house, but did not go to greet her. She went quietly to her part of the ground floor they shared. He had recently redecorated the downstairs lavatory with a soothing green emulsion paint. A pretty green summer dress of Janet’s hung on the back of the door. He had yet to make up his mind to part with it. Like the rest of the house, this lavatory was fairly shipshape. It was only the outside drains and gutters that still required the attention of the elusive builders.
He was comfortable enough in his house, even sharing it with Maude. No one had ever broken into it. Nevertheless he was uneasy, not understanding what trouble Maude seemed to be involved in. He had spoken to Guy Fitzgerald, with whom he was on fairly formal terms. Guy owned Righteous House; he was an anaesthetist at the JR, the local hospital, the John Radcliffe. He had shed no light on the matter of Maude’s conversion, or of who was living in his summerhouse, beyond the fact that he thought their lodger held no immigration papers.
Justin’s living room was unremarkable, somewhat dated. Janet had furnished it; he had never changed it, except to add a large TV screen to one corner. The windows looked out on the garden and his courtyard. Morning sun flooded into this room. The sun tried to tempt a big unkempt succulent standing on the window sill to flower. This tousled plant had not flowered for three years. He forgave it, liking its grand disorder. When and if it ever flowered again, it would give forth the most brilliant blossoms, opening mouths of unimaginable colour.
At the front of the house was a smaller and smarter room. He had taken some trouble with its furnishings. The basic colour was a sober deep blue, markedly enlivened by a large rug fashioned from many multi-coloured squares and rectangles of a durable wool. He had installed a small settee of a plump nature, on which he often sprawled to read the TLS. There had been a time when the afternoon sun had filtered into this room, making it glow with an amiable beauty. Over the years, trees such as leylandii and a magnificent horse chestnut had grown up on the perimeters of the school on the opposite side of the road, absorbing the sun’s rays; so that only little trembling points of gold now broke through into this evening room. Justin’s kitchen was old-fashioned, his pantry sparse. He rarely went into the dining room. Only when Kate came to spend the night with him did they have breakfast there. Eggs and bacon always featured on those happy occasions. In these various rooms he maintained himself and Maude. He had even learnt to tolerate the incantations Maude was learning from Om Haldar.
2 (#u36681651-24e5-5adc-bb89-cdc3153e3797)
A Note from the Summerhouse (#u36681651-24e5-5adc-bb89-cdc3153e3797)
Marie Milsome called on Justin, to see that he was not starving himself while Kate was away. ‘How goes WUFA?’ he asked.
‘Don’t ask,’ Marie said. She brought him a package of home-made tongue sandwiches. Justin was immensely fond of Marie. He brewed some coffee and they went into the garden with it, to sit ensconced on wicker chairs under the sun umbrella. Marie was a handsome, well-set-up woman in her sixties. Her generous head of hair was dyed somewhere between ginger and gold; she flew once a month to her hairdresser in Paris to have her hair attended to. Not only was she adroit at swearing: the world, or many of its aspects, troubled her. There she and her husband were much in agreement. ‘Was the world always in its present muddle or were we just too young to notice?’
‘At least the world was not so over-populated,’ Justin said.
‘Shagging took one’s mind off worse things,’ she said with a smile. ‘Probably better things too …’
‘Such as?’
Justin had advertised for a gardener. A man called at the side door, dragging a dog with him. He announced himself as Hughes. Justin did not immediately take to the fellow, but he showed him into the courtyard, where Marie was sitting, in order that he might gain some idea of the garden. The new arrival was a big hollow-chested man in his fifties, wearing a mustard-coloured jacket at least two sizes too large for him: evidently bought from the Oxfam shop. His well-worn face might have come from the same source. The jacket stood away from him at the neck, hunching back at the shoulders, as if, of all the people who had worn the garment previously, this customer was its least favourite. Justin introduced himself and Marie and asked the man’s name.
‘Jack Hughes,’ he said.
‘Oh, how delightful,’ said Marie, piping up. ‘We are reading Zola’s J’accuse in our French class. Was your mother reading J’accuse when she was pregnant?’
Hughes was completely baffled. In a short while he said he did not want the job and left, scowling and muttering to himself, dragging the dog after him.
