Anthony Trollope.

Ayala's Angel



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"Have I complained, aunt?"

"I thought you did."

"Oh, no! You asked me whether I envied Ayala. What was I to say? Perhaps I should have said nothing, but the idea of envying Ayala was painful to me. Of course she – "

"Well?"

"I had better say nothing more, aunt. If I were to pretend to be cheerful I should be false. It is as yet only a few weeks since papa died." Then the work went on in silence between them for the next hour.

And the work went on in solemn silence between them through the winter. It came to pass that the sole excitement of Lucy's life came from Ayala's letters, – the sole excitement except a meeting which took place between the sisters one day. When Lucy was taken to Kingsbury Crescent Ayala was at once carried down to Glenbogie, and from thence there came letters twice a week for six weeks. Ayala's letters, too, were full of sorrow. She, too, had lost her mother, her father, and her sister. Moreover, in her foolish petulance she said things of her Aunt Emmeline, and of the girls, and of Sir Thomas, which ought not to have been written of those who were kind to her. Her cousin Tom, too, she ridiculed, – Tom Tringle, the son-and-heir, – saying that he was a lout who endeavoured to make eyes at her. Oh, how distasteful, how vulgar they were after all that she had known. Perhaps the eldest girl, Augusta, was the worst. She did not think that she could put up with the assumed authority of Augusta. Gertrude was better, but a simpleton. Ayala declared herself to be sad at heart. But then the sweet scenery of Glenbogie, and the colour of the moors, and the glorious heights of Ben Alchan, made some amends. Even in her sorrow she would rave about the beauties of Glenbogie. Lucy, as she read the letters, told herself that Ayala's grief was a grief to be borne, a grief almost to be enjoyed. To sit and be sad with a stream purling by you, how different from the sadness of that dining-room in the Crescent. To look out upon the glories of a mountain, while a tear would now and again force itself into the eye, how much less bitter than the falling of salt drops over a tattered towel.

Lucy, in her answers, endeavoured to repress the groans of her spirit. In the first place she did acknowledge that it did not become her to speak ill of those who were, in truth, her benefactors; and then she was anxious not to declare to Ayala her feeling of the injustice by which their two lots had been defined to them. Though she had failed to control herself once or twice in speaking to her aunt she did control herself in writing her letters. She would never, never, write a word which should make Ayala unnecessarily unhappy. On that she was determined. She would say nothing to explain to Ayala the unutterable tedium of that downstairs parlour in which they passed their lives, lest Ayala should feel herself to be wounded by the luxurious comforts around her.

It was thus she wrote. Then there came a time in which they were to meet, – just at the beginning of November.

The Tringles were going to Rome. They generally did go somewhere. Glenbogie, Merle Park, and the house in Queen's Gate, were not enough for the year. Sir Thomas was to take them to Rome, and then return to London for the manipulation of the millions in Lombard Street. He generally did remain nine months out of the twelve in town, because of the millions, making his visits at Merle Park very short; but Lady Tringle found that change of air was good for the girls. It was her intention now to remain at Rome for two or three months.

The party from Scotland reached Queen's Gate late one Saturday evening, and intended to start early on the Monday. To Ayala, who had made it quite a matter of course that she should see her sister, Lady Tringle had said that in that case a carriage must be sent across. It was awkward, because there were no carriages in London. She had thought that they had all intended to pass through London just as though they were not stopping. Sunday, she had thought, was not to be regarded as being a day at all. Then Ayala flashed up. She had flashed up some times before. Was it supposed that she was not going to see Lucy? Carriage! She would walk across Kensington Gardens, and find the house out all by herself. She would spend the whole day with Lucy, and come back alone in a cab. She was strong enough, at any rate, to have her way so far, that a carriage, wherever it came from, was sent for Lucy about three in the afternoon, and did take her back to Kingsbury Crescent after dinner.

Then at last the sisters were together in Ayala's bed-room. "And now tell me about everything," said Ayala.

But Lucy was resolved that she would not tell anything. "I am so wretched!" That would have been all; but she would not tell her wretchedness. "We are so quiet in Kingsbury Crescent," she said; "you have so much more to talk of."

"Oh, Lucy, I do not like it."

"Not your aunt?"

"She is not the worst, though she sometimes is hard to bear. I can't tell you what it is, but they all seem to think so much of themselves. In the first place they never will say a word about papa."

