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Autumn of the Moguls: My Misadventures with the Titans, Poseurs, and Money Guys who Mastered and Messed Up Big Media
Michael Wolff
FROM THE AUTHOR OF THE SHOCKING NEW BOOK SHAKING US POLITICS: FIRE AND FURY, INSIDE THE TRUMP WHITEHOUSEA riveting, barnstorming, thrilling ride through the loud, lively and all-embracing world of the modern media conglomerates – its key deals, dealmakers, divas and delusions.The global media industry has never been more powerful. And there is no more astute, forthright and entertaining chronicler of this roller-coaster world than award-winning writer Michael Wolff. In ‘Autumn of the Moguls’, a funny, frank, and incendiary account that looks hard at the great characters of this media age – from homes and gardens empress Martha Stewart to Disney czar Michael Eisner – he has written the guide we all need to the media, a world that is often more entertaining than what it produces.
Autumn of the Moguls
My Misadventures with the Titans, Poseurs, and Money Guys Who Mastered and Messed Up Big Media
Michael Wolff
HARPER PERENNIAL
for Alison
Contents
Cover (#u5c02188e-eabc-5bab-ab57-622cef201556)
Title Page (#uee445cd1-a410-5009-8781-e0ff88c0135c)
Prologue (#u8542d2b8-c5c2-5f0d-9c64-6eed95d97adb)
Book ONE: Spring and Summer 2002 (#u2fc643d9-03b1-5fd9-840d-823b53e6fd0b)
1 THE COMEDY (#u788f0f1f-1db0-58dc-94b4-bd843bcd3de6)
2 MY TABLE (#u7b48bf9c-f053-5079-b04c-0b948de58f14)
3 LUNCH (#ub949e048-6a4d-56bc-b8f8-7e03e7645b56)
4 THE POWERS THAT BE (#ua09343d9-e042-5b11-9316-1fe8bd972178)
5 THE PARTNER (#u07521c12-b30b-5f9f-89c7-8ef93fe62a96)
6 MY THEORY (#ubac0b325-a30c-5b22-8631-a9df1c7cfb12)
7 THE BALLAD OF JEAN-MARIE (#u392d49ce-4ef7-5bde-8574-df250f9eb3c1)
8 IN THE SAME BOAT (#u377e20e2-7880-52ce-b44c-3c7f7b92d12b)
9 BOB PITTMAN—A DIGRESSION (#u4505607f-d749-5af6-bf64-0db6e44966d1)
10 NOT GETTING IT (#u063a4270-20a0-5ac2-a7ab-9bf4013a34bc)
11 BARRY BUFFETT (#u774849ad-f3d4-5417-a73e-e1681b733203)
12 AND THEN THERE WAS MURDOCH (#ub4d1ea5f-f8bb-5f48-8399-b0eac9f5643e)
Book TWO: Autumn (#u1a389df1-9186-5a44-a4b2-bcf8bfdaa83d)
1 THE LIFE OF THE PARTY (#u55bdb0a5-f5ff-52f3-b8ae-aa52e9ad0432)
2 AILES AND TRUMAN (#u453bb720-3d01-5e0e-a631-b9fd9e29023e)
3 MY DINNER WITH RUPERT (#u9f90b580-618d-5f4b-9ecb-4e6712d5e068)
4 THE REHEARSAL (#uecd437bb-7973-5269-ac72-7e928c1d75e0)
5 THE OTHER PANEL (#u525e1332-9c4b-5d59-860b-30b60f75f60f)
6 THE FIRST DAY (#u580524ad-40c1-5247-a3f2-c6981609ba38)
7 THE MISSING (MEL AND SUMNER) (#ufe84ceaa-6575-5ada-932a-b12ecc6bdb6e)
8 CHARLIE AND MICHAEL (#u48939b1f-62d0-5eda-90e5-4b55d703c38d)
9 MORE MICHAELS (#uaa19f157-e069-578f-b845-27a7fca07767)
10 KEN AND STEVE (#u629af24d-a31f-5d5b-9f7e-6d86b7140fee)
11 MORE MICHAELS AND MORE DINNER (#u0e99bea8-adb6-5808-8050-fabc4b4ca69e)
12 KURT AND HARVEY (#ub48059c6-afb0-558c-b6b7-00aba1f60ca5)
13 TERRY, PETER, AND JEFF (#ud924ea31-c8d3-5174-8736-cad742eabe7a)
14 THE MAN UP THERE (#u3ef9e0b5-967d-56c1-8a35-9d37bac20068)
15 UNREAL PROPERTY (#u890f02da-e73c-5da1-8d96-e1af58ddf9a3)
16 THE BIG EVENING (#uf025a930-60a2-544e-892f-2ee225bd1d86)
17 THE GUEST LIST (#u3b0aef76-d569-5662-b327-c52c291e8765)
18
Martha (#ua9277e58-0628-5639-b597-4690fc5c0840)
19 TINA (#uafdceb10-2459-5a7f-bc84-0a27cadc4a5f)
20 AND STILL MORE COCKTAILS (#u6c8a0746-3348-50a9-9134-6030ca0e69df)
21 PINCH (#ucda0d203-f245-5ab1-801d-109a1932191b)
22 THE FINAL DINNER (#u93d83065-0fe9-5b42-8377-471f3473442f)
23 BARRY TRIUMPHANT—SORT OF (#u8c63d0c0-943c-5bfe-9108-78763e65ec07)
24 WALTER (#u298f4de9-4ba6-53d8-bdac-2173625404ca)
EPILOGUE: WINTER AND SPRING (#u51ce8aa4-06ae-5c1c-954b-bd9d9153a93e)
INDEX (#u99bef5ec-c184-5f36-9345-68d3ab652301)
Notes And Acknowledgments (#u22aea307-2135-5f15-960c-ef3a0d8b5736)
About the Author (#u2abeb6bc-96e1-5d74-a4e3-8f04b42df8c7)
By the same author (#u0dae0dcb-4558-515a-bb1b-fafeead8ba8b)
P. S. Ideas interviews & features … (#u52d707db-6a64-5f81-9d08-f26efcaf36e7)