‘I could have killed you!’ Justin exclaimed, and both he and Marie burst into laughter. Little did they anticipate the note, written in pencil, pushed through Justin’s door, saying You was rude. I did not have no mother, see.
Marie left. Justin was alone again, thinking as he always thought, worrying about Maude. He could not understand how she had been moved to espouse a religion where women were so subject to male domination. In the house, a sickly smell assailed him. His cleaner, Scalli, had been over-liberal with the disinfectant again. He wandered about the house, feeling vaguely uncomfortable. In one of his rooms, facing south, stood a glass-fronted cabinet. Although Justin was far from being a rich man, he had made a small collection of bodhisattvas, each about twelve inches high. He had four of them. These strikingly elaborate figures wore crowns and in general looked forbidding. Justin had no great interest in Tibetan Buddhism; he simply admired the alien nature of the figures. He had become so accustomed to them that he hardly glanced at them from one month to the next. But now he realized that one of the figures was missing. It was the bodhisattva which clutched a fish in its left hand. He began to look round the house to see if anything else was missing. That seemed not to be the case. He went to sleep in his armchair. He woke with the lost figure still in mind. He was philosophical. He had bought the bodhisattva fairly cheaply in Chengdu, China. He suspected that a Chinese merchant had stolen it from a Tibetan monastery. There was something like justice in the fact that it had now been stolen again – from him. He liked not thieves, but justice. If Maude had needed money to pay whoever she was paying for instruction into the Muslim faith, she would have asked him directly. He must tackle Scalli about it. ‘Tackle tactfully,’ he thought.
He was suffering from a headache, doing nothing. A woman called Hester phoned Justin. She said they had gone out together forty or more years ago. Did he remember? He pretended that he did. It was absurd of her to ask such a question. Hester? Hester who? She was having an exhibition of her abstract paintings at the Greystoke Gallery in Oxford. She hoped he would come along. ‘Are you all right, Justin?’ she asked. ‘You sound a bit down.’
‘I’m okay. Are you all right?’ He had already forgotten what she had said her name was.
‘I’ve been having a terrible time. I caught a bad dose of flu at the beginning of last year. Of course, I’m middle-aged now. Well, a bit more than that, really. I mean to say, my Maggie is coming up for thirty-one. It’s sad to see your children grow old, and I know she doesn’t get on too well with that daft husband of hers. Anyhow, it took me ages to recover from the flu – and then I went blind in one eye.’
‘That was bad luck, Hester.’ Her name had come back to him. He thought he had better pronounce it before it was gone again.
‘Well, for an artist, you know … I thought it was the flu but the doctor said it was the acrylics. I’ve just gone through the laser treatment and, thank God, my sight’s restored.’
‘Was it painful, the treatment?’
‘So here we are, talking about our illnesses …’
‘It’s an occupational hazard when you are eighty.’
‘Really! I’m only sixty-nine, you know. My friend Terry – I tell friends it’s short for Terylene – she says the reason why no one likes old people is because all they can talk about is their illnesses.’
Justin chuckled. ‘She could be right. Add a smell of wee …’
‘I hope you will make it to the Greystoke Gallery. It would be nice to see you again. Or at least interesting. Oh, and I forgot to tell you, my father has died.’
Hester? He tried to conjure up a face. No luck.
Justin Haddock (or, as he prefers, Haydock) is eighty years old, and there are many faces he can no longer conjure up. For him, life is rich in small events, even phone calls. He values its everydayness, knowing he will not live for ever. To survive for a goodly number of years is all very well, thinks Justin. The vital thing is to maintain something of a social life; it is there that enjoyment lives. This is not so easy when one’s wife – as in Justin’s case – has died. Or did Janet go to Carlisle? Surely Carlisle had just been a silly joke. It had become stuck in his throat like one of his warfarin pills. And again, he wondered about the world in which he lived: and about the lives of those about him. There might be someone hiding in his house of whom he was unaware. Supposing Maude unwittingly brought in a villain, a thief … He stood gazing out of the window. He was fine. Must not fall over … He seeks for an understanding of why we live our lives as we do – an ample enough theme for any novel. One thing in particular he likes about his mother-in-law Maude is her rejection of what he termed ‘the Christian rigmarole’ – the idea that bodies locked into a coffin would be resurrected and face judgement somewhere, perhaps in a celestial version of the Old Bailey. How could anyone believe that in the twenty-first century? Yet because of his religious upbringing, his rejection of the ‘rigmarole’ produced in him a certain feeling of unease: an unease justified by events, and by an alien religion.