"Perhaps that is from feeling, Ayey."

"No, it is not. One would know that. But they look down upon papa, who had more in his little finger than they have with all their money."

"Then I should hold my tongue."

"So I do, – about him; but it is very hard. And then Augusta has a way with me, as though she had a right to order me. I certainly will not be ordered by Augusta. You never ordered me."

"Dear Ayey!"

"Augusta is older than you, – of course, ever so much. They make her out twenty-three at her last birthday, but she is twenty-four. But that is not difference enough for ordering, – certainly between cousins. I do hate Augusta."

"I would not hate her."

"How is one to help one's-self? She has a way of whispering to Gertrude, and to her mother, when I am there, which almost kills me. 'If you'll only give me notice I'll go out of the room at once,' I said the other day, and they were all so angry."

"I would not make them angry if I were you, Ayey."

"Why not?"

"Not Sir Thomas, or Aunt Emmeline."

"I don't care a bit for Sir Thomas. I am not sure but he is the most good-natured, though he is so podgy. Of course, when Aunt Emmeline tells me anything I do it."

"It is so important that you should be on good terms with them."

"I don't see it at all," said Ayala, flashing round.

"Aunt Emmeline can do so much for you. We have nothing of our own, – you and I."

"Am I to sell myself because they have got money! No, indeed! No one despises money so much as I do. I will never be other to them than if I had the money, and they were the poor relations."

"That will not do, Ayey."

"I will make it do. They may turn me out if they like. Of course, I know that I should obey my aunt, and so I will. If Sir Thomas told me anything I should do it. But not Augusta." Then, while Lucy was thinking how she might best put into soft words advice which was so clearly needed, Ayala declared another trouble. "But there is worse still."

"What is that?"

"Tom!"

"What does Tom do?"

"You know Tom, Lucy?"

"I have seen him."

"Of all the horrors he is the horridest."

"Does he order you about?"

"No; but he – "

"What is it, Ayey?"

"Oh! Lucy, he is so dreadful. He – "

"You don't mean that he makes love to you?"

"He does. What am I to do, Lucy?"

"Do they know it?"

"Augusta does, I'm sure; and pretends to think that it is my fault. I am sure that there will be a terrible quarrel some day. I told him the day before we left Glenbogie that I should tell his mother. I did indeed. Then he grinned. He is such a fool. And when I laughed he took it all as kindness. I couldn't have helped laughing if I had died for it."

"But he has been left behind."

"Yes, for the present. But he is to come over to us some time after Christmas, when Uncle Tringle has gone back."

"A girl need not be bothered by a lover unless she chooses, Ayey."

"But it will be such a bother to have to talk about it. He looks at me, and is such an idiot. Then Augusta frowns. When I see Augusta frowning I am so angry that I feel like boxing her ears. Do you know, Lucy, that I often think that it will not do, and that I shall have to be sent away. I wish it had been you that they had chosen."

Such was the conversation between the girls. Of what was said everything appertained to Ayala. Of the very nature of Lucy's life not a word was spoken. As Ayala was talking Lucy was constantly thinking of all that might be lost by her sister's imprudence. Even though Augusta might be disagreeable, even though Tom might be a bore, it should all be borne, – borne at any rate for a while, – seeing how terrible would be the alternative. The alternative to Lucy seemed to be Kingsbury Crescent and Aunt Dosett. It did not occur to her to think whether in any possible case Ayala would indeed be added to the Crescent family, or what in that case would become of herself, and whether they two might live with Aunt Dosett, and whether in that case life would not be infinitely improved. Ayala had all that money could do for her, and would have such a look-out into the world from a wealthy house as might be sure at last to bring her some such husband as would be desirable. Ayala, in fact, had everything before her, and Lucy had nothing. Wherefore it became Lucy's duty to warn Ayala, so that she should bear with much, and throw away nothing. If Ayala could only know what life might be, what life was at Kingsbury Crescent, then she would be patient, then she would softly make a confidence with her aunt as to Tom's folly, then she would propitiate Augusta. Not care for money! Ayala had not yet lived in an ugly room and darned sheets all the morning. Ayala had never sat for two hours between the slumbers of Uncle Dosett and the knitting of Aunt Dosett. Ayala had not been brought into contact with gin and water.