Copyright (#ucb974256-15ee-5ab1-814d-5a67a5d3a1b6)
About the Publisher (#ufe0fff57-2b28-548b-8af7-fead2c55c331)
PROLOGUE (#ulink_56af9922-5d6e-5283-932e-c7255c8c4523)
A flashback, already
On the tenth day of the new millennium, Bruce Judson, a former Time Inc.-er, left a long message on my machine. Judson, who had formerly been an assistant to various high-ranking Time Inc. ministers, was making a joke, which I only half listened to, about some meeting we had been at together.
Judson and I—with Time managing editor and future CNN chairman Walter Isaacson—had sat on a committee at Time Warner that had decided to recommend that the company not buy AOL in 1994. But why was Judson talking about this now? I wondered as I got into the shower.
It was only in very slow motion that Judson’s message started to seem coherent in a more or less breathtaking way.
Indeed, it is almost impossible to convey now, from several years’ remove (even knowing the ultimate outcome), the unlikeliness, the utter disconnect, the lunacy of the entire far-fetched scenario: that AOL would buy Time Warner, that Time Warner would let itself be bought.
Nothing, perhaps, in business history, had ever been this … farfetched.
Jumping from the shower, dripping wet, grabbing for a towel, I flipped on CNN.
A moment later, I got a call from Caroline Miller, the editor in chief of New York magazine, where I wrote a weekly column about the media business. She seemed both aghast and excited at the same time.
“What do you want to do?” Caroline asked, balancing the mundane and the momentous.
In fact, holding my towel, I was not at all sure what to do. I felt small and inconsequential.
“I don’t know,” I said. “I guess I better get over there.”
As I might run out to cover a fire, I threw on some clothes and caught a cab over to the news conference where they were getting ready to announce the merger.
What was the proper affect here? Were we supposed to regard this as just a business story? Market reach, share price, boardroom stuff, instead of alignments, power shifts, and virtual geopolitical moves? The auditorium was filling up with business, media, and technology reporters, which for a second seemed surprising—why were they here? Where were the reporters from the national desk? The foreign desk, even? (Is this just my bias, not thinking of business reporters as real reporters? And technology reporters as an even lower order?) We’re going to miss the meaning of this story, I started to think, because the right desk doesn’t exist. Perhaps there should be a corporate-state desk. In that light, the AOL—Time Warner merger might be up there at some Munich Pact—Suez Canal—League of Nations level, or an entirely new kind of corporate-historical concept.
Something else: Reporters at other kinds of events—political events, disasters, crime scenes—are always nosing about, kibitzing, asking each other what they’ve got, but at this event, everyone just sat down and waited to be told what was what.
For a black-helicopter moment, a power move so amazingly tectonic that history would be written from here, this joint press conference was pretty bland.
The long lenses and porta-video packs were down in front of the auditorium when Time Warner CEO Jerry Levin, looking professorial and rumpled in what would be much-analyzed chinos and open shirt, came onto the stage, followed by AOL chairman Steve Case, in J.C. Penney-ish gray suit, then CNN’s Ted Turner, then the new co-COOs Bob Pittman (from AOL) and Dick Parsons (from Time Warner), and then Mike Kelly, AOL’s CFO. Everybody but Case sat down on the Dating Game— like chairs. Case opened, forcefully. But did this mean that he was the big cheese or just that he was introducing Levin? Levin indeed turned out to be the real presenter. He gave the details, such as they were, of the deal, and the philosophy, such as it was, and sent the clearest signals, to the extent that any were clear, about what was actually happening here.