A long while ago, back in the 1960s, Justin made a name for himself with a televised two-parter play entitled, The Worm Forgives the Plough. Justin wrote the screenplay from a book of that title, and took over as its producer at the last moment when the original producer fell ill. It was a lucky opportunity which lifted his career. The Worm Forgives was the story of a man who had served in World War Two and afterwards deliberately chooses the harsh life of a small farmer, to be close to the natural things he thinks most important. Carthorses and all that. And a beautiful woman who had been a Land Army Girl. This production marked the beginning of Justin’s comparative fame. That fame is long behind him. Now he is adjusting to obscurity as well as decrepitude. Old Headington is a real place. It is a stony suburb of some antiquity within the embrace of the city of Oxford, where forgotten things belong. Most of the characters in this story are fictitious. They are not real. Nor am I Justin Haydock; but Justin’s pains and uncertainties are real enough – all a part of experience. If you are fortunate enough to live that long. Only in your eighties do you realize how beautiful the world is. Or parts of it.
Justin was proceeding slowly along the Croft, an ancient walkway situated beside a high and venerable wall which runs from one side of Old Headington to the other. He encountered a thin man with a lined tanned face. It was Jack Hughes, unmistakable in that yellow jacket, the fellow who had applied for the job of gardener and then decided against it. He was leading his small black dog on a length of string. He put out an arm and stopped Justin. The sleeves of the jacket shot up almost to the elbow, revealing a tattooed arm and a red fist. He asked how old Justin was. Justin told him. ‘Nice dog you have there.’
‘You and that woman with you made fun of me,’ Hughes said. ‘Don’t you have no sense of feeling?’
‘I’m sorry, it was just a joke. We were not making fun of you.’
Hughes lowered his arm. ‘Talkin’ French at me …’
‘Speaking a word or two of French is not in itself an indication of a lack of feeling.’
Hughes still looked threatening. Nor did the dog look particularly friendly. ‘Yes, you was makin’ fun. I don’t like being made fun of. I would beat you up if you wasn’t so old. You made fun of me just because I’m poor and down on me luck. I’ve had a rotten life. It’s all I can do to keep myself together. I got no friends I can trust, apart from this here dog.’
In an attempt to mollify, Justin said, ‘I like your dog.’
‘It don’t like you.’
‘I’m sorry to hear that.’
Hughes shot Justin a glare of hatred, hunching up his shoulders to deliver the glare. ‘I don’t s’pose you are. Why should you be? My mother died the day I was born. Cold and waxen. Cold and waxen she was. I can never get it out of my mind. I go to church. I pray. But always there’s that death of my ma in my mind. It was so unfair. An aunt looked after me. Kind enough, religious. It’s like something lodged in my mind.’
Justin bit his bottom lip. ‘Look, I’m sorry, Mr Hughes. Please accept my apologies if we offended you, but I must get on.’
‘Do you read your Bible, may I enquire?’
‘Of course not. I have no religion.’
‘That’s Oxford for yuh! You could learn som’ing. Take Ezekiel.’ Hughes reined in his dog and struck a pose to declaim, ‘“Also out of the mist thereof came the likeness of four living creatures. And this was their appearance; they had the likeness of a man—”’
‘Fine, thanks, great stuff, but I must be off. I have to go to the bank.’
Hughes seemed not to have heard. He continued his quotation, with gestures. ‘“And every one had four faces, and every one had four wings.” It’s going to be like that and I’ll be glad of it!’
‘It’s nonsense, man. Ezekiel must have been raving mad, face up to the fact.’
Hughes stuck his face close to Justin’s. The dog sniffed his trouser leg. ‘I served my country. I was in the Falklands War. What does this rotten country care about me? It’s like I got a plum stone stuck in the back of my throat.’
‘Sorry, I must get on.’ He saw to his relief that a man and a woman had entered the Croft and were approaching. He knew them.
‘I’m uneducated.’ Hughes was shouting now. ‘I know that. Dirt poor. I can twig you despise me. P’raps you’re right. But you can’t help being what you are, can you, now?’
‘Well, that’s debatable.’
‘How do you mean, debatable? I’m telling you—’