"Oh, Ayala!" she said, as they were going down to dinner together, "do struggle; do bear it. Tell Aunt Emmeline. She will like you to tell her. If Augusta wants you to go anywhere, do go. What does it signify? Papa and mamma are gone, and we are alone." All this she said without a word of allusion to her own sufferings. Ayala made a half promise. She did not think she would go anywhere for Augusta's telling; but she would do her best to satisfy Aunt Emmeline. Then they went to dinner, and after dinner Lucy was taken home without further words between them.

Ayala wrote long letters on her journey, full of what she saw, and full of her companions. From Paris she wrote, and then from Turin, and then again on their immediate arrival at Rome. Her letters were most imprudent as written from the close vicinity of her aunt and cousin. It was such a comfort that that oaf Tom had been left behind. Uncle Tringle was angry because he did not get what he liked to eat. Aunt Emmeline gave that courier such a terrible life, sending for him every quarter of an hour. Augusta would talk first French and then Italian, of which no one could understand a word. Gertrude was so sick with travelling that she was as pale as a sheet. Nobody seemed to care for anything. She could not get her aunt to look at the Campanile at Florence, or her cousins to know one picture from another. "As for pictures, I am quite sure that Mangle's angels would do as well as Raffael's." Mangle was a brother academician whom their father had taught them to despise. There was contempt, most foolish contempt, for all the Tringles; but, luckily, there had been no quarrelling. Then it seemed that both in Paris and in Florence Ayala had bought pretty things, from which it was to be argued that her uncle had provided her liberally with money. One pretty thing had been sent from Paris to Lucy, which could not have been bought for less than many franks. It would not be fair that Ayala should take so much without giving something in return.

Lucy knew that she too should give something in return. Though Kingsbury Crescent was not attractive, though Aunt Dosett was not to her a pleasant companion, she had begun to realise the fact that it behoved her to be grateful, if only for the food she ate, and for the bed on which she slept. As she thought of all that Ayala owed she remembered also her own debts. As the winter went on she struggled to pay them. But Aunt Dosett was a lady not much given to vacillation. She had become aware at first that Lucy had been rough to her, and she did not easily open herself to Lucy's endearments. Lucy's life at Kingsbury Crescent had begun badly, and Lucy, though she understood much about it, found it hard to turn a bad beginning to a good result.

CHAPTER IV.
ISADORE HAMEL

It was suggested to Lucy before she had been long in Kingsbury Crescent that she should take some exercise. For the first week she had hardly been out of the house; but this was attributed to her sorrow. Then she had accompanied her aunt for a few days during the half-hour's marketing which took place every morning, but in this there had been no sympathy. Lucy would not interest herself in the shoulder of mutton which must be of just such a weight as to last conveniently for two days, – twelve pounds, – of which, it was explained to her, more than one-half was intended for the two servants, because there was always a more lavish consumption in the kitchen than in the parlour. Lucy would not appreciate the fact that eggs at a penny a piece, whatever they might be, must be used for puddings, as eggs with even a reputation of freshness cost twopence. Aunt Dosett, beyond this, never left the house on week-days except for a few calls which were made perhaps once a month, on which occasion the Sunday gloves and the Sunday silk dress were used. On Sunday they all went to church. But this was not enough for exercise, and as Lucy was becoming pale she was recommended to take to walking in Kensington Gardens.

It is generally understood that there are raging lions about the metropolis, who would certainly eat up young ladies whole if young ladies were to walk about the streets or even about the parks by themselves. There is, however, beginning to be some vacillation as to the received belief on this subject as regards London. In large continental towns, such as Paris and Vienna, young ladies would be devoured certainly. Such, at least, is the creed. In New York and Washington there are supposed to be no lions, so that young ladies go about free as air. In London there is a rising doubt, under which before long, probably, the lions will succumb altogether. Mrs. Dosett did believe somewhat in lions, but she believed also in exercise. And she was aware that the lions eat up chiefly rich people. Young ladies who must go about without mothers, brothers, uncles, carriages, or attendants of any sort, are not often eaten or even roared at. It is the dainty darlings for whom the roarings have to be feared. Mrs. Dosett, aware that daintiness was no longer within the reach of her and hers, did assent to these walkings in Kensington Gardens. At some hour in the afternoon Lucy would walk from the house by herself, and within a quarter of an hour would find herself on the broad gravel path which leads down to the Round Pond. From thence she would go by the back of the Albert Memorial, and then across by the Serpentine and return to the same gate, never leaving Kensington Gardens. Aunt Dosett had expressed some old-fashioned idea that lions were more likely to roar in Hyde Park than within the comparatively retired purlieus of Kensington.