It was not a businesslike presentation at all—none of the overload of information that is customary at merger announcements, the charts and bullet-pointed handouts—but, befitting a moment of at least as much political as commercial significance, a wholly symbolic tableau, although all the symbols were carefully veiled.
To do justice to the many conflicting and various unuttered messages that were being sent here, it was, I thought, probably best to look at this the way we used to look at the lineups and hierarchies and seating positions on May Day in Red Square. But the press, much of which was now owned by the merged company and therefore suddenly (as long as I am in this metaphor) something like the Soviet press, took the most literal of views.
In this view, all mergers are good mergers. Or, if not, they are superseded by even larger mergers. Mergers, in other words, are inevitable—and therefore, in some sense, unchallengeable.
Indeed, just a few months before, in what was then the biggest media merger, CBS had combined with Viacom. (The CBS and Viacom merger and now the AOL and Time Warner merger received more column inches of coverage than any other mergers before them—not least of all, of course, because they were about the media itself.)
Win-win was the most popular instant analysis. I wonder if we were this brain-dead just because we were so caught off guard, or because we or our colleagues had, instantly, made so much money off the deal (nearly 2,000 Time employees made, at the moment of the merger, $1 million or more, estimated the New York Post) that it was hard to think through the euphoria or jealousy, or because, as business reporters, the whole point is just to analyze with respect to up-and-down and not with an eye toward character, or consequence, or forest-for-the-trees.
It was not just the biggest deal that had been done by any company ever—the capstone of twenty years of more and more outsized business mergers—but it was a statement of philosophy too. This is how the world will be; this is the future. Indeed, all big deals had always portended more big deals—you were just upping the size of the big-deal measure.
As I sat in the auditorium, I was pretty sure nobody was thinking about how we had reached this point.
It took an odd person to be able to remember all the deals that had led us here.
Indeed, part of why we were here was that Time Inc. was a terrible deal maker.
All but faded from corporate memory was the name Temple-Inland, a paper mill that Time Inc. had bought in the seventies—though, arguably, the paper mill had bought Time Inc. Forest products became a third of the Time Inc. business, and the Temple family, from Diboll, Texas, among Time’s largest shareholders. This hilarious combination was undone not too many years later in a deal that led Arthur Temple, who, in effect, was given his company back, to remark (apocryphally or not) that he felt like a whore—he sold what he was selling but got to keep it too.
But then you had Warner’s Steve Ross, who had converted his father-in-law’s chain of funeral parlors into a controlling interest in a parking garage enterprise, which in turn he had traded into a talent agency and then acquired the fabled, but mostly moribund, Warner name—and, virtually overnight, reconstituted an entertainment empire.
And yet, being a good deal maker did not necessarily mean you did successful deals. Because a great many of the deals that Steve Ross did were lousy. There was, for Ross and Warner, most memorably, and in a weird foreshadowing of what happens when old guys get enamored with technology, the Atari deal. In 1976, Ross acquired the go-go technology enterprise, and, in short order, it brought Warner to the edge of bankruptcy.
Indeed, most deals, we learn from the fine print of the history of mergers and acquisitions, turn out to be lousy deals.
But there are good lousy-deal makers and there are bad lousy-deal makers.
The Time Inc. guys were historically bad lousy-deal makers.
The good and the bad in this context most often emerges from what is called company culture.
The Time culture (which does not exist anymore at Time) was aloof and clubby. Working at Time was a higher calling than other professions. It was avocational more than vocational—you worked there because you were better than the people who were not working there.
If you looked a certain way, had a certain sort of Ivy League, good-sport-jacket, furrowed-brow assurance, the elevator crowds would really part for you at the Time Life Building. The secretaries and salespeople and whoever else worked there expressed an almost physical deference to the true Time man. And you always knew who he was, as clearly as you would a priest among the functionaries at the Vatican.
Much of this culture—this aloofness from the real world—came from Time founder Henry Luce himself: the son of missionaries, inheritor of Wasp rectitude and old-money Republicanism, he valued assorted snobberies more than mere money.
Hence, Luce’s corporate offspring, or the offspring of his corporate offspring, were, or feared themselves to be, corporate weaklings.
They were, for instance, afraid of Steve Ross. And, out of that fear, admired him.
Because he did deals.
But it wasn’t only gonifism on the rise, the triumph of the vulgar Hollywood Jews over the buttoned-down Wasps. It was not just a philosophical or temperamental tide, but a technical one as well.
You had to understand deals not just as the process of putting companies together to make bigger companies, but as a process of using money in a way that increased your ability to use more money.
Leverage was the thing.