Now the reader must be taken back for a few moments to the bijou, as the bijou was before either the artist or his wife had died. In those days there had been a frequent concourse of people in the artist's house. Society there had not consisted chiefly of eating and drinking. Men and women would come in and out as though really for a purpose of talking. There would be three or four constantly with Dormer in his studio, helping him but little perhaps in the real furtherance of his work, though discussing art subjects in a manner calculated to keep alive art-feeling among them. A novelist or two of a morning might perhaps aid me in my general pursuit, but would, I think, interfere with the actual tally of pages. Egbert Dormer did not turn out from his hand so much work as some men that I know, but he was overflowing with art up to his ears; – and with tobacco, so that, upon the whole, the bijou was a pleasant rendezvous.

There had come there of late, quite of late, a young sculptor, named Isadore Hamel. Hamel was an Englishman, who, however, had been carried very early to Rome and had been bred there. Of his mother question never was made, but his father had been well known as an English sculptor resident at Rome. The elder Hamel had been a man of mark, who had a fine suite of rooms in the city and a villa on one of the lakes, but who never came to England. English connections were, he said, to him abominable, by which he perhaps meant that the restrictions of decent life were not to his taste. But his busts came, and his groups in marble, and now and again some great work for some public decoration: so that money was plentiful with him, and he was a man of note. It must be acknowledged of him that he spared nothing in bringing up his son, giving him such education as might best suit his future career as an artist, and that money was always forthcoming for the lad's wants and fantasies.

Then young Hamel also became a sculptor of much promise; but early in life differed from his father on certain subjects of importance. The father was wedded to Rome and to Italy. Isadore gradually expressed an opinion that the nearer a man was to his market the better for him, that all that art could do for a man in Rome was as nothing to the position which a great artist might make for himself in London, – that, in fact, an Englishman had better be an Englishman. At twenty-six he succeeded in his attempt, and became known as a young sculptor with a workshop at Brompton. He became known to many both by his work and his acquirements; but it may not be surprising that after a year he was still unable to live, as he had been taught to live, without drawing upon his father. Then his father threw his failure in his teeth, not refusing him money indeed, but making the receipt of it unpleasant to him.

At no house had Isadore Hamel been made so welcome as at Dormer's. There was a sympathy between them both on that great question of art, whether to an artist his art should be a matter to him of more importance than all the world besides. So said Dormer, – who simply died because his wife died, who could not have touched his brush if one of his girls had been suffering, who, with all his genius, was but a faineant workman. His art more than all the world to him! No, not to him. Perhaps here and again to some enthusiast, and him hardly removed from madness! Where is the painter who shall paint a picture after his soul's longing though he shall get not a penny for it, – though he shall starve as he put his last touch to it, when he knows that by drawing some duchess of the day he shall in a fortnight earn a ducal price? Shall a wife and child be less dear to him than to a lawyer, – or to a shoemaker; or the very craving of his hunger less obdurate? A man's self, and what he has within him and his belongings, with his outlook for this and other worlds, – let that be the first, and the work, noble or otherwise, be the second. To be honest is greater than to have painted the San Sisto, or to have chiselled the Apollo; to have assisted in making others honest, – infinitely greater. All of which were discussed at great length at the bijou, and the bijouites always sided with the master of the house. To an artist, said Dormer, let his art be everything, – above wife and children, above money, above health, above even character. Then he would put out his hand with his jewelled finger, and stretch forth his velvet-clad arm, and soon after lead his friend away to the little dinner at which no luxury had been spared. But young Hamel agreed with the sermons, and not the less because Lucy Dormer had sat by and listened to them with rapt attention.

Not a word of love had been spoken to her by the sculptor when her mother died, but there had been glances and little feelings of which each was half conscious. It is so hard for a young man to speak of love, if there be real love, – so impossible that a girl should do so! Not a word had been spoken, but each had thought that the other must have known. To Lucy a word had been spoken by her mother, – "Do not think too much of him till you know," the mother had said, – not quite prudently. "Oh, no! I will think of him not at all," Lucy had replied. And she had thought of him day and night. "I wonder why Mr. Hamel is so different with you?" Ayala had said to her sister. "I am sure he is not different with me," Lucy had replied. Then Ayala had shaken her full locks and smiled.



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